OF THE PREDESTINED.

Predestined means destined in advance for happiness or unhappiness.

Theology has seized upon this word and employs it in relation to the

happy; we give to the term a meaning which is unfortunate to our elect

of which one can say in opposition to the Gospel, “Many are called,

many are chosen.”

Experience has demonstrated that there are certain classes of men more

subject than others to certain infirmities; the Gascons are given to

exaggeration and Parisians to vanity. As we see that apoplexy attacks

people with short necks, or butchers are liable to carbuncle, as gout

attacks the rich, health the poor, deafness kings, paralysis

administrators, so it has been remarked that certain classes of

husbands and their wives are more given to illegitimate passions. Thus

they forestall the celibates, they form another sort of aristocracy. If

any reader should be enrolled in one of these aristocratic classes he

will, we hope, have sufficient presence of mind, he or at least his

wife, instantly to call to mind the favorite axiom of Lhomond’s Latin

Grammar: “No rule without exception.” A friend of the house may even

recite the verse—

“Present company always excepted.”

And then every one will have the right to believe, _in petto_, that he

forms the exception. But our duty, the interest which we take in

husbands and the keen desire which we have to preserve young and pretty

women from the caprices and catastrophes which a lover brings in his

train, force us to give notice to husbands that they ought to be

especially on their guard.

In this recapitulation first are to be reckoned the husbands whom

business, position or public office calls from their houses and detains

for a definite time. It is these who are the standard-bearers of the

brotherhood.

Among them, we would reckon magistrates, holding office during pleasure

or for life, and obliged to remain at the Palace for the greater

portion of the day; other functionaries sometimes find means to leave

their office at business hours; but a judge or a public prosecutor,

seated on his cushion of lilies, is bound even to die during the

progress of the hearing. There is his field of battle.

It is the same with the deputies and peers who discuss the laws, of

ministers who share the toils of the king, of secretaries who work with

the ministers, of soldiers on campaign, and indeed with the corporal of

the police patrol, as the letter of Lafleur, in the _Sentimental

Journey_, plainly shows.

Next to the men who are obliged to be absent from home at certain fixed

hours, come the men whom vast and serious undertakings leave not one

minute for love-making; their foreheads are always wrinkled with

anxiety, their conversation is generally void of merriment.

At the head of these unfortunates we must place the bankers, who toil

in the acquisition of millions, whose heads are so full of calculations

that the figures burst through their skulls and range themselves in

columns of addition on their foreheads.

These millionaires, forgetting most of the time the sacred laws of

marriage and the attention due to the tender flower which they have

undertaken to cultivate, never think of watering it or of defending it

from the heat and cold. They scarcely recognize the fact that the

happiness of their spouses is in their keeping; if they ever do

remember this, it is at table, when they see seated before them a woman

in rich array, or when a coquette, fearing their brutal repulse, comes,

gracious as Venus, to ask them for cash— Oh! it is then, that they

recall, sometimes very vividly, the rights specified in the two hundred

and thirteenth article of the civil code, and their wives are grateful

to them; but like the heavy tariff which the law lays upon foreign

merchandise, their wives suffer and pay the tribute, in virtue of the

axiom which says: “There is no pleasure without pain.”

The men of science who spend whole months in gnawing at the bone of an

antediluvian monster, in calculating the laws of nature, when there is

an opportunity to peer into her secrets, the Grecians and Latinists who

dine on a thought of Tacitus, sup on a phrase of Thucydides, spend

their life in brushing the dust from library shelves, in keeping guard

over a commonplace book, or a papyrus, are all predestined. So great is

their abstraction or their ecstasy, that nothing that goes on around

them strikes their attention. Their unhappiness is consummated; in full

light of noon they scarcely even perceive it. Oh happy men! a thousand

times happy! Example: Beauzee, returning home after session at the

Academy, surprises his wife with a German. “Did not I tell you, madame,

that it was necessary that I shall go,” cried the stranger. “My dear

sir,” interrupted the academician, “you ought to say that I _should_

go!”

Then there come, lyre in hand, certain poets whose whole animal

strength has left the ground floor and mounted to the upper story. They

know better how to mount Pegasus than the beast of old Peter, they

rarely marry, although they are accustomed to lavish the fury of their

passions on some wandering or imaginary Chloris.

