It was a request he heard often enough, from one woman after

another--women who asked advice upon every subject from thieving hired

girls to erring husbands. There were times when he felt he could not

endure listening to one more woman talk endlessly about herself. It

wearied him so that he wanted to flee suddenly, leaving them all,

together with the hand-shaking and the very church itself, behind him

forever. Sometimes he had strange dreams, while he was awake, and with

his eyes wide open, of fleeing to some outlandish place like those

marvelous islands in the South Seas where there were none of these

things. And then to calm his soul, he would tell himself cynically that

even in those islands there were women.

He led her to his study, which he had been driven to establish at the

back of the church, since there was no peace in the parsonage from the

complaining voice above-stairs. There the two of them sat down. It

occurred to Emma that he looked very white and tired, that there were

new lines on his face. He couldn’t be an old man. He wasn’t much older

than herself, yet he was beginning to look old. It was, she supposed,

the life he led at home. A clergyman, of all people, needed an

understanding, unselfish wife.

“And now,” he was saying, “I’m always pleased to help, however I can in

my humble way.”

He was a good man, who never sought to evade his duty, however tired he

was. He wanted, honestly, to help her.

She began to tell him, constructing an approach to the fact itself by

explaining what a lonely, hard life she had had since the death of her

husband in China. She touched upon the Christian way in which she had

brought up her boy, and now (she said) that he was a grown man and

married and would soon have a parish of his own (since he could not

return to Africa) she would be left quite alone. She wanted the rest

which she had earned, and the companionship for which she would no doubt

hunger in her old age. These were the reasons why she had accepted the

offer of Moses Slade. Yet she was troubled.

She leaned back in her chair and sighed. What did he think? Could he

help her to decide?

The study was a gloomy room, lighted in the day-time by a single sooty

Gothic window and at night by a single jet of gas. There was a roll-top

desk, a long heavy table, a cabinet where the choir music was kept, and

two or three sagging, weary leather chairs. Before he answered her, the

tired eyes of the Reverend Castor rested for a time on the meager

furniture as if he had lost himself in deep thought. She waited. This

attitude was, however, merely professional, and wholly misleading. He

was not in deep thought. He was merely thinking, “She doesn’t want

advice. She only wants to talk about herself. Whatever I say will make

no difference. She means to marry him, no matter what happens.”

But because this was his work he spoke at last, setting forth one by one

all the arguments she had repeated to herself earlier in the day,

concluding with the remark, “The reasons on the other side you have put

very well yourself.”

Emma stirred in the springless leather chair. “Then what do you advise?”

“Mrs. Downes, it is a matter that no one can decide but yourself. Pray

God to help you, and do what you think is right.”

He was troubled, and, in a vague way, disturbed and unhappy, because in

the back of his mind the worm of envy was at work, gnawing, gnawing,

gnawing--a sinful worm that gave him no peace. Moses Slade was free to

marry again, and he had chosen Emma Downes. He had thought of Emma

Downes for himself, in case ... (the wicked thought returned to him

again like a shadow crossing his path) ... in case Annie’s illness

carried her off at last. It seemed to him that all the world was going

past him, while he remained behind, chained to a complaining invalid.

Emma rose, and, after he had turned the gas out and locked the door,

they went out together. It was a clear, quiet night, when for once there

seemed to be no soot in the air, and the stars seemed very close. For a

moment they both stood listening, and at last Emma said, “Am I right, or

am I growing deaf? Do the Mills sound very far away to-night ... sort of

weak?”

He listened, and then said, “Yes, it’s queer. They sound almost faint.”

There was another silence. And Emma gave a low, groaning sound. “Maybe

that’s it ... maybe they’ve gone out on strike.”

“There’ll be trouble,” said the Reverend Castor. “It makes me kind of

sick to think of it.”

They bade each other good-night, and went their ways, the Reverend

Castor hurrying along, because he was more than an hour late. He knew

that when he arrived she would be out of her bed, standing at the upper

window looking for him, her mind charged with the bitter reproaches she

had thought out to fling at him, torturing sarcasms dealing with what

had kept him so long in the study. She had an obsession that he meant to

be unfaithful to her; she never ceased to hint and imply the most odious

things. She was always accusing him of disgraceful things about

women....

