CHAPTER VI.

"WHO SAYS THERE CAN BE A 'TOO LATE' FOR THE IMMORTAL MIND?"

Something like fear, a superstitious fear, arose in Edwards' heart as he

turned down the lid of the old-fashioned desk in the little room

upstairs and saw the few papers pigeon-holed there with lawyer-like

precision. On the top lay a long envelope sealed and bearing his name.

His hand shook as he held it and studied the chirography. The moment was

one to which he had looked forward for a lifetime and should contain the

explanation of the singular mystery that had environed him from infancy.

As he held the letter, hesitating over the final act, his life passed in

review as, it is said, do the lives of drowning persons. The thought

that Edward Morgan was dying came in that connection. The orphan, the

lonely college boy, the wandering youth, the bohemian of a dozen

continental capitals, the musician and half-way metaphysicist and

theosophist, the unformed man of an unformed age, new sphere, one of

quick, earnest, feverish action, the new man, was to spring armed, or

hampered by--what? At that moment, by a strange revulsion, the life that

he had worn so hardly, so bitterly, even its sadness seemed dear and

beautiful. After all it had been a life of ease and many scenes. It had

no responsibilities--now it would pass! He tore open the envelope

impatiently and read:

"Edward Morgan--Sir: When this letter comes to your knowledge

you will have been acquainted with the fact that my will has

made you heir to all my property, without legacy or

restriction. That document was made brief and simple, partly to

avoid complications, and partly to conceal facts with which the

public has no reasonable interest. I now, assured of your

character in every particular, desire that you retain during

the lifetime of Gerald Morgan the residence which has always

been his home, providing for his wants and pleasures freely as

I have done and leaving him undisturbed in the manner of his

life. I direct, further, that you extend the same care and

kindness to Rita Morgan, my housekeeper, seeing that she is not

disturbed in her home and the manner of her life. My object is

to guard the welfare of the only people intimately connected

with me by ties of friendship and association, whom I have not

already provided for. Carrying out this intention, you will as

soon as possible, after coming into possession, take

precautions looking to the future of Gerald Morgan and Rita

Morgan, my housekeeper, in the event of your own death; and the

plan to be selected in this connection I leave to your own good

sense and judgment, only suggesting as adviser for you Ellison

Eldridge, one of the few lawyers living whose heart is outside

of his pocketbook, and whose discretion is perfect.

"John Morgan."

That was all.

The young man, dumfounded, turned over the single sheet of paper that

contained the whole message, examined again the envelope, read and

reread the communication, and finally laid it aside. Not one word of

explanation of his own (Edward's) existence no claim of relationship, no

message of sympathy, only the curt voice of an eccentric old man,

echoing beyond the black wall of mystery and already sunk into eternal

silence. The old life no longer seemed dear or beautiful. It returned

upon him with the dull weight of oppression he had known so long. It was

a bitter ending, a crushing, overwhelming disappointment.

He smiled at length and lighted another cigar. His mind reverted to the

singular character whose final expression lay upon the desk. His last

act had been to guard against the curious, and that had included the

beneficiary. He had succeeded in living a mystery, in dying a mystery,

and in covering up his past with a mystery.

"It was well done." Such was Edward's reflection spoken aloud. He

recalled the lines: "I now, assured of your character in every

particular." Every word in that laconic letter, as also every word in

the few communications made to him in life by this man, meant something.

What did these mean? "Assured" by whom? Who had spied upon his actions

and kept watch over him to such an extent as would justify the sweeping

confidences? But he knew that the testator had read him right. A faint

wave of pleasure flushed his cheek and warmed his heart when he realized

the full significance of this tribute to his true character. He no

longer felt like an intruder.

And yet, "assured" by whom? And who was Gerald Morgan? Not a relative or

he would have said so; he would have said "my nephew, Gerald Morgan."

The same argument shut him (Edward) out. Why this suspicious absence of

relationship terms?--and they, both of them, Morgans and heirs to his

wealth?

Again he dragged the papers from the desk and ran them over. Manuscripts

all, they contained detached accounts of widely separated people and

incidents, and moreover they were clearly briefed. "A Dramatic Trail,"

"The Storm," "A Midnight Struggle," etc. They had no bearing upon his

life; they were the unpublished literary remains of John Morgan.

