III

“Here we are!” declared Mrs. Tregaskis thankfully, as the train slowed

down at Porthlew. “I declare it’s good to be alive, in such weather and

a country like this one.”

She descended lightly on to the astonishingly bleak little platform,

empty and swept by a north wind.

“Now for bags and baggage! Frances--umbrellas, dressing-bag,

papers--that’s all right. Rosamund? Come along, darlings, you must

get out everything while I see to the luggage. Porter! Ah, Trewin,

good-afternoon. Is the trap outside? Just show these young ladies the

way, and then come back for the trunks. How’s the wife?”

“Better, thank you, Mrs. Tregaskis,” said the man, touching his cap

with a grin.

“That’s right. Tell her I’ll be round to see her in a day or two.”

Kind, competent Mrs. Tregaskis hurried along, beaming and exchanging

greetings with one or two porters and a newspaper-boy.

“How pleased they all are to see her,” said Frances wistfully. “Isn’t

it cold, Rosamund?”

“It’s much colder than at home. Turn up your collar, Francie. Do you

think we shall go to the house in a cab?”

“No--she said the old man would drive down in a trap. I suppose it’s

the coachman.”

“I think she meant Cousin Frederick. She said ‘_my_ old man.’”

“Oh! Is he very old?” asked Frances in rather awe-struck tones.

“I suppose he must be.”

But when they presently went outside the station and climbed into the

tall dog-cart, driven by Cousin Frederick, they did not think him very

old after all.

He was small and brown and clean-shaven, with a thin, deeply lined

face and a curious twist at the corner of his mouth that gave him the

appearance of always wearing a rather sardonic smile. But his little

grey eyes were inscrutable, and never smiled. No one had ever called

him Freddy, or even Fred.

He lifted his cap to Rosamund and Frances and said:

“I’m afraid I can’t get down. The mare won’t stand. Do you mind sitting

at the back?”

They climbed up obediently, and from an elevation which both secretly

felt to be perilous, watched the arrival of Mrs. Tregaskis and sundry

minor articles of luggage.

“Here we are,” she announced gaily to her husband, after the universal

but obvious fashion of the newly arrived. “How are you, dear? and how’s

Hazel? All well at home? That’s right, thank you, Trewin. You’ll see to

the boxes, won’t you. I suppose the luggage cart is here?”

Frederick pointed silently with the whip.

“Oh yes, that’s all right. Well, I’ll pop in, and we can be off.”

She patted the mare vehemently.

“Jenny needs clipping,” she observed in parenthesis. “Well”--she got in

beside her husband.

As they drove through the steep town of Porthlew Mrs. Tregaskis

exchanged cheery salutations in her hearty, ringing voice with a number

of people. Frederick slanted the whip slightly in the direction of his

cap, straightened it again, and said nothing.

Neither did he say anything throughout the three-mile drive, nor when

they stopped before the square stone house, and Mrs. Tregaskis kissed

first Rosamund and then Frances, on the steps of the porch, and said:

“Welcome home, darlings.”

Then she shouted aloud:

“Hazel, my poppet! Hazel! Come and say how d’ye do to the cousins.”

Hazel Tregaskis, aged fourteen, came into the hall. She was small

and brown like her father, with something of the same twist at the

corner of her mouth, but rendered charming by rippling tawny hair, and

beautiful eyes where an elfin spirit of mockery seemed eternally to

dance. She held herself very erect, and moved with remarkable grace and

lightness.

They had tea in the hall, and Hazel sat beside her father and chattered

freely to the new arrivals.

“Where is Minnie?” suddenly demanded Mrs. Tregaskis. “Frederick, we’ve

forgotten Minnie. Where is Minnie? Hazel, where is Minnie--where is

Miss Blandflower, darling?”

“I don’t know,” said Hazel calmly.

“Go and find her at once, my pet. Poor Miss Blandflower! You know

this isn’t quite like her own home, and we never want to let her feel

herself forgotten, or unwanted. Now run, Hazel.”

Hazel rose from her place with no appearance of haste, and went slowly

in search of the missing one.

