XVIII

Blake did not look up as he heard the door open and the woman step into

the room. There was an echo of his old-time theatricalism in that

dissimulation of stolid indifference. But the old-time stage-setting,

he knew, was no longer there. Instead of sitting behind an oak desk at

Headquarters, he was staring down at a beer-stained card-table in the

dingy back room of a dingy downtown hotel.

He knew the woman had closed the door and crossed the room to the other

side of the card-table, but still he did not look up at her. The

silence lengthened until it became acute, epochal, climactic.

"You sent for me?" his visitor finally said.

And as Elsie Verriner uttered the words he was teased by a vague sense

that the scene had happened before, that somewhere before in their

lives it had been duplicated, word by word and move by move.

"Sit down," he said with an effort at the gruffness of assured

authority. But the young woman did not do as he commanded. She

remained still standing, and still staring down at the face of the man

in front of her.

So prolonged was this stare that Blake began to be embarrassingly

conscious of it, to fidget under it. When he looked up he did so

circuitously, pretending to peer beyond the white face and the staring

eyes of the young woman confronting him. Yet she ultimately coerced

his unsteady gaze, even against his own will. And as he had expected,

he saw written on her face something akin to horror.

As he, in turn, stared back at her, and in her eyes saw first

incredulity, and then, what stung him more, open pity itself, it came

home to him that he must indeed have altered for the worse, that his

face and figure must have changed. For the first time it flashed over

him: he was only the wreck of the man he had once been. Yet at the

core of that wreck burned the old passion for power, the ineradicable

appetite for authority. He resented the fact that she should feel

sorry for him. He inwardly resolved to make her suffer for that pity,

to enlighten her as to what life was still left in the battered old

carcass which she could so openly sorrow over.

"Well, I 'm back," he announced in his guttural bass, as though to

bridge a silence that was becoming abysmal.

"Yes, you 're back!" echoed Elsie Verriner. She spoke absently, as

though her mind were preoccupied with a problem that seemed

inexplicable.

"And a little the worse for wear," he pursued, with his mirthless croak

of a laugh. Then he flashed up at her a quick look of resentment, a

look which he found himself unable to repress. "While you're all

dolled up," he said with a snort, as though bent on wounding her,

"dolled up like a lobster palace floater!"

It hurt him more than ever to see that he could not even dethrone that

fixed look of pity from her face, that even his abuse could not thrust

aside her composure.

"I 'm not a lobster palace floater," she quietly replied. "And you

know it."

"Then what are you?" he demanded.

"I 'm a confidential agent of the Treasury Department," was her

quiet-toned answer.

"Oho!" cried Blake. "So that's why we 've grown so high and mighty!"

The woman sank into the chair beside which she had been standing. She

seemed impervious to his mockery.

"What do you want me for?" she asked, and the quick directness of her

question implied not so much that time was being wasted on side issues

as that he was cruelly and unnecessarily demeaning himself in her eyes.

It was then that Blake swung about, as though he, too, were anxious to

sweep aside the trivialities that stood between him and his end, as

though he, too, were conscious of the ignominy of his own position.

"You know where I 've been and what I 've been doing!" he suddenly

cried out.

"I 'm not positive that I do," was the woman's guarded answer.

"That's a lie!" thundered Blake. "You know as well as I do!"

"What have you been doing?" asked the woman, almost indulgently.

"I 've been trailing Binhart, and you know it! And what's more, you

know where Binhart is, now, at this moment!"

"What was it you wanted me for?" reiterated the white-faced woman,

without looking at him.

Her evasions did more than anger Blake; they maddened him. For years

now he had been compelled to face her obliquities, to puzzle over the

enigma of her ultimate character, and he was tired of it all. He made

no effort to hold his feelings in check. Even into his voice crept

that grossness which before had seemed something of the body alone.

"I want to know where Binhart is!" he cried, leaning forward so that

his head projected pugnaciously from his shoulders like the head of a

fighting-cock.

"Then you have only wasted time in sending for me," was the woman's

obdurate answer. Yet beneath her obduracy was some vague note of

commiseration which he could not understand.

"I want that man, and I 'm going to get him," was Blake's impassioned

declaration. "And before you get out of this room you 're going to

tell me where he is!"

She met his eyes, studiously, deliberately, as though it took a great

effort to do so. Their glances seemed to close in and lock together.

