JOLLY NEWBOY, ESQ., M.P.

How different it is with the Newboys, now, where I have an entree

(having indeed had the honor in former days to give lessons to both the

ladies)--and where such a quack as Pinkney would never be allowed to

enter! A merrier house the whole quarter cannot furnish. It is there

you meet people of all ranks and degrees, not only from our quarter,

but from the rest of the town. It is there that our great man, the Right

Honorable Lord Comandine, came up and spoke to me in so encouraging

a manner that I hope to be invited to one of his lordship's excellent

dinners (of which I shall not fail to give a very flattering

description) before the season is over. It is there you find yourself

talking to statesmen, poets, and artists--not sham poets like Bulbul, or

quack artists like that Pinkney--but to the best members of all society.

It is there I made this sketch, while Miss Chesterforth was singing a

deep-toned tragic ballad, and her mother scowling behind her. What a

buzz and clack and chatter there was in the room to be sure! When Miss

Chesterforth sings, everybody begins to talk. Hicks and old Fogy were on

Ireland: Bass was roaring into old Pump's ears (or into his horn rather)

about the Navigation Laws; I was engaged talking to the charming Mrs.

Short; while Charley Bonham (a mere prig, in whom I am surprised that

the women can see anything,) was pouring out his fulsome rhapsodies in

the ears of Diana White. Lovely, lovely Diana White! were it not for

three or four other engagements, I know a heart that would suit you to a

T.

Newboy's I pronounce to be the jolliest house in the street. He has only

of late had a rush of prosperity, and turned Parliament man; for his

distant cousin, of the ancient house of Newboy of ----shire, dying,

Fred--then making believe to practise at the bar, and living with the

utmost modesty in Gray's Inn Road--found himself master of a fortune,

and a great house in the country; of which getting tired, as in the

course of nature he should, he came up to London, and took that fine

mansion in our Gardens. He represents Mumborough in Parliament, a seat

which has been time out of mind occupied by a Newboy.

Though he does not speak, being a great deal too rich, sensible, and

lazy, he somehow occupies himself with reading blue-books, and indeed

talks a great deal too much good sense of late over his dinner-table,

where there is always a cover for the present writer.

He falls asleep pretty assiduously too after that meal--a practice

which I can well pardon in him--for, between ourselves, his wife, Maria

Newboy, and his sister, Clarissa, are the loveliest and kindest of their

sex, and I would rather hear their innocent prattle, and lively talk

about their neighbors, than the best wisdom from the wisest man that

ever wore a beard.

Like a wise and good man, he leaves the question of his household

entirely to the women. They like going to the play. They like going to

Greenwich. They like coming to a party at Bachelor's hall. They are up

to all sorts of fun, in a word; in which taste the good-natured Newboy

acquiesces, provided he is left to follow his own.

It was only on the 17th of the month, that, having had the honor to dine

at the house, when, after dinner, which took place at eight, we left

Newboy to his blue-books, and went up stairs and sang a little to the

guitar afterwards--it was only on the 17th December, the night of Lady

Sowerby's party, that the following dialogue took place in the boudoir,

whither Newboy, blue-books in hand, had ascended.

He was curled up with his House of Commons boots on his wife's

arm-chair, reading his eternal blue-books, when Mrs. N. entered from her

apartment, dressed for the evening.

Mrs. N.--Frederick, won't you come?

Mr. N.--Where?

Mrs. N.--To Lady Sowerby's.

Mr. N.--I'd rather go to the Black Hole in Calcutta. Besides, this

Sanitary Report is really the most interesting--[he begins to read.]

Mrs. N.--(piqued)--Well, Mr. Titmarsh will go with us.

Mr. N.--Will he? I wish him joy.

At this juncture Miss Clarissa Newboy enters in a pink paletot, trimmed

with swansdown--looking like an angel--and we exchange glances of--what

shall I say?--of sympathy on both parts, and consummate rapture on mine.

But this is by-play.

Mrs. N.--Good night, Frederick. I think we shall be late.

Mr. N.--You won't wake me, I dare say; and you don't expect a public man

to sit up.

Mrs. N.--It's not you, it's the servants. Cocker sleeps very heavily.

The maids are best in bed, and are all ill with the influenza. I say,

Frederick dear, don't you think you had better give me YOUR CHUBB KEY?

This astonishing proposal, which violates every recognized law of

society--this demand which alters all the existing state of things--this

fact of a woman asking for a door-key, struck me with a terror which I

cannot describe, and impressed me with the fact of the vast progress of

Our Street. The door-key! What would our grandmothers, who dwelt in

this place when it was a rustic suburb, think of its condition now, when

husbands stay at home, and wives go abroad with the latchkey?

The evening at Lady Sowerby's was the most delicious we have spent for

long, long days.

Thus it will be seen that everybody of any consideration in Our Street

takes a line. Mrs. Minimy (34) takes the homoeopathic line, and has

soirees of doctors of that faith. Lady Pocklington takes the capitalist

line; and those stupid and splendid dinners of hers are devoured by

loan-contractors and railroad princes. Mrs. Trimmer (38) comes out in

the scientific line, and indulges us in rational evenings, where history

is the lightest subject admitted, and geology and the sanitary condition

of the metropolis form the general themes of conversation. Mrs. Brumby

plays finely on the bassoon, and has evenings dedicated to Sebastian

Bach, and enlivened with Handel. At Mrs. Maskleyn's they are mad for

charades and theatricals.

They performed last Christmas in a French piece, by Alexandre Dumas, I

believe--"La Duchesse de Montefiasco," of which I forget the plot, but

everybody was in love with everybody else's wife, except the hero, Don

Alonzo, who was ardently attached to the Duchess, who turned out to be

his grandmother. The piece was translated by Lord Fiddle-faddle, Tom

Bulbul being the Don Alonzo; and Mrs. Roland Calidore (who never misses

an opportunity of acting in a piece in which she can let down her hair)

was the Duchess.

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