ST. BARTHOLOMEW-THE-LESS AND THE HOSPITAL
Visitors to Rome will remember the Isola Tiberina, which lies in a
curve of the river between the city and Trastevere, and is reached from
the respective sides by the Ponte Quattro Capi and the Ponte San
Bartolomeo. It was to the hospital on this island that Rahere was sent
for medical treatment in his illness; and it is possible that the
disposing cause of his vision, with its practical outcome, may be found
in the circumstances of the place. The island had been dedicated to
Aesculapius on the strength of an ancient Roman legend; and about the
year 1000 the Emperor Otho III, erected a Christian church
there--probably on the site of a temple to the god--which was named
after St. Bartholomew, on the supposition that it contained the saint's
relics.[1] Below the church there are the remains of the old travertine
ramparts which gave the island the appearance of a ship on which the
edifice was resting--a fanciful picture of the "Navis Ecclesiae" as
reproduced in the twelfth century Priory seal. (_Vide_ Fig. C, page 73)
The combination of a hospital with a church, suggested by the island and
the vision, was realized in Rahere's double foundation on his return to
England. Until the time of the Dissolution the corporate body of the
hospital, and the staff for attendance upon the patients, were
identical, and consisted of a master, eight brethren, and four sisters,
all living in obedience to the Augustinian rule. Unfortunately no record
is preserved of the grant of the site, or of the deed of endowment; but
a Charter granted by Henry I in 1133 is extant, conferring certain
privileges on the church, prior, canons, and poor of the hospital.
(_Vide ante_ chap. i.) The annexation of the hospital to the priory was
subsequently confirmed by a Charter of King John in the fifth year of
his reign, which remained in force without material change till the
separation effected under Henry VIII. The connection involved the
presentation of each newly elected Master to the Prior of St.
Bartholomew's, or, if he refused institution, to the Bishop of London;
the assent of the prior and canons being, however, required before any
one could become a member of the Hospital Society. The Act of 1539
superseded all previous legislation affecting the monastic foundations;
the Priory and Hospital were separated; and the revenues of both
transferred to the royal exchequer. But on the petition of Sir Richard
Gresham, Lord Mayor of London, and father of Sir Thomas Gresham, the
Hospital was refounded by royal charter--27th December, 1546, 38 Henry
VIII--which restored the greater part of its former revenues, in
consideration of
the miserable estate of the poore, aged, sick, low, and impotent
people, as well men as women, lying and going about begging in
the common streets of the said City of London and the suburbs of
the same, to the great paine and sorrowe of the same poore,
aged, sick, and impotent people, and to the great infection,
hurt, and annoyance of His Grace's loving subjects, which of
necessity must daily goe and pass by the same poore, sick, low,
and impotent people, being infected with divers great and
horrible sicknesses and diseases.
The Indenture goes on to convey to the mayor, commonalty, and citizens
of London the buildings formerly belonging to the Grey Friars as well as
the late Hospital of St. Bartholomew, in West Smithfield,
otherwise called the Hospital of Little St. Bartholomew, and the
Church of the same, and all the manors, parsonages, messuages,
lands, tithes, advowsons, and hereditaments, late part of the
possession of the said Hospital
with certain specified exceptions which the charity had to lose, and
no longer form part of its history. The immediate result was that the
Church of the Grey Friars became the parish church of Christ Church,
Newgate, and the chapel pertaining to the hospital (the survivor of
four, three of which were alienated) the parish church of Little St.
