"Pygmalion received his Galatea," said Alfred: "yes, that's what they

said in the wedding song. I had once really fallen in love with the

beautiful statue, which awoke to life in my arms; but the kindred soul

which Heaven sends down to us, the angel who can feel and sympathise

with and elevate us, I have not found and won till now. You came,

Sophy, not in the glory of outward beauty, though you are fair, fairer

than is needful. The chief thing remains the chief. You came to teach

the sculptor that his work is but clay and dust, only an outward form

in a fabric that passes away, and that we must seek the essence, the

internal spirit. Poor Kala! ours was but wayfarers' life. Yonder,

where we shall know each other by sympathy, we shall be half

strangers."

"That was not lovingly spoken," said Sophy, "not spoken like a

Christian. Yonder, where there is no giving in marriage, but where, as

you say, souls attract each other by sympathy; there where everything

beautiful develops itself and is elevated, her soul may acquire such

completeness that it may sound more harmoniously than mine; and you

will then once more utter the first raptured exclamation of your love,

Beautiful--most beautiful!"

IN THE DUCK-YARD.

A duck arrived from Portugal. Some said she came from Spain, but

that's all the same. At any rate she was called the Portuguese, and

laid eggs, and was killed and cooked, and that was _her_ career. But

the ducklings which crept forth from her eggs were afterwards also

called Portuguese, and there is something in that. Now, of the whole

family there was only one left in the duck-yard, a yard to which the

chickens had access likewise, and where the cock strutted about in a

very aggressive manner.

"He annoys me with his loud crowing!" observed the Portuguese duck.

"But he's a handsome bird, there's no denying that, though he is not a

drake. He ought to moderate his voice, but that's an art inseparable

from polite education, like that possessed by the little singing birds

over in the lime trees in the neighbour's garden. How charmingly they

sing! There's something quite pretty in their warbling. I call it

Portugal. If I had only such a little singing bird, I'd be a mother to

him, kind and good, for that's in my blood, my Portuguese blood!"

And while she was still speaking, a little singing bird came head over

heels from the roof into the yard. The cat was behind him, but the

bird escaped with a broken wing, and that's how he came tumbling into

the yard.

"That's just like the cat; she's a villain!" said the Portuguese duck.

"I remember her ways when I had children of my own. That such a

creature should be allowed to live, and to wander about upon the

roofs! I don't think they do such things in Portugal!"

And she pitied the little singing bird, and the other ducks who were

not of Portuguese descent pitied him too.

"Poor little creature!" they said, as one after another came up. "We

certainly can't sing," they said, "but we have a sounding board, or

something of the kind, within us; we can feel that, though we don't

talk of it."

"But I can talk of it," said the Portuguese duck; "and I'll do

something for the little fellow, for that's my duty!" And she stepped

into the water-trough, and beat her wings upon the water so heartily,

that the little singing bird was almost drowned by the bath she got,

but the duck meant it kindly. "That's a good deed," she said: "the

others may take example by it."

"Piep!" said the little bird; one of his wings was broken, and he

found it difficult to shake himself; but he quite understood that the

bath was kindly meant. "You are very kind-hearted, madam," he said;

but he did not wish for a second bath.

"I have never thought about my heart," continued the Portuguese duck,

"but I know this much, that I love all my fellow-creatures except the

cat; but nobody can expect me to love her, for she ate up two of my

ducklings. But pray make yourself at home, for one can make oneself

comfortable. I myself am from a strange country, as you may see from

my bearing, and from my feathery dress. My drake is a native of these

parts, he's not of my race; but for all that I'm not proud! If any one

here in the yard can understand you, I may assert that I am that

person."

"She's quite full of Portulak," said a little common duck, who was

witty; and all the other common ducks considered the word _Portulak_

quite a good joke, for it sounded like Portugal; and they nudged each

other and said "Rapp!" It was too witty! And all the other ducks now

began to notice the little singing bird.

"The Portuguese has certainly a greater command of language," they

said. "For our part, we don't care to fill our beaks with such long

words, but our sympathy is just as great. If we don't do anything for

you, we march about with you everywhere; and we think that the best

thing we can do."

"You have a lovely voice," said one of the oldest. "It must be a great

satisfaction to be able to give so much pleasure as you are able to

impart. I certainly am no great judge of your song, and consequently I

keep my beak shut; and even that is better than talking nonsense to

you, as others do."

