But when it shall come to denarii dicti quod denos, [70] when tenn

groats shall make a muster togeather and sitte heavy on my head, actum

est ilicet, the porter periit. O weathercoke of wretchednes that I am,

seated on the may-pole of misfortune; whither shall I turne, or to whome

shall I looke for releife? Shall I speake to my minstrells for my money?

Why, they have allready forsaken mee, to the verifieng of the ould

proverbe; Quantum quisque sua nummorum servat in arc[=a], tantum habet

et fidei; as long as a man hath money in his purse, so long hee shall

have the fidlers. What is to bee looked [80] for of them that will doe

nothing without pay, and hard-mony for their harmonye? Shall I speake to

my frends? Why: nullus ad amissas ibit amicus opes. [F. 43r rev.] Oh,

then, lett mee runne to the speare of Achilles (recorded by auncient

philosophers) which first hurt mee and last can heale mee: lett my

penitencye find pittye, and my confession move compassion; if you will

live according to rule, ever after penitet, tædet, lett miseret,

miserescit succeede.

That they came in, it was a fault of oversight in not overseeing my

office: if any should slinke by Cerberus [90] out of hell, it weare a

thing to bee wondred at, & yet wee see there doth, ther are so many

spirritts walking. If any should steale by Janus into heaven, it weare

much woorthy of marvaile, and yet wee see there doth, there are soe many

of Jupiters lemmans: if anye should skippe in or out by mee it is not to

bee admired: for why? Cerberus the porter of hell hath 3 heads, Janus

hath two, & I your poore colledg porter have but one. That they weare

not putt out of the colledge when they weare in, it was a fault; but a

fault of curtesie; for who could [100] find in his hart, when hee seeth

a man accompanied with musicke, musis comitantibus, to bidd him, Ibis

Homere foras, gett you home for an asse?

But though my breast (I must confesse) weare then somewhat [F. 42v rev.]

moved with their melodye, yet heerafter my breast shall bee marble when

they warble: Nemo sibi Mimos accipere debet favori, I will never lett in

minstrells againe vpon favour; for your selves I can say no more but

profit; & when (after this Christmas cheere is ended) you fall againe to

your studdies, I could wish that [110] Hippocrene may bee Hippocrise,

the muses Muskadine, & the Pierides pies every day for your sakes; and

as for my tenn groates, if it will please you to remitte it, I will give

you decies decem mille gratiarum. Dixi.

II.

_A speech delivered by Francis Clarke to the Ladie Keneda._

[F. 46r rev.]

Noble ladye, give him leave that hath beene so bolde as to take leave,

to speake before your ladyshipp, and out of the prognosticks, not of

profound pond or deepe dale, but out of the candlesticke of mine owne

observation, to give your ladyshipp some lightning of a great thunder

that will happen in the morning.

The reason of it is a flatt, slimye, & sulphureous matter exhaled out of

the kitchins & enflamed in the highest region of the dripping pannes,

which will breed fiery commetts with much lightning and thunder. And

[10] the influence of it will so domineere in the cooks heads, that are

brought vpp under the torridd zone of the chimney, that few of them will

take rest this night, & suffer as few to take rest in the morning. They

have sett a little porch before so great an house, and have called their

show the flye. Some say because a maide comming to towne with butter was

mett by a cooke & by him deceaved in a wood neare adioyning, whose

laments the dryades and hamadriades of the place, pittieng, turned her

into a butterflie; & ever since the cooks are bound to this [20]

anniversary celebration of her metamorphosis; but soft, if the cooks

heare that the porridgpott of my mouth [F. 45v rev.] runnes over soe,

they will keele it with the ladle of reprehension; therfore I will make

hast away, onely asking this boone, which wilbee as good as a bone to

the cookes; that your ladyshipps servaunt Monsieur Piers may ride

to-morrowe with the fierye fraternitye of his fellowe cookes, & make

vpp the worthy companye of the round table, which they are resolvd not

to leave till the whole house goe rounde with them. [30]

III.