Bartholomew, now more familiarly known as St. Bartholomew-the-Less. Two
priests were then attached to it, one called the vicar, who was granted
a mansion and a stipend of _£13 6s. 8d._ per annum; the other, the
hospitaller or visitor, whose stipend was fixed at _£10_. The
accommodation of the hospital at that time was for one hundred poor men
and women, lodging within it, under the superintendence of a single
matron, with twelve women assistants. It is interesting to compare these
figures with those of the present day, when the hospital contains as
many as six hundred and seventy beds, with three hundred and fifty
nurses on the staff, and every year relieves over one hundred and fifty
thousand poor sick people, besides maintaining a convalescent home, with
seventy beds, at Kettlewell, Swanley, Kent.[2]
[Illustration: ST. BARTHOLOMEW-THE-LESS
_E. Scamell. Photo._]
The hospital chapel, converted into a parish church after the
Dissolution, had fallen into a very dilapidated state towards the end of
the eighteenth century. In the year 1789 the restoration of the building
was committed to Mr. George Dance, then architect and surveyor to the
hospital. He made a considerable alteration in the interior by
ruthlessly destroying the old work, for which he substituted an
octagonal structure, within the rectangular plan, allowing the external
walls to remain in their original form, with the square tower which
still stands at the western end--the whole enveloped in a coating of
cement. The internal erection was entirely in wood, ingeniously carved
and coloured to resemble stone; but the false economy of it was soon
manifested in dry-rot, which spread to such an alarming extent that a
reconstruction became necessary. The rebuilding was taken in hand in
1823 by Mr. Thomas Hardwick, who had a much better knowledge of pointed
architecture than his predecessor. He removed the whole of the timber,
substituting stone and iron for it, and while adhering to Mr. Dance's
general design, improved upon it by introducing fresh details of his
own, more in harmony with the fabric in which it was enclosed. The
church has since been restored, but the incongruity is still obvious
enough, especially from the outside, where the octagon projects above
the ancient walls, and the small pentagonal chancel beyond them at the
eastern end.
[Illustration: BRASS OF WILLIAM AND ALICE MARKEBY]
The entrance is by a low Tudor doorway in the tower, which still bears
traces of the original work. On the pavement of the vestibule there is
an interesting brass, with the figures of William Markeby and his wife,
and an inscription which now reads: "Hic jacent Will'mo Markeby de
Londiniis gentlemo' qui obiit XI die Julii A. D'ni MCCCCXXXIX et Alicia
uxor ei," the concluding words "quorum animabus propitietur Deus. Amen"
having been erased.[3] There are two other ancient memorials in this
part of the church which call for special notice, viz.: on the north
wall, within the present vestry, a niche contains the figure of an angel
bearing a shield of arms, beneath which another shield, surmounted by a
crown, and upheld by two angels, displays the arms of Edward the
Confessor impaled with those of England. And against the western wall
there is a good example of a canopied altar-tomb, in the Tudor style,
with a memorial tablet (1741) inserted in it, which is obviously much
later than the tomb itself. This is said to have originally stood at the
eastern end of the south wall, where it was discovered during the
eighteenth century reconstruction, and then deprived of its ornamental
projections, where the marks of the chisel are seen upon the surface.
[Illustration: ANCIENT SCULPTURED TABLETS IN ST. BARTHOLOMEW-THE-LESS
WEST END OF NORTH WALL]
At the eastern end of the north wall there is a tablet to the memory of
the wife of Sir Thomas Bodley, whose name has been given to the famous
library at Oxford. The curious old stone beneath it, which was
discovered during the alterations, and then affixed to the wall, has the
double interest of great antiquity and a puzzling inscription beginning,
"_Ecce sub hoc tumulo Guliemus conditur_."
The exterior of the church, though spoilt by the composition laid over
the walls, has still a certain interest as part of the original fabric,
and still contains the arches of most of the old windows, viz., three on
each side, one at the west end, another immediately over the doorway,
and four in the uppermost storey of the tower. There were originally
four windows on each side, but those in the easternmost bays have been
removed, and the spaces filled up. Besides containing the memorials
above mentioned, the vestibule has more architectural interest than any
other part of the building in the surviving arches on the northern and
eastern sides of the space beneath the tower. Here there is an
aggregation of columns, with moulded bases and capitals, and banded in
the centre, varied by the introduction of half-length shafts resting on
sculptured corbels. The central area is nearly square, but has been
formed into an octagon by an arcading, on a series of clustered columns,
from each of which spring the moulded ribs of the ceiling. These ribs
are of Bath stone, and after an elaborate intertwining, are brought
together above in a central boss, from which hangs a large brass corona
to light the church. The roof is of iron, the panels within the groining
being overlaid with plaster. Above the main arcade there is a clerestory
of dwarfed windows, filled with tinted glass in an ornamental framework,
as are also the side windows, excepting those nearest the east. These
display a selection of Scripture miracles. There are three painted
windows over the altar, the central containing scenes from the life of
Christ, those to the north and south representing the Old and New
Testaments respectively. To the north of the recess forming the
sanctuary there is an alabaster pulpit,[4] and on the south stands a
small organ.
Services are held at eleven and five o'clock on Sundays, and the church
is open every day for private devotion. It is provided with seats to
accommodate about 200 people. The present vicar and hospitaller is the
Rev. Herbert Skillicorn Close, M.A.
