INTRODUCTORY NOTE

Ernest Renan was born in 1823, at Treguier in Brittany. He was

educated for the priesthood, but never took orders, turning at first

to teaching. He continued his studies in religion and philology,

and, after traveling in Syria on a government commission, he

returned to Paris and became professor of Hebrew in the College de

France, from which he was suspended for a time on account of

protests against his heretical teachings. He died in 1892.

Renan's activity divides itself into two parts. The first culminated

in his two great works on the "Origins of Christianity" and on the

"History of Israel." As to the scientific value of these books there

is difference of opinion, as was to be expected in a treatment of

such subjects to the exclusion of the miraculous. But the delicacy

and vividness of his portraits of the great personalities of Hebrew

history, and the acuteness of his analysis of national psychology,

are not to be denied.

The other part of his work is more miscellaneous, but most of it is

in some sense philosophical or autobiographical. Believing

profoundly in scientific method, Renan was unable to find in science

a basis for either ethics or metaphysics, and ended in a skepticism

often ironical, yet not untinged with mysticism.

"He was an amazing writer," says M. Faguet, "and disconcerted

criticism by the impossibility of explaining his methods of

procedure; he was luminous, supple, naturally pliant and yielding;

beneath his apparently effeminate grace an extraordinary strength of

character would suddenly make itself felt; he had, more than any

nineteenth-century writer, the quality of charm; he exercised a

caressing innuence which enveloped, and finally conquered, the

reader."

In no kind of writing was Renan's command of style more notable than

in the description of scenery; and in his pictures of his native

Brittany in the essay on "The Poetry of the Celtic Races," as well

as in his analysis of national qualities, two of his most

characteristic powers are admirably displayed.

Literary and Philosophical Essays: French, German and Italian · 第 31 / 96 题