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_BY THE SAME AUTHOR._
THE SECRET ROSE.
THE CELTIC TWILIGHT.
POEMS.
THE WIND AMONG THE REEDS.
THE SHADOWY WATERS.
IDEAS OF GOOD AND EVIL.
PLAYS FOR AN IRISH THEATRE
VOLUME III.
THE KING’S THRESHOLD:
AND
ON BAILE’S STRAND:
BEING VOLUME THREE OF PLAYS
FOR AN IRISH THEATRE:
BY W. B. YEATS
LONDON: A. H. BULLEN,
47, GREAT RUSSELL STREET, W.C.
1904
CHISWICK PRESS: CHARLES WHITTINGHAM AND CO.
TOOKS COURT, CHANCERY LANE, LONDON.
NOTE
Both these plays have been written for Mr. Fay’s “Irish National
Theatre.” “The King’s Threshold” was played in October, 1903, and “On
Baile’s Strand” will be played in February or March, 1904. Both are
founded on Old Irish Prose Romances, but I have borrowed some ideas
for the arrangement of my subject in “The King’s Threshold” from
“Sancan the Bard,” a play published by Mr. Edwin Ellis some ten years
ago.
W. B. Y.
CONTENTS
PAGE
THE KING’S THRESHOLD 1
ON BAILE’S STRAND 67
THE KING’S THRESHOLD
LIST OF CHARACTERS
KING GUAIRE.
THE CHAMBERLAIN OF KING GUAIRE.
A Soldier.
A Monk.
THE MAYOR OF KINVARA.
A Cripple.
Another Cripple.
AILEEN, } Ladies of the Court.
ESSA, }
PRINCESS BUAN.
PRINCESS FINNHUA, her Sister.
FEDELM, Seanchan’s Sweetheart.
CIAN, } Servants of Seanchan.
BRIAN, }
SENIAS, } Pupils of Seanchan.
ARIAS, }
SEANCHAN (pronounced Shanahan), Chief Poet of Ireland.
Pupils, Courtiers.
A PROLOGUE.[1]
Footnote 1: Written for the first production of “The King’s
Threshold” in Dublin, but not used, as, owing to the smallness
of the company, nobody could be spared to speak it.
_An OLD MAN with a red dressing-gown, red slippers and red
nightcap, holding a brass candlestick with a guttering candle in it,
comes on from side of stage and goes in front of the dull green
curtain._
_Old Man._ I’ve got to speak the prologue. [_He shuffles on a few
steps._] My nephew, who is one of the play actors, came to me, and I in
my bed, and my prayers said, and the candle put out, and he told me
there were so many characters in this new play, that all the company
were in it, whether they had been long or short at the business, and
that there wasn’t one left to speak the prologue. Wait a bit, there’s a
draught here. [_He pulls the curtain closer together._] That’s better.
And that’s why I’m here, and maybe I’m a fool for my pains.
And my nephew said, there are a good many plays to be played for you,
some to-night and some on other nights through the winter, and the most
of them are simple enough, and tell out their story to the end. But as
to the big play you are to see to-night, my nephew taught me to say what
the poet had taught him to say about it. [_Puts down candlestick and
puts right finger on left thumb._] First, he who told the story of
Seanchan on King Guaire’s threshold long ago in the old books told it
wrongly, for he was a friend of the king, or maybe afraid of the king,
and so he put the king in the right. But he that tells the story now,
being a poet, has put the poet in the right.
And then [_touches other finger_] I am to say: Some think it would be a
finer tale if Seanchan had died at the end of it, and the king had the
guilt at his door, for that might have served the poet’s cause better in
the end. But that is not true, for if he that is in the story but a
shadow and an image of poetry had not risen up from the death that
threatened him, the ending would not have been true and joyful enough to
be put into the voices of players and proclaimed in the mouths of
trumpets, and poetry would have been badly served.
[_He takes up the candlestick again._
And as to what happened Seanchan after, my nephew told me he didn’t
know, and the poet didn’t know, and it’s likely there’s nobody that
knows. But my nephew thinks he never sat down at the king’s table again,
after the way he had been treated, but that he went to some quiet green
place in the hills with Fedelm, his sweetheart, where the poor people
made much of him because he was wise, and where he made songs and
poems, and it’s likely enough he made some of the old songs and the old
poems the poor people on the hillsides are saying and singing to-day.
[_A trumpet-blast._
Well, it’s time for me to be going. That trumpet means that the curtain
is going to rise, and after a while the stage there will be filled up
with great ladies and great gentlemen, and poets, and a king with a
crown on him, and all of them as high up in themselves with the pride of
their youth and their strength and their fine clothes as if there was no
such thing in the world as cold in the shoulders, and speckled shins,
and the pains in the bones and the stiffness in the joints that make an
old man that has the whole load of the world on him ready for his bed.
[_He begins to shuffle away, and then stops._
And it would be better for me, that nephew of mine to be thinking less
of his play-acting, and to have remembered to boil down the knap-weed
with a bit of three-penny sugar, for me to be wetting my throat with
now and again through the night, and drinking a sup to ease the pains in
my bones.
[_He goes out at side of stage._
THE KING’S THRESHOLD.
SCENE: _Steps before the Palace of KING GUAIRE at Gort. A table in
front of steps to right with food on it. SEANCHAN lying on steps to
left. PUPILS before steps. KING on top of steps at centre._
_King._ I welcome you that have the mastery
Of the two kinds of music; the one kind
Being like a woman, the other like a man;
Both you that understand stringed instruments,
And how to mingle words and notes together
So artfully, that all the art is but speech
Delighted with its own music; and you that carry
The long twisted horn and understand
The heady notes that being without words
Can hurry beyond time and fate and change;
For the high angels that drive the horse of time,
The golden one by day, by night the silver,
Are not more welcome to one that loves the world
For some fair woman’s sake.