Every paper lay exposed; the mine was exhausted. He again read the

letter slowly, idly lifted each paper and returned all to the desk.

The cigar was out again; he tossed it from the window, locked the desk

and passed into the mother's room. The action was without forethought,

but his new philosophy had taught him the value of instinctive human

actions as index fingers. What cause then had drawn him into that

long-deserted room? As he reflected, his eyes rested upon the picture of

the girl in the little frame on the mantel. He started back, amazed and

overwhelmed. It was the face that had been turned to him in the

library--the face of Gerald Morgan!

Edward was surprised to find himself standing by the open window when he

had exhausted the train of thought that the recognition put in motion,

and counting his heart-beats, ninety to the minute. By that curious

power or weakness of certain minds his thoughts ran entirely from the

matter in hand along the lines of a lecture his friend Virdow as Jean

had delivered, the theory of which was that organic heart disease,

unless fastened to its victim by inheritance, is always a mental result.

If a mere thought or combination of thoughts could excite, a thought

could depress. It was plain; he would write to Virdow confirming his

theory.

Then he became conscious that the moon hung like a plate of silver in

the vast sky space of the east and that her light was flashed back by

many little points in the city beneath him--a gilt ball, a vane, a set

of window glasses, and the dew-wet slates of a modern roof. One white

spot was visible in the yard in front, white and pale as the moon when

the vapor had dispersed but set immovably. As he idly sought to unravel

its little secret, it simply became a part of the shadow and invisible,

but he felt that some one was looking up at him; and suddenly he saw the

slender figure of a man pass, cross the gravel walk and vanish in the

shrubbery on the left.

Edward did not cry out; he stood musing upon the fact, and lo, there

came a glitter of rosy light along the horizon; the moon had vanished

overhead, and sound arose in confused murmurs from the dull heaps of

houses in the valley. He saw again at the moment, over the eastern

hills, the face of a girl as she stood calling her pets, and felt her

eyes upon him.

When he awoke that day he found the sun far beyond the zenith and he lay

revolving in his mind the events of the night; to his surprise much of

the weight was gone and in its place was interest, the like of which he

had never before known. An object in life had suddenly been developed

and instinctively he felt that the study of this new mystery would lead

to a knowledge of himself and his past.

The first thing to be done was to again see the stranger who had invaded

his library, and carry his investigation as far as this person would

permit. This in mind, he dressed himself with care and descended into

the dining-room. In a few moments his breakfast was served. Upon hearing

his inquiry for Rita, Ben, the butler, retired and presently the woman,

grave, and after a few words quiet, took his place. Before speaking

Edward noticed her closely again. About fifty years of age, perhaps

less, she stood as erect and rigid as an Indian, her black hair without

a kink. There was an easy dignity in her attitude, hardly the pose of a

slave, or one who had been. But in her face was the sadness of personal

suffering, and in her voice a tone he had noticed at first, an echo of

some depressing experience, it seemed to him.

Where was Gerald's room? There! He had not noticed the door; it led out

from the dining-room. It was the wing intended for billiards, but now

the retreat of her poor young master and had been all his life. He did

not like to be disturbed, but perhaps the circumstances would make a

difference.

Edward knocked on the door. Receiving no answer, he opened it

hesitatingly and looked in. Then he entered. Gerald greeted him with an

encouraging smile and closing the door behind him, he viewed the

interior with interest. The walls were hung with pictures, swords, guns,

pistols and other weapons, and between them on every available spot were

books, books, books and periodicals. A broad center table held writing

materials and manuscripts, and upon a long table by two open windows

were bottles of many colors and all the queer paraphernalia of a

chemical laboratory. Against the opposite wall was a spacious divan, and

seated upon it, wrapped in a singular-looking dressing-gown, fez upon

his head and smoking a shibouk as he read, was the strange being for

whom Edward searched.

"I was expecting you," the young man said; "where have you been?" The

naturalness of the words confused the visitor for a moment. No seat had

been offered him, but he drew one near the divan.

"I suppose I may smoke?" he said, smiling, ignoring the query, but the

intent look of Gerald caused him to add: "I slept late; how did you

rest?"

