In the orphan asylum at Santiago there are said to be two thousand

children of unknown parentage, supported by the Church, and this in a

city of two hundred thousand people. There is a very convenient mode for

the disposition of foundlings. In the rear wall surrounding the place is

an aperture, with a wooden box or cradle which swings out and in. A

mother who has no use for her baby goes there at night, places the

little one in the cradle, swings it inside, and the nuns on guard

hearing a bell that rings automatically, take the infant to the nursery.

The next morning the mother, if she has no occupation to detain her,

applies for employment as a wetnurse. However this plan may be regarded

by stern moralists, it is certainly an improvement on infanticide, a

crime almost unknown in Chili. But one may hunt the country over to find

a house of correction for men. Sin, shame, and penitence appear to be

the exclusive attributes of the weaker sex. Men are never seen at the

confessional; they never wear white wrappings to advertise their guilt;

and at mass in the morning the average attendance is about one man to

every hundred women.

Santiago is reached from Valparaiso by a railway which is run on the

English plan, and is similar in its equipment and system of management

to those of Europe. The scenery along the line is picturesque, the

snow-caps of the Andean peaks being constantly in view, and Aconcagua,

the highest mountain on this hemisphere, can be seen nearly the entire

distance. A few miles from Valparaiso, and the first station on the

road, is Vin del Mar, the Long Branch of Chili, where many of the

wealthy residents of the country have fine establishments, and usually

spend the summer. It is by far the most modern and elegant fashionable

resort in South America, and reminds one of the popular haunts along the

Mediterranean. The journey to Santiago is made in about five hours, and

one is agreeably surprised when he arrives to find in the capital of

Chili one of the finest cities on the continent.

Although the climate of Santiago is similar to that of Washington or St.

Louis, the people have a notion that fires in their houses are

unhealthful, and, except in those built by English or American

residents, there is nothing like a grate or a stove to be found.

Everybody wears the warmest sort of underclothing, and heavy wraps

in-doors and out. The people spend six months of the year in a perpetual

shiver, and the remainder in a perpetual perspiration. It looks rather

odd to see civilized people sitting in a parlor, surrounded by every

possible luxury that wealth can bring (except fire) wrapped in furs and

rugs, with blue noses and chattering teeth, when coal is cheap, and the

mountains are covered with timber. But nothing can convince a Chillano

that artificial heat is healthful, and during the winter, which is the

rainy season, he has not the wit to warm his chilled body. It is odd,

too, to see in the streets men wearing fur caps, and with their throats

wrapped in heavy mufflers, while the women who walk beside them have

nothing on their heads at all. During the morning, while on the way from

mass, or while shopping, the women wear the manta, as they do in Peru,

but in the afternoons, on the promenade, or when riding, they go

bareheaded. Although the prevailing diseases are pneumonia and other

throat and lung complaints, and during the winter the mortality from

these causes is immense, the Chillano persists in believing that

artificial heat poisons the atmosphere; and when he visits the home of a

foreigner, and finds a fire, he will ask that the door be left ajar, so

that he may be as chilly as usual. At fashionable gatherings,

dinner-parties, and that sort of thing, I have seen women in full

evening-dress with bare arms and shoulders, with the temperature of the

room between forty and fifty Fahrenheit. They often carry into the

_salon_ or dining-room their fur wraps, and wear them at the table,

while at every chair is a foot-warmer of thick llama wool, into which

they poke their dainty slippered toes. These foot-warmers are ornamental

as well as useful, have embroidered cases, and are manufactured at home,

or can be purchased of the nuns, who spend much of their time in

needle-work.

Every lady seen on the street in the morning carries a prayer-rug, often

handsomely embroidered, which she kneels upon at mass to protect her

limbs from the damp stone floors of the churches, in which there are

never any pews. It used to be the proper thing to have a servant follow

my lady, bearing her rug and prayer-book, but that fashion has now

become obsolete.

