THE daughter of Angus Dalrymple and Maria Braccio was not the woman to
bear a blow tamely, or to hesitate long as to the surest way of
resenting it. Before she had reached the door she had determined to
leave the house at once, and ten minutes had not passed before she found
herself walking down the Corso, veiled and muffled in a cloak, and
having all the money she could call her own, in her pocket, together
with a few jewels of little value, given her by her father.
Reanda had sunk into a chair when the door had closed behind her, half
stunned by the explosion of his own anger. He looked at the bits of
broken ivory on the carpet, and wondered vaguely what they meant. He
felt as though he had been in a dream of which he could not remember the
distorted incidents at all clearly. His breath came irregularly, his
heart fluttered and stood still and fluttered again, and his hands
twitched at the fringe on the arms of the chair. By and bye, the butler
came in to take away the coffee cups and he saw that his master was ill.
Under such circumstances nothing can equal the gentleness of an Italian
servant. The man called some one to help him, and got Reanda to his
dressing-room, and undressed him and laid him upon the long leathern
sofa. Then they knocked at the bedroom door, but there was no answer.
"Do not disturb the signora," said Reanda, feebly. "She wishes to be
alone. We shall not want the carriage."
Those were the only words he spoke that evening, and the servants
understood well enough that something had happened between husband and
wife, and that it was best to be silent and to obey. No one tried the
door of the bedroom. If any one had turned the handle, it would have
been found to be locked. The key lay on the table in the hall, amongst
the visiting-cards. Dalrymple's daughter had inherited some of his quick
instinct and presence of mind. She had felt sure that if she locked the
door of her room when she left the house, her husband would naturally
suppose that she had shut herself in, not wishing to be disturbed, and
would respect her desire to be alone. It would save trouble, and give
her time to get away. He could sleep on the sofa in his dressing-room,
as he actually did, in the illness of his anger, treated as Italians
know how to treat such common cases, of which the consequences are
sometimes fatal. Many an Italian has died from a fit of rage. A single
blood-vessel, in the brain, a little weaker than the rest, and all is
over in an apoplexy. But Reanda was not of an apoplectic constitution.
The calming treatment acted very soon, he fell asleep, and did not wake
till daylight, quite unaware that Gloria was not in the next room,
sleeping off her anger as he had done.
She had gone out in her first impulse to leave the house of the man who
had so terribly insulted her. Under her veil the hot blood scorched her
where the blow had left its red bar, and her rage and wounded pride
chased one another from her heart to her head while with every beating
of her pulse the longing for revenge grew wilder and stronger.
She had left the house with one first idea--to find Paul Griggs and tell
him what had happened. No other thought crossed her mind, and her steps
turned mechanically down the Corso, for he still lived in his two rooms
in the Via della Frezza.
It was early still. People dined at six o'clock in those days, and it
was not yet eight when Gloria found herself in the street. It was quiet,
though there were many people moving about. During the hours between
dinner and the theatre there were hardly any carriages out, and the
sound of many footsteps and of many low voices filled the air. Gloria
kept to the right and walked swiftly along, never turning her head. She
had never been out in the streets alone at night in her life, and even
in her anger she felt a sort of intoxication of freedom that was quite
new to her, a beginning of satisfaction upon him who had injured her.
There was Highland blood in her veins, as well as Italian passion.
The southeast wind was blowing down the street behind her, that same
strange and tragic wind, tragic and passionate, that had blown so
gustily down upon Subiaco from the mountains, on that night long ago
when Maria Addolorata had stood aside by the garden gate to let
Dalrymple pass, bearing something in his arms. Gloria knew it by its sad
whisper and by the faint taste of it and smell of it, through her
close-drawn veil.
On she went, down the Corso, till she came to the Piazza Colonna, and
saw far on her left, beyond the huge black shaft of the column, the
brilliant lights from the French officers' Club. She hesitated then, and
slackened her speed a little. The sight of the Club reminded her of
society, of what she was doing, and of what it might mean. As she walked
more slowly, the wind gained upon her, as it were, from behind, and
tried to drive her on. It seemed to be driving her from her husband's
house with all its might, blowing her skirts before her and her thick
veil. She passed the square, keeping close to the shutters of the shops
under the Palazzo Piombino--gone now, to widen the open space. A gust,
stronger than any she had felt yet, swept down the pavement. She paused
a moment, leaning against the closed shutters of the clockmaker Ricci,
whose shop used to be a sort of landmark in the Corso. Just then a clock
within struck eight strokes. She heard them all distinctly through the
shutters.