Mrs. Tregaskis remarked rather elaborately:

“Miss Blandflower is a very old friend of ours, though she is a great

deal younger than I am. She will give you your lessons, I hope, with

Hazel.”

“Is she Hazel’s governess?” inquired Frances gently.

Frederick Tregaskis nodded, but his wife said with an air of slight

repression: “She lives with us, Frances dear, as I told you, and we do

our very best to make her feel that this is her home. You see, Miss

Blandflower is extremely poor, and has nowhere else to live.”

“Like us,” returned Frances with mournful matter-of-factness.

“Not at all like you,” said her cousin Frederick, suddenly looking at

her. “Neither you nor Rosamund need think that you have nowhere to go.

You will have money of your father’s some day, in fact it belongs to

you now, and will be used for your education and any other expenses.

You can go to school, if you would like that, or live with anybody----”

“Come, come, Frederick, we needn’t go into these sordid details,” said

Bertha, with an extremely annoyed laugh.

Frances looked bewildered, as though she felt herself to have received

a rebuke, but Rosamund’s grey eyes met those of Frederick Tregaskis

with a sudden lightening of their sombre gloom.

“I disagree with you, Bertha,” he observed, with a look of dislike at

his wife. “These things are much better clearly defined. It is quite

conceivable that Rosamund and Frances may dislike the position of

refugees under our hospitable roof, and in that case they may as well

know that I shall further any reasonable scheme they may entertain for

existence elsewhere.”

“Frederick, how impossible you are, dear. The children will think you

don’t want them. Cousin Frederick is only joking, darling,” she added,

laying her hand on Frances’ reassuringly.

“I never joke,” said Cousin Frederick with an acid expression that did

much to confirm his statement. “Another cup of tea, if you please.”

“Here is Minnie,” cried Mrs. Tregaskis in tones of relief not wholly

attributable to the appearance of Miss Blandflower.

“Here I am, last but not least,” agitatedly murmured the late-comer,

while her hostess cordially embraced her, and presented Rosamund and

Frances.

Miss Blandflower belonged to that numerous and mistaken class of

person which supposes the art of witty conversation to lie in the

frequent quotation of well-known tags and the humorously-intended

mispronunciation of the more ordinary words in the English language.

She said, “Not lost, but gone before,” with a slightly nervous laugh,

when Bertha deplored her lateness for tea, and explained that this

was due to a mistaken impression that tea was to be at five o’clock.

However, live and learn. And it was almost mechanically that she

murmured, on being invited to eat saffron cake: “Once more unto the

breach, dear friends, once more, well, perhaps I will----”

“Minnie,” said Mrs. Tregaskis, shaking a playfully admonishing finger

at her, “how, now _how_, is the dairy? Have you been in once since I’ve

been away?”

“Dear Mrs. Tregaskis, how can you? Of course I have. I’ve tried to see

to everything, though of course no one could take your place. I needn’t

tell you that.”

“Rubbish, my dear, rubbish. How’s the new dairy-maid? I was very vexed

at having to leave without settling her, I must confess. Will she do?”

“‘I doubt it, said the carpenter,’” returned Minnie, shaking her head.

Her voice never gave any hint of inverted commas, and Frances looked at

her with large, surprised eyes.

Miss Blandflower was thin and sandy, with eyeglasses, and might have

been of any age between thirty-four and forty. She several times

glanced affectionately at Mrs. Tregaskis, and said, “A sight for sore

eyes, as they say,” and then flung a nervous look at Frederick, who

remained silent.

After tea Rosamund and Frances were shown the garden, where Cousin

Bertha had turned a piece of rough ground into a tennis court, and made

a herbaceous border and two rockeries, and the stables, where Cousin

Bertha proposed personally to conduct the clipping of the mare Jenny,

on the morrow, and where she slapped Jenny’s hind-quarters with a

heartiness that violently disconcerted both children, unused to animals

of any description.

They were also taken over the little dairy, where Cousin Bertha

superintended the making of cheese and butter and cream which, she

assured them, to their utter bewilderment, “paid,” and where she also

weekly instructed a class of girls from the neighbouring farms. They

were shown the chickens, bred and kept and fed, and, Frances supposed

in her utter ignorance of the expert language employed by her cousin,

doubtless hatched by Cousin Bertha, and the little orchard where Cousin

Bertha had planted a variety of small apple-trees, most of which she

indicated by name.