"Jim!" said the woman, and it startled him to see that there were

actual tears in her eyes. But he was determined to remain superior to

any of her subterfuges. His old habit returned to him, the old habit

of "pounding" a prisoner. He knew that one way to get at the meat of a

nut was to smash the nut. And in all his universe there seemed only

one issue and one end, and that was to find his trail and get his man.

So he cut her short with his quick volley of abuse.

"I 've got your number, Elsie Verriner, alias Chaddy Cravath," he

thundered out, bringing his great withered fist down on the table top.

"I 've got every trick you ever turned stowed away in cold storage. I

've got 'em where they 'll keep until the cows come home. I don't care

whether you 're a secret agent or a Secretary of War. There 's only

one thing that counts with me now. And I 'm going to win out. I 'm

going to win out, in the end, no matter what it costs. If you try to

block me in this I 'll put you where you belong. I 'll drag you down

until you squeal like a cornered rat. I 'll put you so low you 'll

never even stand up again!"

The woman leaned a little forward, staring into his eyes.

"I did n't expect this of you, Jim," she said. Her voice was tremulous

as she spoke, and still again he could see on her face that odious and

unfathomable pity.

"There 's lots of things were n't expected of me. But I 'm going to

surprise you all. I 'm going to get what I 'm after or I 'm going to

put you where I ought to have put you two years ago!"

"Jim," said the woman, white-lipped hut compelling herself to calmness,

"don't go on like this! Don't! You're only making it worse, every

minute!"

"Making what worse?" demanded Blake.

"The whole thing. It was a mistake, from the first. I could have told

you that. But you did then what you 're trying to do now. And see

what you 've lost by it!"

"What have I lost by it?"

"You 've lost everything," she answered, and her voice was thin with

misery. "Everything--just as they counted on your doing, just as they

expected!"

"As who expected?"

"As Copeland and the others expected when they sent you out on a blind

trail."

"I was n't sent out on a blind trail."

"But you found nothing when you went out. Surely you remember that."

It seemed like going back to another world to another life, as he sat

there coercing his memory to meet the past, the abysmal and embittered

past which he had grown to hate.

"Are you trying to say this Binhart case was a frame up?" he suddenly

cried out.

"They wanted you out of the way. It was the only trick they could

think of."

"That's a lie!" declared Blake.

"It's not a lie. They knew you 'd never give up. They even

handicapped you--started you wrong, to be sure it would take time, to

be positive of a clear field."

Blake stared at her, almost stupidly. His mind was groping about,

trying to find some adequate motive for this new line of duplicity. He

kept warning himself that she was not to be trusted. Human beings, all

human beings, he had found, moved only by indirection. He was too old

a bird to have sand thrown in his eyes.

"Why, you welched on Binhart yourself. You put me on his track. You

sent me up to Montreal!"

"They made me do that," confessed the unhappy woman. "He was n't in

Montreal. He never had been there!"

"You had a letter from him there, telling you to come to 881 King

Edward when the coast was clear."

"That letter was two years old. It was sent from a room in the King

Edward Hotel. That was part of their plant."

He sat for a long time thinking it over, point by point. He became

disturbed by a sense of instability in the things that had once seemed

most enduring, the sickening cataclysmic horror of a man who finds the

very earth under his feet shaken by its earthquake. His sodden face

appeared to age even as he sat there laboriously reliving the past, the

past that seemed suddenly empty and futile.

"So you sold me out!" he finally said, studying her white face with his

haggard hound's eyes.

"I could n't help it, Jim. You forced it on me. You wouldn't give me

the chance to do anything else. I wanted to help you--but you held me

off. You put the other thing before my friendship!"

"What do _you_ know about friendship?" cried the gray-faced man.

"We were friends once," answered the woman, ignoring the bitter mockery

in his cry.

He stared at her, untouched by the note of pathos in her voice. There

was something abstracted about his stare, as though his mind had not

yet adjusted itself to a vast new discovery. His inner vision seemed

dazzled, just as the eye itself may be dazzled by unexpected light.

"So you sold me out!" he said for a third time. He did not move, but

under that lava-like shell of diffidence were volcanic and coursing

fires which even he himself could not understand.

"Jim, I would have done anything for you, once," went on the unhappy

woman facing him. "You could have saved me--from him, from myself.

But you let the chance slip away. I couldn't go on. I saw where it

would end. So I had to save myself. I had to save myself--in the only

way I could. Oh, Jim, if you 'd only been kinder!"

