WHEN GENIUS REMAINED YOUR HUMBLE SERVANT

Of course, I really know nothing about it, but I would be willing to

wager that the last words of Penelope, as Odysseus bounced down the

front steps, bag in hand, were: "Now, don't forget to write, Odie.

You'll find some papyrus rolled up in your clean peplum, and just drop

me a line on it whenever you get a chance."

And ever since that time people have been promising to write, and then

explaining why they haven't written. Most personal correspondence of

to-day consists of letters the first half of which are given over to

an indexed statement of reasons why the writer hasn't written before,

followed by one paragraph of small talk, with the remainder devoted to

reasons why it is imperative that the letter be brought to a close. So

many people begin their letters by saying that they have been rushed

to death during the last month, and therefore haven't found time to

write, that one wonders where all the grown persons come from who

attend movies at eleven in the morning. There has been a

misunderstanding of the word "busy" somewhere.

So explanatory has the method of letter writing become that it is

probable that if Odysseus were a modern traveler his letters home to

Penelope would average something like this:

_Calypso,_

_Friday afternoon._

DEAR PEN:--I have been so tied up with work during the last week that

I haven't had a chance to get near a desk to write to you. I have been

trying to every day, but something would come up just at the last

minute that would prevent me. Last Monday I got the papyrus all

unrolled, and then I had to tend to Scylla and Charybdis (I may have

written you about them before), and by the time I got through with

them it was bedtime, and, believe me, I am snatching every bit of

sleep I can get these days. And so it went, first the Læstrygones, and

then something else, and here it is Friday. Well, there isn't much

news to write about. Things are going along here about as usual. There

is a young nymph here who seems to own the place, but I haven't had

any chance to meet her socially. Well, there goes the ship's bell. I

guess I had better be bringing this to a close. I have got a lot of

work to do before I get dressed to go to a dinner of that nymph I was

telling you about. I have met her brother, and he and I are interested

in the same line of goods. He was at Troy with me. Well, I guess I

must be closing. Will try to get off a longer letter in a day or two.

Your loving husband,

ODIE.

P.S.--You haven't got that bunch of sports hanging round the palace

still, have you? Tell Telemachus I'll take him out of school if I hear

of his playing around with any of them.

But there was a time when letter writing was such a fad, especially

among the young girls, that if they had had to choose between eating

three meals a day and writing a letter they wouldn't have given the

meals even a consideration. In fact, they couldn't do both, for the

length of maidenly letters in those days precluded any time out for

meals. They may have knocked off for a few minutes during the heat of

the day for a whiff at a bottle of salts, but to nibble at anything

heartier than lettuce would have cramped their style.

Take Miss Clarissa Harlowe, for instance. In Richardson's book (which,

in spite of my personal aversion to it, has been hailed by every great

writer, from Pope to Stevenson, as being perfectly bully) she is

given the opportunity of telling 2,400 closely printed pages full of

story by means of letters to her female friend, Miss Howe (who plays a

part similar to the orchestra leader in Frank Tinney's act). And 2,400

pages is nothing to her. When the book closes she is just beginning to

get her stride. As soon as she got through with that she probably sat

down and wrote a series of letters to the London papers about the need

for conscription to fight the Indians in America.

To a girl like Clarissa, in the middle of the eighteenth century, no

day was too full of horrors, no hour was too crowded with terrific

happenings to prevent her from seating herself at a desk (she must

have carried the desk about with her, strapped over her shoulder) and

tearing off twenty or thirty pages to Friend Anna, telling her all

about it. The only way that I can see in which she could accomplish

this so efficiently would be to have a copy boy standing at her elbow,

who took the letter, sheet by sheet, as she wrote it, and dashed with

it to the printer.

It is hard to tell just which a girl of that period considered more

important, the experiences she was writing of or the letter itself.

She certainly never slighted the letter. If the experience wanted to

overtake her, and jump up on the desk beside her, all right, but,

experience or no experience, she was going to get that letter in the

next post or die in the attempt. Unfortunately, she never died in the

attempt.

