ACT II

Midday. A roam in a Moorish castle. A divan seat runs round the

dilapidated adobe walls, which are partly painted, partly faced with

white tiles patterned in green and yellow. The ceiling is made up

of little squares, painted in bright colors, with gilded edges,

and ornamented with gilt knobs. On the cement floor are mattings,

sheepskins, and leathern cushions with geometrical patterns on them.

There is a tiny Moorish table in the middle; and at it a huge saddle,

with saddle cloths of various colors, showing that the room is used by

foreigners accustomed to chairs. Anyone sitting at the table in this

seat would have the chief entrance, a large horseshoe arch, on his left,

and another saddle seat between him and the arch; whilst, if susceptible

to draughts, he would probably catch cold from a little Moorish door in

the wall behind him to his right.

Two or three of Brassbound's men, overcome by the midday heat, sprawl

supine on the floor, with their reefer coats under their heads, their

knees uplifted, and their calves laid comfortably on the divan. Those

who wear shirts have them open at the throat for greater coolness. Some

have jerseys. All wear boots and belts, and have guns ready to their

hands. One of them, lying with his head against the second saddle seat,

wears what was once a fashionable white English yachting suit. He is

evidently a pleasantly worthless young English gentleman gone to the

bad, but retaining sufficient self-respect to shave carefully and

brush his hair, which is wearing thin, and does not seem to have been

luxuriant even in its best days.

The silence is broken only by the snores of the young gentleman, whose

mouth has fallen open, until a few distant shots half waken him. He

shuts his mouth convulsively, and opens his eyes sleepily. A door is

violently kicked outside; and the voice of Drinkwater is heard raising

urgent alarm.

DRINKWATER. Wot ow! Wike ap there, will yr. Wike ap. (He rushes in

through the horseshoe arch, hot and excited, and runs round, kicking the

sleepers) Nah then. Git ap. Git ap, will yr, Kiddy Redbrook. (He gives

the young qentleman a rude shove.)

REDBOOK (sitting up). Stow that, will you. What's amiss?

DRINKWATER (disgusted). Wot's amiss! Didn't eah naow fawrin, I spowse.

REDBROOK. No.

DRINKWATER (sneering). Naow. Thort it sifer nort, didn't yr?

REDBROOK (with crisp intelligence). What! You're running away, are

you? (He springs up, crying) Look alive, Johnnies: there's danger.

Brandyfaced Jack's on the run. (They spring up hastily, grasping their

guns.)

DRINKWATER. Dineger! Yuss: should think there wors dineger. It's howver,

thow, as it mowstly his baw the tawm YOU'RE awike. (They relapse

into lassitude.) Waw wasn't you on the look-aht to give us a end? Bin

hattecked baw the Benny Seeras (Beni Siras), we ev, an ed to rawd for it

pretty strite, too, aw teoll yr. Mawtzow is it: the bullet glawnst all

rahnd is bloomin brisket. Brarsbahnd e dropt the Shike's oss at six

unnern fifty yawds. (Bustling them about) Nah then: git the plice ready

for the British herristoracy, Lawd Ellam and Lidy Wineflete.

REDBOOK. Lady faint, eh?

DRINKWATER. Fynt! Not lawkly. Wornted to gow an talk, to the Benny

Seeras: blaow me if she didn't! huz wot we was frahtnd of. Tyin up

Mawtzow's wound, she is, like a bloomin orspittle nass. (Sir Howard,

with a copious pagri on his white hat, enters through the horseshoe

arch, followed by a couple of men supporting the wounded Marzo, who,

weeping and terrorstricken by the prospect of death and of subsequent

torments for which he is conscious of having eminently qualified

himself, has his coat off and a bandage round his chest. One of his

supporters is a blackbearded, thickset, slow, middle-aged man with an

air of damaged respectability, named--as it afterwards appears--Johnson.

Lady Cicely walks beside Marzo. Redbrook, a little shamefaced, crosses

the room to the opposite wall as far away as possible from the visitors.

Drinkwater turns and receives them with jocular ceremony.) Weolcome

to Brarsbahnd Cawstl, Sr Ahrd an lidy. This eah is the corfee and

commercial room.

Sir Howard goes to the table and sits on the saddle, rather exhausted.

Lady Cicely comes to Drinkwater.

LADY CICELY. Where is Marzo's bed?

DRINKWATER. Is bed, lidy? Weoll: e ynt petickler, lidy. E ez is chawce

of henny flegstown agin thet wall.

They deposit Marzo on the flags against the wall close to the little

door. He groans. Johnson phlegmatically leaves him and joins Redbrook.

LADY CICELY. But you can't leave him there in that state.

DRINKWATER. Ow: e's hall rawt. (Strolling up callously to Marzo) You're

hall rawt, ynt yer, Mawtzow? (Marzo whimpers.) Corse y'aw.

LADY CICELY (to Sir Howard). Did you ever see such a helpless lot of

poor creatures? (She makes for the little door.)

DRINKWATER. Eah! (He runs to the door and places himself before it.)

Where mawt yr lidyship be gowin?

LADY CICELY. I'm going through every room in this castle to find a

proper place to put that man. And now I'll tell you where YOU'RE going.

You're going to get some water for Marzo, who is very thirsty. And then,

when I've chosen a room for him, you're going to make a bed for him

there.

DRINKWATER (sarcastically). Ow! Henny ather little suvvice? Mike yrseolf

at owm, y' knaow, lidy.

LADY CICELY (considerately). Don't go if you'd rather not, Mr.

Drinkwater. Perhaps you're too tired. (Turning to the archway) I'll ask

Captain Brassbound: he won't mind.

DRINKWATER (terrified, running after her and getting between her and the

arch). Naow, naow! Naow, lidy: doesn't you goes disturbin the Kepn. Awll

see to it.

LADY CICELY (gravely). I was sure you would, Mr. Drinkwater. You have

such a kind face. (She turns back and goes out through the small door.)

DRINKWATER (looking after her). Garn!

SIR HOWARD (to Drinkwater). Will you ask one of your friends to show me

to my room whilst you are getting the water?

DRINKWATER (insolently). Yr room! Ow: this ynt good enaf fr yr, ynt it?

(Ferociously) Oo a you orderin abaht, ih?

SIR HOWARD (rising quietly, and taking refuge between Redbrook and

Johnson, whom he addresses). Can you find me a more private room than

this?

JOHNSON (shaking his head). I've no orders. You must wait til the capn

comes, sir.

DRINKWATER (following Sir Howard). Yuss; an whawl you're witin, yll tike

your horders from me: see?

JOHNSON (with slow severity, to Drinkwater). Look here: do you see three

genlmen talkin to one another here, civil and private, eh?