As he came nearer and nearer to the parsonage, he was seized by a

terrible temptation to turn away, to disappear, never to enter the doors

of his home again. But a man of God, he knew, couldn’t do a thing like

that. And now God--even God--seemed to be deserting him. He couldn’t

drive these awful thoughts from his mind. He began desperately to repeat

his Psalm.

Turning past the hedge, he saw that there was a light in the upper

window, and against the lace curtains the silhouette of a waiting

figure, peering out eagerly.

When Emma entered the house, she discovered that all the lights were on,

that Philip had been forgotten, and that his nurse and Mabelle were with

Naomi, who was being forced to walk up and down. Mabelle sat giving

advice and saying repeatedly that she never had such trouble even with

her first baby. In a little while, the doctor came, and seven hours

later Mabelle’s predictions were vindicated, for Naomi gave birth at

last to twins, a boy and a girl. At about the same hour the last echo of

the pounding at the Mills died away into silence, and the last fire in

the blast-furnace died into ashes. In the room next to Naomi’s, Philip

opened his eyes, called for a drink of water, and for the first time in

four months knew that his head was clear and that his body was not

burning or shaking. It was an extraordinary thing, the nurse observed,

as if his children coming into the world had called him back to life.

He came back to consciousness out of a strange country peopled with

creatures that might have haunted a Gothic nightmare, creatures who

seemed as confused and unreal as the fantastic world on which they

moved. Sometimes his mother was present, moving about, oddly enough,

against the background of the jungle at Megambo, moving about among the

niggers, converting them in wholesale lots. At times she would disappear

suddenly, to return almost at once, driving before her with Lady

Millicent Wimbrooke’s rawhide whip whole troops of natives, dressed

completely, even to bonnets and shoes, like the people one saw in Main

Street. And then she would feed them at the Peerless Restaurant, which

seemed to have been set up intact on the borders of the gloomy forest.

Once Lady Wimbrooke appeared herself with her portable-bath and rifle,

and shooting about her carelessly, she drove all of them, including

Emma, out of the restaurant into Main Street, which appeared

miraculously to have sprung up just outside the door. Once outside, he

discovered that all of them--Emma herself and the niggers, were walking

stark naked in the car-tracks in the middle of the street. He, himself,

seemed to be carrying a banner at the head of the parade on which was

written in fiery letters, “Let God look out for himself. We will do the

same.” And at the corner he found Mary Conyngham waiting to keep a

tryst, and neither he nor she seemed to take any notice of the fact that

he was as naked as the day he was born.

And Naomi was there, too, always in the background, only she was not the

Naomi he knew, but a large woman with a soft, powerful body, like

Swanson’s, above which her pale face peered out comically from beneath a

sun-bonnet woven of reeds. Once or twice he had mistaken her for Swanson

playing a joke on him.

At other times he seemed to be back in the Mills, or in Hennessey’s

saloon, where Emma entered presently and broke all the mirrors; and then

all of them were suddenly squeezed out of the doors to find themselves

in the jungle, which appeared to have sprung up all about them,

impenetrable save for a single path in which was stuck a cast-iron

guide-post, reading, “To the Mills.” The air was filled with the sound

of distant thunder, but he could not make out whether it was the distant

sound of tom-toms, or the pounding of monstrous steel hammers. Oddly

enough, it seemed quite natural, as if the trees, the jungle and the

Mills belonged thus together.

And Mary Conyngham was always there. It seemed that she was married to

him, and that they had somewhere a family of children which he had never

seen and could not find.

Once he witnessed a horrible sight. He saw Emma pursuing the black

virgin who had long ago been eaten by the leopards. The virgin, naked,

save for her ornaments of copper wire, ran to the lake, and across the

water, skimming the surface like a kingfisher of ebony, and, as Emma

gave chase, she sank like a stone, disappearing beneath the brassy

surface without a sound.