I have called you hither
To save the life of your great master, Seanchan,
For all day long it has flamed up or flickered
To the fast-cooling hearth.
_Senias._ When did he sicken?
Is it a fever that is wasting him?
_King._ He did not sicken, but three days ago
He said he would not eat, and lay down there
And has not eaten since. Till yesterday
I thought that hunger and weakness had been enough,
But finding them too trifling and too light
To hold his mouth from biting at the grave
I called you hither, and have called others yet.
The girl he is to wed at harvest-time,
That should be of all living the most dear,
Is coming from the South, and had I known
Of any other neighbours or good friends
That might persuade him, I had brought them hither,
Even though I’d to ransack the world for them.
_Senias._ What was it put him to this work, High King?
_King._ You will call it no great matter. Three days ago
I yielded to the outcry of my courtiers,
Bishops, soldiers, and makers of the law,
Who long had thought it against their dignity
For a mere man of words to sit among them
At my own table; and when the meal was spread
I ordered Seanchan to good company,
But to a lower table; and when he pleaded
The poet’s right, established when the world
Was first established, I said that I was King
And made and unmade rights at my own pleasure.
And that it was the men who ruled the world,
And not the men who sang to it, who should sit
Where there was the most honour. My courtiers,
Bishops, soldiers, and makers of the law
Shouted approval, and amid that noise
Seanchan went out, and from that hour to this,
Although there is good food and drink beside him,
Has eaten nothing. If a man is wronged,
Or thinks that he is wronged, and will lie down
Upon another’s threshold until he dies,
The common people for all time to come
Will raise a heavy cry against that threshold,
Even though it is the King’s. He lies there now
Perishing; he is calling against my majesty,
That old custom that has no meaning in it,
And as he perishes, my name in the world
Is perishing also. I cannot give way
Because I am King, because if I give way
My nobles would call me a weakling, and it may be
The very throne be shaken; but should you
That are his friends speak to him and persuade him
To turn his mouth from the ill-savouring grave
And eat good food, he shall not lack my favour;
For I will give plough-land and grazing-land,
Or all but anything he has set his heart on.
It is not all because of my good name
I’d have him live, for I have found him a man
That might well hit the fancy of a king
Banished out of his country, or a woman’s,
Or any other’s that can judge a man
For what he is. But I that sit a throne,
And take my measure from the needs of the state,
Call his wild thought that over-runs the measure,
Making words more than deeds, and his proud will
That would unsettle all, most mischievous,
And he himself a most mischievous man.
_Senias._ King, whether you did right or wrong in this
Let the King say, for all that I need say
Is that there’s nothing that cries out for death
In the withholding of that ancient right,
And that I will persuade him. Your own words
Had been enough persuasion were it not
That he is lost in dreams that hunger makes,
And therefore heedless, or lost in heedless sleep.
_King._ I leave him to your love, that it may promise
Plough-lands and grass-lands, jewels and silken wear,
Or anything but that old right of the poets.
[_He goes out. The PUPILS, who have been standing perfectly quiet,
all turn towards SEANCHAN, and move a step nearer._
_Senias._ The King did wrong to abrogate our right,
But Seanchan, who talks of dying for it,
Talks foolishly. Look at us, Seanchan,
Waken out of your dream and look at us,
Who have ridden under the moon and all the day,
Until the moon has all but come again,
That we might be beside you.
[_SEANCHAN turns half round leaning on his elbow, and speaks as if
in a dream._
_Seanchan._ I was but now
At Almhuin, in a great high-raftered house,
With Finn and Osgar. Odours of roast flesh
Rose round me and I saw the roasting spits,
And then the dream was broken, and I saw
Grania dividing salmon by a pool,
And then I was awakened by your voice.
_Senias._ It is your hunger that makes you dream of flesh
Roasting, and for your hunger I could weep;
And yet the hunger of the crane that starves
Because the moonlight glittering on the pool
And flinging a pale shadow has made it shy,
Seems to me little more fantastical
Than this that’s blown into so great a trouble.
_Seanchan._ [_Who has turned away again._]
There is much truth in that, for all things change
At times, as if the moonlight altered them,
And my mind alters as if it were the crane’s;
For when the heavy body has grown weak
There’s nothing that can tether the wild mind
That being moonstruck and fantastical
Goes where it fancies. I had even thought
I knew your voice and face, but now the words
Are so unlikely that I needs must ask
Who is it that bids me put my hunger by?
_Senias._ I am your oldest pupil, Seanchan;
The one that has been with you many years,
So many that you said at Candlemas
That I had almost done with school, and knew
All but all that poets understand.
_Seanchan._ My oldest pupil. No, that cannot be;
For it is someone of the courtly crowds
That have been round about me from sunrise
And I am tricked by dreams, but I’ll refute them.
I asked the pupil that I loved the best,
At Candlemas, why poetry is honoured,
Wishing to know how he’d defend our craft
In distant lands among strange churlish Kings.
And he’d an answer.
_Senias._ I said the poets hung
Images of the life that was in Eden
About the childbed of the world, that it,
Looking upon those images, might bear
Triumphant children; but why must I stand here
Repeating an old lesson while you starve?
_Seanchan._ Tell on, for I begin to know the voice;
What evil thing will come upon the world
If the arts perish?
_Senias._ If the arts should perish
The world that lacked them would be like a woman
That looking on the cloven lips of a hare
Brings forth a hare-lipped child.
_Seanchan._ But that’s not all.
For when I asked you how a man should guard
Those images you had an answer also,
If you’re the man that you have claimed to be,
Comparing them to venerable things
God gave to men before he gave them wheat.
