XVII

Every time Christian saw Johanna Schöntag she seemed more emaciated and

more worn. Beneath his observant glance she smiled, and that glance was

meant to deceive him. She thought herself well hidden under her wit and

her little harlequin-like grimaces.

She usually appeared toward evening to sit with Michael for an hour or

two. She felt it to be her duty. She pretended to be utterly frivolous;

yet when she had assumed a task she was pedantically faithful in its

execution. On the day when she observed that the boy’s improvement

had reached a point which made her service unnecessary, so vivid a

look betokening her sense of futility stole into her face that Michael

gazed at her and conceived a definite idea of her character. Checked

though it still was by his old terror of human beings, gratitude for

her sacrifices shone in his eyes. She began to employ his thoughts;

her ways were so alien and yet so familiar. He could not rise to the

point of frank communication, but when she rose to go he begged her

to stay a little longer. Then the habitual silence fell between them,

and Johanna, not really reading, let her tormented eyes glide over the

page of some French or English novel that she had brought with her. But

this time he put a question to her, and after a while another, and then

another; and thus arose conversations in which they sought and explored

each other. Johanna was by turns superior or mocking or motherly or

elusive. She had weapons and veils in plenty. What he said was didactic

or shy, or sudden and heated. Her sayings were often double-edged, and

confused him; then she would laugh her sharp laughter, and he would be

disillusioned and hurt.

He asked her to tell him whence she came, who she was, what she was

doing, and she told him of her girlhood and her parents’ house. To him

who was familiar with poverty alone it sounded like a fairy-tale. He

said: “You are beautiful,” and she really seemed so to him, and his

naïve homage made her blush and gave her a little inner courage. But

her hands, he added, were not the hands of a rich girl. She seemed

surprised, and answered with an expression of self-hatred that her

hands, like a cripple’s hump or the devil’s splay foot, were the symbol

of what she really was.

Michael shook his head; but he now understood her poor, chilled soul

with its infinite yearning and its infinite disappointment. When he

asked her what was her aim in life and what her occupation, she looked

at him with disturbed surprise. What aim or occupation was there for a

creature like herself? On another occasion, driven by the desire for

self-torment, she revealed to him the complete emptiness of her life.

It was a bad joke that fate was playing on her, a medicine one had to

swallow in order to be healed; and healing was where life is not.

She chatted in this strain, but told him not to be bitter. It wasn’t

worth while; the world was too trivial, grey, and wretched. “If only

there weren’t so many people in it,” she sighed, and wrinkled her

forehead in her comic way. Yet she was ashamed before the lad too,

and became conscious of the fact that her words were blasphemous. Her

feeling was a torment to herself, and she did not perceive that it

communicated warmth to another. Timidly she tried to measure the young

lad’s power of comprehension by his terrible experience, of which she

knew no details, or by the sombre earnestness of his mind that made him

seem maturer than his years. And she sank even lower in her own esteem

when she saw him thoughtful and moved.

But precisely the secret wound of her weakness, which she revealed

to him, and the lacerating conflict which she carried on with

herself--these brought an awakening to him and stirred his will to

life. He said: “You should have known Ruth.” A strange shadow and yet

a living contradiction of Ruth came to him from Johanna. He said again

and again: “You should have known Ruth.” To her question why, he had

no answer but a sudden radiance in his glance in which Ruth seemed

hitherto but to have slumbered. But now her image was a flame of fire

that guided him.

Johanna said to Christian: “I don’t believe your protégé needs me any

longer. You certainly don’t. So I’m superfluous, and had better get out

of the way.”

“I want very much to talk to you,” said Christian. “I have wanted

to beg you for long to talk to me. Will you come at the same hour

to-morrow, or shall I come to you? I shall be glad to do whatever you

like.”

She grew pale, and said she would come.

The World's Illusion, Volume 2 (of 2): Ruth · 第 85 / 105 题