"Don't plague him so," interposed the Portuguese duck: "he requires

rest and nursing. My little singing bird, do you wish me to prepare

another bath for you?"

"Oh no! pray let me be dry!" was the little bird's petition.

"The water-cure is the only remedy for me when I am unwell," quoth the

Portuguese. "Amusement is beneficial too! The neighbouring fowls will

soon come to pay their visit. There are two Cochin Chinese among them.

They wear feathers on their legs, are well educated, and have been

brought from afar, consequently they stand higher than the others in

my regard."

And the fowls came, and the cock came; to-day he was polite enough to

abstain from being rude.

"You are a true singing bird," he said, "and you do as much with your

little voice as can possibly be done with it. But one requires a

little more shrillness, that every hearer may hear that one is a

male."

The two Chinese stood quite enchanted with the appearance of the

singing bird. He looked very much rumpled after his bath, so that he

seemed to them to have quite the appearance of a little Cochin China

fowl. "He's charming," they cried, and began a conversation with him,

speaking in whispers, and using the most aristocratic Chinese dialect.

[Illustration: THE LITTLE SINGING BIRD RECEIVES DISTINGUISHED

PATRONAGE.]

"We are of your race," they continued. "The ducks, even the

Portuguese, are swimming birds, as you cannot fail to have noticed.

You do not know us yet; very few know us, or give themselves the

trouble to make our acquaintance--not even any of the fowls, though we

are born to occupy a higher grade on the ladder than most of the rest.

But that does not disturb us: we quietly pursue our path amid the

others, whose principles are certainly not ours; for we look at things

on the favourable side, and only speak of what is good, though it is

difficult sometimes to find something when nothing exists. Except us

two and the cock, there's no one in the whole poultry-yard who is at

once talented and polite. It cannot even be said of the inhabitants of

the duck-yard. We warn you, little singing bird: don't trust that one

yonder with the short tail feathers, for she's cunning. The pied one

there, with the crooked stripes on her wings, is a strife-seeker, and

lets nobody have the last word, though she's always in the wrong. The

fat duck yonder speaks evil of every one, and that's against our

principles: if we have nothing good to tell, we should hold our beaks.

The Portuguese is the only one who has any education, and with whom

one can associate, but she is passionate, and talks too much about

Portugal."

"I wonder what those two Chinese are always whispering to one another

about," whispered one duck to her friend. "They annoy me--we have

never spoken to them."

Now the drake came up. He thought the little singing bird was a

sparrow.

"Well, I don't understand the difference," he said; "and indeed it's

all the same thing. He's only a plaything, and if one has them, why,

one has them."

"Don't attach any value to what he says," the Portuguese whispered.

"He's very respectable in business matters; and with him business

takes precedence of everything. But now I shall lie down for a rest.

One owes that to oneself, that one may be nice and fat when one is to

be embalmed with apples and plums."

And accordingly she lay down in the sun, and winked with one eye; and

she lay very comfortably, and she felt very comfortable, and she slept

very comfortably.

The little singing bird busied himself with his broken wing. At last

he lay down too, and pressed close to his protectress: the sun shone

warm and bright, and he had found a very good place.

But the neighbour's fowls were awake. They went about scratching up

the earth; and, to tell the truth, they had paid the visit simply and

solely to find food for themselves. The Chinese were the first to

leave the duck-yard; and the other fowls soon followed them. The witty

little duck said of the Portuguese that the old lady was becoming a

ducky dotard. At this the other ducks laughed and cackled aloud.

"Ducky dotard," they whispered; "that's too witty!" and then they

repeated the former joke about Portulak, and declared that it was

vastly amusing. And then they lay down.

They had been lying asleep for some time, when suddenly something was

thrown into the yard for them to eat. It came down with such a thwack,

that the whole company started up from sleep and clapped their wings.

The Portuguese awoke too, and threw herself over on the other side,

pressing the little singing bird very hard as she did so.

"Piep!" he cried; "you trod very hard upon me, madam."

"Well, why do you lie in my way?" the duck retorted. "You must not be

so touchy. I have nerves of my own, but yet I never called out 'Piep!'

"Don't be angry," said the little bird "the 'piep' came out of my beak

unawares."