The shops do not open until nine or ten o’clock in the morning, close

from five to seven to allow the proprietors and clerks to dine, and are

then open again until midnight, as between eight and eleven o’clock at

night most of the retail trading is done. The finest shops are in the

arcades or _portales_, like the Palais Royal in Paris, and are

brilliantly lighted with electricity. Here the ladies gather, swarming

around the pretty goods like bees around the flowers, and of course the

haughty and impertinent dons come also to stare at them. It seems to be

considered a compliment, a mark of admiration, to stare at a woman, for

she never turns away. To these nightly gatherings come all who have

nothing serious to detain them, and the flirtations begun at the

portales are the curse of the women of Santiago. It is not rude to

address a lady who has returned your glance, and while she may repulse

her admirer, she will nevertheless boast of the attention as a

pronounced form of flattery.

The shops are full of the prettiest sorts of goods, the most expensive

diamonds, jewellery, and laces. The Santiagoans boast that everything

that can be found in Paris can be purchased there, and one easily

believes it to be true. There is plenty of money in Chili; the people

have a refined taste and luxurious habits. Many of the private houses

are palatial, and the toilets of the women are superb. The equipages to

be seen in Santiago are equal to those of New York or London, and the

Alameda, on pleasant afternoons, is crowded with handsome carriages,

with liveried coachmen and footmen, like Central Park or Rotten Row.

The Alameda is six hundred feet in width, broken by four rows of

poplar-trees, and stretches the full length of the city--four

miles--from “Santa Lucia” to the Exposition Park and Horticultural

Gardens. In the centre is a promenade, while on either side is a

drive-way one hundred feet wide. The promenade is dotted with a line of

statues representing the famous men or commemorating the famous events

in the history of Chili, a country which has assassinated or sent into

exile some of her noblest sons, but never fails to perpetuate their

memory in bronze or marble. On the Alameda, from three to five o’clock

every afternoon during the season, several military bands are placed at

intervals of half a mile or so, and the music calls out all the

population to walk or drive. During the summer the music is given in the

evening instead of the afternoon, when the portales are deserted for the

out-door promenade.

Fronting the Alameda are the finest palaces in the city, magnificent

dwellings of carved sandstone often one or two hundred feet square, with

the invariable patio and its fountains and flowers in the centre. Houses

which cost half a million dollars to build and a quarter of a million to

furnish

[Illustration: SANTA LUCIA.]

are common; and there are some even more expensive. The former residence

of the late Henry Meiggs, surrounded by a forest of foliage and a

beautiful garden, stands in the centre of a park eight hundred feet

square. It is a conspicuous example of extravagance, having cost a mint

of money, every timber and brick and tile being imported at enormous

expense. It is at present unoccupied, and in a state of decay, there

being no one, since the death of Meiggs, with the courage or the means

to sustain such grandeur. But though the nabobs seek the boulevard of

the city to display their wealth and architectural taste, some of the

side streets have residences quite as grand, and even more aristocratic.

These more retired quarters have an air of gentility which the Alameda

has not acquired--a sort of established aristocratic repose--a riper,

richer, and more honorable quiet, that suggests something of social

distinction and haughty exclusiveness, venerable solitude and commercial

solidity. Another monument to the extravagance of men is known as

“O’Brien’s Folly.” It is a magnificent structure, modelled after a

Turkish palace, and its cost was fabulous. The owner was an Irish

adventurer, who discovered one of the richest silver mines in Chili, and

who lived like a prince until his money was gone. His castle is now

unoccupied, and he is again in the mountains prospecting for another

fortune.

“Santa Lucia” is the most beautiful place I have seen in South America.

It is a pile of rocks six hundred feet high, cast by some volcanic

agency into the centre of the great plain on which the city stands. It

was here that the United States Astronomical Expedition of 1852, under

Lieutenant Gillis, made observations. Before that time, and as far back

as the Spanish Invasion, it was a magnificent fortress, commanding the

entire valley with its guns. Tradition has it that the King of the

Araucanians had a stronghold here before the Spaniards came. After the

departure of the United States expedition Vicunæ McCenna, a

public-spirited man of wealth in Santiago, undertook the work of

beautifying the place. By the aid of private subscriptions, and much of

his own means, he sought all the resources that taste could suggest and

money reach to improve on nature’s grandeur. His success was complete.