She hesitated an instant. It was eight o'clock. She had not realized
what time it was. If she found the street door shut in the Via della
Frezza, it would be hard to get at Griggs. She had passed the house more
than once in her walks, and she knew that Griggs lived high up in the
fifth story. It might be already too late. She hesitated and looked up
and down the pavement. A young French officer of Zouaves was coming
towards her; his high wrinkled and varnished boots gleamed in the
gaslight. He had a black beard and bright young eyes, and was smoking a
cigarette. He was looking at her and slackened his pace as he came near.
She left her place and walked swiftly past him, down the Corso.
All at once she felt in the gust that drove her a cool drop of rain just
behind her ear, and a moment later, passing a gas-lamp, she saw the dark
round spots on the grey pavement. In her haste, she had brought no
umbrella. She hurried on, and the wind blew her forward with all its
might, so that she felt her steps lightened by its help. The Corso was
darker and there were fewer people. The rain fell fast when she reached
San Carlo, where the street widens, and she gathered her cloak about
her as well as she could and crossed to the other side, hoping to find
more shelter. She was nearing the Via della Frezza, and she knew some of
the ins and outs of the narrow streets behind the tribune of the great
church. It was very dark as she turned the semicircle of the apse, and
the rain fell in torrents, but it was shorter to go that way, for Griggs
lived nearer to the Ripetta than to the Corso, and she followed a sort
of crooked diagonal, in the direction of his house. She thought the
streets led by that way to the point she wished to reach, and she walked
as fast as she could. The flare of an occasional oil lamp swung out high
at the end of its lever showed her the way, and showed her, too, the
rush of the yellow water down the middle channel of the street. She
looked in vain for the turning she expected on her right. She had not
lost her way, but she had not found the short cut she had looked for.
Emerging upon the broad Ripetta, she paused an instant at the corner and
looked about, though she knew which way to turn. Just then there were
heavy splashing footsteps close to her.
"Permit me, Signora," said a voice that was rough and had an odd accent,
though the tone was polite, and a huge umbrella was held over her head.
She shrank back against the wall quickly, in womanly fear of a strange
man.
"No, thank you!" she exclaimed in answer.
"But yes!" said the man. "It rains. You are getting an illness,
Signora."
The faint light showed her that she would be safe enough in accepting
the offer. The man was evidently a peasant from the mountains, and he
was certainly not young. His vast black cloak was turned back a little
by his arm and showed the lining of green flannel and the blue clothes
with broad silver buttons which he wore.
"Thank you," she said, for she was glad of the shelter, and she stood
still under the enormous blue cotton umbrella, with its battered brass
knob and its coloured stripes.
"But I will accompany you," said the man. "It is certainly not beginning
to finish. Apoplexy! It rains in pieces!"
"Thank you. I am not going far," said Gloria. "You are very kind."
"It seems to be the act of a Christian," observed the peasant.
She began to move, and he walked beside her. He would have thought it
bad manners to ask whither she was going. Through the torrents of rain
they went on in silence. In less than five minutes she had found the
door of Griggs's house. To her intense relief it was still open, and
there was the glimmer of a tiny oil lamp from a lantern in the stairway.
Gloria felt for the money in her pocket. The man did not wait, nor
speak, and was already going away. She called him.
[Illustration: Stefanone and Gloria.--Vol. II., p. 100.]
"I wish to give you something," said Gloria.
"To me?" exclaimed the man, in surprise. "No, Signora. It seems that you
make a mistake."
"Excuse me," Gloria answered. "In the dark, I did not see. I am very
grateful to you. You are from the country?"
She wished to repair the mistake she had made, by some little civility.
The man stood on the doorstep, with his umbrella hanging backward over
his shoulder, and she could see his face distinctly,--a typical Roman
face with small aquiline features, keen dark eyes, a square jaw, and
iron-grey hair.
"Yes, Signora. Stefanone of Subiaco, wine merchant, to serve you. If you
wish wine of Subiaco, ask for me at Piazza Montanara. Signora, it rains
columns. With permission, I go."
"Thank you again," she answered.