_Senias._ I answered, and the word was half your own,
That he should guard them, as the men of Dea
Guard their four treasures, as the Grail King guards
His holy cup, or the pale righteous horse
The jewel that is underneath his horn,
Pouring out life for it, as one pours out
Sweet heady wine--but now I understand
You would refute me out of my own mouth;
And yet a place at table near the King
Is nothing of great moment, Seanchan.
How does so light a thing touch poetry?
[_SEANCHAN is now sitting up. He still looks dreamily in front of
him._
_Seanchan._ At Candlemas you called this poetry
One of the fragile mighty things of God
That die at an insult.
_Senias._ [_To other PUPILS._] Give me some true answer.
For on that day we spoke about the court
And said that all that was insulted there
The world insulted, for the courtly life,
Being the first comely child of the world,
Is the world’s model. How shall I answer him?
Can you not give me some true argument?
I will not tempt him with a lying one.
_Arias._ [_Throwing himself at SEANCHAN’S feet._]
Why did you take me from my father’s fields?
If you would leave me now, what shall I love?
Where shall I go, what shall I set my hand to?
And why have you put music in my ears
If you would send me to the clattering houses?
I will throw down the trumpet and the harp,
For how could I sing verses or make music
With none to praise me and a broken heart?
_Seanchan._ What was it that the poets promised you
If it was not their sorrow? Do not speak.
Have I not opened school on these bare steps,
And are not you the youngest of my scholars?
And I would have all know that when all falls
In ruin, poetry calls out in joy,
Being the scattering hand, the bursting pod,
The victim’s joy among the holy flame,
God’s laughter at the shattering of the world,
And now that joy laughs out and weeps and burns
On these bare steps.
_Arias._ O Master, do not die.
[_Three men come in. CIAN and BRIAN, old men carrying basket with
food, and MAYOR OF KINVARA. They stand at the side listening._
_Senias._ Trouble him with no useless argument.
Be silent; there is nothing we can do
Except find out the King and kneel to him
And beg our ancient right. These three have come
To say whatever we could say and more,
And fare as badly. Come, boy, that’s no use;
[_He lifts the BOY up._
If it seem well that we beseech the King,
Lay down your harps and trumpets on the stones
In silence and come with me silently.
Come with slow footfalls and bow all your heads,
For a bowed head becomes a mourner best.
[_They lay the harps and trumpets down one by one and then go out
very solemnly and slowly, following one another._
_Cian._ Let’s show the food that’s in the basket.
_Mayor._ [_Who carries an Ogham stick._] No,
I must get through my speech or I’ll forget it;
Besides, there is no reason why he’d eat
Till he has heard my reasons.
_Cian._ It were better
To show what we have brought him in the basket,
For we have nothing that he has not liked
From boyhood.
_Brian._ For we have not brought kings’ food
That’s cooked for everybody and nobody.
_Mayor._ You are not showing right respect to me,
Or to the people of Kinvara, when you wish
That something else should come before my message.
_Seanchan._ What brings you here? I never sent for you.
_Cian._ He must be famishing, he looks so pale.
We had better get the food out first. I tell you,
That we have brought the things he likes the best.
_Mayor._ No, no; I lost a word at every cross road
And maybe if I do not speak it now
I’ll have forgot it.
_Cian._ Well, out with it quickly.
_Seanchan._ Why, what’s this foolery?
_Mayor._ No foolery;
A message from the richest, best born townsman
Of your own town, and from your aged father.
_Cian._ Run through it while I am getting out the food.
_Mayor._ How was I to begin? What was the word
That was to keep it in my memory?
Wait, I have notched it on this Ogham stick.
“Chief poet,” “Ireland,” “Townsman”; that is it.
Chief poet of Ireland, when we heard that trouble
Had come between you and the King of Ireland
It plunged us in deep sorrow, part for you,
Our honoured townsman, part for our good town.
The King was said to be most friendly to us,
And we had reasons, as you’ll recollect,
For thinking that he was about to give
Those grazing lands inland we so much need,
Being pinched between the water and the rocks.
But now his friendliness being ill repaid
Will be turned from us and our town get nothing.
But there was something else--I’ll find the word
That was to keep it in my memory.
“Pride”--that’s the word,--we would not have you think,
Weighty as these considerations are,
That they have been as weighty in our minds
As our desire that one we take much pride in,
A man who has been an honour to our town,
Should live and prosper, therefore we beseech you
To give way in a matter of no moment,
A matter of mere sentiment, a trifle,
That we may always keep our pride in you.
_Seanchan._ Their pride, their pride, what do they know of pride?
My pupils do not know it, for they beg
From the King’s favour what is theirs by right,
And how can men, that God has made so weak
They need a rich man’s favour every day,
Know anything of pride?
_Cian._ [_To MAYOR._] You have spoken it wrongly.
You have forgotten something out of it about the cattle dying.
_Mayor._ Maybe you do not know, being much away,
How many of our cattle died last winter
From lacking grass, and that there was much sickness
Because the poor had nothing but salt fish
To live upon. The people all came out
And stood about the doors as I went by.
_Seanchan._ What would you have of me?
For there are men that shall be born at last
And find sweet nurture that they may have voices
Even in anger like the strings of harps.
Yet how could they be born to majesty
If I had never made the golden cradle?
_Mayor._ What is it? “Father”--“Mother”; that is it;
Your father sends this message.
_Cian._ He is listening.
_Mayor._ He says that he is old and that he needs you,
And that the people will be pointing at him
And he not able to lift up his head
If you should turn the King’s favour away.
And he adds to it, that he cared you well,
And you in your young age, and that it’s right
That you should care him now.
_Cian._ And when he spoke
He cried because the stiffness of his bones
Prevented him from coming.
