CHAPTER V

IRENE IS SENT AWAY

Weeks and months slipped away, and total darkness came down on the widow.

She groped with some difficulty from room to room, and Electra was

compelled to remain at home and watch over her. Russell had become a great

favourite with his crusty employer, and, when the labours of the office

were ended, brought home such books as he needed, and spent his evenings in

study. His powers of application and endurance were extraordinary, and his

progress was in the same ratio. As he became more and more absorbed in

these pursuits his reserve and taciturnity increased. His employer was

particularly impressed by the fact that he never volunteered a remark on

any subject, and rarely opened his lips except to ask some necessary

information in connection with his business. He comprehended Russell's

character, and quietly facilitated his progress. There was no sycophancy on

the part of the young man, no patronage on that of the employer.

One afternoon Irene tapped lightly at the cottage-door, and entered the

kitchen. Mrs. Aubrey sat in a low chair close to the fireplace, engaged in

knitting; her smooth, neat calico dress and spotless linen collar told that

careful hands tended her, and the soft auburn hair brushed over her temples

showed broad bands of grey as the evening sun shone on it. She turned her

brown, sightless eyes toward the door, and asked in a low voice--

"Who is it?"

"It is only me, Mrs. Aubrey."

Irene bent down, laid her two hands on the widow's, and kissed her

forehead.

"I am glad to hear your voice, Irene; it has been a long time since you

were here."

"Yes, a good many weeks, I know, but I could not come."

"Are you well? Your hands and face are cold."

"Yes, thank you, very well. I am always cold, I believe. Hugh says I am.

Here are some flowers from the greenhouse. I brought them because they are

so fragrant; and here, too, are a few oranges from the same place. Hush!

don't thank me, if you please. I wish I could come here oftener. I always

feel better after being with you."

Mrs. Aubrey had finished her knitting, and sat with her hands folded in her

lap, the meek face more than usually serene, the sightless eyes directed

toward her visitor. Sunshine reflected the bare boards under the window,

flashed on the tin vessels ranged on the shelves, and lingered like a halo

around Irene's head. Electra had been drawing at the table in the middle of

the room, and now sat leaning on her hand watching the two at the fire.

Presently Irene approached and began to examine the drawings, which were

fragmentary, except one or two heads, and a sketch taken from the bank

opposite the Falls. After some moments passed in looking over them, Irene

addressed the quiet little figure.

"Have you been to Mr. Clifton's studio?"

"No; who is he?"

"An artist from New York. His health is poor, and he is spending the winter

south. Haven't you heard of him? Everybody is having portraits taken. He is

painting mine now--father would make me sit again, though he has a likeness

which was painted four years ago. I am going down to-morrow for my last

sitting, and should like very much for you to go with me. Perhaps Mr.

Clifton can give you some valuable hints. Will you go?"

"With great pleasure."

"Then I will call for you a little before ten o'clock. Here are some

crayons I bought for you a week ago. Good-bye."

The following day Miss Margaret accompanied her to the studio. As the

carriage approached the cottage-gate, Irene directed the driver to stop.

"For what?" asked her aunt.

"Electra Grey is going with me; I promised to call for her. She has an

extraordinary talent for drawing, and I want to introduce her to Mr.

Clifton. Open the door, Andrew."

"Irene, are you deranged? Your father never would forgive you if he knew

you associated with those people. I can't think of allowing that girl to

enter this carriage. Drive on. I must really speak to Leonard about your

obstinacy in visiting at that----"

"Stop, Andrew! If you don't choose to ride with Electra, Aunt Margaret, you

may go on alone, for either she shall ride or I will walk with her."

Andrew opened the door, and she was stepping out, when Electra appeared in

the walk and immediately joined her. Miss Margaret was thoroughly aroused

and indignant, but thought it best to submit for the time, and when Irene

introduced her friend she took no notice of her whatever, except by drawing

herself up in one corner and lowering her veil. The girls talked during the

remainder of the ride, and when they reached Mr. Clifton's door ran up the

steps together, totally unmindful of the august lady's ill humour.

The artist was standing before an easel which held Irene's unfinished

portrait, and as he turned to greet his visitors, Electra saw that, though

thin and pale, his face was one of rare beauty and benevolence. His brown,

curling hair hung loosely about his shoulders, and an uncommonly long beard

of the same silky texture descended almost to his waist. He shook hands

with Irene, and looked inquiringly at her companion.

"Mr. Clifton, this is Miss Electra Grey, whose drawings I mentioned to you

last week. I wish, if you please, you would examine some of them when you

have leisure."

Electra looked for an instant into his large, clear grey eyes as he took

her drawings and said he would be glad to assist her, and knew that

henceforth the tangled path would be smoothed and widened. She stood at the

back of his chair during the hour's sitting, and with peculiar interest

watched the strokes of his brush as the portrait grew under his practised

hand. When Irene rose, the orphan moved away and began to scrutinize the

numerous pictures scattered about the room. A great joy filled her heart

and illumined her face, and she waited for the words of encouragement that

she felt assured would be spoken. The artist looked over her sketches

slowly, carefully, and his eye went back to her brilliant countenance as if

to read there answers to ciphers which perplexed him. But yet more baffling

cryptography met him in the deep, flashing, appealing eyes, on the crimson,

quivering lips, on the low, full brow, with its widely separated black

arches. Evidently the face possessed far more attraction than the drawings,

and he made her sit down beside him, and passed his hand over her head and

temples, as a professed phrenologist might preparatory to rendering a

chart.