_A Speech spoken by Francis Clarke in the behalfe of the freshmen._

Ne sævi, magne sacerdos, bee not so severe, great session [F. 44v rev.]

holder; lett pittie prevaile over the poenitent, lett thy woords of

woormwood goe downe againe into thy throate, & so by consequence into

thy belly, but lett not those goe to the place from whence they came, &

so by cohærence to the place of exequution: and though these bee, as it

is rightly said in the rule, Turba gravis paci placidæque inimica

quieti, yet thinke what goes next before, Sis bonus ô felixque tuis: and

although I must needes say I am sorry for it that Fertur atrocia

flagitia [10] designasse, yet remember what followes immediatlye in the

place; Teque ferunt iræ poenituisse tuæ.

Your lordshipp is learned as well as I (it is bootles & I should offer

you the bootes), you knowing the Latine to expounde.

I am heere the jaylor, the Janus, the janitor; you are the judge, the

justice, the Jupiter, to this miserable companye; yet beare I not two

faces under a hoode, neither deale I doubly betweene your lordshipp &

the lewde; for though Janus & the jaylor goe together, vt bifrons, [20]

custos, yet Bos stands for a barre to distinguish the jaylor from the

theefe, vt bifrons, custos, bos, fur.

O that you weare Jupiter, to bee a helping father to these sonnes of

sorrow, or I weare Janus indeed, that I might have two tongues to

intreate for this pittifull crew. [F. 44r rev.] Looke, O thou flower of

favour, thou marigold of mercye and columbine of compassion, looke, O

looke on the dolorous dew dropps distilld from the limbecks or

loope-holes of their eyes, and plentifully powred on the flower of their

faces; O see in these (O thou most exalted [30] eldest sonne of Justice)

a lamentable example; consider that homo bulla, honor is but a blast;

pittie, O pitty the cause of these hopeles, helples, hartles and indeed

half-hanged young men; if they have erred, humanum est, they are men;

looke not thou for that of them which you can but expect of gods. Have

they spoken against the lawes of your court, why, Dolet dictum

imprudenti adolescenti et libero: has their tongue tript, why, Lingua

percurrit, it was too quicke for the witt, quicknes is commendable.

Pectora percussit, have they fought with [40] your highnes servaunts,

have they beene obstinate? Why, they have had their punishment, and

toties quoties, went either wett skind or dry beaten to bedd. Quid est

quod, in hac caus[=a] defensionis egeat; take pittie (O thou peerles

patterne of equity) if on nothing els, yet on their youth.

Some of them are heires, all of good abilitye; I beseech your lordshipp

with the rest of the ioynd stooles, I would say the bench, take my

foolish iudgment, & lett them fine for it, merce them according to their

merritts [50] [F. 43v rev.] and their purses, wee shall all fare the

better for it.

As for other punishments (I speake it with weeping teares) they have

suffered no small affliction in my keeping; Est locus in carcere quod

dungeanum appellatur; there they lay, noctes atque dies, at no great

charge, for, Constat parvo fames; but so laded with irons that I made

them Livida armis brachia, & now, see, they are come foorth after all,

Trepidus morte futura.

O miseresce malis, take pitty on the poore prisners, Patres æquum esse

censent nos iam iam; you may very [60] well remember, since yourselfe

weare in the same case. Cutt not off for some few slippes those younge

plantes of such towardnes; make not mothers weepe, winke at small

faultes, rovoke your sentence, lett the common good have their fines,

mee have my fees, they have their lives, and all shalbee well pleased.

Dixi.

IV.

_A letter composd for Francke Clarke, the porter of [F. 84v rev.]

S. John's, who in his brother's behalfe did breake one's head with

a blacke staffe._

TO MASTER LAUDE, THEN PROCTOR.

Worshipfull and woorthy Master Proctor, wheras I, your poore vassaile,

in charitye towardes my afflicted brother, have stepped over the shooes

of my duetye in participatinge or accommodatinge my blacke staffe to the

easinge of his over-charged artickles & members, wherby I have iustlye

plucked the oulde house, or rather the maine beame of your indignation,

upon my impotent and impudent shoulders, I doe now beseech you upon the

knees of my sorrowfullnes and marybones of repentance to forgive mee all

delictes & crimes as have beene [10] formerly committed.

And wheras you, contrary to my desertes, have out of the bottomles pitt

of your liberalitye restored mee out of the porters lodge of miserye

into the tower of fælicitie, by giving that which was due from mee

(silly mee) vnto your worshippfull selfe, I meane my ladye pecunia; lett

mee intreate you that I may burden the leggs of your liberalitie so

much farther, as to deliver mee the afore-said blacke staffe, without

which I am a man & noe beast, a wretch & no porter. But wheras it is

thus [20] by my most vnfortunate fate, that so woorthy a President [F.