But the men whose noses are stained with snuff;

But those who, to their misfortune, have a perpetual cold in their

head;

But the sailors who smoke or chew;

But those men whose dry and bilious temperament makes them always look

as if they had eaten a sour apple;

But the men who in private life have certain cynical habits, ridiculous

fads, and who always, in spite of everything, look unwashed;

But the husbands who have obtained the degrading name of “hen-pecked”;

Finally the old men who marry young girls.

All these people are _par excellence_ among the predestined.

There is a final class of the predestined whose ill-fortune is almost

certain, we mean restless and irritable men, who are inclined to meddle

and tyrannize, who have a great idea of domestic domination, who openly

express their low ideas of women and who know no more about life than

herrings about natural history. When these men marry, their homes have

the appearance of a wasp whose head a schoolboy has cut off, and who

dances here and there on a window pane. For this sort of predestined

the present work is a sealed book. We do not write any more for those

imbeciles, walking effigies, who are like the statues of a cathedral,

than for those old machines of Marly which are too weak to fling water

over the hedges of Versailles without being in danger of sudden

collapse.

I rarely make my observations on the conjugal oddities with which the

drawing-room is usually full, without recalling vividly a sight which I

once enjoyed in early youth:

In 1819 I was living in a thatched cottage situated in the bosom of the

delightful valley l’Isle-Adam. My hermitage neighbored on the park of

Cassan, the sweetest of retreats, the most fascinating in aspect, the

most attractive as a place to ramble in, the most cool and refreshing

in summer, of all places created by luxury and art. This verdant

country-seat owes its origin to a farmer-general of the good old times,

a certain Bergeret, celebrated for his originality; who among other

fantastic dandyisms adopted the habit of going to the opera, with his

hair powdered in gold; he used to light up his park for his own

solitary delectation and on one occasion ordered a sumptuous

entertainment there, in which he alone took part. This rustic

Sardanapalus returned from Italy so passionately charmed with the

scenery of that beautiful country that, by a sudden freak of

enthusiasm, he spent four or five millions in order to represent in his

park the scenes of which he had pictures in his portfolio. The most

charming contrasts of foliage, the rarest trees, long valleys, and

prospects the most picturesque that could be brought from abroad,

Borromean islands floating on clear eddying streams like so many rays,

which concentrate their various lustres on a single point, on an Isola

Bella, from which the enchanted eye takes in each detail at its

leisure, or on an island in the bosom of which is a little house

concealed under the drooping foliage of a century-old ash, an island

fringed with irises, rose-bushes, and flowers which appears like an

emerald richly set. Ah! one might rove a thousand leagues for such a

place! The most sickly, the most soured, the most disgusted of our men

of genius in ill health would die of satiety at the end of fifteen

days, overwhelmed with the luscious sweetness of fresh life in such a

spot.

The man who was quite regardless of the Eden which he thus possessed

had neither wife nor children, but was attached to a large ape which he

kept. A graceful turret of wood, supported by a sculptured column,

served as a dwelling place for this vicious animal, who being kept

chained and rarely petted by his eccentric master, oftener at Paris

than in his country home, had gained a very bad reputation. I recollect

seeing him once in the presence of certain ladies show almost as much

insolence as if he had been a man. His master was obliged to kill him,

so mischievous did he gradually become.