DRINKWATER (chapfallen). No offence, Miste Jornsn--

JOHNSON (ominously). Ay; but there is offence. Where's your manners,

you guttersnipe? (Turning to Sir Howard) That's the curse o this kind o

life, sir: you got to associate with all sorts. My father, sir, was

Capn Johnson o Hull--owned his own schooner, sir. We're mostly gentlemen

here, sir, as you'll find, except the poor ignorant foreigner and

that there scum of the submerged tenth. (Contemptuously looking at

Drinkwater) HE ain't nobody's son: he's only a offspring o coster folk

or such.

DRINKWATER (bursting into tears). Clawss feelin! thet's wot it is:

clawss feelin! Wot are yer, arter all, bat a bloomin gang o west cowst

cazhls (casual ward paupers)? (Johnson is scandalized; and there is a

general thrill of indignation.) Better ev naow fembly, an rawse aht of

it, lawk me, than ev a specble one and disgrice it, lawk you.

JOHNSON. Brandyfaced Jack: I name you for conduct and language

unbecoming to a gentleman. Those who agree will signify the same in the

usual manner.

ALL (vehemently). Aye.

DRINKWATER (wildly). Naow.

JOHNSON. Felix Drinkwater: are you goin out, or are you goin to wait til

you're chucked out? You can cry in the passage. If you give any trouble,

you'll have something to cry for.

They make a threatenng movement towards Drinkwater.

DRINKWATER (whimpering). You lee me alown: awm gowin. There's n'maw true

demmecrettick feelin eah than there is in the owl bloomin M division of

Noontn Corzwy coppers (Newington Causeway policemen).

As he slinks away in tears towards the arch, Brassbound enters.

Drinkwater promptly shelters himself on the captain's left hand, the

others retreating to the opposite side as Brassbound advances to the

middle of the room. Sir Howard retires behind them and seats himself on

the divan, much fatigued.

BRASSBOUND (to Drinkwater). What are you snivelling at?

DRINKWATER. You awsk the wust cowst herristorcracy. They fawnds maw

cornduck hanbecammin to a genlmn.

Brassbound is about to ask Johnson for an explanation, when Lady Cicely

returns through the little door, and comes between Brassbound and

Drinkwater.

LADY CICELY (to Drinkwater). Have you fetched the water?

DRINKWATER. Yuss: nah YOU begin orn me. (He weeps afresh.)

LADY CICELY (surprised). Oh! This won't do, Mr. Drinkwater. If you cry,

I can't let you nurse your friend.

DRINKWATER (frantic). Thet'll brike maw awt, wown't it nah? (With a

lamentable sob, he throws himself down on the divan, raging like an

angry child.)

LADY CICELY (after contemplating him in astonishment for a moment).

Captain Brassbound: are there any charwomen in the Atlas Mountains?

BRASSBOUND. There are people here who will work if you pay them, as

there are elsewhere.

LADY CICELY. This castle is very romantic, Captain; but it hasn't had a

spring cleaning since the Prophet lived in it. There's only one room I

can put that wounded man into. It's the only one that has a bed in it:

the second room on the right out of that passage.

BRASSBOUND (haughtily). That is my room, madam.

LADY CICELY (relieved). Oh, that's all right. It would have been so

awkward if I had had to ask one of your men to turn out. You won't mind,

I know. (All the men stare at her. Even Drinkwater forgets his sorrows

in his stupefaction.)

BRASSBOUND. Pray, madam, have you made any arrangements for my

accommodation?

LADY CICELY (reassuringly). Yes: you can have my room instead wherever

it may be: I'm sure you chose me a nice one. I must be near my

patient; and I don't mind roughing it. Now I must have Marzo moved very

carefully. Where is that truly gentlemanly Mr. Johnson?--oh, there you

are, Mr. Johnson. (She runs to Johnson, past Brassbound, who has to step

back hastily out of her way with every expression frozen out of his face

except one of extreme and indignant dumbfoundedness). Will you ask

your strong friend to help you with Marzo: strong people are always so

gentle.

JOHNSON. Let me introdooce Mr. Redbrook. Your ladyship may know his

father, the very Rev. Dean Redbrook. (He goes to Marzo.)

REDBROOK. Happy to oblige you, Lady Cicely.

LADY CICELY (shaking hands). Howdyedo? Of course I knew your

father--Dunham, wasn't it? Were you ever called--

REDBROOK. The kid? Yes.

LADY CICELY. But why--

REDBROOK (anticipating the rest of the question). Cards and drink, Lady

Sis. (He follows Johnson to the patient. Lady Cicely goes too.) Now,

Count Marzo. (Marzo groans as Johnson and Redbrook raise him.)

LADY CICELY. Now they're NOT hurting you, Marzo. They couldn't be more

gentle.

MARZO. Drink.

LADY CICELY. I'll get you some water myself. Your friend Mr. Drinkwater

was too overcome--take care of the corner--that's it--the second door on

the right. (She goes out with Marzo and his bearers through the little

door.)

BRASSBOUND (still staring). Well, I AM damned--!

DRINKWATER (getting up). Weoll, blimey!

BRASSBOUND (turning irritably on him). What did you say?

DRINKWATER. Weoll, wot did yer sy yrseolf, kepn? Fust tawm aw yever see

y' afride of ennybody. (The others laugh.)

BRASSBOUND. Afraid!

DRINKWATER (maliciously). She's took y' bed from hander yr for a bloomin

penny hawcemen. If y' ynt afride, let's eah yer speak ap to er wen she

cams bawck agin.

BRASSBOUND (to Sir Howard). I wish you to understand, Sir Howard, that

in this castle, it is I who give orders, and no one else. Will you be

good enough to let Lady Cicely Waynflete know that.

SIR HOWARD (sitting up on the divan and pulling himself together). You

will have ample opportunity for speaking to Lady Cicely yourself when

she returns. (Drinkwater chuckles: and the rest grin.)

BRASSBOUND. My manners are rough, Sir Howard. I have no wish to frighten

the lady.

SIR HOWARD. Captain Brassbound: if you can frighten Lady Cicely, you

will confer a great obligation on her family. If she had any sense of

danger, perhaps she would keep out of it.

BRASSBOUND. Well, sir, if she were ten Lady Cicelys, she must consult me

while she is here.

DRINKWATER. Thet's rawt, kepn. Let's eah you steblish yr hawthority.

(Brassbound turns impatiently on him: He retreats remonstrating) Nah,

nah, nah!

SIR HOWARD. If you feel at all nervous, Captain Brassbound, I will

mention the matter with pleasure.

BRASSBOUND. Nervous, sir! no. Nervousness is not in my line. You

will find me perfectly capable of saying what I want to say--with

considerable emphasis, if necessary. (Sir Howard assents with a polite

but incredulous nod.)

DRINKWATER. Eah, eah!