"Do you know," said Gerald, his expression changing, "strange as it may

seem, I have seen you before, but where, where----" The long lashes

dropped above the eyes; he shook his head sadly, "but where, no man may

say."

"It hardly seems possible," said Edward, gravely. "I have never been

here before, and you, I believe, have never been absent."

"So they say; so they say. Mere old-nurse talk! I have been to many

places." Edward turned his head in sadness. Man or woman the person was

crazy. He looked again; it was the face of the girl in the picture

frame, grown older, with time and suffering.

"It is an odd room," he said, presently; "do you sleep here?"

Gerald nodded to the other door.

"Would you like to see? Enter."

To Edward's amazement he found himself in a conservatory, a glass house

about forty by twenty feet, arranged for sliding curtains at sides and

top. There was little to be seen besides a small bed and necessary

furniture. But an easel stood near the center and on it a canvas ready

for painting. In a corner was a large portfolio for drawings, closed.

"I cannot sleep unless I see the stars," said Gerald, joining him. "And

there is an entrance to the grounds!" He threw open a glass door,

exposing an oleander avenue. "This is my favorite walk." The scene

seemed to strike him anew. He stood there lost in thought a moment and

returned to his divan. Edward found him absorbed in a volume. He had

studied him there long and keenly and reached a conclusion that would,

he felt, be of value in his future associations with this eccentric

mind; it was a mind reversed, living in abstract thought. Its visions of

real life were only glimpses. Therefore, he reasoned, to keep company

with such a mind, one must be prepared for its eccentricities and avoid

discord.

It was a keen diagnosis and he acted upon it. He went about noiselessly

examining the furnishings of the room without further speech. The young

man was writing as he passed him. Looking over his shoulder, Edward read

a few lines of what was evidently a thesis;

"The mind can therefore have no conscious memory. Memory being

a function of the brain and physical structure, and mind being

endowed with a capacity for wandering, it follows that it can

bring back no record of its experience since no memory function

went with it. It may, indeed, be true that the mind can itself

be shaped and biased anew by its detached experiences, but who

can ever read its history backwards? Unless somewhere arises a

mind brilliant enough to find the alphabet, to connect the

mind's hidden storehouse with consciousness, the mystery of

mind--life (that is, higher dream life)--must remain forever

unread."

"It has been found," said Edward, as though Gerald had stated a

proposition aloud.

"How? Where?" Gerald did not look up, but merely ceased writing a

moment.

"Music is the connecting link. Music is the language of the mind.

Vibration is the secret of creation and along its lines will all secrets

be revealed." The book closed slowly in the reader's hands, his thesis

slipped to the floor. He sat in deep thought. Then a light gleamed in

his face and eyes.

"It is true," he said, with agitation, as he arose. "It is a great

thought; a great discovery. I must learn once" and Rita stood waiting.

"Bring me musical instruments--what?" He turned impatiently to Edward.

The latter shook his head.

"'Tis a lifetime study," he said, sadly, "and then--failure. No man has

yet reached the end."

"I will reach it."

"It calls for labor day and night--for talent--for teachers."

"I will have all."

"It calls for youth, for a mind young and fresh and responsive. You are

old in mind. It is too late."

"Too late. Too late. Never, never, never too late. Who says there can be

a 'too late' for the immortal mind? I will begin. I will labor! I will

succeed! If not in this life, then in the next, or the next; aye, at the

foot of Buddha, if need be, I will press to read all to the strains of

music. Oh, blind! Blind! Blind!" He strode about the room in an ecstasy

of excitement.

"Prove to me it is too late here," shrieked the unhappy being, "and I

will end this existence; will go back a thousand cycles, if necessary,

carrying with me the impression of this truth, and begin, an infant, to

lisp in numbers."

He had snatched a poniard from the wall and was gesticulating

frantically. Edward was about to speak when he saw the enthusiast's eyes

lose their frenzy and fix upon the woman's. He dropped the weapon and

plunged face downward in despair among the pillows. Like a statue the

woman stood gazing upon him.

"My violin," said Edward. She disappeared noiselessly.

Sons and Fathers · 第 6 / 58 章