He led her to the sofa and sat there, patting her hand and smiling, and

comforting her while she wept and wept. “A surprise,” she echoed. “A

surprise ... after twenty-six years....” After a time she grew more

calm, and suddenly she began to laugh. She kept saying at little

intervals, “If you knew how I’ve waited!”

“I’m rich now, Emma,” he said with the shadow of a swagger. “I’ve done

well out there.”

“Out where ... Jason?”

“Out in Australia ... where I went.”

“You were in Australia?” He wasn’t in China at all, then. The story was

so old that she had come to believe it, and with a sudden shock of

horror she saw that they would now have to face the ancient lie. He

hadn’t been in China, and he hadn’t been killed by bandits. Here he was

back again, and you couldn’t keep a man like Jason shut up forever in

the house. The Town would see him. She began once more to cry.

“There, there, Em!” he said, patting her hand again, almost amorously.

“Don’t take it so hard. You’re glad I did come back, ain’t you?”

“I don’t know ... I don’t know. You don’t deserve anything ... even

tears ... after treating a wife the way you’ve treated me. Don’t think

I’m crying because I’m glad you’re back. It’s not that. I ought to turn

you out. I’d do it, too, if I was an ordinary woman.”

She saw then that she still had to manage everything, including Jason.

She saw that he was as useless as he had always been. She would have to

“take hold.” The feminine softness melted away, and, sitting up, she

blew her nose and said, “It’s like this, Jason. When you went away, I

said you’d gone to China on business. And when you didn’t come back, I

said I hadn’t had any letters from you and something must be wrong. You

see I pretended I heard from you regularly because ... I wanted to

protect you and because I was ashamed. I didn’t want people to think

you’d deserted me after everybody had warned me against you. And so

Elmer....”

“And how’s he?” said Jason. “Cold boiled mutton, I call ’im.”

“Wait till I finish my story, Jason. Try to keep your mind on what I’m

saying. And so Elmer set the Government to investigating....”

“They were looking for me? The _United States Government_ itself?” There

was in his voice and manner a sudden note of gratification at his

importance.

“Yes ... they hunted all over China.”

Jason was grinning now. “It’s lucky they was looking in China, because I

was in Australia all the time.”

“And they said you must have been killed by bandits ... so I put on

black and set out to support myself and Philip.”

“Why didn’t old pious Elmer help you out? I wouldn’t have gone away,

except that I knew ’e was rich enough to look out for you.”

“Elmer’s tight, and besides I didn’t want him to be pitying me and

saying, ‘I told you so’ every time I asked him for a cent.”

“And Philip? You haven’t told me about him yet.”

“We’ll come to him. We’ve got to settle this other thing first. You see,

Jason, we’ve got to do something about that lie I told ... it wasn’t

really a lie because I told it for your sake and Philip’s--to protect

you both.”

“Yes, it is kind-a awkward.” He sat for a moment, trying to bring his

volatile mind into profitable operation. At last he said, “You oughtn’t

to have told that lie, Em.”

“I told you why I told it. God will understand me if no one else will.”

“Now, Em, don’t begin on that line.... It was always the line I couldn’t

stand.... You ain’t no bleedin’ martyr.”

She looked at him with a sudden suspicion. “Jason, where did you pick up

this queer talk ... all the queer words you’ve been using?”

“Australia, I guess ... living out among the cockneys out there.” He

rose suddenly. “Em, I can’t sit any more in this dark. I can’t think in

a tomb.” He went over and drew up the window-shades. As the fading

winter light filled the room, he looked around him. “Why, it ain’t

changed at all! Just the same ... wedding parlor suite and everything.”

His glance fell on the wall above the fireplace. “And you still got my

picture, Em. That was good of you.”

She showed signs of sobbing again. “It’s all I had....”

He was looking at the picture with a hypnotic fascination. “It’s funny,

I ain’t changed much. You’d never think that picture was taken

twenty-six years ago.” He took out a pocket mirror and began comparing

his features with those in the enlarged photograph. What he said was

true enough. Time had left no marks on the smooth, good-looking face,

nor even on a mind that was like a shining, darting minnow. He was as

slim and dapper as ever. The hair was much thinner, but it was still

dark, and with the aid of grease and shrewd manipulation you couldn’t

tell that he was really bald. Emma, watching him, had an awful suspicion

that it was dyed as well; and the elegant mustaches too. She would be

certain to discover, now that he had come back to share the same room

and bed. She had a sudden, awful fear that she must look much older than

he.

