Joan's first task was done. After an interval she set out upon the

second, to crown the Dauphin in the city of Rheims. This meant a march

through a part of France held by the enemy and the capture of many

cities. Joan and her army accomplished the work, however, and the day

came when Charles the Dauphin and the Maid of Orleans, as she was now

called, entered the great cathedral of Rheims, and Joan heard her

prince consecrated and proclaimed King of France. She had given her

country new hope and strength and a king to look to.

Joan had now completed the two tasks for which she had left Domremy;

her voices had spoken truly to her and she had done what they had

commanded. She wanted to go home, enter her father's house again, and

remain a peasant girl like her friends and share their simple life. But

she had become too wonderful in the eyes of France for the people to

let her do as she wished. They begged her to do more, and so she was

persuaded to keep with the royal army and wage battle after battle with

the English. For a time victory stayed with her, but finally one day at

Compiègne she was cut off from her men by the enemy, surrounded and

taken prisoner. The rest of her history is briefly told. She was put in

prison at Rouen, tried for witchcraft, condemned and burned at the

stake in 1431, when she was nineteen years old.

So it was that the peasant girl stirred France to hope by her wonderful

deeds, and gave her life at the end for her country's sake. France made

her a national heroine, the Catholic Church proclaimed her a Saint, and

in all history there is hardly to be found so marvelous a story as that

of the simple girl of Domremy, Joan of Arc, called the Maid of France.

III

Vittoria Colonna

The Girl of Ischia: 1490-1547

Vines had woven the walls of a little natural bower on a high cliff of

the wooded, sea-swept island of Ischia off the coast of Italy. Beyond

lay the bay of Naples, a deep blue glimmering with specks of gold, and

still farther off stretched the white and brown and yellow roofs and

walls of that sun-loved city. It was late afternoon, the hour of all

the four and twenty when the city and the sea were most alluring to the

eye. In the bower sat a woman and a golden-haired girl, and each was

watching the colors shift and deepen in the broad breeze-touched bay.

"Is there anything else as lovely, Isabella?" asked the girl in time.

"See yon handful of opals just tossed on the waves off Capua. How still

it is! The woods have gone to sleep."

The woman smiled. "Peace to their slumbers. Yonder poor town of Naples

has little time to rest! What with France and Spain, the Holy Father

and the rest of them, the poor folk of Naples can scarce call their

souls their own."

"Indeed 'tis like looking down from a nest upon a stormy plain," agreed

the girl. "Here at least are few plottings and struggles."

She settled more comfortably, her head resting in the palm of her hand.

Then, after a moment, she sat up again and, turning to her companion,

laid a finger to her lips. Close to them, the other side of the network

of wild vines, was the sound of footsteps and presently of voices.

"To the west, beyond this cliff, lies a beach," she heard a man's voice

say, "where the Marquis Ferdinand and his teacher come to swim each day

at this hour. We can hide in the bushes back of the shore and take them

unarmed. The Orsini have offered an hundred ducats for the boy."

There followed a chuckle, and then another voice added: "'Tis an easy

way to line my purse again."

"Softly then, softly," cautioned the first speaker, and crackling twigs

marked their stealthy descent towards the sheltered beach.

The girl, alarm in her eyes, sat up straight. As soon as the crackling

ceased she bent forward. "Didst hear, Isabella?" she whispered. "Didst

hear yon plot? They wait for Ferdinand and Messer Florio to bathe

beneath the cliff and then set on them. An hundred ducats the Orsini

pay. What can we do to warn them?"

But Isabella's wits seemed flown away. She sat silent, rocking from

side to side, her face suddenly quite white.

"Think, Isabella, think; what shall we do? We can't let them have

Ferdinand without a warning. 'Tis almost time that his boat came

alongshore. He bathes at sunset and the sun is nearly gone. Speak,

Isabella, speak."

The girl put her hand on the woman's arm and shook her. The only reply

was a moan and a whispered, "Oh, Vittoria, what will our dear lady the

Duchess say?"

"She will say we were cowards for one thing, and she will be right,"

said the girl. "Many a time have I heard my father say, 'There's

nothing the Orsini want but the Colonna will snatch away from them.'

They shan't have Ferdinand. Tell your beads here on the cliff an you

will; I'm going down over its edge to the beach."

She stood up, tall and slender in her white gown, her fair hair falling

to her shoulders, and looked out across the bay. "There, he is coming

now," she exclaimed, pointing eastward to where a white sail was

skimming the sparkling waves. "If they take Ferdinand they take

Vittoria Colonna too."