Lady Cicely returns with Johnson and Redbrook. She carries a jar.

LADY CICELY (stopping between the door and the arch). Now for the water.

Where is it?

REDBROOK. There's a well in the courtyard. I'll come and work the

bucket.

LADY CICELY. So good of you, Mr. Redbrook. (She makes for the horseshoe

arch, followed by Redbrook.)

DRINKWATER. Nah, Kepn Brassbound: you got sathink to sy to the lidy, ynt

yr?

LADY CICELY (stopping). I'll come back to hear it presently, Captain.

And oh, while I remember it (coming forward between Brassbound and

Drinkwater), do please tell me Captain, if I interfere with your

arrangements in any way. It I disturb you the least bit in the world,

stop me at once. You have all the responsibility; and your comfort and

your authority must be the first thing. You'll tell me, won't you?

BRASSBOUND (awkwardly, quite beaten). Pray do as you please, madam.

LADY CICELY. Thank you. That's so like you, Captain. Thank you. Now, Mr.

Redbrook! Show me the way to the well. (She follows Redbrook out through

the arch.)

DRINKWATER. Yah! Yah! Shime! Beat baw a woman!

JOHNSON (coming forward on Brassbound's right). What's wrong now?

DRINKWATER (with an air of disappointment and disillusion). Down't awsk

me, Miste Jornsn. The kepn's naow clawss arter all.

BRASSBOUND (a little shamefacedly). What has she been fixing up in

there, Johnson?

JOHNSON. Well: Marzo's in your bed. Lady wants to make a kitchen of

the Sheikh's audience chamber, and to put me and the Kid handy in his

bedroom in case Marzo gets erysipelas and breaks out violent. From what

I can make out, she means to make herself matron of this institution. I

spose it's all right, isn't it?

DRINKWATER. Yuss, an horder huz abaht as if we was keb tahts! An the

kepn afride to talk bawck at er!

Lady Cicely returns with Redbrook. She carries the jar full of water.

LADY CICELY (putting down the jar, and coming between Brassbound and

Drinkwater as before). And now, Captain, before I go to poor Marzo, what

have you to say to me?

BRASSBOUND. I! Nothing.

DRINKWATER. Down't fank it, gavner. Be a men!

LADY CICELY (looking at Drinkwater, puzzled). Mr. Drinkwater said you

had.

BRASSBOUND (recovering himself). It was only this. That fellow there

(pointing to Drinkwater) is subject to fits of insolence. If he is

impertinent to your ladyship, or disobedient, you have my authority to

order him as many kicks as you think good for him; and I will see that

he gets them.

DRINKWATER (lifting up his voice in protest). Nah, nah--

LADY CICELY. Oh, I couldn't think of such a thing, Captain Brassbound. I

am sure it would hurt Mr. Drinkwater.

DRINKWATER (lachrymosely). Lidy's hinkyp'ble o sich bawbrous usage.

LADY CICELY. But there's one thing I SHOULD like, if Mr. Drinkwater

won't mind my mentioning it. It's so important if he's to attend on

Marzo.

BRASSBOUND. What is that?

LADY CICELY. Well--you WON'T mind, Mr. Drinkwater, will you?

DRINKWATER (suspiciously). Wot is it?

LADY CICELY. There would be so much less danger of erysipelas if you

would be so good as to take a bath.

DRINKWATER (aghast). A bawth!

BRASSBOUND (in tones of command). Stand by, all hands. (They stand by.)

Take that man and wash him. (With a roar of laughter they seize him.)

DRINKWATER (in an agony of protest). Naow, naow. Look eah--

BRASSBOUND (ruthlessly). In COLD water.

DRINKWATER (shrieking). Na-a-a-a-ow. Aw eawn't, aw toel yer. Naow. Aw

sy, look eah. Naow, naow, naow, naow, naow, NAOW!!!

He is dragged away through the arch in a whirlwind of laughter, protests

and tears.

LADY CICELY. I'm afraid he isn't used to it, poor fellow; but REALLY it

will do him good, Captain Brassbound. Now I must be off to my patient.

(She takes up her jar and goes out by the little door, leaving

Brassbound and Sir Howard alone together.)

SIR HOWARD (rising). And now, Captain Brass--

BRASSBOUND (cutting him short with a fierce contempt that astonishes

him). I will attend to you presently. (Calling) Johnson. Send me Johnson

there. And Osman. (He pulls off his coat and throws it on the table,

standing at his ease in his blue jersey.)

SIR HOWARD (after a momentary flush of anger, with a controlled force

that compels Brassbound's attention in spite of himself). You seem to be

in a strong position with reference to these men of yours.

BRASSBOUND. I am in a strong position with reference to everyone in this

castle.

SIR HOWARD (politely but threateningly). I have just been noticing that

you think so. I do not agree with you. Her Majesty's Government, Captain

Brassbound, has a strong arm and a long arm. If anything disagreeable

happens to me or to my sister-in-law, that arm will be stretched out. If

that happens you will not be in a strong position. Excuse my reminding

you of it.

BRASSBOUND (grimly). Much good may it do you! (Johnson comes in through

the arch.) Where is Osman, the Sheikh's messenger? I want him too.

JOHNSON. Coming, Captain. He had a prayer to finish.

Osman, a tall, skinny, whiteclad, elderly Moor, appears in the archway.

BRASSBOUND. Osman Ali (Osman comes forward between Brassbound and

Johnson): you have seen this unbeliever (indicating Sir Howard) come in

with us?

OSMAN. Yea, and the shameless one with the naked face, who flattered my

countenance and offered me her hand.

JOHNSON. Yes; and you took it too, Johnny, didn't you?

BRASSBOUND. Take horse, then; and ride fast to your master the Sheikh

Sidi el Assif.

OSMAN (proudly). Kinsman to the Prophet.

BRASSBOUND. Tell him what you have seen here. That is all. Johnson: give

him a dollar; and note the hour of his going, that his master may know

how fast he rides.

OSMAN. The believer's word shall prevail with Allah and his servant Sidi

el Assif.

BRASSBOUND. Off with you.

OSMAN. Make good thy master's word ere I go out from his presence, O

Johnson el Hull.

JOHNSON. He wants the dollar.

Brassbound gives Osman a coin.

OSMAN (bowing). Allah will make hell easy for the friend of Sidi el

Assif and his servant. (He goes out through the arch.)

BRASSBOUND (to Johnson). Keep the men out of this until the Sheikh

comes. I have business to talk over. When he does come, we must keep

together all: Sidi el Assif's natural instinct will be to cut every

Christian throat here.

JOHNSON. We look to you, Captain, to square him, since you invited him

over.

BRASSBOUND. You can depend on me; and you know it, I think.

JOHNSON (phlegmatically). Yes: we know it. (He is going out when Sir

Howard speaks.)