_Mayor._ But your mother
Has sent no message, for when they had told her
The way it is between you and the King
She said, “No message can do any good,
He will not send the answer that you want;
We cannot change him,” and she went indoors,
Lay down upon her bed and turned her face
Out of the light. And thereupon your father
Said, “Tell him how she is, and that she sends
No message.” I have nothing more to say.
Cian and Brian, you can set out the food.
[_He sits down on steps. SEANCHAN is silent._
_Mayor._ I have a horse waiting outside the town
To bring me home, and all the neighbours wait
Your answer. What answer am I to bring?
_Seanchan._ Give them my answer--no, I have no answer:
My mother knew it.
_Mayor._ Maybe you have forgotten
That all our fields are so heaped up with stones
That the goats famish, and the mowers mow
With knives, and that the King half promised us----
_Seanchan._ Thrust that old cloak of yours into your mouth
Till it’s done gabbling.
_Mayor._ But----
_Cian._ You have said enough;
I knew that you would never speak it right.
_Seanchan._ Our mothers know us, they know us to the bone,
They knew us before birth, and that is why
They know us even better than the sweethearts
Upon whose breasts we have lain.
_Brian._ We have brought your honour
The food that you have always liked the best,
Young pigeons from Kinvara, and watercress
Out of the stream that’s by the blessed well,
And dulse from Duras. Here is the dulse, your honour,
It is wholesome, and has the good taste of the sea.
_Seanchan._ O Brian, you would spread the table for me
As you would spread it when I was in my childhood;
But all that’s finished.
_Mayor._ I knew he would not care
For country things now that he’s grown accustomed
To the King’s dishes. I told Brian too
He’d have his pains for nothing. But he’s old.
[_Goes over to table at right. While he is speaking CIAN and BRIAN
are in vain offering SEANCHAN food._
And what dishes! Venison from Slieve Echtge
Fattened with poor men’s crops; flesh of wild pig;
Not fat nor lean, but streaky and right well cured;
Bread that’s the whitest that I’ve ever seen.
_Cian._ You’re in the right, you’re in the right, he will not eat.
[_Pouring wine into cup._
_Mayor._ Bring him some wine, it will give him strength to eat.
[_BRIAN brings wine over towards SEANCHAN._
No wonder if the King is proud and merry,
And keeps all day in the saddle, when even I
Am well-nigh drunken with the odour of it,
And if I dared--I dare not.
_Cian._ Drink it, sir.
_Brian._ Drink a few drops.
_Seanchan._ Drink it yourself, old man,
For you have come a journey, and I daresay
You did not eat or drink upon the road.
_Cian._ How can I drink it when your honour’s thirsty?
[_He offers cup again. The KING’S HOUSEHOLD comes in. CHAMBERLAIN
with long staff, a SOLDIER, a MONK, two LADIES, followed by
CRIPPLES who beg from the ladies, who keep close together at
right, talking to each other at intervals. SOLDIER goes over to
MAYOR, and talks to him._
_Chamberlain._ Well, have you it in imagination still
To overthrow the dignity of the King,
Or is the game finished?
[_A pause._
How many days
Will you keep up this quarrel with the King,
With the King’s nobles and myself and all
Who’d gladly be your friends if you would let them?
_Soldier._ [_Who has been speaking to MAYOR and SERVANTS._]
Was it you that sent his servants and the Mayor
Of his own town to wheedle him into life?
_Chamberlain._ It was the King himself.
_Soldier._ Was it worth our while
To have got rid of him from the King’s table
If he is to be humoured and made much of?
_Chamberlain._ It seems that he has not eaten yet, although
He’s had another dozen hours of hunger.
_Soldier._ If he’s so proud and obstinate a neck
I’d let him starve.
_Monk._ Persuade him to eat, my lord.
His death would make a scandal, and stir up
The common people.
_Chamberlain._ And I have a fancy
That if it brought misfortune on the King,
Or the King’s house, we’d be as little thought of
As summer linen when the winter’s come.
_Aileen._ [_To CIAN._]
You’ve had no luck, old man.
_Cian._ We have not, lady.
_Aileen._ Maybe he’s out of humour with your ways,
Having grown used to sprightlier service.
_Cian._ Maybe.
But the King’s messengers have gone for one
That will persuade him. [_To BRIAN._] Come, let us go;
For she might lose her way in this fine place.
Come, we have been too long upon the tree,
[_Plucking sleeve of MAYOR._
And there are little golden pippins here.
_Soldier._ Give me the dish, I’ll hand it him myself.
_Aileen._ I wonder if she is pretty.
[_MAYOR and SERVANTS have gone out._
_Soldier._ Eat this, old hedgehog.
Sniff up the savour and unroll yourself.
But if I were the King I’d make you do it
With wisps of lighted straw.
_Seanchan._ You have rightly named me,
I lie rolled up under the ragged thorns
That are upon the edge of those great waters
Where all things vanish away, and I have heard
Murmurs that are the ending of all sound.
I am out of life, I am rolled up, and yet,
Hedgehog although I am, I’ll not unroll
For you, King’s dog. Go to the King, your master,
Crouch down and wag your tail, for it may be
He has nothing now against you, and I think
The stripes of your last beating are all healed.
_Chamberlain._ Don’t answer, you were never to his mind.
And now you have angered him to no good purpose.
But put the dish down and I will speak to him.
_Seanchan._ You must needs keep your patience yet awhile,
For I have some few mouthfuls of sweet air
To swallow before I have grown to be as civil
As any other dust.
_Chamberlain._ You wrong us, Seanchan,
There is none here but holds you in respect,
And if you would only eat out of this dish
The King would show how much he honours you.
_Aileen._ [_Giving CRIPPLE money._]
You are always discontented. Look at this cripple,
He has had to cover up his eyes with rags
Because they are too weak to look at the sun,
And has a crooked body, and yet he is cheerful.