The Portuguese did not listen to him, but began eating as fast as she

could, and made a good meal. When this was ended, and she lay down

again, the little bird came up, and wanted to be amiable, and sang:

"Tillee-lilly lee,

Of the good spring time,

I'll sing so fine

As far away I flee."

"Now I want to rest after my dinner," said the Portuguese. "You must

conform to the rules of the house while you're here. I want to sleep

now."

The little singing bird was quite taken aback, for he had meant it

kindly. When Madam afterwards awoke, he stood before her again with a

little corn that he had found, and laid it at her feet; but as she had

not slept well, she was naturally in a very bad humour.

"Give that to a chicken!" she said, "and don't be always standing in

my way."

"Why are you angry with me?" replied the little singing bird. "What

have I done?"

"Done!" repeated the Portuguese duck: "your mode of expression is not

exactly genteel; a fact to which I must call your attention."

"Yesterday it was sunshine here," said the little bird, "but to-day

it's cloudy and the air is close."

"You don't know much about the weather, I fancy," retorted the

Portuguese. "The day is not done yet. Don't stand there looking so

stupid."

"But you are looking at me just as the wicked eyes looked when I fell

into the yard yesterday."

"Impertinent creature!" exclaimed the Portuguese duck, "would you

compare me with the cat, that beast of prey? There's not a drop of

malicious blood in me. I've taken your part, and will teach you good

manners."

And so saying, she bit off the singing bird's head, and he lay dead on

the ground.

"Now, what's the meaning of this?" she said, "could he not bear even

that? Then certainly he was not made for this world. I've been like a

mother to him I know that, for I've a good heart."

Then the neighbour's cock stuck his head into the yard, and crowed

with steam-engine power.

"You'll kill me with your crowing!" she cried. "It's all your fault.

He's lost his head, and I am very near losing mine."

"There's not much lying where he fell!" observed the cock.

"Speak of him with respect," retorted the Portuguese duck, "for he had

song, manners, and education. He was affectionate and soft, and that's

as good in animals, as in your so-called human beings."

And all the ducks came crowding round the little dead singing bird.

Ducks have strong passions, whether they feel envy or pity; and as

there was nothing here to envy, pity manifested itself, even in the

two Chinese.

"We shall never get such a singing bird again; he was almost a

Chinese," they whispered, and they wept with a mighty clucking sound,

and all the fowls clucked too; but the ducks went about with the

redder eyes.

"We've hearts of our own," they said; "nobody can deny that."

"Hearts!" repeated the Portuguese, "yes, that we have, almost as much

as in Portugal."

"Let us think of getting something to satisfy our hunger," said the

drake, "for that's the most important point. If one of our toys is

broken, why, we have plenty more!"

THE GIRL WHO TROD ON THE LOAF.

The story of the girl who trod on the loaf, to avoid soiling her

shoes, and of the misfortunes that befell this girl, is well known. It

has been written, and even printed.

The girl's name was Inge; she was a poor child, but proud and

presumptuous; there was a bad foundation in her, as the saying is.

When she was quite a little child, it was her delight to catch flies,

and tear off their wings, so as to convert them into creeping things.

Grown older, she would take cockchafers and beetles, and spit them on

pins. Then she pushed a green leaf or a little scrap of paper towards

their feet, and the poor creatures seized it, and held it fast, and

turned it over and over, struggling to get free from the pin.

"The cockchafer is reading," Inge would say. "See how he turns the

leaf round and round!"

With years she grew worse rather than better; but she was pretty, and

that was her misfortune; otherwise she would have been more sharply

reproved than she was.

"Your headstrong will requires something strong to break it!" her own

mother often said. "As a little child, you used to trample on my

apron; but I fear you will one day trample on my heart."

And that is what she really did.

She was sent into the country, into service in the house of rich

people, who kept her as their own child, and dressed her in

corresponding style. She looked well, and her presumption increased.

When she had been there about a year, her mistress said to her, "You

ought once to visit your parents, Inge."

And Inge set out to visit her parents, but it was only to show herself

in her native place, and that the people there might see how grand she

had become; but when she came to the entrance of the village, and the

young husbandmen and maids stood there chatting, and her own mother

appeared among them, sitting on a stone to rest, and with a faggot of

sticks before her that she had picked up in the wood, then Inge turned

back, for she felt ashamed that she, who was so finely dressed, should

have for a mother a ragged woman, who picked up wood in the forest.

