1. _La Marseillaise_, both words and music by Rouget de Lisle (1792).

2. _Veillons au Salut de l’Empire_, by Adolphe S. Boy (1791). Music by

Dalayra. Very strange that men whose whole purpose was to _destroy_ the

empire should go about singing “Let us guard it!”

3. _Ça Ira_, written to the tune of _Le Carillon National_, in 1789,

while preparations were being made for the _Fête de la Féderation_. It

was a great favorite with Marie Antoinette, who was for ever “strumming

the tune on her harpsichord.”

4. _Chant du Départ_, by Marie Joseph de Chénier (1794). Music by Méhul.

This was the most popular next to the _Marseillaise_.

5. _La Carmagnole._ “Madame Veto avait promis de faire égorger tout

Paris ...” (1792). Probably so called from Carmagnole, in Piedmont. The

burden of this dancing song is:

Danson la Carmagnole,

Vive le son! Vive le son!

Danson la Carmagnole,

Vive le son du canon!

6. _La Vengeur_, a spirited story, in verse, about a ship so called.

Lord Howe took six of the French ships, June 1, 1794; but _La Vengeur_

was sunk by the crew, that it might not fall into the hands of the

English, and went down while the crew shouted “Vive la République!” The

story bears a strong resemblance to that of “The Revenge,” Sir Richard

Grenville’s ship. See _ante_.

In the second Revolution we have:

1. _La Parisienne_, called “The _Marseillaise_ of 1830,” by Casimir

Delavigne, the same year.

Character Sketches of Romance, Fiction and the Drama, Vol. 3 A Revised American Edition of the Reader's Handbook · 第 46 / 62 题