Stand there where he can see you.
[_CRIPPLE goes over and stands in front of SEANCHAN, bowing and
smiling._
_Chamberlain._ We have come to you
Because we wish you a long, prosperous life;
Who could imagine you’d so take to heart
Being put from the high table.
_Seanchan._ It was not I
That you have driven away from the high table,
But the images of them that weave a dance,
By the four rivers in the mountain garden.
_Monk._ He means we have driven poetry away.
_Chamberlain._ It is the men who are learned in the laws,
Or have led the King’s armies that should sit
At the King’s table. Nor has poetry
Been altogether driven away, for I,
As you should know, have written poetry,
And often when the table has been cleared
And candles lighted, the King calls for me
And I repeat it him. My poetry
Is not to be compared with yours, but still
Where I am honoured, poetry is honoured
In some measure.
_Seanchan._ If you are a poet,
Cry out that the King’s money would not buy,
Nor the high circle consecrate his head,
If poets had never christened gold, and even
The moon’s poor daughter, that most whey-faced metal,
Precious; and cry out that none alive
Would ride among the arrows with high heart
Or scatter with an open hand, had not
Our heady craft commended wasteful virtues.
And when that story’s finished, shake your coat
Where the little jewels gleam on it, and say
A herdsman sitting where the pigs had trampled
Made up a song about enchanted kings,
Who were so finely dressed one fancied them
All fiery, and women by the churn
And children by the hearth caught up the song
And murmured it until the tailors heard it.
_Monk._ How proud these poets are! It was full time
To break their pride.
_Seanchan._ And I would have you say
That when we are driven out we come again
Like a great wind that runs out of the waste
To blow the tables flat.
_Chamberlain._ If you’d eat something
You’d find you have these thoughts because you are hungry.
_Seanchan._ And when you have told them all these things, lie down
On this bare threshold and starve until the King
Restore to us the ancient right of the poets.
_Aileen._ Let’s come away. There’s no use talking to him,
For he’s resolved to die, and that’s no loss:
We will go watch the hurley.
_Monk._ You should obey
The King’s commandment and not question it,
For it is God himself who has made him king.
_Essa._ Let’s hear his answer to the monk.
_Seanchan._ Stoop down,
For there is something I would say to you.
Has that wild God of yours that was so wild
When you’d but lately taken the King’s pay,
Grown any tamer? He gave you all much trouble
Being so unruly and inconsiderate.
_Aileen._ What does he mean?
_Monk._ Let go my habit, Seanchan.
_Seanchan._ Or it may be you have persuaded him
To chirp between two dishes when the King
Sits down to table.
_Monk._ Let go my habit, sir.
What do I care about your insolent dreams.
_Seanchan._ And maybe he has learnt to sing quite softly
Because loud singing would disturb the King
Who is sitting drowsily among his friends
After the table has been cleared----
_Monk._ Let go.
[_SEANCHAN has been dragged some feet, clinging to the MONK’S
habit._
_Seanchan._ Not yet; you did not think that hungry hands
Could be so strong. They are not civil yet--
I’d know if you have taught him to eat bread
From the King’s hand, and perch upon his finger.
I think he perches on the King’s strong hand,
But it may be that he is still too wild.
You must not weary in your work; a King
Is often weary and he needs a God
To be a comfort to him.
[_The MONK plucks his habit away. SEANCHAN holds up his hand as if a
bird perched upon it. He pretends to stroke the bird._
A little god,
With soft well-coloured feathers, and bright eyes.
_Aileen._ We have listened long enough.
_Essa._ Let us away,
Where we can watch the young men at the hurley.
_Seanchan._ Yes, yes, go to the hurley, go to the hurley,
Go to the hurley, gather up your skirts,
Run quickly. You can remember many love songs;
I know it by the light that’s in your eyes,
But you’ll forget them. You’re fair to look on,
Your feet delight in dancing, and your mouths
In the slow smiling that awakens love.
The mothers that have borne you mated rightly,
For they had little ears as thirsty as are yours
For many love-songs. Go to the young men:
Are not the ruddy flesh and the thin flanks
And the broad shoulders worthy of desire?
Go from me. Here is nothing for your eyes,
But it is I that am singing you away,
Singing you to the young men.
[_The two young PRINCESSES BUAN and FINNHUA come in. While he has
been speaking AILEEN and ESSA have shrunk back holding each others
hands._
_Aileen._ Be quiet;
Look who it is that has come out of the house.
Princesses, we are for the hurling field.
Will you come too?
_Princess Buan._ We will go with you, Aileen,
But we must have some words with Seanchan,
For we have come to make him eat and drink.
_Chamberlain._ I will hold out the dish and cup for him
While you are speaking to him of his folly,
If you desire it, Princess.
[_He has taken up dish and cup._
_Princess Buan._ Give me the cup.
My sister there will carry the dish of meat:
We’ll offer them ourselves.
_Aileen._ They are so gracious,
The dear little princesses are so gracious.
[_PRINCESS BUAN holds out her hand for SEANCHAN to kiss it; he does
not move._
Although she is holding out her hand to him
He will not kiss it.
_Princess Buan._ My father bids us say
That though he cannot have you at his table,
You may ask any other thing you like
And he will give it you. We carry you
A dish and a cup of wine, with our own hands,
To show in what great honour you are held.
Will you not drink a little? Does he not show
Every befitting honour to the poets?
_Aileen._ O look, he has taken it, he has taken it!
The dear princesses, I have always said
That nobody could refuse them anything.
[_SEANCHAN takes the cup in one hand, in the other he holds for a
moment the hand of the PRINCESS._
_Seanchan._ O long soft fingers and pale finger-tips
Well worthy to be laid in a king’s hand;
O you have fair white hands, for it is certain
There is uncommon whiteness in these hands.