85r rev.] hath seene so vnworthy a present, I cannott but condole my

tragedies, committing you to the profunditye or abisse of your

liberalitie, & my selfe to the 3 craues of my adversitie. Dixi.

NOTES TO THE PLAY OF "NARCISSUS."

NOTES TO THE PLAY OF "NARCISSUS."

Line 1. _Master and Mistris._--Doubtless the President of S. John's and

his wife. The office was held at this time by Ralph Hutchinson, who had

been elected to it in 1590, after holding for some years the college

living of Charlbury, Oxon. Little seems to be known of Mrs. Hutchinson

beyond the fact that after her husband's death in 1606 she placed his

effigy in the college chapel.

Line 39. _Rebateth._--To rebate, to blunt or disedge; see _Measure for

Measure_, i. 4, 60--"Doth rebate and blunt his natural edge."

Line 55. _Quaffe._--The substantival use of this word is not uncommon in

contemporary writings. Cf., in 1579, L. Tomson, Calvin's _Sermons on

Timothy, &c.,_ p. 512, col. 2: "Now they thinke that a sermon costeth no

more then a quaffe wil them."

Line 78. _Ladds of mettall._--Cf. 1 _Henry IV._ ii. 4, 13.

Line 80._ No vertue extant._--Cf. 1 _Henry IV._ ii. 4, 132, where virtue

= bravery, physical courage. The porter's use of the phrase sounds like

a quotation.

Line 97. _A the stampe._--Halliwell gives "Stamp, a tune," and quotes

from MS. Fairfax, 16, "Songes, stampes, and eke daunces." Cf. also

_Midsummer Night's Dream_, iii. 2, 25.

Line 98. _Windsuckers._--This old name for the kestrel, or wind-hover,

is of tolerably frequent occurrence. It is used metaphorically of a

person ready to pounce on anything. "There is a certain envious

windsucker that hovers up and down" (Chapman).

Line 101. _I pre, sequor._--Literally, "Go before, I follow." The porter

supplies a free translation in the words "one of your consorte." Cf.

the use of the phrase "to be hail-fellow-well-met with anyone."

Line 109. _Condolent_ here means _expressing sorrow_. For this sense see

Wood, Ath. Oxon. (R)--"His vein for ditty and amorous ode was deemed

most lofty, condolent, and passionate."

Line 110. _Suffocat._--The porter's substitute for _sufficit_; though,

strictly speaking, the _o_ should be long.

Line 111. _I tickle them for a good voice._--Besides the ordinary

metaphorical meaning of to flatter, _tickle_ sometimes = to serve one

right, to make one pay for a thing. For this sense see 1 _Henry IV._ ii.

4, 489, "I'll tickle ye for a young prince, i' faith;" and cf. _Ibid._

ii. 1, 66. Probably the expression has a similar force here.

Line 114. _Butterd beare._--Ale boiled with lump-sugar, butter, and

spice.

Line 122. _Act in conye._--The adjective _incony_, with the apparent

sense of fine, delicate, is used twice by Costard in _Love's Labour's

Lost_ (iii. 136, iv. 1, 144) and also in Marlowe's _Jew of Malta_, iv.

5--"While I in thy incony lap do tumble." Other examples are rare, and I

have not found any instance of an adverbial use. A second, though much

less probable interpretation of the passage is suggested by the frequent

use of _cony_ as a term of endearment to a woman (cf. Skelton's _Eleanor

Rummyng_, 225--"He called me his whytyng, his nobbes, and his conny").

If, however, "act in conye" were equivalent to "act as woman," _i.e._

take a female part, examples of analogous constructions should be

forthcoming.

Line 129. _Lovely._--Here used in the sense of loving, tender. Cf.

_Taming of the Shrew_, iii. 2, 125--"And seal the title with a lovely

kiss."

Line 156. _All and some._--An expression meaning everyone, everything,

altogether:

"For which the people blisful, _al and somme_,

So cryden" ...

(CHAUCER, _Anelida and Arcite_, i. 26.)

"Thou who wilt not love, do this;

Learne of me what Woman is.

Something made of thred and thrumme;

A meere botch of all and some."

(HERRICK, _Hesperides_, i. 100.)

Line 160. _Cappes a thrumming._--Cf. _Knight of the Burning Pestle_, iv.