She did not turn back out of pity for her mother's poverty, she was

only angry.

And another half-year went by, and her mistress said again, "You ought

to go to your home, and visit your old parents, Inge. I'll make you a

present of a great wheaten loaf that you may give to them; they will

certainly be glad to see you again."

And Inge put on her best clothes, and her new shoes, and drew her

skirts around her, and set out, stepping very carefully, that she

might be clean and neat about the feet; and there was no harm in that.

But when she came to the place where the footway led across the moor,

and where there was mud and puddles, she threw the loaf into the mud,

and trod upon it to pass over without wetting her feet. But as she

stood there with one foot upon the loaf and the other uplifted to step

farther, the loaf sank with her, deeper and deeper, till she

disappeared altogether, and only a great puddle, from which the

bubbles rose, remained where she had been.

And that's the story.

[Illustration: INGE TURNS BACK AT THE SIGHT OF HER POOR MOTHER.]

But whither did Inge go? She sank into the moor ground, and went down to

the moor woman, who is always brewing there. The moor woman is cousin to

the elf maidens, who are well enough known, of whom songs are sung, and

whose pictures are painted; but concerning the moor woman it is only known

that when the meadows steam in summer-time it is because she is brewing.

Into the moor woman's brewery did Inge sink down; and no one can endure

that place long. A box of mud is a palace compared with the moor woman's

brewery. Every barrel there has an odour that almost takes away one's

senses; and the barrels stand close to each other; and wherever there is a

little opening among them, through which one might push one's way, the

passage becomes impracticable from the number of damp toads and fat snakes

who sit out their time there. Among this company did Inge fall; and all the

horrible mass of living creeping things was so icy cold, that she shuddered

in all her limbs, and became stark and stiff. She continued fastened to the

loaf, and the loaf drew her down as an amber button draws a fragment of

straw.

The moor woman was at home, and on that day there were visitors in the

brewery. These visitors were old Bogey and his grandmother, who came

to inspect it; and Bogey's grandmother is a venomous old woman, who is

never idle: she never rides out to pay a visit without taking her work

with her; and, accordingly, she had brought it on the day in question.

She sewed biting-leather to be worked into men's shoes, and which

makes them wander about unable to settle anywhere. She wove webs of

lies, and strung together hastily-spoken words that had fallen to the

ground; and all this was done for the injury and ruin of mankind. Yes,

indeed, she knew how to sew, to weave, and to string, this old

grandmother!

Catching sight of Inge, she put up her double eye-glass, and took

another look at the girl. "That's a girl who has ability!" she

observed, "and I beg you will give me the little one as a memento of

my visit here. She'll make a capital statue to stand in my grandson's

antechamber."

And Inge was given up to her, and this is how Inge came into Bogey's

domain. People don't always go there by the direct path, but they can

get there by roundabout routes if they have a tendency in that

direction.

That was a never-ending antechamber. The visitor became giddy who

looked forward, and doubly giddy when he looked back, and saw a whole

crowd of people, almost utterly exhausted, waiting till the gate of

mercy should be opened to them--they had to wait a long time! Great

fat waddling spiders spun webs of a thousand years over their feet,

and these webs cut like wire, and bound them like bronze fetters; and,

moreover, there was an eternal unrest working in every heart--a

miserable unrest. The miser stood there, and had forgotten the key of

his strong box, and he knew the key was sticking in the lock. It would

take too long to describe the various sorts of torture that were

found there together. Inge felt a terrible pain while she had to

stand there as a statue, for she was tied fast to the loaf.

"That's the fruit of wishing to keep one's feet neat and tidy," she

said to herself. "Just look how they're all staring at me!" Yes,

certainly, the eyes of all were fixed upon her, and their evil

thoughts gleamed forth from their eyes, and they spoke to one another,

moving their lips, from which no sound whatever came forth: they were

very horrible to behold.

"It must be a great pleasure to look at me!" thought Inge, "and indeed

I have a pretty face and fine clothes." And she turned her eyes, for

she could not turn her head; her neck was too stiff for that. But she

had not considered how her clothes had been soiled in the moor woman's

brewhouse. Her garments were covered with mud; a snake had fastened in

her hair, and dangled down her back; and out of each fold of her frock

a great toad looked forth, croaking like an asthmatic poodle. That was

very disconcerting. "But all the rest of them down here look

horrible," she observed to herself, and derived consolation from the

thought.