But there is something comes into my mind,
Princess. A little while before your birth
I saw your mother sitting by the road
In a high chair, and when a leper passed
She pointed him the way into the town,
And he lifted his hand and blessed her hand;
I saw it with my own eyes. Hold out your hands,
I will find out if they are contaminated;
For it has come into my thoughts that may be
The King has sent me food and drink by hands
That are contaminated. I would see all your hands,
You’ve eyes of dancers, but hold out your hands,
For it may be there are none sound among you----
[_The PRINCESSES have shrunk back in terror._
_Princess Buan._ He has called us lepers.
_Chamberlain._ He’s out of his mind,
And does not know the meaning of what he said.
_Seanchan._ [_Standing up._]
There are no sound hands among you. No sound hands.
Away with you, away with all of you,
You are all lepers. There is leprosy
Among the plates and dishes that you have brought me.
I would know why you have brought me leper’s wine?
[_He flings the wine in their faces._
There, there, I have given it to you again, and now
Begone or I will give my curse to you.
You have the leper’s blessing, but you think
Maybe the bread will something lack in savour
Unless you mix my curse into the dough.
[_They go out to L., all except the CRIPPLES. SEANCHAN is
staggering in the middle of the stage._
_Seanchan._ Where did I say the leprosy came from?
I said it came out of a leper’s hand
And that he walked the highway; but that’s folly,
For he was walking up there in the sky
And there he is even now with his white hand
Thrust out of the blue air and blessing them
With leprosy.
_A Cripple._ He’s pointing at the moon
That’s coming out up yonder, and he calls it
Leprous, because the daylight whitens it.
_Seanchan._ He’s holding up his hand above them all
King, Noblemen, Princesses, blessing all.
Who could imagine he’d have so much patience.
_First Cripple._ Come out of this.
[_Clutching other CRIPPLE._
_Second Cripple._ If you don’t need it, sir,
May we not carry some of it away?
[_He points to food._
_Seanchan._ Who’s speaking? Who are you?
_First Cripple._ Come out of this.
_Second Cripple._ Have pity on us, that must beg our bread
From table to table throughout the entire world
And yet be hungry.
_Seanchan._ But why were you born crooked?
What bad poet did your mothers listen to
That you were born so crooked?
_First Cripple._ Come away.
Maybe he’s cursed the food and it might kill us.
_Second Cripple._ Yes, better come away.
[_They go out._
_Seanchan._ [_Staggering and speaking wearily._]
He has great strength
And great patience to hold his right hand there
Uplifted and not wavering about;
He is much stronger than I am, much stronger.
[_He sinks down on steps._
_Enter from R. FEDELM, CIAN and BRIAN._
_Brian._ There he is lying. Go over to him now
And bid him eat.
_Fedelm._ I’ll get him out of this
Before I have said a word of food and drink;
For while he is on this threshold and can hear,
It may be, the voices that made mock of him,
He would not listen.
_Brian._ That is a good plan.
But there is little time, for he is weakening.
_Fedelm._ [_Crying._] I cannot think of any other plan
Although it breaks my heart.
_Cian._ Let’s leave them now,
For she will press the honey from her bag
When we are gone.
_Brian._ It will be hard to move him
If hunger and thirst have got into his bones.
[_They go out leaving FEDELM and SEANCHAN alone. FEDELM runs over to
SEANCHAN and kneels down before him._
_Fedelm._ Seanchan! Seanchan!
[_He remains looking into the sky._
Can you not see me, Seanchan?
It is myself.
[_SEANCHAN looks at her dreamily at first, then takes her hand._
_Seanchan._ Is this your hand, Fedelm?
I have been looking at another hand
That is up yonder.
_Fedelm._ I have come for you.
_Seanchan._ Fedelm, I did not know that you were here.
_Fedelm._ And can you not remember that I promised
That I would come and take you home with me
When I’d the harvest in? and now I’ve come,
And you must come away, and come on the instant.
_Seanchan._ Yes, I will come; but is the harvest in?
This air has got a summer taste in it.
_Fedelm._ But is not the wild middle of the summer
A better time to marry? Come with me now.
_Seanchan._ [_Seizing her by both wrists._]
Who taught you that, for it’s a certainty,
Although I never knew it till last night,
That marriage, because it is the height of life,
Can only be accomplished to the full
In the high days of the year. I lay awake,
There had come a frenzy into the light of the stars
And they were coming nearer and I knew
All in a minute they were about to marry
Clods out upon the plough-lands, to beget
A mightier race than any that has been;
But some that are within there made a noise
And frighted them away.
_Fedelm._ Come with me now;
We have far to go, and daylight’s running out.
_Seanchan._ The stars had come so near me that I caught
Their singing; it was praise of that great race
That would be haughty, mirthful, and white-bodied
With a high head, and open hand, and how
Laughing, it would take the mastery of the world.
_Fedelm._ But you will tell me all about their songs
When we’re at home. You have need of rest and care,
And I can give them you when we’re at home,
And therefore let us hurry and get us home.
_Seanchan._ That’s true; and there’s some trouble here, although
I cannot now remember what it is,
And I would get away from it. Give me your help.
But why are not my pupils here to help me?
Go, call my pupils, for I need their help.
_Fedelm._ Come with me now, and I will send for them,
For I have a great room that’s full of beds
I can make ready, and there is a smooth lawn
Where they can play at hurley and sing poems
Under an apple-tree.
_Seanchan._ I know that place,
An apple tree and a smooth level lawn,
Where the young men can sway their hurley sticks.
_Sings._
The four rivers that run there,
Through well-mown level ground,
Have come out of a blessed well
That is all bound and wound
By the great roots of an apple,
And all fowls of the air
Have gathered in the wide branches
And keep singing there.