5--

"And let it ne'er be said for shame that we, the youths of London,

Lay thrumming of our caps at home, and left our custom undone."

To _thrum_ = to beat in the Suffolk dialect.

Line 167. _Shrimpe._--This use of the word in the sense of child,

offspring (or possibly as a term of endearment, "little one") is not

common. It was generally employed contemptuously, and meant a dwarfish

or stunted creature, as in 1 _Henry VI._ ii. 3, 23. See, however,

_Love's Labour's Lost_, v. 2, 594.

Line 193. _Oddes_ here = contention, quarrel. For this sense compare--

"I cannot speak

Any beginning to this peevish odds."

(_Othello_, ii. 3, 185.)

and also _Henry V._ ii. 4, 129, and _Timon of Athens_, iv. 3, 42.

Line 195. _Seven yeares I was a woman._--The blindness of Tiresias is

most frequently ascribed, either to his having, when a child, revealed

the secrets of the gods, or to his having gazed upon Athenè bathing, on

which occasion the goddess is said to have deprived him of sight.

Another tradition, however (adhered to by Ovid, _Met._ iii. 516, etc.),

relates that Tiresias beheld two serpents together; he struck at them,

and, happening to kill the female, was himself changed into a woman.

Seven years later he again encountered two serpents, but now killed the

male, and resumed the shape of man. Zeus and Hera, disputing over the

relative happiness of man and woman, referred the matter to Tiresias, as

having a practical knowledge of both conditions. He favoured Zeus's

assertion that a woman possessed the more enjoyments; whereupon Hera,

indignant, blinded him, while Zeus bestowed on him, in compensation, the

power of prophecy.

Line 197. _Fold._--The omission of a prefix to suit the exigencies of

metre, common enough in verbs such as defend, defile, becomes remarkable

when the force of the prefix itself is such as to change entirely the

meaning of the verb. Examples of omission in such cases are comparatively

rare, but they are not confined to our own language. See Vergil, _Aen._

i. 262--

"Longius et volvens fatorum arcana movebo"--

and cf. also _Aen._ v. 26, and Cicero's _Brutus_, 87.

Line 223. _Catch audacitye._--For the old metaphorical use of catch cf.

Wyclif's Bible (1 Tim. vi. 12), "Catche euerlastyng lyf."

Line 227. _Curromanstike_, chiromantic, _i.e._ pertaining to chiromancy;

the rhyme being probably responsible for the use of the adjective rather

than the noun.

Line 229. _The table_, etc.--"The table-line, or line of fortune, begins

under the mount of Mercury, and ends near the index and middle

finger.... When lines come from the mount of Venus, and cut the line of

life, it denotes the party unfortunate in love and business, and

threatens him with some suddain death" (_The True Fortune-teller, or

Guide to Knowledge_, 1686).

Line 236. _Sheppbiter._--A malicious, surly fellow; according to Dyce,

"a cant term for a thief." See _Twelfth Night_, ii. 5, 6, "The

niggardly, rascally sheep-biter."

Line 246. _What._--MS. has the abbreviation w^{th}, usually denoting

_with_, but evidently substituted here, by a copyist's error, for w^{t}

= _what_.

Line 247. _They can but bring_, etc.--W. Carew Hazlitt (_English

Proverbs_, p. 28) quotes from Heywood, 1562--"A man maie well bring a

horse to the water, but he can not make him drinke without he will." He

also mentions that the proverb is ascribed (probably falsely) to Queen

Elizabeth, in the _Philosopher's Banquet_ (1614).

Line 261. _I_ = ay.--Both spellings occur in the MS. For the common use

of the capital _I_ in this sense, see Juliet's play upon the word--

"Hath Romeo slain himself? Say thou but 'I,'

And that bare vowel 'I' shall poison more

Than the death-darting eye of cockatrice;

I am not I, if there be such an I."

(_Romeo and Juliet_, iii. 2, 45, etc.)

Line 262. _In spight of ... pye._--Alluding to the common belief in the

pie, or magpie, as a bird of ill-omen.

Line 266. _Phibbus._--The same spelling as in _Midsummer Night's Dream_,

i. 2, 37.

Line 270. _Baskett dagger._--Doubtless a weapon resembling the

basket-_sword_, which had a hilt specially designed to protect the hand

from injury. Cf. 2 _Henry IV._ ii. 4, 141.