SIR HOWARD. You know also, Mr. Johnson, I hope, that you can depend on

ME.

JOHNSON (turning). On YOU, sir?

SIR HOWARD. Yes: on me. If my throat is cut, the Sultan of Morocco may

send Sidi's head with a hundred thousand dollars blood-money to the

Colonial Office; but it will not be enough to save his kingdom--any more

than it would saw your life, if your Captain here did the same thing.

JOHNSON (struck). Is that so, Captain?

BRASSBOUND. I know the gentleman's value--better perhaps than he knows

it himself. I shall not lose sight of it.

Johnson nods gravely, and is going out when Lady Cicely returns softly

by the little door and calls to him in a whisper. She has taken off her

travelling things and put on an apron. At her chatelaine is a case of

sewing materials.

LADY CICELY. Mr. Johnson. (He turns.) I've got Marzo to sleep. Would you

mind asking the gentlemen not to make a noise under his window in the

courtyard.

JOHNSON. Right, maam. (He goes out.)

Lady Cicely sits down at the tiny table, and begins stitching at a sling

bandage for Marzo's arm. Brassbound walks up and down on her right,

muttering to himself so ominously that Sir Howard quietly gets out of

his way by crossing to the other side and sitting down on the second

saddle seat.

SIR HOWARD. Are you yet able to attend to me for a moment, Captain

Brassbound?

BRASSBOUND (still walking about). What do you want?

SIR HOWARD. Well, I am afraid I want a little privacy, and, if you will

allow me to say so, a little civility. I am greatly obliged to you for

bringing us safely off to-day when we were attacked. So far, you have

carried out your contract. But since we have been your guests here,

your tone and that of the worst of your men has changed--intentionally

changed, I think.

BRASSBOUND (stopping abruptly and flinging the announcement at him). You

are not my guest: you are my prisoner.

SIR HOWARD. Prisoner!

Lady Cicely, after a single glance up, continues stitching, apparently

quite unconcerned.

BRASSBOUND. I warned you. You should have taken my warning.

SIR HOWARD (immediately taking the tone of cold disgust for moral

delinquency). Am I to understand, then, that you are a brigand? Is this

a matter of ransom?

BRASSBOUND (with unaccountable intensity). All the wealth of England

shall not ransom you.

SIR HOWARD. Then what do you expect to gain by this?

BRASSBOUND. Justice on a thief and a murderer.

Lady Cicely lays down her work and looks up anxiously.

SIR HOWARD (deeply outraged, rising with venerable dignity). Sir: do you

apply those terms to me?

BRASSBOUND. I do. (He turns to Lady Cicely, and adds, pointing

contemptuously to Sir Howard) Look at him. You would not take this

virtuously indignant gentleman for the uncle of a brigand, would you?

Sir Howard starts. The shock is too much for him: he sits down again,

looking very old; and his hands tremble; but his eyes and mouth are

intrepid, resolute, and angry.

LADY CICELY. Uncle! What do you mean?

BRASSBOUND. Has he never told you about my mother? this fellow who puts

on ermine and scarlet and calls himself Justice.

SIR HOWARD (almost voiceless). You are the son of that woman!

BRASSBOUND (fiercely). "That woman!" (He makes a movement as if to rush

at Sir Howard.)

LADY CICELY (rising quickly and putting her hand on his arm). Take care.

You mustn't strike an old man.

BRASSBOUND (raging). He did not spare my mother--"that woman," he

calls her--because of her sex. I will not spare him because of his age.

(Lowering his tone to one of sullen vindictiveness) But I am not going

to strike him. (Lady Cicely releases him, and sits down, much perplexed.

Brassbound continues, with an evil glance at Sir Howard) I shall do no

more than justice.

SIR HOWARD (recovering his voice and vigor). Justice! I think you mean

vengeance, disguised as justice by your passions.

BRASSBOUND. To many and many a poor wretch in the dock YOU have brought

vengeance in that disguise--the vengeance of society, disguised as

justice by ITS passions. Now the justice you have outraged meets you

disguised as vengeance. How do you like it?

SIR HOWARD. I shall meet it, I trust, as becomes an innocent man and an

upright judge. What do you charge against me?

BRASSBOUND. I charge you with the death of my mother and the theft of my

inheritance.

SIR HOWARD. As to your inheritance, sir, it was yours whenever you came

forward to claim it. Three minutes ago I did not know of your existence.

I affirm that most solemnly. I never knew--never dreamt--that my brother

Miles left a son. As to your mother, her case was a hard one--perhaps

the hardest that has come within even my experience. I mentioned it, as

such, to Mr. Rankin, the missionary, the evening we met you. As to her

death, you know--you MUST know--that she died in her native country,

years after our last meeting. Perhaps you were too young to know that

she could hardly have expected to live long.

BRASSBOUND. You mean that she drank.

SIR HOWARD. I did not say so. I do not think she was always accountable

for what she did.

BRASSBOUND. Yes: she was mad too; and whether drink drove her to madness

or madness drove her to drink matters little. The question is, who drove

her to both?

SIR HOWARD. I presume the dishonest agent who seized her estate did. I

repeat, it was a hard case--a frightful injustice. But it could not be

remedied.

BRASSBOUND. You told her so. When she would not take that false answer

you drove her from your doors. When she exposed you in the street and

threatened to take with her own hands the redress the law denied her,

you had her imprisoned, and forced her to write you an apology and

leave the country to regain her liberty and save herself from a lunatic

asylum. And when she was gone, and dead, and forgotten, you found for

yourself the remedy you could not find for her. You recovered the estate

easily enough then, robber and rascal that you are. Did he tell the

missionary that, Lady Cicely, eh?

LADY CICELY (sympathetically). Poor woman! (To Sir Howard) Couldn't you

have helped her, Howard?

SIR HOWARD. No. This man may be ignorant enough to suppose that when

I was a struggling barrister I could do everything I did when I was

Attorney General. You know better. There is some excuse for his mother.

She was an uneducated Brazilian, knowing nothing of English society, and

driven mad by injustice.

BRASSBOUND. Your defence--

SIR HOWARD (interrupting him determinedly). I do not defend myself. I

call on you to obey the law.

BRASSBOUND. I intend to do so. The law of the Atlas Mountains is

administered by the Sheikh Sidi el Assif. He will be here within an

hour. He is a judge like yourself. You can talk law to him. He will give

you both the law and the prophets.

SIR HOWARD. Does he know what the power of England is?

BRASSBOUND. He knows that the Mahdi killed my master Gordon, and that

the Mahdi died in his bed and went to paradise.

SIR HOWARD. Then he knows also that England's vengeance was on the

Mahdi's track.