For a long time after he returned to life, memories of the dead,

nightmarish world clung to him like wisps of the haze that sometimes

veiled the lake at Megambo in the wet season. He did not know how long

he had been ill, and at times it seemed to him that he had died and was

not living at all. His body felt light as air, but when he tried to

raise it, it failed him, slipping back in a miserable weakness. And

then, bit by bit, as the memories of the delirium faded into space, the

hard, barren world about him began to take shape ... the starched lace

curtains at the windows, which Emma kept clean despite all the soot, the

worn rocking-chair, the table at the side of the bed crowded with

medicines, and, finally, the strange figure of the nurse. And then he

understood that Naomi must be somewhere near at hand, and his mother. He

had a vague feeling that they must have become old now, and gray, after

all the years he had been ill.

It was Emma whom he saw first, and recognized. She came into the

darkened room, and stood silently by the side of the bed until he,

conscious that there was some one near him, opened his eyes, and said in

a weak voice, “Is that you, Ma?”

Without answering him, she fell on her knees beside the bed and took his

head in her hands, kissing him passionately again and again on his

forehead. She wept and said over and over again, “Philip, my boy! The

Lord has given me back my boy!”

There was something frightening in the wildness of her emotion. The

nurse, hearing her weeping, came in to warn her that she must be calm,

and Philip said weakly, “It’s all right. I understand. She’s always been

like that.”

Once it would never have occurred to him to speak thus, as if he were

detached from her and stood quite apart, protecting her. Protecting

Emma! Something had happened to him during that long night of four

months’ delirium.

When his mother had gained control of herself once more, she sat down by

the side of the bed, and, taking his hand, she held it clasped

passionately in hers, while she sat looking at him, without once

speaking. For some reason, he could not look at her, perhaps because in

the intensity of her emotion she was asking from him a response which he

could not give. He was ashamed, but it was impossible to pretend.

Instead of any longer seeming almost a part of her, he was detached now

in a strange, definite fashion. In his weakness, it seemed to him that

he was seeing her for the first time and he was ashamed and sorry for

her. He knew that before long she, too, would understand that there was

a difference, that in some way their relationship had been broken

forever. The old Philip was dead, and the new one suddenly pitied her

from a great distance, as he pitied Naomi. It was as if the weakness

gave him a clairvoyance, a second sight, which illuminated all the

confusion of mind that had preceded the long night.

Lying there, with his eyes closed, her passionate cry, “Philip, my boy!”

burned itself into his brain. He was, he knew, unworthy of that

consuming love she had for him.

After a long time he heard her asking, “Philip, are you awake?”

“Yes, Ma.” But he did not open his eyes.

“I have some good news that will delight you.”

What could it be? Perhaps she had arranged his return to Megambo. She

would think that was good news.

“It’s about Naomi. You’re a father now, Philip ... twice a father,

Philip. You’ve two children. They were twins.”

The knot of perplexity which had been tormenting his brain suddenly

cleared away. Of course! That was what he couldn’t remember about Naomi.

She had been going to have a baby, and now she had had two. Still he did

not open his eyes. It was more impossible now than ever. He did not

answer her, and presently Emma asked, “You heard what I said, Philip?”

“Yes, Ma.”

“You’re glad, aren’t you?”

He answered her weakly, “Of course ... why, of course, I’m glad.”

Again there was a long silence. He was ashamed again, because he had

been forced to lie, ashamed because he wasn’t proud, and happy. His

mother sat there trying to raise his spirits, and each thing she said

only drove them lower. In that curious clarity of mind which seemed to

possess his soul, he knew with a kind of horror that he had wanted to

waken alone, free, in a new country, where he would never again see

Naomi, or his mother, or the lace curtains, or the familiar, worn

rocking-chair. That, he saw now, was why he had wanted to die. And now

he was back again, tied to them more closely than ever.

At last he said in a low voice, “It was like Naomi, wasn’t it ... to

have twins?”

“What do you mean?”

He hesitated a moment, and then said, “I don’t know ... I’m tired ... I

don’t know.”