Hazel came with them, and gazed compassionately at the obviously

bewildered pair.

“Haven’t you got a dairy and chickens and a horse at your home?” she

asked Rosamund, who replied darkly:

“No. We don’t understand about those sort of things. We had books and a

garden, and two cats with kittens, at home.”

“Well, _this_ home will give you something new!” declared her guardian

with undiminished brightness, although Rosamund’s tone had been far

indeed from expressing enthusiasm for “those sort of things.”

“We had a most beautiful piano,” said Frances to Hazel. “It was so

good that it was called the Grand Piano, and nobody ever touched it

except----”

She stopped and coloured.

Hazel nodded her head quickly.

“Except your mummy, I expect,” she said calmly, and gave Frances’ hand

a little squeeze.

Rosamund heard and saw her, and from thence onward she liked Hazel

Tregaskis.

Cousin Bertha said:

“Well, we’ve got a piano here, and you shall hear it presently. I

expect you’re fond of music, aren’t you?”

There was a silence before Frances timidly replied “Yes,” as in duty

bound. She liked tunes very much herself, and she knew that Rosamund

never would talk about music, and that mother had said she had no ear.

But Cousin Bertha evidently expected “yes” for an answer, and Frances

unconsciously felt that Cousin Bertha was one of those persons who

would always receive just exactly that answer which they expect to

receive.

When it grew dark they went indoors, and into the drawing-room. There

was some furniture, which Cousin Bertha, who knew a great deal about

furniture, said was old and very good, and an upright piano.

“Would you like me to play to you?” said Cousin Bertha. “Hazel always

comes to the drawing-room for an hour before she has her supper, and

we enjoy ourselves. There’ll be lots more games we can play now you

two have come. But I dare say you’d rather just have a little music,

to-night.”

Rosamund, the unmusical, shook her head dumbly and almost

imperceptibly. But Frances, still with that hypnotic sense of having to

reply whatever Cousin Bertha expected her to reply, said: “Yes, if you

please.”

So Mrs. Tregaskis sat down at the piano and played without any music in

front of her, some very gay and spirited tunes, and sometimes she sang

in a strong, ringing voice, and called to Hazel to join in the chorus.

Rosamund and Frances sat in the shadow and held one another’s hands.

Presently Hazel joined them and said very low indeed:

“Do you like it?”

“It is very kind of Cousin Bertha,” gravely returned Rosamund.

“I don’t much like it when mother plays. I would rather play myself,”

said Hazel. “There’s a person at Porthlew called Mrs. Severing who

plays beautifully. She has published a lot of music--songs and things.”

“Shall we ever see her?” asked Frances.

“Oh yes, she often comes here. She is mother’s greatest friend. We’ll

make her play really nice things.”

“Don’t you like Cousin Bertha’s things that she plays? I do,” said

Frances, rather shocked.

“Rosamund doesn’t,” shrewdly returned Hazel. But Rosamund remained

silent, partly from courtesy, and partly because she knew that she

would not be able to keep the tumult of misery that was choking her out

of her voice.

The memory of Wye Valley days, already remote, was gripping her

unendurably. Her emotions, infinitely stronger than her undeveloped

personality, were always strung to breaking pitch at the appeal made to

them by music. For although it was true that she had very little ear,

and that her fingers were devoid of all skill, the Slavonic tradition

and the Slavonic passion were in her blood, and to such as these, music

is a doorway better left secure.

When Mrs. Tregaskis had reiterated several times in rousing tones that

here was a health unto His Majesty, with a Fal-lal-lal-lal lah la,

Hazel said:

“Please, will you play the one I like out of that book?”

“I thought you liked them all,” her parent replied, not without a hint

of amused resentment. “Which do you mean?”

“King Charles.”

“Oh! ‘Farewell Manchester.’ Very well, darling, and then you must pop

off upstairs.”

The song she played was much slower and quieter than the others, and

she did not sing it. Neither Rosamund nor Frances had ever heard it

before, but the infinite sadness of the simple melody made its instant

appeal to a sensitiveness which was singularly developed in both.