BRASSBOUND. Ay, on the track of the railway from the Cape to Cairo. Who

are you, that a nation should go to war for you? If you are missing,

what will your newspapers say? A foolhardy tourist. What will your

learned friends at the bar say? That it was time for you to make room

for younger and better men. YOU a national hero! You had better find

a goldfield in the Atlas Mountains. Then all the governments of Europe

will rush to your rescue. Until then, take care of yourself; for you are

going to see at last the hypocrisy in the sanctimonious speech of the

judge who is sentencing you, instead of the despair in the white face of

the wretch you are recommending to the mercy of your God.

SIR HOWARD (deeply and personally offended by this slight to his

profession, and for the first time throwing away his assumed dignity

and rising to approach Brassbound with his fists clenched; so that Lady

Cicely lifts one eye from her work to assure herself that the table is

between them). I have no more to say to you, sir. I am not afraid

of you, nor of any bandit with whom you may be in league. As to your

property, it is ready for you as soon as you come to your senses and

claim it as your father's heir. Commit a crime, and you will become

an outlaw, and not only lose the property, but shut the doors of

civilization against yourself for ever.

BRASSBOUND. I will not sell my mother's revenge for ten properties.

LADY CICELY (placidly). Besides, really, Howard, as the property now

costs 150 pounds a year to keep up instead of bringing in anything, I am

afraid it would not be of much use to him. (Brassbound stands amazed at

this revelation.)

SIR HOWARD (taken aback). I must say, Cicely, I think you might have

chosen a more suitable moment to mention that fact.

BRASSBOUND (with disgust). Agh! Trickster! Lawyer! Even the price you

offer for your life is to be paid in false coin. (Calling) Hallo there!

Johnson! Redbrook! Some of you there! (To Sir Howard) You ask for a

little privacy: you shall have it. I will not endure the company of such

a fellow--

SIR HOWARD (very angry, and full of the crustiest pluck). You insult me,

sir. You are a rascal. You are a rascal.

Johnson, Redbrook, and a few others come in through the arch.

BRASSBOUND. Take this man away.

JOHNSON. Where are we to put him?

BRASSBOUND. Put him where you please so long as you can find him when he

is wanted.

SIR HOWARD. You will be laid by the heels yet, my friend.

REDBROOK (with cheerful tact). Tut tut, Sir Howard: what's the use of

talking back? Come along: we'll make you comfortable.

Sir Howard goes out through the arch between Johnson and Redbrook,

muttering wrathfully. The rest, except Brassbound and Lady Cicely,

follow.

Brassbound walks up and down the room, nursing his indignation. In doing

so he unconsciously enters upon an unequal contest with Lady Cicely, who

sits quietly stitching. It soon becomes clear that a tranquil woman

can go on sewing longer than an angry man can go on fuming. Further, it

begins to dawn on Brassbound's wrath-blurred perception that Lady Cicely

has at some unnoticed stage in the proceedings finished Marzo's bandage,

and is now stitching a coat. He stops; glances at his shirtsleeves;

finally realizes the situation.

BRASSBOUND. What are you doing there, madam?

LADY CICELY. Mending your coat, Captain Brassbound.

BRASSBOUND. I have no recollection of asking you to take that trouble.

LADY CICELY. No: I don't suppose you even knew it was torn. Some men

are BORN untidy. You cannot very well receive Sidi el--what's his

name?--with your sleeve half out.

BRASSBOUND (disconcerted). I--I don't know how it got torn.

LADY CICELY. You should not get virtuously indignant with people. It

bursts clothes more than anything else, Mr. Hallam.

BRASSBOUND (flushing, quickly). I beg you will not call me Mr. Hallam. I

hate the name.

LADY CICELY. Black Paquito is your pet name, isn't it?

BRASSBOUND (huffily). I am not usually called so to my face.

LADY CICELY (turning the coat a little). I'm so sorry. (She takes

another piece of thread and puts it into her needle, looking placidly

and reflectively upward meanwhile.) Do you know, You are wonderfully

like your uncle.

BRASSBOUND. Damnation!

LADY CICELY. Eh?

BRASSBOUND. If I thought my veins contained a drop of his black blood,

I would drain them empty with my knife. I have no relations. I had a

mother: that was all.

LADY CICELY (unconvinced) I daresay you have your mother's complexion.

But didn't you notice Sir Howard's temper, his doggedness, his high

spirit: above all, his belief in ruling people by force, as you rule

your men; and in revenge and punishment, just as you want to revenge

your mother? Didn't you recognize yourself in that?

BRASSBOUND (startled). Myself!--in that!

LADY CECILY (returning to the tailoring question as if her last remark

were of no consequence whatever). Did this sleeve catch you at all under

the arm? Perhaps I had better make it a little easier for you.

BRASSBOUND (irritably). Let my coat alone. It will do very well as it

is. Put it down.

LADY CICILY. Oh, don't ask me to sit doing nothing. It bores me so.

BRASSBOUND. In Heaven's name then, do what you like! Only don't worry me

with it.

LADY CICELY. I'm so sorry. All the Hallams are irritable.

BRASSBOUND (penning up his fury with difficulty). As I have already

said, that remark has no application to me.

LADY CICELY (resuming her stitching). That's so funny! They all hate to

be told that they are like one another.

BRASSBOUND (with the beginnings of despair in his voice). Why did you

come here? My trap was laid for him, not for you. Do you know the danger

you are in?

LADY CICELY. There's always a danger of something or other. Do you think

it's worth bothering about?

BRASSBOUND (scolding her). Do I THINK! Do you think my coat's worth

mending?

LADY CICELY (prosaically). Oh yes: it's not so far gone as that.

BRASSBOUND. Have you any feeling? Or are you a fool?

LADY CICELY. I'm afraid I'm a dreadful fool. But I can't help it. I was

made so, I suppose.

BRASSBOUND. Perhaps you don't realize that your friend my good uncle

will be pretty fortunate if he is allowed to live out his life as a

slave with a set of chains on him?

LADY CICELY. Oh, I don't know about that, Mr. H--I mean Captain

Brassbound. Men are always thinking that they are going to do something

grandly wicked to their enemies; but when it comes to the point, really

bad men are just as rare as really good ones.

BRASSBOUND. You forget that I am like my uncle, according to you. Have

you any doubt as to the reality of HIS badness?

LADY CICELY. Bless me! your uncle Howard is one of the most harmless

of men--much nicer than most professional people. Of course he does

dreadful things as a judge; but then if you take a man and pay him 5,000

pounds a year to be wicked, and praise him for it, and have policemen

and courts and laws and juries to drive him into it so that he can't

help doing it, what can you expect? Sir Howard's all right when he's

left to himself. We caught a burglar one night at Waynflete when he was

staying with us; and I insisted on his locking the poor man up until the

police came, in a room with a window opening on the lawn. The man came

back next day and said he must return to a life of crime unless I gave

him a job in the garden; and I did. It was much more sensible than

giving him ten years penal servitude: Howard admitted it. So you see

he's not a bit bad really.