"But the Duchess----" began the frightened Isabella. "She bade me never

leave thee. If I go home alone----"

"Stop!" ordered the girl. "Thou knowest the safety of Ferdinand is of

more value than all the womenfolk in Ischia. The boat is almost here."

She stepped to the edge of the cliff where the vines were thickest and

tested them with her feet. Then, searching carefully for that ladder of

knotted branches which seemed to promise the securest hold she stepped

over the edge and slid her feet from one rung of the vine-ladder to

another while she clung to the roots with her hands. Far below the

waves murmured against the rocks and lapped at the silver half-moon of

the sandy beach.

Fortunately the cliff was shelving and in places a path was worn where

boys had hunted for sea-birds' nests. Vittoria was strong and she kept

her hold upon one vine until she had found another quite as safe.

Slowly she crept downward, stopping now and again to look out for the

sailboat which was steadily crossing towards the little beach. She

figured that it would pass beneath her just as she should reach a

certain jutting ledge of rock. The wind was rising and she had to

hasten. She twisted her fingers tightly about a vine and loosed her

footing. So she slipped down and stood, out of breath and with her hair

and dress disheveled, on the ledge. Putting her hands to her mouth she

sent a hailing cry across the water.

The man and boy on the skiff looked up and saw the white-clad figure of

the girl above them on the ledge. "It's Vittoria!" cried the boy. "She

has some message for us, Florio. Send the boat in beneath the cliff."

The man nodded and swung the tiller over so that the light cockle-shell

skiff danced over the water to Vittoria's ledge. As they neared it the

boy, a handsome, curly-haired, sunburned lad of fifteen, caught at the

matting of heavy vines which hung almost to the water's edge while the

man dropped the little sail.

"What is it, Vittoria?" asked the boy. "Messer Florio and I were going

for our swim."

"Not to-day, Ferdinand," she answered. "I have word for thee. Wilt

catch me if I climb down?"

"Aye, that I will."

Holding again by the vines and slipping her feet from rung to rung

Vittoria left her ledge and was soon near enough for Ferdinand to catch

her in his arms. Messer Florio steadied the boat against the rock while

the boy swung Vittoria across the gunwale.

"Now set your sail back towards home," she commanded.

"Why, Vittoria?"

"Isabella and I were on the cliff but now," she exclaimed, her eyes

sparkling, "when we heard two men plan how they should hide behind the

trees of the beach and seize upon you both when you were unarmed. One

said the Orsini would pay an hundred ducats for Ferdinand. They are

down there waiting now."

Messer Florio's swart face paled and the boy frowned. "So even in

Ischia there is danger from those wolves, is there?" said he. "Oh, wait

until I am a man, and can draw their fangs for them."

"Aye, wait, Ferdinand. Meantime let us be sailing towards home."

"Truly, the Lady Vittoria speaks wisely," said Messer Florio, glancing

up at the cliff as though fearful that their enemies might even yet be

in position to harm them from above. "Take my place, Ferdinand, while I

work the bow out to sea again."

The boy obeyed, and between them they soon had the skiff tacking out

from shore, her nose pointing over towards Capua.

"Poor Isabella," said Vittoria after a time. "I think she was too

fearful even to speak. We must send a guard to bring her in by dusk."

"'Tis well one of you had courage to give the warning," said Florio.

"'Twas a climb few girls would care to risk to my thinking."

"Needs must when the devil drives," answered Vittoria with a laugh. "I

could not see them steal my husband from before my very eyes. Moreover

when have the Orsini ever had the better of a true Colonna?"

So Ferdinand the boy Marquis of Pescara and Florio his tutor sang the

praises of the little Lady Vittoria Colonna until they had rounded the

rugged cliffs of Ischia and sailed into safe harbor. Above the

landing-place stood the great fortress-castle where lived Costanza d'

Avalos, Duchess of Francavilla, and châtelaine of this island rock of

Ischia. Florio gave a sigh of relief as he saw Ferdinand and Vittoria

step on shore. He knew the robbers would have made short shrift of him

if they could have placed their hands on the young Lord of Pescara.