Again a silence. Deep inside him something kept urging him to break

through all this web which seemed to be closing tighter and tighter

around him. The last thought he could remember before slipping into the

nightmare returned to him now, and, without knowing why, he uttered it,

“There won’t be any more children.”

“Why?” asked Emma. “What are you trying to say?”

“Because I don’t mean to live with Naomi ever again. It’s a wicked thing

that I’ve done.”

She began to stroke his forehead, continuing for a long time before she

spoke. She was having suddenly to face things--things which she had

always known, and pretended not to know. At last she said, “Why is it a

wicked thing to live with your lawful wife?”

The world began to whiz dizzily about his head. Odd flashes of light

passed before his closed eyes. It seemed to him that he must speak the

truth, if he were ever to open them again without shame.

“Because she’s not really my wife ... she’s just like any woman, any

stranger ... I never loved her at all. I can’t go on ... living like

that. Can’t you see how wicked it is?”

Emma was caught in her own web, by the very holy principles she

upheld--that it was wrong to marry some one you did not love. It was

this same thing which disturbed her peace of mind about Moses Slade.

“You loved her once, Philip, or you wouldn’t have married her.”

“No, I didn’t know anything then, Ma.” The color of pain entered his

voice. “Can’t you see, Ma? I wasn’t alive then. I never loved her, and

now it’s worse than that.”

The stroking of his forehead suddenly ceased. “I don’t know what you’re

talking about, Philip.... We’d better not go on now. You’re tired and

ill. Everything will be different when you are well again.”

For a second time there came to him a blinding flash of revelation. He

saw that she had always been like that: she had always pushed things

aside to let them work themselves out. An awful doubt dawned upon him

that she was not always right, that sometimes she had made a muddle of

everything. A feeling of dizziness swept over him.

“But it will break her heart, Philip,” she was saying. “She worships

you.... It will break her heart.”

Through a giddy haze he managed to say, “No ... I’m so tired.... Let’s

not talk any more.” He felt the nightmare stealing back again, and

presently he was for some strange reason back at Megambo, sitting under

the acacia-tree, and through the hot air came the sound of voices

singing, in a minor key:

“_Go down to the water, little monkey,_

_To the life of lives, the beginning of all things._”

He thought wildly, “I’ve got to get free. I must run.... I must run.”

Emma, holding his hand, felt the fever slipping back. She heard him

saying, “Go down to the water, little monkey,” which clearly made no

sense, and suddenly she sprang up and called Miss Bull, the nurse.

“It’s odd,” said Miss Bull, white and frightened, “when he was so much

better. Did anything happen to upset him?”

“No,” said Emma. “Nothing. We barely talked at all.”

The nurse sent Essie for the doctor, reproaching herself all the while

for having allowed Emma to stay so long a time by the bed. But it was

almost impossible to refuse when a woman like Mrs. Downes said, “Surely

seeing his mother won’t upset him. Why, Miss Bull, we’ve always been

wonderful companions--my boy and I. He never had a father, you see. I

was both mother and father to him.” Miss Bull knew what a gallant fight

she’d made, for every one in the Town knew it. A widow, left alone, to

bring up her boy. You couldn’t be cruel enough to stop her from seeing

her own son.

When the doctor came and left again, shaking his head, Emma was

frightened, but her fright disappeared once more as the fever receded

again toward morning, and when at last she fell asleep, she was

thinking, “He doesn’t belong to her, after all. He’s never belonged to

her. He’s still my Philip.” There was in the knowledge a sense of

passionate triumph and joy, which wiped out all else--her doubts about

Moses Slade, her worry over Philip’s future, even the sudden, cold

terror that gripped her as she felt the fever stealing back into his

thin, transparent hand. He didn’t belong to Naomi. Why, he almost hated

her. He was still her boy.... And she had defeated Naomi.

In the darkness the tears dampened the pillow. God had not, after all,

forsaken her.