BRASSBOUND. He had a fellow feeling for a thief, knowing he was a thief

himself. Do you forget that he sent my mother to prison?

LADY CICELY (softly). Were you very fond of your poor mother, and always

very good to her?

BRASSBOUND (rather taken aback). I was not worse than other sons, I

suppose.

LADY CICELY (opening her eyes very widely). Oh! Was THAT all?

BRASSBOUND (exculpating himself, full of gloomy remembrances). You don't

understand. It was not always possible to be very tender with my mother.

She had unfortunately a very violent temper; and she--she--

LADY CICELY. Yes: so you told Howard. (With genuine pity for him) You

must have had a very unhappy childhood.

BRASSBOUND (grimily). Hell. That was what my childhood was. Hell.

LADY CICELY. Do you think she would really have killed Howard, as she

threatened, if he hadn't sent her to prison?

BRASSBOUND (breaking out again, with a growing sense of being morally

trapped). What if she did? Why did he rob her? Why did he not help her

to get the estate, as he got it for himself afterwards?

LADY CICELY. He says he couldn't, you know. But perhaps the real reason

was that he didn't like her. You know, don't you, that if you don't like

people you think of all the reasons for not helping them, and if you

like them you think of all the opposite reasons.

BRASSBOUND. But his duty as a brother!

LADY CICELY. Are you going to do your duty as a nephew?

BRASSBOUND. Don't quibble with me. I am going to do my duty as a son;

and you know it.

LADY CICELY. But I should have thought that the time for that was in

your mother's lifetime, when you could have been kind and forbearing

with her. Hurting your uncle won't do her any good, you know.

BRASSBOUND. It will teach other scoundrels to respect widows and

orphans. Do you forget that there is such a thing as justice?

LADY CICELY (gaily shaking out the finished coat). Oh, if you are going

to dress yourself in ermine and call yourself Justice, I give you up.

You are just your uncle over again; only he gets £5,000 a year for it,

and you do it for nothing.

(She holds the coat up to see whether any further repairs are needed.)

BRASSBOUND (sulkily). You twist my words very cleverly. But no man or

woman has ever changed me.

LADY CICELY. Dear me! That must be very nice for the people you deal

with, because they can always depend on you; but isn't it rather

inconvenient for yourself when you change your mind?

BRASSBOUND. I never change my mind.

LADY CICELY (rising with the coat in her hands). Oh! Oh!! Nothing will

ever persuade me that you are as pigheaded as that.

BRASSBOUND (offended). Pigheaded!

LADY CICELY (with quick, caressing apology). No, no, no. I didn't mean

that. Firm! Unalterable! Resolute! Ironwilled! Stonewall Jackson! That's

the idea, isn't it?

BRASSBOUND (hopelessly). You are laughing at me.

LADY CICELY. No: trembling, I assure you. Now will you try this on for

me: I'm SO afraid I have made it too tight under the arm. (She holds it

behind him.)

BRASSBOUND (obeying mechanically). You take me for a fool I think. (He

misses the sleeve.)

LADY CICELY. No: all men look foolish when they are feeling for their

sleeves.

BRASSBOUND. Agh! (He turns and snatches the coat from her; then puts it

on himself and buttons the lowest button.)

LADY CICELY (horrified). Stop. No. You must NEVER pull a coat at the

skirts, Captain Brassbound: it spoils the sit of it. Allow me. (She

pulls the lappels of his coat vigorously forward) Put back your

shoulders. (He frowns, but obeys.) That's better. (She buttons the top

button.) Now button the rest from the top down. DOES it catch you at all

under the arm?

BRASSBOUND (miserably--all resistance beaten out of him). No.

LADY CICELY. That's right. Now before I go back to poor Marzo, say thank

you to me for mending your jacket, like a nice polite sailor.

BRASSBOUND (sitting down at the table in great agitation). Damn you!

you have belittled my whole life to me. (He bows his head on his hands,

convulsed.)

LADY CICELY (quite understanding, and putting her hand kindly on his

shoulder). Oh no. I am sure you have done lots of kind things and brave

things, if you could only recollect them. With Gordon for instance?

Nobody can belittle that.

He looks up at her for a moment; then kisses her hand. She presses his

and turns away with her eyes so wet that she sees Drinkwater, coming in

through the arch just then, with a prismatic halo round him. Even when

she sees him clearly, she hardly recognizes him; for he is ludicrously

clean and smoothly brushed; and his hair, formerly mud color, is now a

lively red.

DRINKWATER. Look eah, kepn. (Brassbound springs up and recovers himself

quickly.) Eahs the bloomin Shike jest appeahd on the orawzn wiv abaht

fifty men. Thy'll be eah insawd o ten minnits, they will.

LADY CICELY. The Sheikh!

BRASSBOUND. Sidi el Assif and fifty men! (To Lady Cicely) You were too

late: I gave you up my vengeance when it was no longer in my hand. (To

Drinkwater) Call all hands to stand by and shut the gates. Then all here

to me for orders; and bring the prisoner.

DRINKWATER. Rawt, kepn. (He runs out.)

LADY CICELY. Is there really any danger for Howard?

BRASSBOUND. Yes. Danger for all of us unless I keep to my bargain with

this fanatic.

LADY CICELY. What bargain?

BRASSBOUND. I pay him so much a head for every party I escort through to

the interior. In return he protects me and lets my caravans alone. But

I have sworn an oath to him to take only Jews and true believers--no

Christians, you understand.

LADY CICELY. Then why did you take us?

BRASSBOUND. I took my uncle on purpose--and sent word to Sidi that he

was here.

LADY CICELY. Well, that's a pretty kettle of fish, isn't it?

BRASSBOUND. I will do what I can to save him--and you. But I fear my

repentance has come too late, as repentance usually does.

LADY CICELY (cheerfully). Well, I must go and look after Marzo, at all

events. (She goes out through the little door. Johnson, Redbrook and the

rest come in through the arch, with Sir Howard, still very crusty and

determined. He keeps close to Johnson, who comes to Brassbound's right,

Redbrook taking the other side.)

BRASSBOUND. Where's Drinkwater?

JOHNSON. On the lookout. Look here, Capn: we don't half like this job.

The gentleman has been talking to us a bit; and we think that he IS a

gentleman, and talks straight sense.

REDBROOK. Righto, Brother Johnson. (To Brassbound) Won't do, governor.

Not good enough.

BRASSBOUND (fiercely). Mutiny, eh?

REDBROOK. Not at all, governor. Don't talk Tommy rot with Brother Sidi

only five minutes gallop off. Can't hand over an Englishman to a nigger

to have his throat cut.