One morning while I was sitting under a beautiful tulip tree in flower,

occupied in doing nothing but inhaling the lovely perfumes which the

tall poplars kept confined within the brilliant enclosure, enjoying the

silence of the groves, listening to the murmuring waters and the

rustling leaves, admiring the blue gaps outlined above my head by

clouds of pearly sheen and gold, wandering fancy free in dreams of my

future, I heard some lout or other, who had arrived the day before from

Paris, playing on a violin with the violence of a man who has nothing

else to do. I would not wish for my worst enemy to hear anything so

utterly in discord with the sublime harmony of nature. If the distant

notes of Roland’s Horn had only filled the air with life, perhaps—but a

noisy fiddler like this, who undertakes to bring to you the expression

of human ideas and the phraseology of music! This Amphion, who was

walking up and down the dining-room, finished by taking a seat on the

window-sill, exactly in front of the monkey. Perhaps he was looking for

an audience. Suddenly I saw the animal quietly descend from his little

dungeon, stand upon his hind feet, bow his head forward like a swimmer

and fold his arms over his bosom like Spartacus in chains, or Catiline

listening to Cicero. The banker, summoned by a sweet voice whose

silvery tone recalled a boudoir not unknown to me, laid his violin on

the window-sill and made off like a swallow who rejoins his companion

by a rapid level swoop. The great monkey, whose chain was sufficiently

long, approached the window and gravely took in hand the violin. I

don’t know whether you have ever had as I have the pleasure of seeing a

monkey try to learn music, but at the present moment, when I laugh much

less than I did in those careless days, I never think of that monkey

without a smile; the semi-man began by grasping the instrument with his

fist and by sniffing at it as if he were tasting the flavor of an

apple. The snort from his nostrils probably produced a dull harmonious

sound in the sonorous wood and then the orang-outang shook his head,

turned over the violin, turned it back again, raised it up in the air,

lowered it, held it straight out, shook it, put it to his ear, set it

down, and picked it up again with a rapidity of movement peculiar to

these agile creatures. He seemed to question the dumb wood with

faltering sagacity and in his gestures there was something marvelous as

well as infantile. At last he undertook with grotesque gestures to

place the violin under his chin, while in one hand he held the neck;

but like a spoiled child he soon wearied of a study which required

skill not to be obtained in a moment and he twitched the strings

without being able to draw forth anything but discordant sounds. He

seemed annoyed, laid the violin on the window-sill and snatching up the

bow he began to push it to and fro with violence, like a mason sawing a

block of stone. This effort only succeeded in wearying his fastidious

ears, and he took the bow with both hands and snapped it in two on the

innocent instrument, source of harmony and delight. It seemed as if I

saw before me a schoolboy holding under him a companion lying face

downwards, while he pommeled him with a shower of blows from his fist,

as if to punish him for some delinquency. The violin being now tried

and condemned, the monkey sat down upon the fragments of it and amused

himself with stupid joy in mixing up the yellow strings of the broken

bow.

Never since that day have I been able to look upon the home of the

predestined without comparing the majority of husbands to this

orang-outang trying to play the violin.

Love is the most melodious of all harmonies and the sentiment of love

is innate. Woman is a delightful instrument of pleasure, but it is

necessary to know its trembling strings, to study the position of them,

the timid keyboard, the fingering so changeful and capricious which

befits it. How many monkeys—men, I mean—marry without knowing what a

woman is! How many of the predestined proceed with their wives as the

ape of Cassan did with his violin! They have broken the heart which

they did not understand, as they might dim and disdain the amulet whose

secret was unknown to them. They are children their whole life through,

who leave life with empty hands after having talked about love, about

pleasure, about licentiousness and virtue as slaves talk about liberty.

Almost all of them married with the most profound ignorance of women

and of love. They commenced by breaking in the door of a strange house

and expected to be welcomed in this drawing-room. But the rudest artist

knows that between him and his instrument, of wood, or of ivory, there

exists a mysterious sort of friendship. He knows by experience that it

takes years to establish this understanding between an inert matter and

himself. He did not discover, at the first touch, the resources, the

caprices, the deficiencies, the excellencies of his instrument. It did

not become a living soul for him, a source of incomparable melody until

he had studied for a long time; man and instrument did not come to

understand each other like two friends, until both of them had been

skillfully questioned and tested by frequent intercourse.

Can a man ever learn woman and know how to decipher this wondrous

strain of music, by remaining through life like a seminarian in his

cell? Is it possible that a man who makes it his business to think for

others, to judge others, to rule others, to steal money from others, to

feed, to heal, to wound others—that, in fact, any of our predestined,

can spare time to study a woman? They sell their time for money, how

can they give it away for happiness? Money is their god. No one can

serve two masters at the same time. Is not the world, moreover, full of

young women who drag along pale and weak, sickly and suffering? Some of

them are the prey of feverish inflammations more or less serious,

others lie under the cruel tyranny of nervous attacks more or less

violent. All the husbands of these women belong to the class of the

ignorant and the predestined. They have caused their own misfortune and

expended as much pains in producing it as the husband artist would have

bestowed in bringing to flower the late and delightful blooms of

pleasure. The time which an ignorant man passes to consummate his own

ruin is precisely that which a man of knowledge employs in the

education of his happiness.

XXVI.

Do not begin marriage by a violation of law.

In the preceding meditations we have indicated the extent of the evil

with the reckless audacity of those surgeons, who boldly induce the

formation of false tissues under which a shameful wound is concealed.