FOOTNOTES:
[1] St. Bartholomew was first interred at Albanopolis, in
Greater Armenia, the scene of his passion, and his remains were
afterwards translated successively to Daras, a city on the
confines of Persia; to the island of Lipari; and to Beneventum.
There is a tradition that his relics were eventually conveyed
to Rome, but exactly where they were laid is uncertain.
[2] A full account of the hospital, brought down to 1837, is
given in the Report of the Charity Commissioners on "Charities
in England," issued in that year (_vide_ No. 32, part vi), and
since reprinted by Messrs. Wyman and Sons. Dr. Norman Moore is
now engaged in writing a new history to the present time. The
name of the first patient is recorded in the "Liber
Fundationis" as "Adwyne of Dunwych."
[3] At the time of Stow's survey the church contained many
brasses and monuments which have disappeared; but a tolerably
complete account of them may be obtained by adding the
descriptions supplied by Weever ("Funeral Monuments") and Gough
("Sepulchral Monuments," vol. ii) to those given by the old
chronicler.
[4] There was formerly a chapel in the north-east corner.
* * * * *
[Illustration: PLAN OF ST. BARTHOLOMEW-THE-LESS
Dimensions: length, including vestibule, 65 ft.;
without vestibule, 50 ft.;
width, 41 ft. 9 in.
(The measurements do not include the small chancel.)]
* * * * *
APPENDIX I
THE PRIORY SEALS
_Fig. A._ Twelfth century. Sulphur cast from fine impression, the edge
chipped. About 3-1/8 × 2 in. when perfect.
Pointed oval: St. Bartholomew standing, with nimbus, lifting up the
right hand in benediction, in the left hand a long cross.
... HOSPITALIS SANCTI ... HOLOME ...
(3487. lxviii. 45.)
[Illustration: A B C]
_Fig. B._ Twelfth century. Sulphur cast from imperfect impression. About
2½ × 2¼ in. when perfect.
Oval: St. Bartholomew, with nimbus, lifting up the right hand in
benediction, in the left hand a long cross. The saint is half length on
the section of a church, with round-headed arches, and two circular
side-towers.
[Symbol: Maltese Cross] SIGILL' CONVENTUS ECC ... HOLO ... I.
DE. L[=V]DON.
(3488. lxviii. 22.)
_Fig. C._ _A Counterseal._ Twelfth century. Sulphur cast, 1¾ in. A
church, with central tower, a cross at each gable end, and two tall
round-headed arches in the wall, standing on a ship of antique shape,
with curved prow and stern, each terminating in a bird's head, on the
sea. In a field over the tower, the inscription: NAVIS ECCL'IE. On the
left a wavy estoile of six points, on the right a crescent.
SIGILL' : PRIORIS : ECCLESIE : S[=C]I:BARTOLOMEI.
(3489. lxviii. 23.)
_Fig. D._ _Later Seal._ Thirteenth and fourteenth centuries. Sulphur cast
from imperfect impression. About 3 × 1-7/8 in.
[Illustration: D E F]
Pointed oval: St. Bartholomew standing on a lion _couchant guardant_, in
the right hand a knife, his emblem, in the left hand a book. Overhead, a
trefoil canopy pinacled and crocketed. On each side in the field a tree
on which is slung by the strap a shield of arms: England.
S'C ... E. HOSPITAL ... SANCTI : BARTH'I.
LONDON'.
(3490. lxviii. 46.)
_Fig. E._ _A Counterseal._ Thirteenth century. Sulphur cast from chipped
impression. 1-1/4 × 7/8 in.
Pointed oval: the impression of an antique oval intaglio gem. An eagle
displayed.
[Symbol: Maltese Cross] SI ... HOSPITAL'. S. BARTHOL'.
(3491. lxviii. 47.)
_Fig. F._ _Common Seal of the Prior and Convent._ A.D. 1533. Bronze-green:
fine, showing marks of the pins or studs employed to keep the two sides
of the matrix in proper position, 2-1/8 in.
_Obverse._ St. Bartholomew, seated on a carved throne (somewhat
resembling the throne on the _obv._ of the great seal of Edward I), in
the right hand a book, in the left hand a knife. In the field, on the
left a crescent, on the right an estoile, each between two groups of
three small spots (the whole representing the heavens). Thirteenth
century style of work.