BRASSBOUND (unexpectedly acquiescing). Very good. You know, I suppose,

that if you break my bargain with Sidi, you'll have to defend this place

and fight for your lives in five minutes. That can't be done without

discipline: you know that too. I'll take my part with the rest under

whatever leader you are willing to obey. So choose your captain and look

sharp about it. (Murmurs of surprise and discontent.)

VOICES. No, no. Brassbound must command.

BRASSBOUND. You're wasting your five minutes. Try Johnson.

JOHNSON. No. I haven't the head for it.

BRASSBOUND. Well, Redbrook.

REDBROOK. Not this Johnny, thank you. Haven't character enough.

BRASSBOUND. Well, there's Sir Howard Hallam for You! HE has character

enough.

A VOICE. He's too old.

ALL. No, no. Brassbound, Brassbound.

JOHNSON. There's nobody but you, Captain.

REDRROOK. The mutiny's over, governor. You win, hands down.

BRASSBOUND (turning on them). Now listen, you, all of you. If I am to

command here, I am going to do what I like, not what you like. I'll give

this gentleman here to Sidi or to the devil if I choose. I'll not be

intimidated or talked back to. Is that understood?

REDBROOK (diplomatically). He's offered a present of five hundred quid

if he gets safe back to Mogador, governor. Excuse my mentioning it.

SIR HOWARD. Myself AND Lady Cicely.

BRASSBOUND. What! A judge compound a felony! You greenhorns, he is more

likely to send you all to penal servitude if you are fools enough to

give him the chance.

VOICES. So he would. Whew! (Murmurs of conviction.)

REDBROOK. Righto, governor. That's the ace of trumps.

BRASSBOUND (to Sir Howard). Now, have you any other card to play? Any

other bribe? Any other threat? Quick. Time presses.

SIR HOWARD. My life is in the hands of Providence. Do your worst.

BRASSBOUND. Or my best. I still have that choice.

DRINKWATER (running in). Look eah, kepn. Eah's anather lot cammin from

the sahth heast. Hunnerds of em, this tawm. The owl dezzit is lawk a

bloomin Awd Pawk demonstrition. Aw blieve it's the Kidy from Kintorfy.

(General alarm. All look to Brassbound.)

BRASSBOUND (eagerly). The Cadi! How far off?

DRINKWATER. Matter o two mawl.

BRASSBOUND. We're saved. Open the gates to the Sheikh.

DRINKWATER (appalled, almost in tears). Naow, naow. Lissn, kepn

(Pointing to Sir Howard): e'll give huz fawv unnerd red uns. (To the

others) Ynt yer spowk to im, Miste Jornsn--Miste Redbrook--

BRASSBOUND (cutting him short). Now then, do you understand plain

English? Johnson and Redbrook: take what men you want and open the gates

to the Sheikh. Let him come straight to me. Look alive, will you.

JOHNSON. Ay ay, sir.

REDBROOK. Righto, governor.

They hurry out, with a few others. Drinkwater stares after them,

dumbfounded by their obedience.

BRASSBOUND (taking out a pistol). You wanted to sell me to my prisoner,

did you, you dog.

DRINKWATER (falling on his knees with a yell). Naow! (Brassbound turns

on him as if to kick him. He scrambles away and takes refuge behind Sir

Howard.)

BRASSBOUND. Sir Howard Hallam: you have one chance left. The Cadi of

Kintafi stands superior to the Sheikh as the responsible governor of the

whole province. It is the Cadi who will be sacrificed by the Sultan if

England demands satisfaction for any injury to you. If we can hold the

Sheikh in parley until the Cadi arrives, you may frighten the Cadi into

forcing the Sheikh to release you. The Cadi's coming is a lucky chance

for YOU.

SIR HOWARD. If it were a real chance, you would not tell me of it. Don't

try to play cat and mouse with me, man.

DRINKWATER (aside to Sir Howard, as Brassbound turns contemptuously away

to the other side of the room). It ynt mach of a chawnst, Sr Ahrd. But

if there was a ganbowt in Mogador Awbr, awd put a bit on it, aw would.

Johnson, Redbrook, and the others return, rather mistrustfully ushering

in Sidi el Assif, attended by Osman and a troop of Arabs. Brassbound's

men keep together on the archway side, backing their captain. Sidi's

followers cross the room behind the table and assemble near Sir Howard,

who stands his ground. Drinkwater runs across to Brassbound and stands

at his elbow as he turns to face Sidi.

Sidi el Aasif, clad in spotless white, is a nobly handsome Arab, hardly

thirty, with fine eyes, bronzed complexion, and instinctively dignified

carriage. He places himself between the two groups, with Osman in

attendance at his right hand.

OSMAN (pointing out Sir Howard). This is the infidel Cadi. (Sir Howard

bows to Sidi, but, being an infidel, receives only the haughtiest stare

in acknowledgement.) This (pointing to Brassbound) is Brassbound the

Franguestani captain, the servant of Sidi.

DRINKWATER (not to be outdone, points out the Sheikh and Osman to

Brassbound). This eah is the Commawnder of the Fythful an is Vizzeer

Rosman.

SIDI. Where is the woman?

OSMAN. The shameless one is not here.

BRASSBOUND. Sidi el Assif, kinsman of the Prophet: you are welcome.

REDBROOK (with much aplomb). There is no majesty and no might save in

Allah, the Glorious, the Great!

DRINKWATER. Eah, eah!

OSMAN (to Sidi). The servant of the captain makes his profession of

faith as a true believer.

SIDI. It is well.

BRASSBOUND (aside to Redbrook). Where did you pick that up?

REDRROOK (aside to Brassbound). Captain Burton's Arabian Nights--copy in

the library of the National Liberal Club.

LADY CICELY (calling without). Mr. Drinkwater. Come and help me with

Marzo. (The Sheikh pricks up his ears. His nostrils and eyes expand.)

OSMAN. The shameless one!

BRASSBOUND (to Drinkwater, seizing him by the collar and slinging him

towards the door). Off with you.

Drinkwater goes out through the little door.

OSMAN. Shall we hide her face before she enters?

SIDI. NO.

Lady Cicely, who has resumed her travelling equipment, and has her hat

slung across her arm, comes through the little door supporting Marzo,

who is very white, but able to get about. Drinkwater has his other arm.

Redbrook hastens to relieve Lady Cicely of Marzo, taking him into the

group behind Brassbound. Lady Cicely comes forward between Brassbound

and the Sheikh, to whom she turns affably.

LADY CICELY (proffering her hand). Sidi el Assif, isn't it? How dye do?

(He recoils, blushing somewhat.)

OSMAN (scandalized). Woman; touch not the kinsman of the Prophet.