He disappeared into the torrent, and she was left alone at the foot of
the gloomy stairs, under the feeble light of the little oil lamp. She
had thrown back her veil, for it was soaked with water and stuck to her
face. Little rivulets ran down upon the stones from her wet clothes,
which felt intolerably heavy as she stood there, resting one gloved hand
against the damp wall and staring at the lantern. Her thoughts had
been disturbed by her brief interview with the peasant; the rain chilled
her, and her face burned. She touched her cheek with her hand where
Reanda had struck her. It felt bruised and sore, for the blow had not
been a light one. The sensation of the wet leather disgusted her, and
she drew off the glove with difficulty, turning it inside out over her
full white hand. Then she touched the place again, and patted it,
softly, and felt it. But her eyes did not move from the lantern.
There was one of those momentary lulling pauses in the rush of events
which seem sent to confuse men's thoughts and unsettle their purposes.
Had she reached the house five minutes earlier, she would not have
hesitated a moment at the foot of the stairs. Suddenly she turned back
to the door, and stood there looking out. It looked very black. She
gathered her dripping skirt back as she bent forward a little and peered
into the darkness. The rain fell in sheets, now, with the unquavering
sound of a steadily rushing torrent. It would be madness to go out into
it. A shiver ran through her, and another. She was very cold and
miserable. No doubt Griggs had a fire upstairs, and a pleasant light in
his study. He would be there, hard at work. She would knock, and he
would open, and she would sit down by the fire and dry herself, and pour
out her misery. The red bar was still across her face--she had seen it
in the looking-glass when she had put on her hat.
To go back, to see her husband that night--it was impossible. Later,
perhaps, when he should be asleep, Griggs would find a carriage and take
her home. No one would ever know where she had been, and she would never
tell any more than Griggs would. She felt that she must see him and tell
him everything, and feel his strength beside her. After all, he was the
only friend she had in the world, and it was natural that she should
turn to him for help, in her father's absence. He was her father's
friend, too.
She shivered again and again from head to foot, and she drew back from
the door. For a moment she hesitated. Then with a womanly action she
began to shake the rain out of her cloak and her skirts as well as she
could, wetting her hands to the wrists. As she bent down, shaking the
hem of the skirt, the blood rushed to her face again, and the place he
had struck burned and smarted. It was quite a different sensation from
what she had felt when she had touched it with her cool wet hand. She
straightened herself with a spring and threw back her head, and her eyes
flashed fiercely in the dark. The accidents of fate closed round her,
and the hands of her destiny had her by the throat, choking her as she
breathed.
There was no more hesitation. With quick steps she began to ascend the
short, steep flights. It was dark, beyond the first turning, but she
went on, touching the damp walls with her hands. Then there was a
glimmer again, and a second lantern marked the first landing and shone
feebly upon a green door with a thin little square of white marble
screwed to it for a door-plate and a name in black. She glanced at it
and went on, for she knew that Griggs lived on the fifth floor. She was
surefooted, like her father, as she went firmly up, panting a little,
for her drenched clothes weighed her down. There was one more light, and
then there were no more. She counted the landings, feeling the doors
with her hands as she went by, dizzy from the constant turning in the
darkness. At last she thought she had got to the end, and groping with
her hands she found a worsted string and pulled it, and a cracked little
bell jangled and beat against the wood inside. She heard a pattering of
feet, and a shrill, nasal child's voice called out the customary
question, inquiring who was there. She asked for Griggs.
"He is not here," answered the child, and she heard the footsteps
running away again, though she called loudly.
Her heart sank. But she groped her way on. The staircase ended, for it
was the top of the house, and she found another door, and felt for a
string like the one she had pulled, but there was none. Something told
her that she was right, and with the sudden, desperate longing to be
inside, with her strong protector, in the light and warmth, she beat
upon the door with the palms of her hands, her face almost touching the
cold painted wood studded with nails, that smelled of wet iron.
Then came the firm, regular footsteps of the strong man, and his clear,
stern voice spoke from within, not in a question, but in a curt refusal
to open.
"Go away," he said, in Italian. "You have mistaken the door."
But she beat with her hands upon the heavy wood.
"Let me in!" she cried in English. "Let me in!"
There was a deep exclamation of surprise, and the oiled bolt clanked
back in its socket. The door opened inward, and Paul Griggs held up a
lamp with a green shade, throwing the light into Gloria's face.