Line 275. _Footinge_, step, tread; cf. _Merchant of Venice_, v. 24.

Line 279.--_Late-mouse._--A facetious spelling of Latmus, the "mount of

oblivion."

Line 281. _Shift_ originally meant simply change, substitution of one

thing for another. Cf. _Timon of Athens_, i. 1, 84--"Fortune, in her

shift and change of mood." Wotton writes--"My going to Oxford was not

merely for shift of air." From this arose the later sense of a change of

clothing, in which the word is here used; and which has now become

further limited, _shift_ amongst the lower classes being equivalent to

an under-garment.

Line 282. _Cantle._--A corner, angle, small point. Cf. 1 _Henry IV._

iii. 1, 100; _Antony and Cleopatra_, iii. 10, 6. See also under _cantle_

in N. E. D.

Line 283. _Portmantle._--The older and commoner form of _portmanteau_,

occurring, for example, in Howell's _Familiar Letters_ (1623). Early

instances of _portmanteau_ are, however, to be found.

Line 296. _Ile bee a diar,_ etc.--The joke is on the double meaning of

_diar_; there seems to be no special significance in the choice of the

colour orange-tawny.

Line 300. _Codshead_ = stupid-head, foolish fellow. Cf. in 1607,

Drewill's _Arraignm_. in Harl. Misc. (Malh.) iii. 56:--"Lloyd

(threatning he) woulde trye acquaintance with the other codsheade."

Also, in 1594, Carew Huarte's _Exam. Wits_, i. (1596), 2:--"His

(Cicero's) sonne ... prooued but a cods-head."

Line 301. _O eyes, noe eyes._--The common tag from Hieronymo, in Kyd's

_Spanish Tragedy_, Act iii.:

"O eyes! No eyes, but fountains fraught with tears;

O life! No life, but lively form of death."

The line was a frequent subject of ridicule amongst contemporary

writers; cf. _Every Man in his Humour_, i. 5, 58, etc.

Line 316. _Fennell._--Foeniculum vulgare, considered as an inflammatory

herb, and used as an emblem of flattery. Cf. _Hamlet_, iv. 5, 180.

Line 320. _Thou._--MS. has _though_.

Line 327. _Weasand._--This word is generally used as a noun, and itself

means wind-pipe. Cf. _Tempest_, iii. 2, 99.

Line 328. _Thy face more faire, etc._--According to some legends, Gorgon

or Medusa was a beautiful maiden before Athenè, in anger, changed her

hair into serpents, thereby rendering her so hideous that all who saw

her became petrified. Possibly, however, the allusion here is merely

facetious.

Line 329. _Dishevells._--Spreads in disorder (an intransitive use).

"Their hair, curling, dishevels about their shoulders." (Sir T.

Herbert.)

Line 330. _Queene of devills._--Probably Persephone, the wife of Pluto,

who ruled amongst the shades of the departed.

Line 332. _Mavors_ or _Mavers_ is the form from which _Mars_ is

contracted.

Line 337. _Silenus for streight backe._--Silenus is usually depicted as

a fat, jovial old man, intoxicated and requiring support. The comparison

is of course ironical.

Line 339. _Rine_ = rind or bark. The O. E. form was rinde; but for a

similar omission of _d_ in the literary language cf. _lime_ (O. E.

linde) and _lawn_ (M. E. launde).

Line 342. _Whose nose, etc._--Cf. _Midsummer Night's Dream_, v. 338. A

similar jest occurs in Peele's "Old Wives' Tale": "Her corall lippes,

her crimson chinne."

Line 345. _Thy._--MS. has _they_.

Line 360. _Cruell_, _huge_, are the epithets properly belonging to

_elephant_; _changing_, _small_, to _chameleon_. See Introduction.

Line 396. _Ile beare thee light._--If this expression be an idiom, I can

find no other instance of it; cf., however, the analogous phrase "to

bear hard," _i.e._ to take ill (_Julius Cæsar_, ii. 1, 215; 1 _Henry

IV._ i. 3, 270). The punning character of the passage makes it difficult

to determine what exact meaning Florida wishes to convey. A not

improbable sense would be obtained by supplying a comma after _thee_,

and thus turning _light_ into a nominative of address.

Line 397. _Lurden_, a clown, sluggard, ill-bred person (Halliwell).