Frances cried a little quite silently with her face pressed against

her sister’s arm, and Rosamund clenched her hands together and set her

teeth.

When Mrs. Tregaskis closed the piano and came towards them, Rosamund

said: “Thank you very much, Cousin Bertha.”

It seemed to her that she had been saying just that, again and again,

for days.

“Call me ‘Cousin Bertie,’ darling. I declare I shall fine the next

person who says that dreadful ‘Cousin Bertha.’ Such a prim, horrid

name, I always think. Besides, I only know myself as Bertie. Do you

know the people down here still call me Miss Bertie. Don’t they,

Hazel?”

Rosamund did know. She had heard Mrs. Tregaskis say so already.

She went drearily up to the schoolroom supper, where Miss Blandflower

was waiting for them.

“I hope you’ve brought good appetites with you from Wales,” she said,

taking her place at the head of the table. “I see I must ‘_wrastle_’

with this large ham-bone.”

She did so, in the ineffectual manner that was characteristic of her.

“Shall I cut the bread, Miss Blandflower?” asked Hazel.

“Please, dear, if you will do,” replied her teacher of English.

The meal was a silent one.

Little Frances was fighting bravely with tears and fatigue, and

Rosamund’s thoughts were in the Wye Valley, where lights were beginning

to tremble in the cottage windows, and only the little house on the

slope of the hill would remain dark and silent. Hazel looked at them

from time to time with a sort of compassion in her great laughing

eyes, but was more engaged in a kind of silent drama conducted between

her knife and her silver mug, with which she nightly diversified the

monotony of meals eaten in Miss Blandflower’s company.

When presently she upset the mug half-full of milk, Minnie rose,

rebuked her pupil querulously, murmured something which sounded

like “Well, Allah gear cum allah gear, as they say,” applied her

table-napkin to the widening pool, and the meal came to an end.

Interminable though the day had seemed, it was finished at last, and

Rosamund and Frances were lying in the pretty bedroom which they were

to share.

“I think Hazel is going to be nice,” whispered Frances wistfully.

“Yes, so do I. But I wish we had stayed with Lady Argent and the son

who was lame.”

“Oh! so do I!”

“Nearly asleep, my darlings?” inquired Cousin Bertha at the door.

“I’ve just run up to say good-night. I always tuck Hazel up, and now I

must do the same to my two new little daughters.”

“Rosamund,” said Frances in a guilty whisper, when Mrs. Tregaskis had

rustled softly away again, “perhaps we oughtn’t to have wished that,

about having stayed with Lady Argent. Cousin Bertie is very, very kind,

isn’t she?”

If an unconscious appeal for reassurance underlay the question, neither

Frances nor Rosamund was aware of it.

“Yes,” answered Rosamund, with shamed conviction; “she is very, very

kind.”

Kind Mrs. Tregaskis was already hastening downstairs again. In the

lamp-lit library her husband was reading the newspaper. He did not stir

as she came in to the room, nor raise his eyes.

“Well!” sighed Bertha, as she moved to her writing-table, stacked with

papers in orderly pigeon-holes and bearing a goodly pile of unopened

letters. “How dreadfully work accumulates, even during a week. Here are

all those leaflets for the Mothers’ Union that ought to have gone out

last week. Minnie really is a fool. And she forwarded all the wrong

letters to me, too, and none of the right ones. I must answer half

these to-night.”

She sat down, and drew paper and ink towards her.

At the first sound which indicated that her pen was fairly started,

Frederick put down his newspaper and spoke.

“Well Bertha, as you have had your way in the matter of bringing

these children home with you, I suppose we had better come to an

understanding on the subject.”

He invariably called his wife Bertha.

“No, dear, not to-night,” said Mrs. Tregaskis with pseudo-firmness. “I

have to deal with all these letters.”

Frederick, who knew his wife, remained silent.

In a moment she resumed with spirit:

“Besides, what is there to discuss? I wrote to you when poor Rose

Grantham died and said that I wanted to take her children, and give

them a home. The alternative was either a cheap school, or the raking

up of some third-rate foreign relation who might have been paid to look

after them. I told you that it seemed to be--how shall I put it?--plus

fort que moi--the impulse simply to take and--and love them.”