“I’m a little bald,” he said ruefully, “but nothing very much.”

“Jason,” she said sternly. “Jason ... we’ve got to settle this thing ...

now ... before we do anything else. Did any one see you?”

“No, I don’t think so.” He replaced the pocket mirror with a mild, comic

air of alarm at the old note of authority in her voice.

“You must think of something ... you’re better at such things than I

am.” He had, she remembered, the proper kind of an imagination. She knew

from experience how it had worked long ago when he had given her excuses

for his behavior.

He looked at her with an absurd air of helplessness. “What can we say? I

suppose you could say I lost my memory ... that I got hit on the head.”

Suddenly a great light burst upon the empty face. “I _did_ get a fall on

the steamer going out. I fell down a stairway and for three days I

didn’t know a thing. A fall like that might easily make you lose your

memory.... A thing like that _might_ happen.” As if the possibilities

of such a tale had suddenly dawned upon him, his face became illumined

with that look which must come at times into the faces of great creative

artists. He said, “Yes, I _might_ have lost my memory, not knowing who I

was, or where I came from, and then, after twenty-six years, I got

another fall ... how?... well out of the mow on my ranch in Australia,

and when I came to, I remembered everything--that I had a wife in

America. It’s true--it might happen. I’ve read of such things.”

Listening to him, Emma felt the story seemed too preposterous, and yet

she knew that only heroic measures could save the situation. The bolder

the tale, the better. It was, as he said, a story that _might_ be true.

Such things _had_ happened. She could trust him, too, to make the tale a

convincing one: the only danger lay in the possibility of his doing it

_too_ well. It occurred to her in the midst of her desperate planning

that it was strange what wild, incredible things had happened in her

life ... a life devoted always to hard work and Christian living.

Jason’s glittering mind had been working rapidly. He was saying, “You

see, there’s the scar and everything.” He bent down, exposing the bald

spot that was the only sign of his decay. “You see, there it is--the

scar.”

She looked at him scornfully, for the crisis of her emotion had passed

now, and she was beginning to feel herself once more. “Now, Jason,” she

said, “I haven’t forgotten where that scar came from. You’ve always had

it. You got it in Hennessey’s saloon.”

For a second the dash went out of him. “Now, Em, you’re not going to

begin on that, the minute I get home.” And then quickly his imagination

set to work again, and with an air of brightness, as if the solution he

had thought of vindicated him completely, he said, “Besides I wasn’t

bald in those days and nobody ever saw the scar. And the funny thing is

that it was on that exact spot that I fell on the boat. It enlarged the

scar.” He looked at her in the way he had always done when he meant to

turn her mind into more amiable channels. “Now, isn’t that queer? It

enlarged the scar.”

It was clear that she meant not to be diverted from the business at

hand. “I suppose that’s as good a story as any. We’ve got to have a

story of some kind. But you must stick to it, Jason, and don’t make it

too good. That’s what you always do ... make it too good.” (Hadn’t she,

years ago, trapped him time after time in a lie, because he could not

resist a too elaborate pattern of embroidery?)

She said, “But there’s one thing I’ve got to do right away, and that is

send word to Naomi to tell Philip.”

“Who’s Naomi?”

“She’s Philip’s wife.”

“He’s married?”

“He’s been married for five years.”

He made a clucking sound. “We’re getting on, Em.”

“And there’s more than that. You’re a grandfather.”

The smooth face wrinkled into a rueful expression. “It’s hard to think

of myself as a grandfather. How old is the child, or the children?”

“They’re twins.”

He chuckled. “He did a good job, Philip.”

“Now, Jason....”

“All right, but how old are they?”

“Four months ... nearly five.”

“I must say that Philip took ’is time about it. Married five years....

Well, we didn’t waste any time, did we, Em.”

“Jason!”

She hated him when he was vulgar. She decided not to go into the reasons

why Philip and Naomi had been married four years without children,

because it was a thing which Jason wouldn’t understand--sacrificing the

chance of children to devote yourself to God. There was nothing

spiritual about Jason. It was one of his countless faults.

“But who did ’e marry, Em? You haven’t told me.”

“Her name was Naomi Potts. You wouldn’t know who she was. Her people

were missionaries, and she was a missionary too.”

“Oh, my God!”

“I won’t have you blaspheming.”

“And what’s Philip like?”

“He was a missionary too.... He was three years in Africa ... until his

health broke.”

