INTRODUCTORY NOTE

Charles Augustin Sainte-Beuve, the foremost French critic of the

nineteenth century, and, in the view of many, the greatest literary

critic of the world, was born at Boulogne-sur-Mer, December 23,

1804. He studied medicine, but soon abandoned it for literature; and

before he gave himself up to criticism he made some mediocre

attempts in poetry and fiction. He became professor at the College

de France and the Ecole Normale and was appointed Senator in 1865. A

course of lectures given at Lausanne in 1837 resulted in his great

"Histoire de Port-Royal" and another given at Liege in his

"Chateaubriand et son groupe litteraire." But his most famous

productions were his critical essays published periodically in the

"Constitutionnel" the "Moniteur" and the "Temps" later collected in

sets under the names of "Critiques et Portraits Litteraires"

"Portraits Contemporains" "Causeries du Lundi" and "Nouveaux

Lundis." At the height of his vogue, these Monday essays were events

of European importance. He died in 1869.

Sainte-Beuve's work was much more than literary criticism as that

type of writing had been generally conceived before his time. In

place of the mere classification of books and the passing of a

judgment upon them as good or bad, he sought to illuminate and

explain by throwing light on a literary work from a study of the

life, circumstances, and aim of the writer, and by a comparison with

the literature of other times and countries. Thus his work was

historical, psychological, and ethical, as well as esthetic, and

demanded vast learning and a literary outlook of unparalleled

breadth. In addition to this equipment he had fine taste and an

admirable style; and by his universality, penetration, and balance

he raised to a new level the profession of critic.

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