"And seyde, lurden, what doyst thou here?

Thou art a thefe, or thefys fere."

(MS. _Cantab_, Ff. ii. 38, f. 240.)

The word occurs in _Piers Plowman_.

Line 399. _O Oedipus I am not, I am Davus._--A quotation from Terence,

_Andria_, i. 2, 23: "Davus sum, non Oedipus."

Line 400. _Master Davis._--Evidently an intentional anglicizing of the

classical name.

Line 406. _Vastitye._--So MS., possibly for _vastilye_.

Line 408. _As true as Helen, etc._--Cf. the professions of Pyramus and

Thisbe (where, however, no irony is intended), _Midsummer Night's

Dream_, v. 1, 200-203.

Line 413. _Loves._--So MS. for _love_.

Line 413. _I am ore shooes in it._--Cf. _Two Gentlemen of Verona_, i. 1,

23:

"That's a deep story of a deeper love,

For he was more than over shoes in love."

Line 414. _Mountenance_, quantity, amount. The translation of the

_Romaunt of the Rose_, attributed to Chaucer, has--"The mountenance of

two fynger hight."

Line 422. _Never ioyd it since._--Cf. 1 _Henry IV._ ii. 1, 13: "Poor

fellow, never joyed since the price of oats rose; it was the death of

him."

Line 426. _Pay_ = beat (still used dialectically):

"They with a foxe tale him soundly did pay."

(_The King and a poore Northerne Man_, 1640.)

Line 440. _Scummer._--The meanings of this word appear to be either

various or obscure. Halliwell gives "_Scummer_, wonder; Somerset." In

Elworthy's _West Somersetshire Wordbook_ the definitions stand thus: (1)

row, disturbance; (2) confusion, upset; (3) mess, dirty muddle. Wright,

in his _Provincial Dictionary_, gives the meaning as ordure, without

referring the word to any special locality. Obviously, this _scummer_ is

not to be confounded with M. E. _scumer_, a rover or pirate.

Line 441. _Surquedry_, presumption, arrogance, conceit. Chaucer

has--"Presumpcion is he whan a man taketh an emprise that him ought not

to do, or ellis he may it not do & that is called surquidrie" (_Parson's

Tale_, Corpus MS.).

Line 441. _Shooing-horne._--Metaphorically, anything which helps to draw

something else on: a tool. Cf. _Troilus and Cressida_, v. 1, 61: "A

thrifty shoeing-horn in a chain, hanging at his brother's leg." The

expression "shoeing horn of surquedry" is thus equivalent to "chosen

implement of personified arrogance."

Line 442. _Casting topp_, a peg-top. See W. Coles (1657), _Adam in

Eden_, 169--"The fruit is in forme like a casting-top."

Line 443. _Stopple._--The older form of stopper. Cotgrave has--"Tampon,

a bung or stopple."

Line 446. _Vpp leave._--So MS. for _vpp heave_, possibly by confusion

with _vpp lift_.

Line 453. _Corneagle._--I can find no instances whatever of this very

puzzling word; neither does it seem to be closely analogous to any known

form. Can _corneagle_ be a corrupt spelling of _co-niggle_, to niggle

both (our hearts) together? _Niggle_ was used formerly for deceive,

steal (still in the dialects), make sport of, mock; but is not, to my

knowledge, compounded elsewhere with this prefix. Or is "harts

corneagle" a substitution for "harts' core niggle"? (Heart's core occurs

in _Hamlet_.) Both explanations have been suggested to me only as a last

resource, and are too far-fetched to be at all convincing. Moreover, the

context seems to require the sense of pursue, persecute, rather than of

deceive.

Line 464. _Tales of tubbes._--A characteristic rendering into

Elizabethan English of Ovid's "Illa Deam longo prudens sermone tenebat."

The earliest instances of the expression "tales of tubs" seem to occur

about the middle of the sixteenth century.

_Notes and Queries_, series v. vol. xi. p. 505, quotes amongst "curious

phrases in 1580"--"To heare some Gospel of a distaffe and tale of a

tubbe" (_Beehive of the Romish Church_, fo. 275b). See also Holland's

"Plutarch," p. 644, and (for further references) Dodsley-Hazlitt's _Old

Plays_, ii. 335.

Line 475. _Quatte._--A corruption of _squat_, sometimes used

substantively for the sitting of a hare:

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