[Symbol: Six-petals] SIGILLVM : COMMVNE : PRIOR' : ET : C[=O]V[=E]TV[S :
S[=C]I : BA]RTHOLOMEI : LONDON'.
(3492 and _Harl. Ch._ 83 A. 43.)
[Illustration: G H I]
_Fig. G._ _Reverse of the same seal._ A church, with central spire, a
cross at each gable end, masoned walls imitating ashlar-work, and
traceried windows, standing on a ship with a castle at each end, that on
the left pointed, that on the right square, on the sea.
In the field at the sides, the inscription:
NAVIS ECCL'E. CREDIMVS : ANTE : DEVM :
PROVEHI : PER : BARTHOLOMEVM.
Beaded borders. ("Vetusta Monumenta," vol. ii, pl. xxxvi.)
_Fig. H. Seal ad Causas._ Fourteenth century. Sulphur cast from
imperfect impression. 2-3/8 × 1-1/2 in.
Pointed oval: St. Bartholomew standing on a corbel, in the right hand a
knife, in the left hand a long cross.
... ET CONV ... THOL'I LOND' AD CAVS ...
(3495. lxviii. 26.)
_Fig. I._ _Seal of the New Foundation for Preaching Friars, by Queen
Mary._ A.D. 1556-1558. 2-1/2 x 1-5/8 in.
Pointed oval: St. Bartholomew, standing, with nimbus, in the right hand
a knife, in the left hand a book, under a dome-shaped baldachin or
canopy in the style of the Renaissance, supported on two pilasters. In
the exergue a floral ornament.
[Illustration: K L]
SIGILL[=V]. C[=O]V[=E]T' SCTI : BARTHOLOMEI : ORDINIS
FRATR[=V] PREDICATOR[=V] : L[=O]D[=O].
Inner border beaded.
(From an impression taken direct from the matrix in the Church. There is
an example on red sealing-wax in the British Museum.--3496. XXV. 88; see
also "Archaeologia," vol. XV, p. 400.)
_Later Seal of the Hospital._
A.D. 1695. Red, covered with paper before impression. 3 in.
(3498, and Add. Ch. 1685.)
_Fig. K._ _Obverse._ St. Bartholomew, full-length, surrounded with
radiance, lifting up the right hand in benediction, in the left hand a
long cross.
[Symbol: Maltese Cross] COMM ... SIGILL[=V] HOSPITAL'
APOSTOLI.
_Fig. L._ _Reverse._ A shield of arms: City of London.
In the field, the inscriptions: 1[66]1 (?). INSIGNIA LONDO.
Background diapered with wavy branches of foliage.
... EST SMITHFIELD [Symbol: Fleur] ET [Symbol: Fleur] HOSPITALI ...
With the exception of the Marian seal (Fig. _I_), the illustrations come
from the impressions in the British Museum, whose catalogue numbers are
given in every case for convenient reference.
APPENDIX II
THE AUGUSTINIAN PRIORS
Rahere 1123-1144
Thomas 1144-1174
Roger about 1174
Richard 1202-1206
G. of Osney 1213
John 1226-1232
Gerard 1232-1241
Peter le Duc 1242-1255
Robert 1255-1261
Gilbert de Weledon 1261-1263
John Bacun 1265
Henry
Hugh 1273-1295
John de Kensington 1295-1316
John de Pekenden 1316-1350
Edmund de Broughyng 1350-1355
John de Carleton 1355-1361
Thomas de Watford 1361-1382
William Gedeney 1382-1391
John Eyton, D.D., _alias_ Repyngdon 1391-1404
John Watford 1404-1414
William Coventre 1414-1436
Reginald Colier 1436-1471
Richard Pulter 1471-1480
Robert Tollerton 1480-1484
William Guy 1484-1505
William Bolton 1505-1532
Robert Fuller, Abbot of Waltham 1532-1539
Priory suppressed, 31 Henry VIII 25th October, 1539
Priory revived, 2 and 3 Philip and Mary Easter, 1556
DOMINICAN PRIOR
William Perrin, D.D. 1556-1558
Priory suppressed, I Elizabeth 13th July, 1559
RECTORS
John Deane {Parish Priest 1539-1544
{Rector 1544-1563
Ralph Watson 1565-1569
Robert Binks 1570-1579
James Stancliffe, M.A. 1581
John Pratt 1582-1587
David Dee, M.A. 1587-1605
Thomas Westfield, D.D., Bishop of Bristol 1605-1644
John Garrett, M.A. 1644-1655
Randolph Harrison, D.D. 1655-1663
Anthony Burgess, M.A. 1663-1709
John Poultney, M.A. 1709-1719
Thomas Spateman, M.A. 1719-1738
Richard Thomas Bateman 1738-1761
John Moore, M.A. 1761-1768
Owen Perrott Edwardes, M.A. 1768-1814
John Richard Roberts, B.D. 1814-1819
John Abbiss, M.A. 1819-1883
William Panckridge, M.A. 1884-1887
Sir Borradaile Savory, Bart., M.A. 1887-1906
William Fitzgerald Gambier Sandwith, M.A. 1907
PATRON OF THE LIVING
Capt. F. A. Phillips.