"Your sketches are very rough, very crude, but they also display great

power of thought, some of them singular beauty of conception; and I see

from your countenance that you are dissatisfied because the execution falls

so far short of the conception. Let me talk to you candidly; you have

uncommon talent, but the most exalted genius cannot dispense with laborious

study. Think well of all this."

"I have thought of it; I am willing to work any number of years; I have

decided, and I am not to be frightened from my purpose. I am poor, I can

barely buy the necessary materials, much less the books, but I will be an

artist yet. I have decided, sir; it is no new whim; it has been a bright

dream to me all my life, and I am determined to realize it."

"Amen; so let it be, then. I shall remain here some weeks longer; come to

me every day at ten o'clock, and I will instruct you. You shall have such

books as you need, and with perseverance you have nothing to fear."

He went into the adjoining room, and returned with a small volume. As he

gave it to her, with some directions concerning the contents, she caught

his hand to her lips, saying hastily--

"My guardian angel certainly brought you here to spend the winter. Oh, sir!

I will prove my gratitude for your goodness by showing that I am not

unworthy of it. I thank you from the very depths of my glad heart."

As she released his hand and left the studio he found two bright drops on

his fingers, drops called forth by the most intense joy she had ever known.

Having some commission from her aunt, she did not re-enter the carriage,

and, after thanking Irene for her kindness, walked away.

The ride home was very silent. Miss Margaret sat stiff and icy, looking

quite insulted, while her niece was too much engrossed by other reflections

to notice her. The latter spent the remainder of the morning in writing to

Hugh and correcting her French exercises, and when summoned to dinner she

entered the room expecting a storm. A glance sufficed to show her that

Miss Margaret had not yet spoken to her father, though it was evident from

her countenance that she was about to make what she considered an important

revelation. The meal passed, however, without any allusion to the subject,

and, knowing what she had to expect, Irene immediately withdrew to the

library to give her aunt an opportunity of unburdening her mind. The

struggle must come some time, and she longed to have it over as soon as

possible. She threw up the sash, seated herself on the broad cedar

window-sill, and began to work out a sum in Algebra. Nearly a half-hour

passed; the slamming of the dining-room door was like the first line of

foam, curling and whitening the sea when the tempest sweeps forward; her

father stamped into the library, and the storm broke over her.

"Irene! didn't I positively order you to keep away from that Aubrey family?

What do you mean by setting me at defiance in this way, you wilful,

spoiled, hard-headed piece? Do you suppose I intend to put up with your

obstinacy all my life, and let you walk roughshod over me and my commands?

You have queened it long enough, my lady. If I don't rein you up, you will

turn your aunt and me out of the house next, and invite that precious

Aubrey crew to take possession. Your confounded stubbornness will ruin you

yet. You deserve a good whipping, miss; I can hardly keep my hands off of

you."

He did not; rough hands seized her shoulder, jerked her from the

window-sill, and shook her violently. Down fell book, slate, and pencil

with a crash; down swept the heavy hair, blinding her. She put it back,

folded her hands behind her as if for support, and, looking up at him, said

in a low, steady, yet grieved tone--

"I am very sorry you are angry with me, father."

"Devilish sorry, I dare say! Don't be hypocritical! Didn't I tell you to

keep away from those people? Don't stand there like a block of stone;

answer me!"

"Yes, sir; but I did not promise to do so. I am not hypocritical, father."

"You did not promise, indeed! What do I care for promises? It was your duty

to obey me."

"I don't think it was, father, when you refused to give me any reason for

avoiding Mrs. Aubrey or her family. They are unfortunate but honourable

people; and, being very poor and afflicted, I felt sorry for them. I can't

see how my going there occasionally harms you or me, or anybody else. I

know very well that you dislike them, but you never told me why, and I

cannot imagine any good reason for it. Father, if I love them why should

not I associate with them?"

"Because I say you shan't! you tormenting, headstrong little imp!"

"My father, that is no reason."

"Reason! I will put you where you will have no occasion for reasons. Oh! I

can match you, you perverse little wretch! I am going to send you to a

boarding-school, do you hear that? send you where you will have no Aubreys

to abet your obstinacy and disobedience, where that temper of yours can be

curbed. How will you relish getting up before day, kindling your own fire,

if you have any, making your own bed, and living on bread and water? I will

take you to New York, and keep you there till you are grown and learn

common sense. Now get out of my sight!"

With a stamp of rage he pointed to the door. Hitherto she had stood quite

still, but now an expression of anguish passed swiftly over her face, and

she put out her hands appealingly--

"Father! my father! don't send me away. Please let me stay at home."

"Not if I live long enough to take you. Just as certainly as the sun shines

in heaven you will go as soon as your clothes can be made. Your aunt will

have you ready in a week. Don't open your mouth to me! I don't want to hear

another word from you. Take yourself off."

She picked up her slate and book, and left the room.

The week which succeeded was wretched to the girl, for her father's

_surveillance_ prevented her from visiting the cottage, even to say adieu

to its inmates; and no alternative presented itself but to leave for them

(in the hands of Nellie, her devoted nurse) a note containing a few parting

words and assurances of unfading friendship and remembrance. The day of

departure dawned rainy, gloomy, and the wind sobbed and wailed down the

avenue as Irene stood at her window, looking out on the lawn where her life

had been passed. The breakfast-bell summoned her away, and, a half-hour

after, she saw the lofty columns of the old house fade from view, and knew

that many months, perhaps years, must elapse before the ancestral trees of

the long avenue would wave again over the head of their young mistress. Her

father sat beside her, moody and silent, and, when the brick wall and

arched iron gate vanished from her sight, she sank back in one corner, and,

covering her face with her hands, smothered a groan and fought desperately

with her voiceless anguish.

Macaria · 第 5 / 35 章