“Oh, my God!” He grew suddenly thoughtful, moved perhaps by the

suspicion that she had succeeded in doing to his son what she had failed

to do to him.

She was at the door now. “I won’t listen to you talking like that any

longer.” She turned in the doorway. “Don’t go out till I come back. You

mustn’t be seen till we’ve worked this thing out. I’ve got to send word

to them all.”

When she had gone, he picked up his hat, took a cigar from his vest

pocket and lighted it. In the hallway, he shouted at her, “Are we still

using the same room, Em? I’ll just move in my things and wash up a bit.”

In the sitting-room Emma sat down and wrote three notes--one to Naomi,

one to Mabelle, and the third to Moses Slade. With a trembling hand she

wrote to him, “God has sent Jason, my husband, back to me. He came

to-day. It is His will that we are not to marry. Your heartbroken Emma.”

She summoned the slattern Essie, and, giving her instructions of a

violence calculated to impress Essie’s feeble mind, she bade her deliver

the three notes, Mr. Slade’s first of all. But once outside the sight of

Emma, the hired girl had her own ideas of the order in which she meant

to deliver them, and so the note to Moses Slade arrived last. But it

made no difference, as the Honorable Mr. Slade, bearing a copy of the

_Labor Journal_, was at the same moment on his way to Emma’s to break

off the engagement, for he had discovered the author of the libelous

drawings. The latest one was signed boldly with the name, “Philip

Downes.” He never arrived at Emma’s house, for on his way he heard in

Smollett’s Cigar Store that Jason Downes had returned, and so he saved

himself the trouble of an unpleasant interview. For Essie, in the moment

after the returned prodigal had made known to her his identity, had put

on a cast-off hat of Emma’s and set out at once to spread the exciting

news through the Town.

When she returned at last from delivering the three notes, Emma was

“getting Jason settled” in the bedroom he had left twenty-six years

before. Essie, tempted, fell, and, listening outside the door, heard

him recounting to his wife a wonderful story of having lost his memory

for a quarter of a century. But one thing tormented the brain of the

slattern Essie. She could not understand how Emma seemed to know the

whole story and to put in a word now and then correcting him.

At the sound of Emma’s footsteps approaching the door, Essie turned and,

fleeing, hid in the hall closet, from which she risked her whole future

by opening the door a little way to have a look at the fascinating Mr.

Downes. Her heart thumped wildly under her cotton blouse at the

proximity of so romantic a figure.

15

It seemed that something in the spirit of the irrepressible Jason Downes

took possession of the house, for Emma turned almost gay, and at times

betrayed signs of an ancient coquetry (almost buried beneath so many

hardening years) in an actual tendency to bridle. For the first time

since Jason had slipped quietly out of the back door, the sallow

dining-room was enlivened by the odors, the sounds, the air of

banqueting: a dinner was held that very night to celebrate the

prodigal’s return. Elmer came, goaded by an overpowering curiosity, and

Mabelle, separated for once from Jimmy, her round, blue eyes dilated

with excitement and colored by that faintly bawdy look which so

disturbed Emma. And Philip was there, of course, and Naomi, paler than

usual, dressed in a badly fitting new foulard dress, which she and

Mabelle had “run up at home” in the hope of pleasing Philip. The dress

had been saved for an “occasion.” They had worked over it for ten days

in profound secrecy, keeping it to dazzle Philip. It was thick about

the waist, and did not hang properly in the back, and it made her look

all lumpy in the wrong places. In case Philip did not notice it, Mabelle

was to say to him, “You haven’t spoken about Naomi’s pretty new dress.

She made it all herself--with her own hands.” They had carefully

rehearsed the little plot born of Mabelle’s romantic brain.

But when Naomi arrived at the slate-colored house, she took Mabelle

quickly into a corner and said, “Don’t speak of the dress to him.” And

when Mabelle asked, “Why not?” she only answered, “You can do it later,

but not to-night. I can’t explain why just now.”

She couldn’t explain to Mabelle that she was ashamed of the dress, nor

why she was ashamed of it. She couldn’t say that as she stood on the

stairs of the stable and saw a handsome woman, in a plain black dress,

with her knees crossed, and furs thrown back over her fine shoulders,

that the pride of the poor little foulard dress had turned to ashes. She

couldn’t explain how she had become suddenly sick at the understanding

that she must seem dowdy and ridiculous, standing there, all red and hot

and disheveled, staring at them, and wanting all the time to turn and

run, anywhere, on and on, without stopping. She couldn’t explain how the

sight of the other woman had made the foulard dress seem poor and

frowzy, even when she put on the coral beads left her by her mother, and

pinned on the little gold fleur-de-lys watch her father had given her.