LADY CICELY. Oh, I see. I'm being presented at court. Very good. (She

makes a presentation curtsey.)

REDBROOK. Sidi el Assif: this is one of the mighty women Sheikhs of

Franguestan. She goes unveiled among Kings; and only princes may touch

her hand.

LADY CICELY. Allah upon thee, Sidi el Assif! Be a good little Sheikh,

and shake hands.

SIDI (timidly touching her hand). Now this is a wonderful thing, and

worthy to be chronicled with the story of Solomon and the Queen of

Sheba. Is it not so, Osman Ali?

OSMAN. Allah upon thee, master! it is so.

SIDI. Brassbound Ali: the oath of a just man fulfils itself without many

words. The infidel Cadi, thy captive, falls to my share.

BRASSBOUND (firmly). It cannot be, Sidi el Assif. (Sidi's brows contract

gravely.) The price of his blood will be required of our lord the

Sultan. I will take him to Morocco and deliver him up there.

SIDI (impressively). Brassbound: I am in mine own house and amid mine

own people. I am the Sultan here. Consider what you say; for when my

word goes forth for life or death, it may not be recalled.

BRASSBOUND. Sidi el Assif: I will buy the man from you at what price you

choose to name; and if I do not pay faithfully, you shall take my head

for his.

SIDI. It is well. You shall keep the man, and give me the woman in

payment.

SIR HOWARD AND BRASSBOUND (with the same impulse). No, no.

LADY CICELY (eagerly). Yes, yes. Certainly, Mr. Sidi. Certainly.

Sidi smiles gravely.

SIR HOWARD. Impossible.

BRASSBOUND. You don't know what you're doing.

LADY CICELY. Oh, don't I? I've not crossed Africa and stayed with six

cannibal chiefs for nothing. (To the Sheikh) It's all right, Mr. Sidi: I

shall be delighted.

SIR HOWARD. You are mad. Do you suppose this man will treat you as a

European gentleman would?

LADY CICELY. No: he'll treat me like one of Nature's gentlemen: look at

his perfectly splendid face! (Addressing Osman as if he were her oldest

and most attached retainer.) Osman: be sure you choose me a good horse;

and get a nice strong camel for my luggage.

Osman, after a moment of stupefaction, hurries out. Lady Cicely puts

on her hat and pins it to her hair, the Sheikh gazing at her during the

process with timid admiration.

DRINKWATER (chuckling). She'll mawch em all to church next Sunder lawk a

bloomin lot o' cherrity kids: you see if she doesn't.

LADY CICELY (busily). Goodbye, Howard: don't be anxious about me; and

above all, don't bring a parcel of men with guns to rescue me. I

shall be all right now that I am getting away from the escort. Captain

Brassbound: I rely on you to see that Sir Howard gets safe to Mogador.

(Whispering) Take your hand off that pistol. (He takes his hand out of

his pocket, reluctantly.) Goodbye.

A tumult without. They all turn apprehensively to the arch. Osman rushes

in.

OSMAN. The Cadi, the Cadi. He is in anger. His men are upon us. Defend--

The Cadi, a vigorous, fatfeatured, choleric, whitehaired and bearded

elder, rushes in, cudgel in hand, with an overwhelming retinue, and

silences Osman with a sounding thwack. In a moment the back of the room

is crowded with his followers. The Sheikh retreats a little towards his

men; and the Cadi comes impetuously forward between him and Lady Cicely.

THE CADI. Now woe upon thee, Sidi el Assif, thou child of mischief!

SIDI (sternly). Am I a dog, Muley Othman, that thou speakest thus to me?

THE CADI. Wilt thou destroy thy country, and give us all into the hands

of them that set the sea on fire but yesterday with their ships of war?

Where are the Franguestani captives?

LADY CICELY. Here we are, Cadi. How dye do?

THE CADI. Allah upon thee, thou moon at the full! Where is thy kinsman,

the Cadi of Franguestan? I am his friend, his servant. I come on behalf

of my master the Sultan to do him honor, and to cast down his enemies.

SIR HOWARD. You are very good, I am sure.

SIDI (graver than ever). Muley Othman--

TAE CADI (fumbling in his breast). Peace, peace, thou inconsiderate one.

(He takes out a letter.)

BRASSBOUND. Cadi--

THE CADI. Oh thou dog, thou, thou accursed Brassbound, son of a wanton:

it is thou hast led Sidi el Assif into this wrongdoing. Read this

writing that thou hast brought upon me from the commander of the

warship.

BRASSBOUND. Warship! (He takes the letter and opens it, his men

whispering to one another very low-spiritedly meanwhile.)

REDBROOK. Warship! Whew!

JOHNSON. Gunboat, praps.

DRINKWATER. Lawk bloomin Worterleoo buses, they are, on this cowst.

Brassbound folds up the letter, looking glum.

SIR HOWARD (sharply). Well, sir, are we not to have the benefit of that

letter? Your men are waiting to hear it, I think.

BRASSBOUND. It is not a British ship. (Sir Howard's face falls.)

LADY CICELY. What is it, then?

BRASSBOUND. An American cruiser. The Santiago.

THE CADI (tearing his beard). Woe! alas! it is where they set the sea on

fire.

SIDI. Peace, Muley Othman: Allah is still above us.

JOHNSON. Would you mind readin it to us, capn?

BRASSBOUND (grimly). Oh, I'll read it to you. "Mogador Harbor. 26 Sept.

1899. Captain Hamlin Kearney, of the cruiser Santiago, presents the

compliments of the United States to the Cadi Muley Othman el Kintafi,

and announces that he is coming to look for the two British travellers

Sir Howard Hallam and Lady Cicely Waynflete, in the Cadi's jurisdiction.

As the search will be conducted with machine guns, the prompt return of

the travellers to Mogador Harbor will save much trouble to all parties."

THE CADI. As I live, O Cadi, and thou, moon of loveliness, ye shall be

led back to Mogador with honor. And thou, accursed Brassbound, shalt go

thither a prisoner in chains, thou and thy people. (Brassbound and his

men make a movement to defend themselves.) Seize them.

LADY CICELY. Oh, please don't fight. (Brassbound, seeing that his men

are hopelessly outnumbered, makes no resistance. They are made prisoners

by the Cadi's followers.)

SIDI (attempting to draw his scimitar). The woman is mine: I will not

forego her. (He is seized and overpowered after a Homeric struggle.)

SIR HOWARD (drily). I told you you were not in a strong position,

Captain Brassbound. (Looking implacably at him.) You are laid by the

heels, my friend, as I said you would be.

LADY CICELY. But I assure you--

BRASSBOUND (interrupting her). What have you to assure him of? You

persuaded me to spare him. Look at his face. Will you be able to

persuade him to spare me?

Captain Brassbound's Conversion · 第 2 / 3 章