Winding walks and stairways, parapets and balconies, grottoes and

flower-beds, groves of trees and vine-hung arbors, follow one another

from the base to the summit; while upon the west, at the edge of a

precipice eight hundred feet high, are a miniature castle and a lovely

little chapel, in whose crypt Vicunæ McCenna has asked that his bones be

laid. Below the chapel, three or four hundred feet on the opposite side

of the hill, is a level place on which a restaurant and an out-door

theatre have been erected. Here, on summer nights, come the population

of the city to eat ices, drink beer, and laugh at the farces played upon

the stage, while bands of music and dancing make the people merry. This

is the resort of the aristocracy. The poor people go to Cousino Park, at

the other end of the Alameda, drink _chicha_, and dance the _cuaca_

(pronounced _quaker_), the Chillano national dance.

[Illustration: THE ZAMA-CUACA.]

The cuaca is a sort of can-can, except that it is decent, and the men

instead of the girls do the high kicking. But when the dancers are under

the influence of chicha--that liquor which tastes like hard cider, but

is ninety per cent. alcohol--skirts and modesty are no impediments to

the success of the dance. The couples pair off and face each other,

while on benches near by are women thrumming guitars and singing a wild

barbaric air in polka time. Each woman and man has a handkerchief which

he or she waves in the air, and they sway around in postures that are

intended to show the grace and suppleness of the performer, and often

do. The dance usually ends with a wild carousal, in which men and women

mingle promiscuously, embrace each other, and then go off to the chicha

bars to get stimulants for the next. It is common in fashionable society

to end the tertulias with the cuaca, as in the United States with the

ancient “Virginia reel;” and if the young people are unusually

hilarious, scenes occur which watchful dowagers desire to prevent.

School-girls at the convents dance the cuaca when the nuns will allow

them; and although in its ordinary form it is not nearly so immodest as

some of our dances, license has been taken so often as to bring it into

disrepute. One evening at the opera a pretty married woman was pointed

out as the most graceful and agile cuaca dancer in Chili, and it was

asserted that she could throw her heels higher than her head.

At the other end of the Alameda are the Exposition grounds and

Horticultural gardens, laid out in good style, and improved to the

highest degree of landscape architecture. There is a fine stone and

glass building, a miniature copy of the Crystal Palace in London, used

as the National Museum of Chili, whose contents were mostly stolen from

Peru during the late war. A zoological garden has been added, to exhibit

the animals brought from Peru, like the curiosities of the museum, as

contraband of war. The elephant died from the severity of the climate,

two of the lions are missing from the same cause, and the rest of the

menagerie are suffering from exposure and cold to which they are

unaccustomed.

The opera-house at Santiago is owned by the city, and is claimed to be

the finest structure of the sort in all America. It certainly surpasses

in size, arrangement, and gorgeousness any we have in the United States.

It is built upon the European plan, with four balconies, three of which

are divided off into boxes upholstered in the most luxurious manner. The

balconies are supported by brackets, so that there are no pillars to

obstruct the view. Under the direction of the mayor, each year, the

boxes are sold at auction for the season, and the receipts given, in

whole or in part, as a subsidy to the opera management.

[Illustration: EXPOSITION BUILDING, SANTIAGO.]

Everywhere one goes in Santiago and other cities in Chili are to be seen

the ornaments of which Peru was so mercilessly plundered--statuary and

fountains, ornamental street-lamps, benches of carved stone in the parks

and the Alameda, and almost everything that beautifies the streets.