In those days the great Roman families of Colonna and Orsini were

always at swords' points. Each had had many cardinals, statesmen, and

warriors, and each strove its hardest to despoil the other. Vittoria,

the youngest daughter of Fabrizio Colonna, had been born in 1490 in the

Castle of Marino, which guarded one of the passes in the Alban hills

near Rome. But such a castle was no place for children, for the lords

of Marino and the other mountain strongholds lived like robber barons,

swooping down on neighboring towns and cities, holding travelers to

ransom, and attacking and destroying one another's homes on any

favoring chance. The Lord Fabrizio Colonna and his wife Agnes were

anxious to place their daughter in safer hands, and at the same time it

happened that Ferdinand II, King of Sicily and Naples, was desirous of

uniting the powerful Colonna family to his cause by marrying a girl of

that house to a boy of his own race. So at five years of age Vittoria

was solemnly betrothed to Ferdinand, Marquis of Pescara, and went to

live in the sheltered island of Ischia in the Bay of Naples, under the

care of the Duchess of Francavilla, the older sister of the young

Marquis Ferdinand. Here the boy and girl were brought up together,

studying under the same teachers, playing the same games, while the

careful Duchess kept vigilant watch and ward over both, for nothing

would have pleased the lords of the house of Orsini better than to

prevent the marriage of a Colonna to a boy of such rank and wealth.

Even in Ischia, protected by nature as it was and guarded by the

Duchess' soldiers, spies sometimes appeared, and neither Vittoria nor

Ferdinand were strangers to perils at the hands of enemies of their

houses.

For the most part, however, Ischia was quiet and the boy and girl led

happy, peaceful lives. Ferdinand was trained to be a soldier, but also

learned something of letters and art. A taste for poetry was considered

fashionable among young noblemen of that period and he was brought up

in the fashion. Vittoria showed an unusual love of literature, and the

Duchess, finding her young ward eager to learn, trained her in Latin

and Greek and urged her to write verses of her own.

Ferdinand grew tall and strong, fit for the work of a soldier, gentle

at most times, but fiery when his anger was aroused. He was considered

remarkably handsome, with an auburn beard, an aquiline nose, and eyes

keen and commanding. Vittoria, while she was still a girl, was regarded

as one of the beauties of Italy, her face being of the calm oval Roman

type, with the broad brow, the thoughtful eyes, and the full red lips.

Poets sang the praises of her golden hair and artists loved to paint

it, and the fame of its beauty had spread to Rome and Naples through

the words of wandering troubadours who had been to Ischia.

When Vittoria Colonna and Ferdinand d'Avalos were nineteen years old

they were married, and it was a true love-match, for they had grown

more and more fond of each other during the years they had spent on the

island. The wedding was almost royal in its magnificence, and then

bride and groom went to Naples, where endless feasts were given in

their honor. They traveled a little and then went back to Ischia, where

for three years Ferdinand and Vittoria were very happy, and where she

began to write some of those sonnets which were to win her fame.

Then came the call to war, and Ferdinand left Vittoria at Ischia to

hasten to the aid of his king who was warring with Louis XII of France.

From that time the life of Vittoria's husband was spent in camps and

battles. He was unusually brave, a man beloved by his soldiers, and as

a general there were few men of the age his equal. Now he was winning,

now losing, at one time in prison at Milan writing letters in poetry to

his wife to which she replied with poems of her own. He was wounded at

the great battle of Pavia, and a little later, worn out by his hard

warring life, died in 1525.

Vittoria stayed at Ischia, and to ease her grief for her loved husband

wrote many sonnets dealing with their life together. Her poems were

considered very beautiful and her fame grew until she was accounted

among the greatest of Italian writers. After a time she traveled and

everywhere she was received with the highest honors as a poetess. At

last she settled in Rome, and there her house was the centre of

learning in the city. All men of talent claimed to be her friends, and

the letters of the day were filled with accounts of her genius, her

holiness, and her beauty. Chief among her friends was the great painter

Michael Angelo, and the friendship of each was a continual inspiration

to the genius of the other.

So it was that this girl who saved her betrothed husband from his

enemies that day at Ischia became in time one of the noblest figures in

Italian life, one of the finest flowers of what we call the Renaissance

in Europe.

IV

Catherine de' Medici

The Girl of Mediæval Italy: 1519-1589

A stone bench with arms carved to represent crouching lions stood under

an ilex tree in a corner of the Medici gardens in Florence. There, on a

certain autumn afternoon, sat two girls, talking languidly, for the day

was hot. Both were dark, but one looked much like a hundred other girls

to be met in the streets of Florence, the other was striking. Her long,

oval face was very pale, and seemed the more colorless in contrast with

the black hair which she wore low on her forehead and over the tips of

her ears. Her lips were thin and straight, and her eyelids made her

eyes look long and narrow, almost like two slits from which gleamed a

singularly bright or a dull light, depending on whether she were

interested or indifferent. Delicate black brows were penciled above

those eyes. She was handsome, but one might also judge that she was

crafty.