Public virtue, transferred to the table of our amphitheatre, has lost

even its carcass under the strokes of the scalpel. Lover or husband,

have you smiled, or have you trembled at this evil? Well, it is with

malicious delight that we lay this huge social burden on the conscience

of the predestined. Harlequin, when he tried to find out whether his

horse could be accustomed to go without food, was not more ridiculous

than the men who wish to find happiness in their home and yet refuse to

cultivate it with all the pains which it demands. The errors of women

are so many indictments of egotism, neglect and worthlessness in

husbands.

Yet it is yours, reader, it pertains to you, who have often condemned

in another the crime which you yourself commit, it is yours to hold the

balance. One of the scales is quite loaded, take care what you are

going to put in the other. Reckon up the number of predestined ones who

may be found among the total number of married people, weigh them, and

you will then know where the evil is seated.

Let us try to penetrate more deeply into the causes of this conjugal

sickliness.

The word love, when applied to the reproduction of the species, is the

most hateful blasphemy which modern manners have taught us to utter.

Nature, in raising us above the beasts by the divine gift of thought,

had rendered us very sensitive to bodily sensations, emotional

sentiment, cravings of appetite and passions. This double nature of

ours makes of man both an animal and a lover. This distinction gives

the key to the social problem which we are considering.

Marriage may be considered in three ways, politically, as well as from

a civil and moral point of view: as a law, as a contract and as an

institution. As a law, its object is a reproduction of the species; as

a contract, it relates to the transmission of property; as an

institution, it is a guarantee which all men give and by which all are

bound: they have father and mother, and they will have children.

Marriage, therefore, ought to be the object of universal respect.

Society can only take into consideration those cardinal points, which,

from a social point of view, dominate the conjugal question.

Most men have no other views in marrying, than reproduction, property

or children; but neither reproduction nor property nor children

constitutes happiness. The command, “Increase and multiply,” does not

imply love. To ask of a young girl whom we have seen fourteen times in

fifteen days, to give you love in the name of law, the king and

justice, is an absurdity worthy of the majority of the predestined.

Love is the union between natural craving and sentiment; happiness in

marriage results in perfect union of soul between a married pair. Hence

it follows that in order to be happy a man must feel himself bound by

certain rules of honor and delicacy. After having enjoyed the benefit

of the social law which consecrates the natural craving, he must obey

also the secret laws of nature by which sentiments unfold themselves.

If he stakes his happiness on being himself loved, he must himself love

sincerely: nothing can resist a genuine passion.

But to feel this passion is always to feel desire. Can a man always

desire his wife?

Yes.

It is as absurd to deny that it is possible for a man always to love

the same woman, as it would be to affirm that some famous musician

needed several violins in order to execute a piece of music or compose

a charming melody.

Love is the poetry of the senses. It has the destiny of all that which

is great in man and of all that which proceeds from his thought. Either

it is sublime, or it is not. When once it exists, it exists forever and

goes on always increasing. This is the love which the ancients made the

child of heaven and earth.

Literature revolves round seven situations; music expresses everything

with seven notes; painting employs but seven colors; like these three

arts, love perhaps founds itself on seven principles, but we leave this

investigation for the next century to carry out.

If poetry, music and painting have found infinite forms of expression,

pleasure should be even more diversified. For in the three arts which

aid us in seeking, often with little success, truth by means of

analogy, the man stands alone with his imagination, while love is the

union of two bodies and of two souls. If the three principal methods

upon which we rely for the expression of thought require preliminary

study in those whom nature has made poets, musicians or painters, is it

not obvious that, in order, to be happy, it is necessary to be

initiated into the secrets of pleasure? All men experience the craving

for reproduction, as all feel hunger and thirst; but all are not called

to be lovers and gastronomists. Our present civilization has proved

that taste is a science, and it is only certain privileged beings who

have learned how to eat and drink. Pleasure considered as an art is

still waiting for its physiologists. As for ourselves, we are contented

with pointing out that ignorance of the principles upon which happiness

is founded, is the sole cause of that misfortune which is the lot of

all the predestined.

It is with the greatest timidity that we venture upon the publication

of a few aphorisms which may give birth to this new art, as casts have

created the science of geology; and we offer them for the meditation of

philosophers, of young marrying people and of the predestined.

Analytical Studies · 第 21 / 187 题