“I do not like impulses,” said Frederick coldly, “but you do not

often--I might almost say ever--act on impulse, Bertha.”

She laughed angrily. “I’m very glad to hear you say so, since I’m

always trying to learn caution, but as a matter of fact you are

utterly mistaken, as you very often are where I am concerned. I’ve

been exceedingly impetuous all my life, and I haven’t outgrown it yet.

Of course I know very well that only an impetuous woman would have

suggested adopting two children like that--but, upon my word, I’d

rather trust to my love of children and take my risks.”

She drew up her fine figure as she spoke.

“Your risks, in this case, may safely be reckoned as non-existent.

On your own showing, Dick Grantham’s money will bring in about three

hundred a year to each of his children until it passes into their own

control. To feed and clothe them meanwhile will cost perhaps a hundred

a year each, and leave a handsome margin for educational and other

expenses. There is no question of risk.”

“My dear man, I’ve been into the business part of it from end to end

and understand it perfectly--a great deal better than you do, in all

probability. That’s not the point. There are other risks than monetary

ones. Good Heavens! if _that_ was all one thought of!”

“Do you mean risks to the children themselves?”

“You know very well that I don’t. Little sheltered happy things, what

risks do they run, I should like to know? But the responsibility is a

big one for me--two more to love and guard and teach, and turn into

honest, healthy, happy young women.”

“The constant society of Miss Blandflower is hardly likely to do that.”

“Poor Minnie! Why do you hate her?”

“I don’t. But she is neither honest nor healthy nor happy, and I

therefore fail to see why you should expect her to make her pupils so.”

“She is perfectly honest, Frederick. If she isn’t healthy, it’s because

she won’t take enough exercise, and that whining voice doesn’t mean

that she isn’t happy. It’s only affectation.”

“If she’s affected she isn’t honest,” remarked Frederick, scoring a

point. “However, leave Miss Blandflower out of it. I’m talking of the

Grantham children. Why don’t you send them to school?”

“Because,” said Bertha, her eyes blazing, “they are two motherless

children, and no woman with a heart worth the name would have them

anywhere but under her own wing. My heart is big enough to take in

three children, thank God--yes, and as many more as may need me.”

Quoth Frederick, utterly unmoved:

“They would be happier at school.”

“They would be miserable there. Two spoilt, uneducated, delicate

children. They’d be hopelessly out of their element.”

“Not so much so as they will be here.”

Bertha Tregaskis, her face suffused with agitation, began to pace up

and down the room.

“Of course, if you won’t keep them, you won’t. But I don’t pretend to

see your point of view.”

“You oughtn’t to have the responsibility.”

“If you’re thinking of all I have to do,” she returned in softened

tones, “I’ll manage somehow. It’s better to wear out than to rust out,

and it’s little enough one can do. But as long as there’s life in me,

my motto will always be the old one: ‘Lend a hand.’”

“That is precisely where I anticipate danger.”

“What danger?” she demanded sharply.

“Danger to Rosamund and Frances Grantham,” said Frederick acidly,

turning out his reading lamp.

Bertha Tregaskis remained long in the library after he had gone

upstairs. She knew that her husband’s opposition would find no further

expression in words, and that her authority with the children would

remain undisputed.

With a sigh she turned to the papers on her desk, and wrote steadily

for nearly two hours, directing, encouraging, organizing, and again

advising. Finally she spent some fifteen minutes on a letter to Lady

Argent, of which the final page may be quoted:

“So you see, Sybil, my dear, it’s not going to be quite all plain

sailing. But then one never expected that, and the privilege of

_giving_ is so great that one doesn’t count the cost. After all, in all

this sad old earth, the one and only thing that counts is Love, and the

realest, most sacred form of it, when all’s said and done, is that of a

mother for her children. Most of us find that out too late, but I don’t

mean my bairns to if I can help it!

“Good-night, my dear, it’s close on twelve and I’m dead to the world.

Just one look at my _three_, and then to bed.”

The pelicans · 第 4 / 31 题