CHAPTER XXVII.

THE FACE THAT CAME IN DREAMS.

Virdow was not a scientist in the strict sense of the term. He had been

a fairly good musician in youth and had advanced somewhat in art. He was

one of those modern scientists, who are not walled in by past

conclusions, but who, like Morse, leap forward from a vantage point and

build back to connect with old results. Early in life he had studied the

laws of vibration, until it seemed revealed to him that all forms, all

fancies, were born of it. Gradually as his beautiful demonstrations were

made and all art co-ordinated upon this law, he saw in dreams a

fulfillment of his hopes that in his age, in his life, might bloom the

fairest flower of science, a mind memory opened to mortal consciousness.

Dreaming further along the lines of Wagner, it had come to him that the

key to this hidden, dumb and sleeping record of the mind was vibration;

that the strains of music which summon beautiful dreams to the minds of

men were magic wands lifting the vision of this past; not its immediate

past, but the past of ages; for in the brain of the subtle German was

firmly fixed the belief that the minds of men were in their last

analysis one and indivisible, and older than the molecules of physical

creation.

He held triumphantly that "then shall you see clearly," was but one way

of saying "then shall you remember."

To this man the mind picture which Gerald had drawn, the church, with

its tragic figures, came as a reward of generations of labor. He had

followed many a false trail and failed in hospital and asylum. In Gerald

he hoped for a sound, active brain, combined with the faculty of

expression in many languages and the finer power of art; an organism

sufficiently delicate to carry into that viewless vinculum between body

and soul, vibrations, rhymes and co-ordinations delicate enough to touch

a new consciousness and return its reply through organized form. He had

found these conditions perfect, and he felt that if failure was the

result, while still firmly fixed in his belief, never again would

opportunity of equal merit present itself. If in Gerald his theory

failed of demonstration, the mind's past would be, in his lifetime,

locked to his mortal consciousness. In brief he had formed the

conditions so long sought and upon these his life's hope was staked.

Much of this he stated as they sat in the wing-room. Gerald lay upon the

divan when he began talking, lost in abstraction, but as the theory of

the German was gradually unfolded Edward saw him fix his bright eye upon

the speaker, saw him becoming restless and excited. When the explanation

ended he was walking the floor.

"Experiments with frogs," he said, abruptly; "accidents to the human

brain and vivisection have proved the separateness of memory and

consciousness. But I shall do better; I shall give to the world a

complete picture descended from parent to child--an inherited brain

picture of which the mind is thoroughly conscious." His listeners waited

in breathless suspense; both knew to what he referred. "But," he added,

shaking his head, "that does not carry us out of the material world."

His ready knowledge of this subject and its quick grasp of the

proposition astonished Virdow beyond expression.

"Go on," he said, simply.

"When that fusion of mind and matter occurs," said Gerald, positively;

"when the consciousness is put in touch with the mind's unconscious

memory there will be no pictures seen, no records read; we shall simply

broaden out, comprehend, understand, grasp, know! That is all! It will

not come to the world, but to individuals, and, lastly, it has already

come! Every so called original thought that dawns upon a human, every

intuitive conception of the truth, marks the point where mind yielded

something of a memory to human consciousness."

The professor moved uneasily in his seat; both he and Edward were

overwhelmed with the surprise of the demonstration that behind the sad

environment of this being dwelt a keen, logical mind. The speaker paused

and smiled; his attention was not upon his company.

"So," he said, softly, "come the song into the mind of the poet, so the

harmonies to the singer and so the combination of colors to the artist;

so the rounded periods of oratory and so the conception that makes

invention possible. No facts appear, because facts are the results of

laws, the proofs of truths. The mind-memory carries none of these; it

carries laws and the truth which interprets it all; and when men can

hold their consciousness to the touch of mind without a falling apart,

they will stand upon the plane of their Creator, because they will then

be fully conscious of the eternal laws and in harmony with them."

"And you," said Virdow, greatly affected, "have you ever felt the union

of consciousness and mind-memory?"

"Yes," he replied; "what I have said is the truth; for it came from an

inner consciousness without previous determination and intention. I am

right, and you know I am right!" Virdow shook his head.

"I have hoped," he said, gently, "that in this mind-memory dwelt

pictures. We shall see, we shall see." Gerald turned away impatiently

and threw himself upon his couch. Presently in the silence which ensued

rose the solemn measure of Mendelssohn's heart-beat march from Edward's

violin. The strange, sad, depressing harmony filled the room; even

Virdow felt its wonderful power and sat mute and disturbed. Suddenly he

happened to gaze toward Gerald. He lay with ashen face and rigid eyes

fixed upon the ceiling, to all appearances a corpse. Virdow bounded

forward and snatched the bow from Edward's hand.

"Stop!" he cried; "for his sake stop, or you will kill him!"

They dragged the inanimate form to the window and bathed the face. A low

moan escaped the young man, and then a gleam of intelligence came into

his eyes. He tried to speak, but without success; an expression of

surprise and distress came upon his face as he rose to his feet. For a

moment he stood gasping, but presently his breath came normally.

"Temporary aphasia," he said, in a low tone. Going to the easel he drew

rapidly the picture of a woman kneeling above the prostrate form of

another, and stood contemplating it in silence. Edward and Virdow came

to his side, the latter pale with excitement. Gerald did not notice

them. Only the back of the kneeling woman was shown, but the face of the

other was distinct, calm and beautiful. It was the girl in the small

picture.

"That face--that face," he whispered. "Alas! I see it only as my

ancestors saw it." He resumed his lounge dejectedly.

"You have seen it before, then?" said Virdow, earnestly.

"Before! In my dreams from childhood! It is a face associated with me

always. In the night, when the wind blows, I hear a voice calling

Gerald, and this vision comes. Shall I tell you a secret--" His voice

had become lower and now was inaudible. Placing his hand upon the white

wrist, Virdow said:

"He sleeps; it is well. Come away, my young friend; I have learned much,

but the experience might have been dearly bought. Sometime I will

explain." Noiselessly they withdrew to Edward's room. Edward was

depressed.

"You have gained, but not I," he said. "The back of the kneeling woman

was toward him."

"Wait," said Virdow; "all things cannot be learned in a night. We do not

know who witnessed that scene."

Sons and Fathers · 第 27 / 58 章