She sat with her head bowed, ashamed of her tears, the tears which he

could not understand. He stared at her great crown of carefully coiled

and plaited hair, shining in the light of the unshaded electric-bulb

above them. It took him back to other days when he had looked at it

with other eyes. And a comprehension of all he had lost crept slowly

home to him. Poignant as was the thought that she had seemed beautiful

to him and he might have once possessed her, this thought was

obliterated by the sudden memory that in her lay centered everything

that had caused his failure. She had been the weak link in his life,

the life which he had so wanted to crown with success.

"You welcher!" he suddenly gasped, as he continued to stare at her.

His very contemplation of her white face seemed to madden him. In it

he seemed to find some signal and sign of his own dissolution, of his

lost power, of his outlived authority. In her seemed to abide the

reason for all that he had endured. To have attained to a

comprehension of her own feelings was beyond him. Even the effort to

understand them would have been a contradiction of his whole career.

She only angered him. And the hot anger that crept through his body

seemed to smoke out of some inner recess of his being a hate that was

as unreasonable as it was animal-like. All the instincts of existence,

in that moment, reverted to life's one primordial problem, the problem

of the fighting man to whom every other man must be an opponent, the

problem of the feral being, as to whether it should kill or be killed.

Into that unreasoning blind rage flared all the frustration of months,

of years, all the disappointments of all his chase, all the defeat of

all his career. Even as she sat there in her pink and white frailty

she knew and nursed the secret for which he had girdled the world. He

felt that he must tear it from her, that he must crush it out of her

body as the pit is squeezed from a cherry. And the corroding part of

it was that he had been outwitted by a woman, that he was being defied

by a physical weakling, a slender-limbed thing of ribbons and laces

whose back he could bend and break across his great knee.

He lurched forward to his feet. His great crouching body seemed drawn

towards her by some slow current which he could not control.

"Where's Binhart?" he suddenly gasped, and the explosive tensity of

that wheezing cry caused her to look up, startled. He swayed toward

her as she did so, swept by some power not his own. There was

something leonine in his movement, something leonine in his snarl as he

fell on her. He caught her body in his great arms and shook it. He

moved without any sense of movement, without any memory of it.

"Where 's Binhart?" he repeated, foolishly, for by this time his great

hand had closed on her throat and all power of speech was beyond her.

He swung her about and bore her back across the table. She did not

struggle. She lay there so passive in his clutch that a dull pride

came to him at the thought of his own strength. This belated sense of

power seemed to intoxicate him. He was swept by a blind passion to

crush, to obliterate. It seemed as though the rare and final moment

for the righting of vast wrongs, for the ending of great injustices,

were at hand. His one surprise was that she did not resist him, that

she did not struggle.

From side to side he twisted and flailed her body about, in his

madness, gloating over her final subserviency to his will, marveling

how well adapted for attack was this soft and slender column of the

neck, on which his throttling fingers had fastened themselves.

Instinctively they had sought out and closed on that slender column,

guided to it by some ancestral propulsion, by some heritage of the

brute. It was made to get a grip on, a neck like that! And he grunted

aloud, with wheezing and voluptuous grunts of gratification, as he saw

the white face alter and the wide eyes darken with terror. He was

making her suffer. He was no longer enveloped by that mild and

tragically inquiring stare that had so discomforted him. He was no

longer stung by the thought that she was good to look on, even with her

head pinned down against a beer-stained card-table. He was converting

her into something useless and broken, into something that could no

longer come between him and his ends. He was completely and finally

humiliating her. He was breaking her. He was converting her into

something corrupt. . . . Then his pendulous throat choked with a

falsetto gasp of wonder. _He was killing her_!

Then, as suddenly as it had come, the smoke of that mental explosion

seemed to clear away. Even as he gaped into the white face so close to

his own he awoke to reason. The consciousness of how futile, of how

odious, of how maniacal, it all was swept over him. He had fallen low,

but he had never dreamed that he could fall so low as this.

A reaction of physical nausea left him weak and dizzy. The flexor

muscles of his fingers relaxed. An ague of weakness crept through his

limbs. A vertiginous faintness brought him half tumbling and half

rolling back into his chair, wheezing and moist with sweat. He sat

there looking about him, like a sheep killer looking up from the ewe it

has captured.

Then his great chest heaved and shook with hysterical sobbing. When, a

little later, he heard the shaken woman's antiphonal sobs, the

realization of how low he had fallen kept him from looking at her. A

great shame possessed him. He stumbled out of the room. He groped his

way down to the open streets, a haggard and broken man from whom life

had wrung some final hope of honor.

Never-Fail Blake · 第 22 / 25 题