The other nodded. "I understand."

"I suppose you'll think me rather sentimental," Corliss went on,

with a laugh which unexpectedly betrayed a little shyness. "I've

never forgotten that I was born here--was a boy here. In all my

wanderings I've always really thought of this as home."

His voice trembled slightly and his face flushed; he smiled

deprecatingly as though in apology for these symptoms of emotion;

and at that both listeners felt (perhaps with surprise) the man's

strong attraction. There was something very engaging about him: in

the frankness of his look and in the slight tremor in his voice;

there was something appealing and yet manly in the confession, by

this thoroughgoing cosmopolite, of his real feeling for the

home-town.

"Of course I know how very few people, even among the `old

citizens,' would have any recollection whatever of me," he went

on; "but that doesn't make any difference in my sentiment for the

place and its people. That street out yonder was named for my

grandfather: there's a statue of my great uncle in the State House

yard; all my own blood: belonged here, and though I have been a

wanderer and may not be remembered--naturally am _not_

remembered--yet the name is honoured here, and I--I----" He

faltered again, then concluded with quiet earnestness: "I thought

that if my good luck was destined to bring fortunes to others, it

might as well be to my own kind--that at least I'd offer them the

chance before I offered it to any one else." He turned and looked

Richard in the face. "That's why I'm here, Mr. Lindley."

The other impulsively put out his hand. "I understand," he said

heartily.

"Thank you." Corliss changed his tone for one less serious.

"You've listened very patiently and I hope you'll be rewarded for

it. Certainly you will if you decide to come in with us. May I

leave the maps and descriptions with you?"

"Yes, indeed. I'll look them over carefully and have another talk

with you about it."

"Thank heaven, _that's_ over!" exclaimed the lounger in the

hammock, who had not once removed his fascinated stare from the

expressive face of Valentine Corliss. "If you have now concluded

with dull care, allow me to put a vital question: Mr. Corliss, do

you sing?"

The gentleman addressed favoured him with a quizzical glance from

between half-closed lids, and probably checking an impulse to

remark that he happened to know that his questioner sometimes

sang, replied merely, "No."

"It is a pity."

"Why?"

"Nothing," returned the other, inconsequently. "It just struck me

that you ought to sing the Toreador song."

Richard Lindley, placing the notes and maps in his pocket, dropped

them, and, stooping, began to gather the scattered papers with a

very red face. Corliss, however, laughed good-naturedly.

"That's most flattering," he said; "though there are other things

in `Carmen' I prefer--probably because one doesn't hear them so

eternally."

Vilas pulled himself up to a sitting position and began to swing

again. "Observe our host, Mr. Corliss," he commanded gayly. "He is

a kind old Dobbin, much beloved, but cares damn little to hear you

or me speak of music. He'd even rather discuss your oil business

than listen to us talk of women, whereas nothing except women ever

really interests _you_, my dear sir. He's not our kind of man," he

concluded, mournfully; "not at all our kind of man!"

"I hope," Corliss suggested, "he's going to be my kind of man in

the development of these oil-fields."

"How ridic"--Mr. Vilas triumphed over the word after a slight

struggle--"ulous! I shall review that: ridiculous of you to

pretend to be interested in oil-fields. You are not that sort of

person whatever. Nothing could be clearer than that you would

never waste the time demanded by fields of oil. Groundlings call

this `the mechanical age'--a vulgar error. My dear sir, you and I

know that it is the age of Woman! Even poets have begun to see

that she is alive. Formerly we did not speak of her at all, but of

late years she has become such a scandal that she is getting

talked about. Even our dramas, which used to be all blood, have

become all flesh. I wish I were dead--but will continue my

harangue because the thought is pellucid. Women selecting men to

mate with are of only two kinds, just as there are but two kinds

of children in a toy-shop. One child sets its fancy on one

partic"--the orator paused, then continued--"on one certain toy

and will make a distressing scene if she doesn't get it: she will

have that one; she will go straight to it, clasp it and keep it;

she won't have any other. The other kind of woman is to be

understood if you will make the experiment of taking the other

kind of child to a toy-shop and telling her you will buy her any

toy in the place, but that you will buy her only one. If you do

this in the morning, she will still be in the shop when it is

closing for the night, because, though she runs to each toy in

turn with excitement and delight, she sees another over her

shoulder, and the one she has not touched is always her

choice--until she has touched it! Some get broken in the handling.

For my part, my wires are working rather rustily, but I must obey

the Stage-Manager. For my requiem I wish somebody would ask them

to play Gounod's masterpiece."

"What's that?" asked Corliss, amused.

"`The Funeral March of a Marionette!'"

"I suppose you mean that for a cheerful way of announcing that you

are a fatalist."

"Fatalism? That is only a word," declared Mr. Vilas gravely. "If I

am not a puppet then I am a god. Somehow, I do not seem to be a

god. If a god is a god, one thinks he would know it himself. I now

yield the floor. Thanking you cordially, I believe there is a lady

walking yonder who commands salutation."

He rose to his feet, bowing profoundly. Cora Madison was passing,

strolling rather briskly down the street, not in the direction of

her home. She waved her parasol with careless gayety to the trio

under the trees, and, going on, was lost to their sight.

"Hello!" exclaimed Corliss, looking at his watch with a start of

surprise. "I have two letters to write for the evening mail. I

must be off."

At this, Ray Vilas's eyes--still fixed upon him, as they had been

throughout the visit--opened to their fullest capacity, in a gaze

of only partially alcoholic wildness.

Entirely aware of this singular glare, but not in the least

disconcerted by it, the recipient proffered his easy farewells. "I

had no idea it was so late. Good afternoon. Mr. Vilas, I have been

delighted with your diagnosis. Lindley, I'm at your disposal when

you've looked over my data. My very warm thanks for your patience,

and--addio!"

Lindley looked after him as he strode quickly away across the

green lawn, turning, at the street, in the direction Cora had

taken; and the troubled Richard felt his heart sink with vague but

miserable apprehension. There was a gasp of desperation beside

him, and the sound of Ray Vilas's lips parting and closing with

little noises of pain.

"So he knows her," said the boy, his thin body shaking. "Look at

him, damn him! See his deep chest, that conqueror's walk, the

easy, confident, male pride of him: a true-born, natural rake--the

Toreador all over!"

His agitation passed suddenly; he broke into a loud laugh, and

flung a reckless hand to his companion's shoulder.

"You good old fool," he cried. "_You'll_ never play Don Jose!"

The Flirt · 第 13 / 45 题