Transports that were sent up to Callao with troops brought back cargoes

of pianos, pictures, furniture, books, and articles of household

decoration stolen from the homes of the Peruvians. Lampposts torn up

from their foundations, pretty iron fences and images from the

cemeteries, altar equipments of silver from the churches, statuary from

the parks and streets, and everything that the hands of thieves and

vandals could reach, were stolen. Clocks--one of which now gives time to

the marketplace of Santiago--were taken from the steeples of the

churches, and even the effigies of saints were lifted from the altars

and stripped of the embroideries and jewels they had received from their

devotees. In the courtyard of the post-office at Santiago are two

statues of marble which cause the American tourist to start in surprise,

for George Washington and Abraham Lincoln stand like unexpected ghosts

before him. Their presence is not announced in any of the guide-books,

which is accounted for by the fact that they, like most everything else

of the kind in Chili, were brought from Peru.

The new hotel, in the eyes of foreigners who have been compelled to stop

at the old ones, is the finest ornament in Santiago. It is a magnificent

structure, with three hundred thousand dollars’ worth of furniture from

Paris, and a five thousand dollar cook from the same place. All the

rooms have grates for fires--which is an innovation--and are furnished

as handsomely as any of the hotels in New York, while the restaurant is

as good as Delmonico’s. Of course there must be some oddity about the

place--it would not be suited to the country if there were not--and here

it is that the bar is placed in the café where the ladies lunch. It is

the only hotel bar in South America; and the proprietor, who wanted to

introduce all the modern improvements, was rather bewildered in

selecting the location of this one. It is a gorgeous affair of silver

and crystal, and the ladies admire it as much as do the men. At first

they were disposed to walk up and say, “The same for me, if you please,”

with their brothers and husbands, but have been convinced that the

proper form is to sit at the tables and take their drinks there. To see

a lady drinking a cocktail in the bar-room of the Grand Central of

Santiago may startle the prohibitionist who goes there, but it is quite

as much the fashion as is the sucking of mint-juleps through a straw on

the balconies of a Long Branch hotel.

The Chillano is the Yankee of South America--the most active,

enterprising, ingenious, and thrifty of the Spanish-American

race--aggressive, audacious, and arrogant, quick to perceive, quick to

resent, fierce in disposition, cold-blooded, and cruel as a cannibal. He

dreams of conquest. He has only a strip of country along the Pacific

coast, so narrow that there is scarcely room enough to write its name

upon the map, hemmed in on the one side by the eternal snows that crown

the Cordilleras, and on the other side by six thousand miles of sea. He

has been stretching himself northward until he has stolen all the

sea-coast of Bolivia, with her valuable nitrate deposits, all the guano

that belonged to Peru, and contemplates soon taking actual possession of

both those republics. He has been reaching southward by diplomacy as he

did northward by war; and under a recent treaty with the Argentine

Republic he has divided Patagonia with that nation, taking to himself

the control of that valuable international highway, the Strait of

Magellan, and the unexplored country between the Andes and the ocean,

with thousands of islands along the Pacific coast whose resources are

unknown. By securing the strait, Chili acquired control of steam

navigation in the South Pacific, and has established a colony and

fortress at Punta Arenas by which all vessels must pass.

Reposing tranquilly now in the enjoyment of the newly acquired territory

along the Bolivian and Peruvian border, and deriving an enormous revenue

from the export tax upon nitrate, the Chillano contemplates the internal

dissensions of Peru, and waits anxiously for the time when he can step

in as arbitrator and, like the lawyer, take the estate that the heirs

are silly enough to quarrel over. It is but a question of years when not

only Peru but Bolivia will become a part of Chili; when the aggressive

nation will want to push her eastern boundary back of the Andes, and

secure control of the sources of the Amazon, as she has of the

navigation of the strait.

