IV

From the unconscious brooding of many days there arose in the mind of

Albrecht Wahnschaffe the clear memory of an incident which had taken

place at Aix-les-Bains when Christian was fourteen years old.

Albrecht Wahnschaffe had made the acquaintance of a Marchesa Barlotti,

a witty old lady who had been a famous opera singer in her youth, and

who was now of a positively fascinating ugliness. One day she had met

Albrecht Wahnschaffe and Christian on the promenade, and had been so

enchanted by the boy’s beauty that she had cordially asked him, in

her fine, free way, to visit her. Christian had turned pale; but his

father had promised, and appointed an hour in his stead. But Christian,

in whom the ugliness of the Marchesa had aroused an unconquerable

aversion, calmly and coldly refused obedience to his father’s wish.

No persuasion or request or command had influenced the boy. Albrecht

Wahnschaffe fell into one of those Berserker rages which made him drunk

and dizzy; it didn’t happen more than once in ten years, and when the

attack had passed he felt like a man who had had a serious illness. In

his rage he had approached Christian and struck him with his stick. But

no second blow fell. The expression in the boy’s face paralyzed his

arm. For it was as of ice, yet as of flame: there was in it a loftiness

and also a deadly scorn, against which anger broke as glass will break

on granite. And that icy and infinitely astonished expression seemed

to say: You hope to chastise me? To force me?

And the father, in his amazement and humiliation and shame, had

recognized the fact that here was a human soul that could not and must

not be forced, never, under no circumstances, unto no purpose in the

world.

It was this incident that came into his mind now, and was the reason

why he definitively gave up the intention of using force.

Months ago he had written to Christian, asking him to come home and

explain himself, to rescue his parents from the pressure of anxiety

and confusion, and especially his mother, who was suffering beyond her

strength. To this letter Christian had replied laconically that there

would be no purpose in his coming, and that there was no ground for

anxiety, that he was very well and in excellent spirits, and that no

one need suffer because he followed his own devices.

But what was the sense of his action? Was there any key to this

mystery? Was it possible in this age of science and enlightenment to

conceive of a mystic metamorphosis of personality?

He had a vision of Christian walking through the long streets,

especially at night, going into humble inns and eating poor food.

What was the meaning of it? And he could imagine meeting Christian on

such an occasion, and could see his son’s conventional courtesy, the

proud, cool eyes, the firm, white teeth which that conventional smile

revealed. And even to imagine such a meeting filled him with fear.

But perhaps that was necessary. Perhaps he would have to go to him.

Perhaps all that had happened did not in reality have the deadly

seriousness which it seemed to have at a distance. Perhaps there was

some simple confusion that could be cleared and disentangled easily

enough.

The thought of Christian burrowed deep into his brain, and his fear

grew. If he sought release from that thought, it emerged to torment

him the more, in dreams, in sleepless nights, amid the tumult of

affairs, in conversation, in every place, at all times, through all the

weeks and months.

V

The castle of the Wahnschaffes, built for delight and splendour, lay

desolate. The great reception halls and the guest-rooms were empty.

Some American friends had announced their arrival; but Frau Wahnschaffe

had begged to be excused.

Her husband sent her delicacies and flowers from the hothouses. She

cared for neither. In a lethargy she sat in an armchair or lay in her

bed of state. The curtains were drawn even by day. The electric lamps

were veiled.

Memories of Christian’s childhood were her refuge. She lived them

over in imagination: how Christian as a child of five had lain in bed

with her. Early in the morning the nurse had brought him in his loud

delight, still with the rosy warmth of sleep upon him. She recalled the

bird-like voice, the golden locks, the flexible hands, the radiant,

deep-blue eyes. He had stretched out his little hands after her ropes

of pearls, when she had come in evening dress into the nursery. Once

little maidens had placed a wreath of sweet peas on his head and danced

about him in innocent homage. He had raced through the park with two

dogs, and stopped with an admirable gesture of astonishment before a

statue of bronze. Later, when he was a youth, at the carnival in Mainz

he had stood amid lovely women in a flowery chariot and raised a silver

goblet toward the beholders.

Unforgettable to her were his gestures, his glances, his resilient

walk, the dark tones of his voice. Equally unforgettable were the

expectation of his coming, the delight of his presence, the admiration

that met him from the eyes of men. The world contained him only.

She read the few letters that he had written her. She guarded them

like relics in a little ebony box. They were sober, dry notes, but to

her they were magical. There were ten or twelve lines from Paris or San

Sebastian, Rome, Viareggio, Corfu, or the Isle of Wight. Once she had

drunk all the beauty of earth from these places. Now that he was no

longer there, they faded and died to her.

She had loved her womb because it had borne him; she hated it now

because she had lost him. But how or why she had lost him--that was a

thing unfathomable. She brooded over it by day and night.

No one could guide her. No thought revealed a gleam of light. She stood

before a wall and stared at it in despair. She listened, but no voice

reached her ear from the other side. All that people told her seemed

absurd and false.

In her bedroom hung a portrait of Christian painted in his twentieth

year. It had been done three years before by a Swedish painter. It was

very like him, and she adored it. One night she took it from the wall

and placed it on a table and lifted the shade from a lamp nearby. She

crouched in a chair, rested her head upon her hands, and gazed at the

picture steadily and with a questioning passion.

She asked the picture, but it gave no answer. She thrilled with a

desire to take that head into her hands. But the face on the canvas

smiled its equivocal and remote smile. If only she could have wept! But

tears were denied her: too hard and unmoved had she passed through life.

When morning came her maid found her still sitting before Christian’s

picture. The painted face beside the burning lamp still smiled its

alien smile.

The World's Illusion, Volume 2 (of 2): Ruth · 第 20 / 105 题