When she first arrived, she kept on her coat, pretending that the house

was cold, but Emma said, “It’s nonsense, Naomi. The house is warm

enough,” and the irrepressible Mabelle echoed, “That’s what I say,

Emma. She ought to take it off and show her pretty new dress.”

Naomi had looked quickly about her, but Philip hadn’t been listening. He

was standing with Uncle Elmer beside his father, who was in high

spirits, talking and talking. He wouldn’t notice the dress if only she

could keep people from speaking of it.

She hadn’t spoken of Lily Shane to Philip. All the way back to the flat

by the railroad they had talked of nothing but his father and the poor

bits of information she had been able to wring from the excited Essie;

and when they arrived it was to find Mabelle waiting breathlessly to

discuss it with them. She had been already to the slate-colored house

and seen him with her own eyes. She didn’t stay long (she said) because

she felt as if she were intruding on honeymooners. Did they know that he

had lost his memory by a fall on the boat going out to China, and that

it had only come back to him when he had a fall six months ago out of

the mow on his ranch in Australia? Yes, it was Australia he had been to

all this time....

She went on and on. “Think of it,” she said. “The excitement of

welcoming home a husband you hadn’t seen in twenty-six years ... like a

return from the dead. I don’t wonder your Ma is beside herself.”

Naomi heard it all, dimly, as if all Mabelle’s chatter came to her from

a great distance. She should have been excited, but she couldn’t be,

with something that was like a dull pain in her body. She could only

keep seeing Lily Shane, who made her feel tiny and miserable and

ridiculous--Lily Shane, whom Philip said he didn’t even know, and had

never spoken to. Yet he knew her well enough to be making a picture of

her. He never thought of making a picture of his own wife.

She felt sick, for it was the first time she had ever seen herself. She

seemed to see at a great distance a pale, thin, freckled woman, with

sandy hair, dressed in funny clothes.

And then she would hear Mabelle saying through a fog, “Your Ma wants you

to come right up to supper. You can get Mrs. Stimson--the druggist’s

wife--to sit with the twins.”

Mabelle hurried off presently, and Mrs. Stimson came in duly to sit with

the twins. She gave up the evening at her euchre club because the

excitement of sitting up with the grandchildren of a man who had

returned after being thought dead for twenty-six years was not to be

overlooked. She would hear all the story at first hand when Philip and

Naomi returned, before any one else in the Town had heard it. She could

say, “I sat with the twins so that Philip and Naomi could go to supper

with Mr. Downes himself. I heard the whole thing from them.”

As they went up the hill to the slate-colored house, Naomi said nothing,

and so they walked in silence. She had begun to understand a little

Philip’s queer moods, and she knew now that he was nervous and

irritable. She had watched him so closely of late that she had become

aware of a queer sense of strain which once she had passed over

unnoticed. She had learned not to speak when Philip was like that. And

as they climbed the hill, the silence, the strain, seemed to become

unbearable. It was Philip who broke it by crying out suddenly, “I know

what you’re thinking. You’re thinking I lied to you about Lily Shane.

Well, I didn’t. Before God, I never spoke to her until to-day, and I

wouldn’t have, even then, but she came to my room without my asking

her.”

For a moment, she wanted to lie down in the snow and, burying her face

in it, cry and cry. She managed to say, “I wasn’t even thinking of her.

Honestly I wasn’t, Philip. And I believe you.”

“If that’s so, why do you sulk and not say anything?”

“I wasn’t sulking. I only thought you didn’t want to talk just now.”

“I hate it when you act like a martyr.” This time she was silent, and he

added, “I suppose all women do it ... or most women ... it’s what Ma

does when she wants to get her way. I hate it.”

She thought, “He said ‘most women’ because he meant all women but Lily

Shane.” But she was silent. They did not speak again until they reached

the slate-colored house.