Thus, an attack on a young lady's house by a band of cutthroats,

resulting in the burning of the structure and her abduction, might

have been told of in the eighteenth century letter system as follows:

_Monday night._

SWEET ANNA:--At this writing I find myself in the most horrible

circumstance imaginable. Picture to yourself, if you can, my dear

Anna, a party of villainous brigands, veritable cutthroats, all of

them, led by a surly fellow in green alpaca with white insertion,

breaking their way, by very force, through the side of your domicile,

like so many ugly intruders, and threatening you with vile

imprecations to make you disclose the hiding place of the family

jewels. If the mere thought of such a contingency is painful to you,

my beloved Anna, consider what it means to me, your delicate friend,

to whom it is actually happening at this very minute! For such is in

very truth the situation which is disclosing itself in my room as I

write. Not three feet away from me is the odious person before

described. Now he is threatening me with renewed vigor! Now he has

placed his coarse hands on my throat, completely hiding the pearl

necklace which papa brought me from Epsom last summer, and which you,

and also young Pindleson (whose very name I mention with a blush),

have so often admired. But more of this later, and until then, believe

me, my dear Anna, to be

Your ever distressed and affectionate

CL. HARLOWE.

_Monday night. Later._

DEAREST ANNA:--Now, indeed, it is evident, my best, my only friend,

that I am face to face with the bitterest of fates. You will remember

that in my last letter I spoke to you of a party of unprincipled

knaves who were invading my apartment. And now do I find that they

have, in furtherance of their inexcusable plans, set fire to that

portion of the house which lies directly behind this, so that as I put

my pen to paper the flames are creeping, like hungry creatures of some

sort, through the partitions and into this very room, so that did I

esteem my safety more than my correspondence with you, my precious

companion, I should at once be making preparation for immediate

departure. O my dear! To be thus seized, as I am at this very

instant, by the unscrupulous leader of the band and carried, by

brute force, down the stairway through the butler's pantry and into

the servants' hall, writing as I go, resting my poor paper on the

shoulder of my detested abductor, is truly, you will agree, my sweet

Anna, a pitiable episode.

[Illustration: "To be thus seized ... is truly, you will agree, my

sweet Anna, a pitiable episode."]

Adieu, my intimate friend.

Your obt. s'v't,

CL. HARLOWE.

One wonders (or, at least, _I_ wonder, and that is sufficient for the

purposes of this article) what the letter writing young lady of that

period would have done had she lived in this day of postcards showing

the rocks at Scipawisset or the Free Public Library in East Tarvia.

She might have used them for some of her shorter messages, but I

rather doubt it. The foregoing scene could hardly have been done

justice to on a card bearing the picture of the Main Street of the

town, looking north from the Soldiers' Monument, with the following

legend:

"Our house is the third on the left with the lilac bush.

Cross marks window where gang of rough-necks have just broken

in and are robbing and burning the house. Looks like a bad

night. Wish you were here. C.H."

No; that would never have done, but it would have been a big relief

for the postilion, or whoever it was that had to carry Miss Clarissa's

effusions to their destination. The mail on Monday morning, after a

springlike Sunday, must have been something in the nature of a wagon

load of rolls of news print that used to be seen standing in front of

newspaper offices in the good old days when newspapers were printed on

paper stock. Of course, the postilion had the opportunity of whiling

away the time between stations by reading some of the spicier bits in

the assortment, but even a postilion must have had his feelings, and a

man can't read that kind of stuff _all_ of the time, and still keep

his health.

Of course, there are a great many people now who write letters because

they like to. Also, there are some who do it because they feel that

they owe it to posterity and to their publishers to do so. As soon as

a man begins to sniff a chance that he may become moderately famous he

is apt to brush up on his letter writing and never send anything out

that has not been polished and proof-read, with the idea in mind that

some day some one is going to get all of his letters together and make

a book of them. Apparently, most great men whose letters have been

published have had premonition of their greatness when quite young,

as their childish letters bear the marks of careful and studied

attention to publicity values. One can almost imagine the budding

genius, aged eight, sitting at his desk and saying to himself:

[Illustration: "I must not forget that I am now going through the

'_Sturm und Drang_' period."]

"In this spontaneous letter to my father I must not forget that I am

now going through the _Sturm und Drang_ (storm and stress) period of

my youth and that this letter will have to be grouped by the compiler

under the _Sturm und Drang_ (storm and stress) section in my collected

letters. I must therefore keep in the key and quote only such of my

favorite authors as will contribute to the effect. I think I will use

Werther to-day.... My dear Father"--etc.

I have not known many geniuses in their youth, but I have had several

youths pointed out to me by their parents as geniuses, and I must

confess that I have never seen a letter from any one of them that

differed greatly from the letters of a normal boy, unless perhaps they

were spelled less accurately. Given certain uninteresting conditions,

let us say, at boarding school, and I believe that the average bright

boy's letter home would read something in this fashion:

_Exeter, N.H.,_

_Wed., April 25._

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