PART THREE

THE STABLE

1

At the back of the great Shane house there clustered a little group of

buildings arranged in plantation style. There were a laundry, a kennel,

an office and a stable with a double row of box-stalls. The whole was

overgrown with dying vines and was connected with the big white-trimmed

brick house by a sort of gallery, roofed but open on the sides. The

buildings were empty now, since the old woman had taken to her canopied

bed, save for the pair of fat old horses who never went out any more and

now stood fat and sleek, groomed carefully each day by the old negro who

acted as groom and general factotum. One daughter had given up her life

to the poor and the other to the great world and no one cared any longer

if the hinges rusted on the stable doors and the great wrought-iron

gates sagged at the entrance to the park. Ghosts haunted the place--the

ghost of the wicked old John Shane who had built the Castle, the ghosts

of all the great who had stayed at the Castle in the glamorous days

before the coming of the black Mills. Old Julia Shane lay dying, aloof,

proud, rich and scornful. Nobody cared....

When the strike came the whole park fell into a state of siege, walled

in on the one side by the Mills and on the other by the filthy houses of

the steelworkers. The warfare raged just outside its borders. Sometimes

in the night a shot sounded in the darkness. But neither side invaded

the territory: it remained in some mysterious way neutral and sacred, as

if the lingering spirit of the old woman who lay dying in the

smoke-blackened house held the world at bay. The doctor came twice

daily, making his way bravely through the black district of the strike;

once each day, the old nigger Hennery went timorously across the

Halstead Street bridge to fetch food. Irene Shane and sometimes Hattie

Tolliver, a cousin who came to “take hold,” went in and out. Otherwise

the place lay deserted and in solitude, waiting.

Early in December, when the first blackened snow lay among the dead

trees of the park, Irene Shane and Mary Conyngham visited the stables.

It was the first time Irene had gone there since she was a young girl

and kept a pony called Istar. To Mary Conyngham it was a strange place

never before visited. They were accompanied by the old nigger Hennery.

Above the stalls of the fat horses there was a room once occupied by a

coachman, which now lay empty save for a table, two or three chairs, an

iron stove and a bed. At each end of the room there was a big window

partly covered by the vines that overran the whole building. It was here

that the two women and the old negro came.

Irene, dressed in her shabby gray clothes, opened the door of the

harness-closet, looked inside, and then regarded the room with a

sweeping glance. “This ought to serve, very well,” she said.

Mary was pleased. “It’s perfect, I should think.”

“Put those newspapers in the stove, Hennery, and light them,” said

Irene. “He can’t work here unless there’s some means of heat.”

The papers went up in a burst of flame. The stove worked perfectly.

The two women looked at each other. “Will you tell him, then?” asked

Mary.

“Yes ... Krylenko will tell him. I don’t know him at all.”

Suddenly Mary kissed the older woman on the cheek. It was an odd,

grotesque gesture, which failed of all response. It was like kissing a

piece of marble to kiss a woman like Irene Shane.

“Thank you, Irene,” she said.

Irene ignored the speech, and turned to the old negro. “Clean the room

out, Hennery. There’s a Mr. Downes coming here to paint now and then.”

“What? Pitchers?” asked Hennery.

“Yes, pictures. He’s to come and go as he likes. You needn’t worry about

him.”

They left him raising clouds of dust with a worn stable-broom. It did

not strike him that there was anything extraordinary in the arrangement.

He had come to Shane’s Castle a buck nigger of eighteen, when John Shane

was a bachelor. He was sixty-five now. Anything, he knew, might happen

at Shane’s Castle. Life there possessed a sort of subterranean

excitement.

As he swept he kept thinking that Miss Lily was already on her way home

from Paris, coming to see her Mammy die. She hadn’t been home in seven

years. When Miss Lily came home, everything was changed. All the

excitement seemed to rise above the surface, and all life changed and

became a tingling, splendiferous affair. Even the presence of death in

the Castle couldn’t dampen the effect of Miss Lily.

2

With that first fall of snow the fever began to lose a little its hold

upon the twice-stricken community. As it waned the new terror came to

take its place--a terror that, like the fever, rose out of the black of

the Flats.

A good woman · 第 13 / 26 段