Laura began: "But we ought to notify the police----"

"Police!" Hedrick woke so abruptly, and uttered the word with such

passionate and vehement protest, that everybody started. "I

suppose you want to _kill_ your father, Laura Madison!"

"How?"

"Do you suppose he wouldn't know something had happened with a

squad of big, heavy policemen tromping all over the house? The

first thing they'd do would be to search the whole place----"

"Oh, no," said Mrs. Madison quickly. "It wouldn't do at all."

"I should think not! I'm glad," continued Hedrick, truthfully,

"_that_ idea's out of your head! I believe Laura imagined the

whole thing anyway."

"Have you looked at her mattress," inquired Cora, "darling little

boy?"

He gave her a concentrated look, and rose to leave. "Nothin' on

earth but imagina----" He stopped with a grunt as he forgetfully

put his weight on his left leg. He rubbed his knee, swallowed

painfully, and, leaving the word unfinished, limped haughtily from

the room.

He left the house, gloomily swinging his books from a spare length

of strap, and walking with care to ease his strains and bruises as

much as possible. He was very low in his mind, that boy. His

fortunes had reached the ebb-tide, but he had no hope of a rise.

He had no hope of anything. It was not even a consolation that,

through his talent for surprise in waylayings, it had lately been

thought necessary, by the Villard family, to have Egerton

accompanied to and from school by a man-servant. Nor was Hedrick

more deeply depressed by the certainty that both public and

domestic scandal must soon arise from the inevitable revelation of

his discontinuing his attendance at school without mentioning this

important change of career at home. He had been truant a full

fortnight, under brighter circumstances a matter for a lawless

pride--now he had neither fear nor vainglory. There was no room in

him for anything but dejection.

He walked two blocks in the direction of his school; turned a

corner; walked half a block; turned north in the alley which ran

parallel to Corliss Street, and a few moments later had cautiously

climbed into an old, disused refuse box which stood against the

rear wall of the empty stable at his own home. He pried up some

loose boards at the bottom of the box, and entered a tunnel which

had often and often served in happier days--when he had

friends--for the escape of Union officers from Libby Prison and

Andersonville. Emerging, wholly soiled, into a box-stall, he

crossed the musty carriage house and ascended some rickety steps

to a long vacant coachman's-room, next to the hayloft. He closed

the door, bolted it, and sank moodily upon a broken, old horsehair

sofa.

This apartment was his studio. In addition to the sofa, it

contained an ex-bureau, three chair-like shapes, a once

marble-topped table, now covered with a sheet of zinc, two empty

bird cages, and a condemned whatnot. The walls were rather

over-decorated in coloured chalks, the man-headed-snake motive

predominating; they were also loopholed for firing into the

hayloft. Upon the table lay a battered spy-glass, minus lenses,

and, nearby, two boxes, one containing dried corn-silk, the other

hayseed, convenient for the making of amateur cigarettes; the

smoker's outfit being completed by a neat pile of rectangular

clippings from newspapers. On the shelves of the whatnot were some

fragments of a dead pie, the relics of a "Fifteen-Puzzle," a pink

Easter-egg, four seashells, a tambourine with part of a girl's

face still visible in aged colours, about two thirds of a

hot-water bag, a tintype of Hedrick, and a number of books:

several by Henty, "Twenty Thousand Leagues Under the Sea," "100

Practical Jokes, Easy to Perform," "The Jungle Book," "My Lady

Rotha," a "Family Atlas," "Three Weeks," "Pilgrim's Progress," "A

Boy's Life in Camp," and "The Mystery of the Count's Bedroom."

The gloomy eye of Hedrick wandered to "The Mystery of the Count's

Bedroom," and remained fixed upon it moodily and contemptuously.

His own mystery made that one seem tame and easy: Laura's bedroom

laid it all over the Count's, in his conviction; and with a soul

too weary of pain to shudder, he reviewed the bafflements and

final catastrophe of the preceding night.

He had not essayed the attempt upon the mattress until assured

that the house was wrapped in slumber. Then, with hope in his

heart, he had stolen to Laura's room, lit the lamp, feeling safe

from intrusion, and set to work. His implement at first was a long

hatpin of Cora's. Lying on his back beneath the bed, and, moving

the slats as it became necessary, he sounded every cubic inch of

the mysterious mattress without encountering any obstruction which

could reasonably be supposed to be the ledger. This was not more

puzzling than it was infuriating, since by all processes of

induction, deduction, and pure logic, the thing was necessarily

there. It was nowhere else. Therefore it was there. It _had_ to be

there! With the great blade of his Boy Scout's knife he began to

disembowel the mattress.

For a time he had worked furiously and effectively, but the

position was awkward, the search laborious, and he was obliged to

rest frequently. Besides, he had waited to a later hour than he

knew, for his mother to go to bed, and during one of his rests he

incautiously permitted his eyes to close. When he woke, his

sisters were in the room, and he thought it advisable to remain

where he was, though he little realized how he had weakened his

shelter. When Cora left the room, he heard Laura open the window,

sigh, and presently a tiny clinking and a click set him a-tingle

from head to foot: she was opening the padlocked book. The

scratching sound of a pen followed. And yet she had not come near

the bed. The mattress, then, was a living lie.

With infinite caution he had moved so that he could see her,

arriving at a coign of vantage just as she closed the book. She

locked it, wrapped it in an oilskin cover which lay beside it on

the table, hung the key-chain round her neck, rose, yawned, and,

to his violent chagrin, put out the light. He heard her moving but

could not tell where, except that it was not in his part of the

room. Then a faint shuffling warned him that she was approaching

the bed, and he withdrew his head to avoid being stepped upon. The

next moment the world seemed to cave in upon him.

Laura's flight had given him opportunity to escape to his own room

unobserved; there to examine, bathe and bind his wounds, and to

rectify his first hasty impression that he had been fatally

mangled.

The Flirt · 第 29 / 45 题