WITHOUT AN OCCUPATION.

“PARIS, 183-

“You ask me, dear mother, whether I am happy with my husband. Certainly

Monsieur de Fischtaminel was not the ideal of my dreams. I submitted to

your will, as you know. His fortune, that supreme consideration, spoke,

indeed, sufficiently loud. With these arguments, —a marriage, without

stooping, with the Count de Fischtaminel, his having thirty thousand a

year, and a home at Paris—you were strongly armed against your poor

daughter. Besides, Monsieur de Fischtaminel is good looking for a man

of thirty-six years; he received the cross of the Legion of Honor from

Napoleon upon the field of battle, he is an ex-colonel, and had it not

been for the Restoration, which put him upon half-pay, he would be a

general. These are certainly extenuating circumstances.

“Many women consider that I have made a good match, and I am bound to

confess that there is every appearance of happiness,—for the public,

that is. But you will acknowledge that if you had known of the return

of my Uncle Cyrus and of his intention to leave me his money, you would

have given me the privilege of choosing for myself.

“I have nothing to say against Monsieur de Fischtaminel: he does not

gamble, he is indifferent to women, he doesn’t like wine, and he has no

expensive fancies: he possesses, as you said, all the negative

qualities which make husbands passable. Then, what is the matter with

him? Well, mother, he has nothing to do. We are together the whole

blessed day! Would you believe that it is during the night, when we are

the most closely united, that I am the most alone? His sleep is my

asylum, my liberty begins when he slumbers. This state of siege will

yet make me sick: I am never alone. If Monsieur de Fischtaminel were

jealous, I should have a resource. There would then be a struggle, a

comedy: but how could the aconite of jealousy have taken root in his

soul? He has never left me since our marriage. He feels no shame in

stretching himself out upon a sofa and remaining there for hours

together.

“Two felons pinioned to the same chain do not find time hang heavy: for

they have their escape to think of. But we have no subject of

conversation; we have long since talked ourselves out. A little while

ago he was so far reduced as to talk politics. But even politics are

exhausted, Napoleon, unfortunately for me, having died at St. Helena,

as is well known.

“Monsieur de Fischtaminel abhors reading. If he sees me with a book, he

comes and says a dozen times an hour—‘Nina, dear, haven’t you finished

yet?’

“I endeavored to persuade this innocent persecutor to ride out every

day on horseback, and I alleged a consideration usually conclusive with

men of forty years,—his health! But he said that after having been

twelve years on horseback, he felt the need of repose.

“My husband, dear mother, is a man who absorbs you, he uses up the

vital fluid of his neighbor, his ennui is gluttonous: he likes to be

amused by those who call upon us, and, after five years of wedlock, no

one ever comes: none visit us but those whose intentions are evidently

dishonorable for him, and who endeavor, unsuccessfully, to amuse him,

in order to earn the right to weary his wife.

“Monsieur de Fischtaminel, mother, opens the door of my chamber, or of

the room to which I have flown for refuge, five or six times an hour,

and comes up to me in an excited way, and says, ‘Well, what are you

doing, my belle?’ (the expression in fashion during the Empire) without

perceiving that he is constantly repeating the same phrase, which is to

me like the one pint too much that the executioner formerly poured into

the torture by water.

“Then there’s another bore! We can’t go to walk any more. A promenade

without conversation, without interest, is impossible. My husband walks

with me for the walk, as if he were alone. I have the fatigue without

the pleasure.

“The interval between getting up and breakfast is employed in my

toilet, in my household duties; and I manage to get through with this

part of the day. But between breakfast and dinner, there is a whole

desert to plough, a waste to traverse. My husband’s want of occupation

does not leave me a moment of repose, he overpowers me by his

uselessness; his idle life positively wears me out. His two eyes always

open and gazing at mine compel me to keep them lowered. Then his

monotonous remarks:

“‘What o’clock is it, love? What are you doing now? What are you

thinking of? What do you mean to do? Where shall we go this evening?

Anything new? What weather! I don’t feel well, etc., etc.’

“All these variations upon the same theme—the interrogation point

—which compose Fischtaminel’s repertory, will drive me mad. Add to

these leaden arrows everlastingly shot off at me, one last trait which

will complete the description of my happiness, and you will understand

my life.

“Monsieur de Fischtaminel, who went away in 1809, with the rank of

sub-lieutenant, at the age of eighteen, has had no other education than

that due to discipline, to the natural sense of honor of a noble and a

soldier: but though he possesses tact, the sentiment of probity, and a

proper subordination, his ignorance is gross, he knows absolutely

nothing, and he has a horror of learning anything. Oh, dear mother,

what an accomplished door-keeper this colonel would have made, had he

been born in indigence! I don’t think a bit the better of him for his

bravery, for he did not fight against the Russians, the Austrians, or

the Prussians: he fought against ennui. When he rushed upon the enemy,

Captain Fischtaminel’s purpose was to get away from himself. He married

because he had nothing else to do.

“We have another slight difficulty to content with: my husband harasses

the servants to such a degree that we change them every six months.

“I so ardently desire, dear mother, to remain a virtuous woman, that I

am going to try the effect of traveling for half the year. During the

winter, I shall go every evening to the Italian or the French opera, or

to parties: but I don’t know whether our fortune will permit such an

expenditure. Uncle Cyrus ought to come to Paris—I would take care of

him as I would of an inheritance.

“If you discover a cure for my woes, let your daughter know of it —your

daughter who loves you as much as she deplores her misfortunes, and who

would have been glad to call herself by some other name than that of

“NINA FISCHTAMINEL.”

Besides the necessity of describing this petty trouble, which could

only be described by the pen of a woman,—and what a woman she was! —it

was necessary to make you acquainted with a character whom you saw only

in profile in the first half of this book, the queen of the particular

set in which Caroline lived,—a woman both envied and adroit, who

succeeded in conciliating, at an early date, what she owed to the world

with the requirements of the heart. This letter is her absolution.

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