Just now she was admiring the glitter of a ruby in a ring upon her

hand. "How much it looks like a drop of blood," she was saying. "Hast

thou ever seen one of those rings, Bianca, with a little hidden place

to carry poison? My uncle Filippo has one. The Duke's goldsmith made it

for him."

"I hate all such things," said Bianca. "If I had such a ring I'd throw

it into the Arno."

"Nevertheless they are useful sometimes. My uncle and the Duke are

playing at being friends now, but thou knowest that to-morrow they

might well be at each other's throats." She smoothed a fold of the

green gown on her knee. "I like my uncle, but the Duke----" she

shrugged her shoulders. "I trust him no more than I would the rabble of

Florence. He is kind to me now. In good faith I know there is some

reason for it. 'Tis not love of me or because I am a girl of his house

of the Medici."

"Softly," warned Bianca. "Here is he now coming through the garden."

There came towards them a singular group. One was a tall man, dressed

in doublet and hose, with a long heavy gold chain hanging almost to his

waist, and a gold girdle in which was stuck a short dagger, the handle

of which glittered with precious stones. A velvet cape hung from his

shoulders, and on his head perched a flat velvet cap, tilted at an

angle. He bore a certain resemblance to the girl in green; he had the

same cream-white skin, lustrous black hair, and narrow, searching eyes.

Beside him came a dwarf, dressed in parti-colored brown and gold. He

had to take two little hopping steps to every long stride of the man

with him. On the other side of the Duke stalked a big greyhound, a

certain stately grace in every movement. He stood so high that the Duke

could pat his head and pull his long ears without stooping.

The girls rose and courtesied as the others reached them. The Duke,

with a smile in his black eyes, waved his hand for them to be seated.

"'Tis pleasant here in thy little nook, Catherine," said he. "This work

over state affairs in my cabinet makes my head buzz as if 'twere a hive

of angry bees."

"What honeyed thoughts must be yours, my lord," observed the dwarf.

"Honeyed indeed, since they were of my fair Catherine," answered his

master. "Lie down in the shade, good lad, and rest thy overworked wits.

I would have a talk with my dear niece if she will give me room upon

her bench."

Catherine moved, and the Duke sat down. Bianca rose, but the Duke bade

her stay. "I have no secrets from Catherine's friends," said he.

"Thou knowest well, little lady," he began, "that we of the Medici have

had our ups and downs. Young as thou art thou hast not escaped them.

Recall those days when thou wert at the convent, and we were striving

to retake Florence from the barbarous chiefs of the Republic. Did not

Battista Cei--wretched man! propose that thou shouldst be set out

between two battlements where the artillery fire would sweep across

thee?"

"I remember well," said Catherine, her eyes gleaming as she spoke.

"And later, did not Castiglione advise that rather than hand thee over

to the care of our Holy Father the Pope thou shouldst be given to the

soft mercy of the mercenary soldiers?"

"That I remember also," said Catherine. "Though I was only nine I shall

never forget those days."

"I only recall them," continued the Duke, "that thou mayst consider how

uncertain is the life of a Medici, and may understand with what care I

have looked to thy welfare. Thou art dear to me as my own daughter, and

as a daughter have I planned for thee. Now for my news. I have arranged

to marry thee to a son of the French King!"

He looked for some surprise on Catherine's part, but she showed none.

She gazed straight ahead of her, her eyelids drooping a little over her

eyes.

"The French King has two sons, the Dauphin and Prince Henry. Which am I

to marry?" she asked quietly.

The Duke crossed one knee upon the other. "I cannot tell thee yet," he

answered. "The Dauphin for preference, but Henry if need be. The King

has raised objections to the first, but a house like ours, which has

given two Popes to Christendom, might well provide a Queen for the

throne of France. One or the other it will be."

Catherine bent her head. "I trust thou hast always found me dutiful,"

said she, "and wilt in this."

The Duke, his white fingers playing with the chain about his neck, eyed

the girl closely. "Thou art a curious maiden, Catherine," he observed

slowly. "I tell thee that thou art to marry a Valois and go to Paris

and thou showest as much excitement as if I said the wind had veered a

quarter. Is it nothing to thee to marry and leave thy home?"