[_FEDELM, troubled, has covered her eyes with her hands._
_Fedelm._ No, there are not four rivers, and those rhymes
Praise Adam’s Paradise.
_Seanchan._ I can remember now.
It’s out of a poem I made long ago
About the garden in the east of the world,
And how spirits in the images of birds
Crowd in the branches of old Adam’s crab-tree;
They come before me now and dig in the fruit
With so much gluttony, and are so drunk
With that harsh, wholesome savour that their feathers
Are clinging one to another with the juice.
But you would take me to some friendly place,
And I would go there quickly.
_Fedelm._ Come with me.
[_She helps him to rise. He walks slowly, supported by her till he
comes to the table at R._
_Seanchan._ But why am I so weak? Have I been ill?
Sweetheart, why is it that I am so weak?
[_He sinks on to the seat._
_Fedelm._ I’ll dip this piece of bread into the wine,
For that will make you stronger for the journey.
_Seanchan._ Yes, give me bread and wine, that’s what I want,
For it is hunger that is gnawing me.
[_He takes bread from FEDELM, hesitates, and then thrusts it back
into her hand._
But no, I must not eat it.
_Fedelm._ Eat, Seanchan,
For if you do not eat it you will die.
_Seanchan._ Why did you give me food?
Why did you come?
For had I not enough to fight against
Without your coming?
_Fedelm._ Eat this little crust,
Seanchan, if you have any love for me.
_Seanchan._ I must not eat it: but that’s beyond your wit;
Child, child, I must not eat it though I die.
_Fedelm._ You do not know what love is, for if you loved
You would put every other thought away
But you have never loved me.
_Seanchan._ [_Seizing her by the wrist._] You, a child,
Who have but seen a man out of the window,
Tell me that I know nothing about love,
And that I do not love you. Did I not say
There was a frenzy in the light of the stars
All through the livelong night, and that the night
Was full of marriages? But that fight’s over.
And all that’s done with, and I have to die.
_Fedelm._ [_Throwing her arms about him._]
I will not be put from you, although I think
I had not grudged it you if some great lady,
If the King’s daughter, had set out your bed.
I will not give you up to death; no, no,
And are not these white arms and this soft neck
Better than the brown earth?
_Seanchan._ I swear an oath
Upon the holy tree that I’ll not eat
Until the King restore the right of the poets.
O Sun and Moon, and all things that have strength,
Become my strength that I may put a curse
On all things that would have me break this oath.
[_FEDELM has sunk down on the ground while he says this, and
crouches at his feet._
_Fedelm._ Seanchan, do not curse me; from this out
I will obey like any married wife.
Let me but lie before your feet.
_Seanchan._ Come nearer.
[_He kisses her._
If I had eaten when you bid me, sweetheart,
The kiss of multitudes in times to come
Had been the poorer.
_King._ [_Entering from house._] Has he eaten yet?
_Fedelm._ No, King, and will not till you have restored
The right of the poets.
_King._ [_Coming down and standing before SEANCHAN._]
Seanchan, you have refused
Everybody that I have sent, and now
I come to you myself, and I have come
To bid you put your pride as far away
As I have put my pride. I had your love
Not a great while ago, and now you have planned
To put a voice by every cottage fire
And in the night when no one sees who cries
To cry against me till my throne has crumbled.
And yet if I give way I must offend
My courtiers and nobles till they too
Strike at the crown. What would you have of me?
_Seanchan._ When did the poets promise safety, King?
_King._ Seanchan, I bring you bread in my own hands,
And bid you eat it because of all these reasons,
And for this further reason that I love you.
[_SEANCHAN pushes bread away with FEDELM’S hand._
You have refused it, Seanchan.
_Seanchan._ We have refused it.
_King._ I have been patient though I am a king,
And have the means to force you--but that’s ended,
And I am but a king and you a subject.
[_He goes up steps._
Nobles and courtiers, bring the poets hither
For you can have your way: I that was man
With a man’s heart am now all king again,
Remembering that the seed I come of, although
A hundred kings have sown it and re-sown it,
Has neither trembled nor shrunk backward yet
Because of the hard business of a king.
[_PRINCESSES, LADIES, and COURTIERS have come in with
PUPILS, who have halters round their necks._
Speak to your master, beg your life of him,
Show him the halters that are round your necks;
If his heart’s set upon it he may die,
But you shall all die with him; beg your lives;
Begin, for you have little time to lose;
Begin it you that are the oldest pupil.
_Senias._ [_Going up to SEANCHAN._]
Die, Seanchan, and proclaim the right of the poets.
_King._ Silence, you are as crazy as your master.
But that young boy that seems the youngest of you,
I’d have him speak. Kneel down before him, boy,
Hold up your hands to him that he may pluck
That milky coloured neck out of the noose.
_Arias._ Die, Seanchan, and proclaim the right of the poets.
[_All the PUPILS turn towards the KING, holding out the ends of
their halters._
_Senias._ Gather the halters up into your hands
And lead us where you will, for in all things
But in our art we are obedient.
[_The KING comes slowly down the steps._
_King._ [_Kneeling down before SEANCHAN._]
Kneel down, kneel down, he has the greater power.
I give my crown to you.
[_All kneel except SEANCHAN, FEDELM and PUPILS. SEANCHAN rises
slowly, supported by one of the PUPILS and by FEDELM._
_Seanchan._ O crown, O crown,
It is but right if hands that made the crown
In the old time should give it when they will.
O silver trumpets be you lifted up
[_He lays the crown on the KING’S head._
And cry to the great race that is to come.
Long-throated swans among the waves of time
Sing loudly, for beyond the wall of the world
It waits and it may hear and come to us.
[_Some of the PUPILS blow a blast upon their horns._
CURTAIN.
* * * * *
ON BAILE’S STRAND.
