THE GAME OF BUTTON

Among the countless evils besetting us in our passage through this

vale of tears “to where beyond these voices there is peace,” the

button holds a conspicuous place, and is apparently inaccessible to

the spirit of reform. Less shocking than war, pestilence or famine,

less destructive than the Dingley tariff and less irritating than

the Indiana novel, it is thought by many observers to be, in the sum

of its effects in reducing the gayety of nations, superior to any of

these maleficent agencies, and by some to excel them all together. In

the persistent currency of the story of the man who killed himself

because of his weariness in buttoning and unbuttoning his clothes we

have strong confirmatory testimony to the button’s “natural magic

and dire property on wholesome life.” The story itself appears to

be destitute of authentication, and but for its naturalness, its

inherent credibility and the way that these bring it home to men’s

business and bosoms it would probably have had as evanescent a vogue

as the immortal works discovered weekly by the literary critics of

the newspapers. As it is, this simple and touching tale will probably

live as long as any language, possibly as long as the button itself.

For the button is apparently immortal. It has struck root deeply into

human conservatism—more deeply, I am constrained to admit, than it has,

generally speaking, into the textile fabrics with which it is commonly

but somewhat precariously connected.

That the button is in some sense a benefaction is not lightly to be

denied. In its unostentatious way, and when it stays on, it does a

good deal for the comfort of mankind, as, the police permitting, one

may readily convince himself by walking a few blocks without its

artful aid. Its splendid opportunities of usefulness, however, are

the creations, not so much of our ingenuity, as of our limitations.

If the human race had been born omniscient (in the tops of trees,

as is thought to be held by the Darwinians) instead of achieving

omniscience too lately to overcome the button habit, we should not have

had the primitive appliance thrust upon us, for we should never have

thrust ourselves into the tubular clothing which seems to require its

ministrations. Even in the endurance of that capital affliction we are

not intelligently aided by the button. It badly serves a needless need

and the common sense of the race cries out against it as clumsy, ugly,

inefficient and frequently absent from duty at a critical moment which

it has malevolently foreseen. It is better than nothing, doubtless, but

when considered along with the hook-and-eye, for example, it breaks

down at every point of the comparison. The tailor who, disregarding

the mandates of conservatism and tradition, and filled with a divine

compassion for his race, should rise to the great occasion and with

one foot upon the sea and the other upon the land declare that buttons

should be no more would accomplish an enduring fame and dispute

with Washington and draw-poker the first place in the hearts of his

countrymen. He would have only to replace the button, where it serves

as a fastener, with some simple adaptation of the hook-and-eye, and

where it exists as a mere survival (as for example at the back of a

frock-coat, where it once assisted in supporting the sword-belt) put

nothing at all, and the millions yet to be would rise up and call him

blest.

I have preferred to consider this matter with reference mainly to the

woes and wants of the coarser sex, but the button is known to woman.

With the charming superiority to reason which her detractors term

perversity she prefers it on the left-hand side of her garments, but it

dominates her life and poisons her peace none the less for that; albeit

she offers herself the solace of turning it into an ornament more or

less fearfully and wonderfully made.

In modern religious history women and buttons have a connection which

is as singular as interesting. To the great movement which resulted in

establishing Protestantism the name “Reformation” is not universally

deemed appropriate, but there is one of his many aspects in which

Martin Luther may be contemplated by all as a true reformer. Before

his day women invariably used the hook-and-eye exclusively, which was

well enough. Unfortunately, however, they had conceived the remarkable

notion that this simple and useful appliance for joining together what

man is not permitted to put asunder, would abate something of its

efficacy if placed where reason would naturally suggest. All women’s

dresses were made to hook behind, and in being fastened required the

services of another person than the wearer. For this reason, and

because God had made him so, Luther assailed the custom with all the

fire and fierceness of his polemical nature. So long as women could not

dress themselves without assistance, he argued, they must be slaves,

and their spiritual natures must remain undeveloped until they should

fasten their frocks in front. Calvin, on the contrary, found nothing in

the Scriptures authorizing women to enter their clothing backward and

set his face like a flint against the impious innovation. The contest

between the disciples of these two mighty minds was waged with great

bitterness, notwithstanding the efforts of the gentle Melancthon, who

stood for peace and tried to part them in the middle, enacting, indeed,

the role of Mr. Facing-both-ways. In the end Luther conquered. All good

Protestant dames and maidens save those of his antagonist’s immediate

following adopted his views and eventually the Catholic ladies swung

into line, too. But in some of the dark corners of Europe and America

a vestige of the Calvinist influence survives, and ladies’ gowns open

behind like the chrysalis of a locust.

The one change entailed another; for many years—until, indeed, the

button habit had become invincible—it did not occur to any of the

fair sex that the hook-and-eye could be used in front as well as

surreptitiously behind the back. That truth has now penetrated the

female mind and sometimes warms it into action: but for the most part

lovely woman is infested with the parasitic button as badly as the male

of her species, and of neither does it manifest a disposition to let

go. It has usually its buttonhole to bear it company, and doubtless

looks forward to a long season of domestic felicity and profound repose

while engaged in the business of breaking up families and promoting

breaches of the peace by sapping the foundation of temper, leveling the

outworks of patience and desolating the whole domain of the Christian

virtues.

The Collected Works of Ambrose Bierce, Volume 09 Tangential Views · 第 42 / 83 题