Catherine smiled, her eyes bent on the greyhound which lay crouched at

her feet. "Good my lord," she answered, "I have known ever since I was

old enough to think of such things that some day thou or some other of

my kinsmen would come to me and say, 'Catherine, thou art to marry such

and such a prince.' To me they are all alike, dressed of a piece. I

know not even if they be comely or no, but only that such a one is Heir

of France and such is Prince of Savoy. I am ready to live in Paris or

in Milan as it suits my kinsmen. As for leaving home thou hast said

thyself that my days here have been somewhat hazardous. I have no

reason to love these Florentine gentlemen overmuch."

"True," agreed the Duke. "Thou sayest wisely, surprising wisely for a

maid thy years. If I mistake not thou wilt play this game of statecraft

shrewdly, with an eye ever to the stakes and little concern for the

other players. It is well, the Medici have never played the fool. One

word more. Shortly thou and I and thy good uncle Filippo Strozzi must

leave for Leghorn, there to meet the Pope and the envoys of the King of

France, and sign the marriage papers. I am right glad that Filippo will

go. He will safeguard thee as carefully as I. Now must I take my leave.

May thy dreams be sweet, savored with the thought that some day thou

mayst be Queen in France." He rose and poked the dwarf with his toe.

"Come, good jester, much sleep maketh the wits dull."

"Then should mine be sharp," answered the dwarf, springing up. "He who

serves the Medici sleeps with one eye open."

"And so he must," agreed the Duke with a laugh. He called to the dog

and the three went back across the lawn as they had come.

Only when they were out of sight did Catherine speak. "He is a

smooth-tongued man in very truth, Bianca," said she. "He talks about

the care he takes of me, the thought he spends in planning for my

marriage. He would sell me to-morrow to the highest bidder. If I marry

one of the French princes 'tis so that he may count on France's aid to

help him here in Italy. And he is glad that Uncle Filippo will go to

Leghorn with me. He's glad forsooth because my uncle is the most

popular man in Florence, and could upset the Duke in a twinkling had he

the mind to do so. His head will rest the easier with me in Paris and

the Strozzi out of Florence. Oh, a very gentle kinsman is my lord

Duke."

"Thou mayst not do him justice, Catherine," urged Bianca.

"Justice?" Catherine's eyes narrowed and a gleam shot into them. "I may

be young, Bianca, but I am no fool. I cannot speak for other countries,

but here in Italy one should trust no one else. Each has some plan in

mind, and given the chance will stop at nothing to have his way with

things. Hark you now." The girl lowered her voice to a whisper. "Thou

knowest Messer Lorenzino de' Medici, Duke Alessandro's closest friend

and counselor? Were I the Duke, Lorenzino would leave Florence for his

health and never return. Twice have I come upon him when he thought he

was alone and each time there was a dark brooding look upon his face.

He has some purpose in his friendliness. What if some evening when the

Duke walks forth alone, let us say strolls on the other side this ilex

where the poplars are a screen, a man glides from the shadow? A glint

of steel, and Duke Alessandro is no more. The Florentines are glad, and

Lorenzino reaps rewards. He has done a public service. 'Tis so easy, so

very easy."

"Be still, Catherine. What thoughts thou hast! 'Tis enough to make one

shudder."

The gleam in Catherine's eyes disappeared, and she was the same quiet

indifferent girl she had been before. "I only said how easy. I only

thought the Duke should be more careful of his friends."

"But even to think such things is dangerous, Catherine," protested the

nervous Bianca.

"No, thoughts have killed no one," answered Catherine, with a shrewd

smile. "Else there had been no one left alive by now."

"I will not talk with thee when thou art so cruel-minded, Catherine,"

and Bianca rose from the stone seat.

"'Tis not I. 'Tis the great world about me, the men and women of all

the Christian courts. Howbeit 'tis time we went indoors. I must plan

preparation for this journey to Leghorn the Duke told me of."

She rose also, and moved across the lawn by the side of her friend with

a sinuous grace which was remarkable in a girl so young as she.

However, as those in the Medici Palace often observed, the Lady

Catherine, styled the Princess of Florence, was old for her age in more

ways than one.

[Illustration: CATHERINE DE' MEDICI

_From an old engraving_]

Historic Girlhoods, Part One · 第 2 / 8 段