The worst of all was the terrible hunger that tormented her. But could

she not stoop and break off a piece of the loaf on which she stood?

No, her back was too stiff, her hands and arms were benumbed, and her

whole body was like a pillar of stone; only she was able to turn her

eyes in her head, to turn them quite round so that she could see

backwards: it was an ugly sight. And then the flies came up, and crept

to and fro over her eyes, and she blinked her eyes, but the flies

would not go away, for they could not fly: their wings had been pulled

out, so that they were converted into creeping insects: it was

horrible torment added to the hunger, for she felt empty, quite,

entirely empty. "If this lasts much longer," she said, "I shall not be

able to bear it." But she had to bear it, and it lasted on and on.

Then a hot tear fell down upon her head, rolled over her face and

neck, down on to the loaf on which she stood; and then another tear

rolled down, followed by many more. Who might be weeping for Inge? Had

she not still a mother in the world? The tears of sorrow which a

mother weeps for her child always make their way to the child; but

they do not relieve it, they only increase its torment. And now to

bear this unendurable hunger, and yet not to be able to touch the loaf

on which she stood! She felt as if she had been feeding on herself,

and had become like a thin, hollow reed that takes in every sound, for

she heard everything that was said of her up in the world, and all

that she heard was hard and evil. Her mother, indeed, wept much and

sorrowed for her, but for all that she said, "A haughty spirit goes

before a fall. That was thy ruin, Inge. Thou hast sorely grieved thy

mother."

Her mother and all on earth knew of the sin she had committed; knew

that she had trodden upon the loaf, and had sunk and disappeared; for

the cowherd had seen it from the hill beside the moor.

"Greatly hast thou grieved thy mother, Inge," said the mother; "yes,

yes, I thought it would be thus."

"Oh that I never had been born!" thought Inge; "it would have been far

better. But what use is my mother's weeping now?"

And she heard how her master and mistress, who had kept and cherished

her like kind parents, now said she was a sinful child, and did not

value the gifts of God, but trampled them under her feet, and that the

gates of mercy would only open slowly to her.

"They should have punished me," thought Inge, "and have driven out the

whims I had in my head."

She heard how a complete song was made about her, a song of the proud

girl who trod upon the loaf to keep her shoes clean, and she heard how

the song was sung everywhere.

"That I should have to bear so much evil for this!" thought Inge; "the

others ought to be punished, too, for their sins. Yes, then there

would be plenty of punishing to do. Ah, how I'm being tortured!" And

her heart became harder than her outward form.

"Here in this company one can't even become better," she said, "and I

don't want to become better! Look, how they're all staring at me!"

And her heart was full of anger and malice against all men. "Now

they've something to talk about at last up yonder. Ah, how I'm being

tortured!"

And then she heard how her story was told to the little children, and

the little ones called her the godless Inge, and said she was so

naughty and ugly that she must be well punished.

Thus, even the children's mouths spoke hard words of her.

But one day, while grief and hunger gnawed her hollow frame, and she

heard her name mentioned and her story told to an innocent child, a

little girl, she became aware that the little one burst into tears at

the tale of the haughty, vain Inge.

"But will Inge never come up here again?" asked the little girl.

And the reply was, "She will never come up again."

"But if she were to say she was sorry, and to beg pardon, and say she

would never do so again?"

"Yes, then she might come; but she will not beg pardon," was the

reply.

"I should be so glad if she would," said the little girl; and she was

quite inconsolable. "I'll give my doll and all my playthings if she

may only come up. It's too dreadful--poor Inge!"

And these words penetrated to Inge's inmost heart, and seemed to do

her good. It was the first time any one had said, "Poor Inge," without

adding anything about her faults: a little innocent child was weeping

and praying for mercy for her. It made her feel quite strangely, and

she herself would gladly have wept, but she could not weep, and that

was a torment in itself.

While years were passing above her, for where she was there was no

change, she heard herself spoken of more and more seldom. At last, one

day a sigh struck on her ear: "Inge, Inge, how you have grieved me! I

said how it would be!" It was the last sigh of her dying mother.

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