CUCHULLAIN, the King of Muirthemne.
CONCOBAR, the High King of Ullad.
DAIRE, a King.
FINTAIN, a blind man.
BARACH, a fool.
A Young Man.
Young Kings and Old Kings.
SCENE: _A great hall by the sea close to Dundalgan. There are two
great chairs on either side of the hall, each raised a little from
the ground, and on the back of the one chair is carved and painted a
woman with a fish’s tail, and on the back of the other a hound.
There are smaller chairs and benches raised in tiers round the
walls. There is a great ale vat at one side near a small door, and a
large door at the back through which one can see the sea. BARACH, a
tall thin man with long ragged hair, dressed in skins, comes in at
the side door. He is leading FINTAIN, a fat blind man, who is
somewhat older._
_Barach._ I will shut the door, for this wind out of the sea gets into
my bones, and if I leave but an inch for the wind there is one like a
flake of sea-frost that might come into the house.
_Fintain._ What is his name, fool?
_Barach._ It’s a woman from among the Riders of the Sidhe. It’s Boann
herself from the river. She has left the Dagda’s bed, and gone through
the salt of the sea and up here to the strand of Baile, and all for love
of me. Let her keep her husband’s bed, for she’ll have none of me.
Nobody knows how lecherous these goddesses are. I see her in every kind
of shape but oftener than not she’s in the wind and cries “give a kiss
and put your arms about me.” But no, she’ll have no more of me.
Yesterday when I put out my lips to kiss her, there was nothing there
but the wind. She’s bad, Fintain. O, she’s bad. I had better shut the
big door too.
[_He is going towards the big door but turns hearing FINTAIN’S
voice._
_Fintain._ [_Who has been feeling about with his stick._] What’s this
and this?
_Barach._ They are chairs.
_Fintain._ And this?
_Barach._ Why, that’s a bench.
_Fintain._ And this?
_Barach._ A big chair.
_Fintain._ [_Feeling the back of the chair._] There is a sea-woman
carved upon it.
_Barach._ And there is another big chair on the other side of the hall.
_Fintain._ Lead me to it. [_He mutters while the fool is leading him._]
That is what the High King Concobar has on his shield. The High King
will be coming. They have brought out his chair. [_He begins feeling the
back of the other chair._] And there is a dog’s head on this. They have
brought out our master’s chair. Now I know what the horse-boys were
talking about. We must not stay here. The Kings are going to meet here.
Now that Concobar and our master, that is his chief man, have put down
all the enemies of Ullad, they are going to build up Emain again. They
are going to talk over their plans for building it. Were you ever in
Concobar’s town before it was burnt? O, he is a great King, for though
Emain was burnt down, every war had made him richer. He has gold and
silver dishes, and chessboards and candlesticks made of precious stones.
Fool, have they taken the top from the ale vat?
_Barach._ They have.
_Fintain._ Then bring me a horn of ale quickly, for the Kings will be
here in a minute. Now I can listen. Tell me what you saw this morning?
_Barach._ About the young man and the fighting?
_Fintain._ Yes.
_Barach._ And after that we can go and eat the fowl, for I am hungry.
_Fintain._ Time enough, time enough. You’re in as great a hurry as when
you brought me to Aine’s Seat, where the mad dogs gather when the moon’s
at the full. Go on with your story.
_Barach._ I was creeping under a ditch, with the fowl in my leather bag,
keeping to the shore where the farmer could not see me, when I came upon
a ship drawn up upon the sands, a great red ship with a woman’s head
upon it.
_Fintain._ A ship out of Aoife’s country. They have all a woman’s head
on the bow.
_Barach._ There was a young man with a pale face and red hair standing
beside it. Some of our people came up whose turn it was to guard the
shore. I heard them ask the young man his name. He said he was under
bonds not to tell it. Then words came between them, and they fought,
and the young man killed half of them, and the others ran away.
_Fintain._ It matters nothing to us, but he has come at last.
_Barach._ Who has come?
_Fintain._ I know who that young man is. There is not another like him
in the world. I saw him when I had my eyesight.
_Barach._ You saw him?
_Fintain._ I used to be in Aoife’s country when I had my eyesight.
_Barach._ That was before you went on shipboard and were blinded for
putting a curse on the wind?
_Fintain._ Queen Aoife had a son that was red haired and pale faced like
herself, and everyone said that he would kill Cuchullain some day, but I
would not have that spoken of.
_Barach._ Nobody could do that. Who was his father?
_Fintain._ Nobody but Aoife knew that, not even he himself.
_Barach._ Not even he himself! Was Aoife a goddess and lecherous?
_Fintain._ I overheard her telling that she never had but one lover, and
that he was the only man who overcame her in battle. There were some who
thought him one of the Riders of the Sidhe, because the child was great
of limb and strong beyond others. The child was begotten over the
mountains; but come nearer and I will tell you something.
_Barach._ You have thought something?
_Fintain._ When I hear the young girls talking about the colour of
Cuchullain’s eyes, and how they have seven colours, I have thought about
it. That young man has Aoife’s face and hair, but he has Cuchullain’s
eyes.
_Barach._ How can he have Cuchullain’s eyes?
_Fintain._ He is Cuchullain’s son.
_Barach._ And his mother has sent him hither to fight his father.
_Fintain._ It is all quite plain. Cuchullain went into Aoife’s country
when he was a young man that he might learn skill in arms, and there he
became Aoife’s lover.
_Barach._ And now she hates him because he went away, and has sent the
son to kill the father. I knew she was a goddess.
_Fintain._ And she never told him who his father was, that he might do
it. I have thought it all out, fool. I know a great many things because
I listen when nobody is noticing and I keep my wits awake. What ails you
now?
_Barach._ I have remembered that I am hungry.