On the beautiful Alameda of Santiago stands a marble monument erected

several years ago, after the partition of Patagonia, to commemorate the

generosity of the Argentine Republic. That statue will some day be

pulled down by a mob. The people are already regretting the impulsive

cordiality which suggested it, and are looking with jealous eyes at the

progress and prosperity of their eastern neighbor. But Chili will find

in the Argentines a more formidable foe than the nation has yet met, and

her generals will have some of the conceit taken out of them if the

armies of the two ever come into collision. Although the Argentine

Republic is making more rapid strides towards national greatness, there

is no

[Illustration: STATUE OF BERNARD O’HIGGINS, SANTIAGO.]

doubt that at present, in all the conditions of modern civilization,

Chili leads the Southern Continent, and is the most powerful of all the

republics in America except our own. Her statesmen are wise and able,

her people are industrious and progressive, and have that strength of

mind and muscle which is given only to the men of temperate zones. There

is a strong similarity between the Chillanos and the Irish. Both have

the same wit and reckless courage, the same love of country and

patriotic pride; and wherever a Chillano goes he carries his opinion

that there never was and never can be a better land than that in which

he was born; and although he may be a refugee or an exile, he will fight

in defence of Chili at the drop of the hat. There is something

refreshing in his patriotism, even if it be the most arrogant vanity.

Our people are becoming ashamed of their Fourth of July, and the

Declaration of Independence is the butt of professional jokers. The

Chillano will cut the throat of a man who will not celebrate with him

the 18th of September, his Independence Day; and there is a law in the

country requiring every house to have a flag-staff, and every flag-staff

to bear the national colors--a banner by day and a lantern by night--on

the anniversaries of the republic. All the schools must use text-books

by native authors, all the bands play the compositions of native

composers, and visiting opera and concert singers are compelled to vary

their performances by introducing the songs of the country. It is said

that a Frenchman can never be denationalized. The same is true of the

Chillano. There has not been a successful revolution in Chili since

1839; and although there is nowhere a more unruly and discordant people,

nowhere so much murder and other serious crimes, in their love of

country the haughty don and the patient peon, the hunted bandit and the

cruel soldier, are one.

[Illustration: PATRICK LYNCH.]

Many of the leading men of Chili are and have been of Irish descent.

Barney O’Higgins was the liberator, the George Washington of the

republic, and Patrick Lynch was the foremost soldier of Chili in the

late war. The O’Learys and McGarrys and other Chillano-Irish families

are prominent in politics and war and trade. There is a sympathetic

bond between the shamrock and the condor, and nowhere in South America

does the Irish emigrant so prosperously thrive. Chillano wit is

proverbial. The jolly, care-for-nothing peasant is the same there as

upon the old sod, and the turgid, grandiloquent style of literature

which prevails in other portions of Spanish-America in Chili finds a

substitute in the soul-stirring, fervid oratory which is one of the

gifts of the Irish race. A Chillano driver who was beating a mule was

remonstrated with. The man looked up and remarked that it was the most

obstinate animal he ever drove. “The beast thinks he ought to have been

a bishop,” he said.

The vanity of the Chillano passes all comprehension. The officers of the

army and navy actually offered their services, through the British

minister, to England when there was a rumor of war with Russia; and with

the slightest encouragement they would be willing to take the domestic

as well as the international complications off the hands of the British

cabinet. One day the English paper at Valparaiso published a satire,

announcing that the Lords of the Admiralty had selected three leading

Chillano naval officers to command the Bosporus, the Baltic, and the

North Atlantic fleets. The officers as well as the people would not

accept the bogus cablegram as a joke until the next issue of the paper,

in which it was explained; and the former were actually polishing up

their swords and uniforms to take their new commands.

The Chillano is not only vain but cruel--as cruel as death. He carries a

long curved knife, called a _curvo_, as the Italian carries a stiletto

and the negro a razor, and uses it to cut throats. He never fights with

his fists, and knows not the use of the shillalah; he never carries a

revolver, and is nothing of a thug; but as a robber or bandit, in a

private quarrel or a public mob, he always uses this deadly knife, and

springs at the throat of his enemy like a blood-hound. There is scarcely

an issue of a daily paper without one or two throat-cutting incidents,

and in the publications succeeding feast-days or carnivals their bloody

annals fill columns.

[Illustration: PEONS OF CHILI.]

The Capitals of Spanish America · 第 26 / 42 段