It wasn’t really Naomi who lay at the bottom of his irritation, but the

thought of his father. The return troubled him. Why should he have come

now after twenty-six years? It was, he thought, almost indecent and

unfair, in a way, to his mother. He tried, when he was not talking to

Naomi, to imagine what he must be like--a man who Emma said had gone out

to China to make money for his wife and child, a man who adored her and

worshipped his son. He was troubled, because the moral image created by

his mother seemed not to fit the enlarged, physical portrait in the

parlor. In these last years he had come to learn a lot about the world

and about people, and one of the things he had learned was that people

_are_ like their faces. His mother was like her large, rather coarse and

energetic face; Naomi was like her pale, weak one; and Lily Shane and

Mary and Uncle Elmer and even Krylenko and McTavish were like theirs. It

was impossible to escape your own face. His father, he thought, couldn’t

escape that face that hung in the parlor.

When the door opened and he stepped into the parlor, he saw that his

father hadn’t escaped his face. He felt, with a sudden sensation of

sickness, that his father was even worse than his face. It was the same,

only a little older, and the outlines had grown somehow dim and vague

from weakness and self-indulgence. Why, he thought again, did he ever

come back?

But his mother was happy again. Any one could see that.

And then his father turned and looked at him. For a moment he stared,

astonished by something in the face of his son, something which he

himself could not perhaps define, but something which, with all the

sharp instincts of a sensual nature he recognized as strange, which had

little to do with either himself or Emma. And then, perhaps because the

astonishment had upset him, the meeting fell flat. The exuberance flowed

out of Jason Downes. It was almost as if he were afraid of his son--this

son who, unlike either himself or Emma, was capable of tragedy and

suffering. His eyes turned aside from the burning eyes of his son.

“Well, Philip,” he said, with a wild effort at hilarity, “here’s your Pa

... back again.”

Philip shook hands with him, and then a silence fell between them.

But it was Jason Downes who dominated the family gathering. Philip,

silent, watched his father’s spirits mounting. It seemed to him that

Jason had set himself deliberately to triumph over his dour, forbidding

brother-in-law, and to impress his own son. It was as if he felt that

his son had a poor opinion of him, and meant to prove that he was wrong

in his judgment.

He told the whole story of the voyage out, of his fall down a

companionway, and the strange darkness that followed. Once more he bowed

his head and exhibited the scar.

“But,” said the skeptical Elmer sourly, “you always had that scar,

Jason. You got it falling on the ice at the front gate.”

“Oh, no. The one before was only a small one. The funny thing was that I

struck my head in exactly the same place. Wasn’t that queer? And then

when I fell out of the mow I hit it a third time. That’s what the

doctors in Sydney said made it so serious.” For a moment, conscious that

the embroidering had begun, Emma looked troubled and uneasy.

And Mabelle, with a look of profound speculation, asked, “And what if

you hit it a fourth time? Would that make you lose your memory about

Australia?”

Jason coughed and looked at her sharply, and then said, “Well, no one

could say about that. If it happened again, it would probably kill me.”

“Well,” said Mabelle, “I must say I never heard a more interesting story

... I never read as interesting a one in any of the magazines ... not

even in the _Ladies’ Home Journal_.”

For a moment Philip wanted to laugh at Mabelle’s question, but it wasn’t

a natural desire to laugh: it sprang from a blend of anger and

hysterics. He loathed the whole party, with Mabelle and her half-witted

questions, his mother with all her character gone in the silly blind

admiration for her husband, Uncle Elmer and his nasty, mean questions,

and Naomi, silent, and looking as if she were going to cry. (If only she

wouldn’t sulk and play the martyr!) And Mabelle’s half-witted questions

were worse than Uncle Elmer’s cynical remarks, for they made him see

suddenly that his father _was_ lying. He was creating a whole story that

wasn’t true, and he was enjoying himself immensely. If it _was_ a lie,

if he had deliberately deserted his wife and child, why had he come back

now?

Jason went on and on, talking, talking, talking. He told of his ranch of

eighteen hundred acres and of the thousands of sheep he owned and of the

sixty herders employed to take care of them. He described the long

drouths that sometimes afflicted them, and told a great deal about

Melbourne and Sydney.

“Your Pa,” he said, addressing Philip, “is an important man out there.”

And the implication was, “You don’t think much of him, but you ought to

see him in Australia.”

But Philip was silent, and thought, “He’s probably lying about that,

too,” and, as the conversation went on, he thought, “He’s never said

anything about women out there. He’s never spoken about that side of his

life, and he’s not the kind to leave women alone.”

“And I suppose you’ll be wanting to take Emma back to Australia,” said

Uncle Elmer, regarding Jason over his steel-rimmed spectacles.

“No ... I won’t be doing that. After all, her life is here, ain’t it? I

shall have to go back from time to time to look after my affairs,

but....”

A good woman · 第 19 / 26 段