APPENDIX III
INVENTORY OF VESTMENTS, ETC., AT THE CHURCH OF ST.
BARTHOLOMEW-THE-GREAT, TAKEN IN THE YEAR 1574
"Certayne things appertaining to the Churche as followethe:--
Imprimis a comunion cloth of redd silke and goulde.
Itm a comunion coppe (cup) of silver withe a cover.
Itm a beriall cloth of red velvet and a pulpitte clothe of the same.
Itm two grene velvet quishins (cushions).
Itm a blewe velvet cope.
Itm a blewe silke cope.
Itm a white lynnen abe (albe) and a hedd clothe (amice) to the same.
Itm a vestment of tawney velvet.
Itm a vestment of redd rought velvet.
Itm a vestment of grene silke with a crosse garde of red velvet.
Itm a crosse banner of redd tafata gilted.
Itm two stoles of redd velvet.
Itm two white surplices.
Itm two comunion table clothers.
Itm two comunion towels.
Itm one olde bible.
Itm one great booke.
Itm one olde sarvice booke for the minister."
APPENDIX IV
THE ORGAN
The organ now at St. Bartholomew's, where it supersedes one purchased by
subscription in 1731, was originally built by George England in 1760 for
the Church of St. Stephen, Walbrook. Considerable work was there done
upon it by Messrs. William Hill and Son in 1872, viz:
I. The pipes of Great and Choir stops were replanted, CC pipes over
the GG grooves, and the compass altered to CC to G throughout.
II. The following alterations were made in the Great organ:
Open Diapason (ii) extended from gamut G to CC.
Mixture replaced by new pipes where required.
New Trumpet inserted, and the old one transferred to Swell.
_Choir._ Dulciana (new) C (grooved).
Keraulophon (new) C (grooved).
Clarinet CC.
_Swell._ New soundboard (CC to G), swell-box and new action.
New Bourdon, 16 feet.
Cornet made into 12 and 15 feet.
New mixture--four ranks.
German Flute revoiced.
Old Great organ Trumpet arranged to form Double Trumpet from
tenor C.
All stops, except German Flute and Double Trumpet, carried
down to CC.
_Pedal._ Bourdon, new, 16 feet.
Open Diapason, 16 feet (compass arranged CCC to F thirty
notes).
Trombone, new, 16 feet.
_Couplers._ New, Swell to Great, Great to Pedal, Swell to Pedal, Choir
to Pedal, Swell to Choir.
New keyboards.
New Pedal keyboard.
New Drawstop knobs.
New additional bellows.
Five new Composition Pedals (three to Great organ, and two
to Swell organ).
Specification of the instrument after the above-mentioned work was done.
GREAT ORGAN, CC TO G.
Open Diapason (i) 8 feet
Open Diapason (ii) 8 "
Stopped Diapason 8 "
Principal 4 "
Twelfth 2-2/3 "
Fifteenth 2 "
Nason Flute 4 "
Furniture.
Sesquialtra.
Trumpet 8 "
Clarion 8 "
SWELL ORGAN, CC TO G.
Bourdon 16 feet
Open Diapason 8 "
German Flute 8 "
Stopped Diapason 8 "
Principal 4 "
Twelfth 2-2/3 "
Fifteenth 2 "
Double Trumpet (C) 16 "
Trumpet 8 "
Oboe 8 "
Clarion 4 "
CHOIR ORGAN, CC TO G.
Dulciana 8 feet
Keraulophon (C grooved) 8 "
Stopped Diapason 8 "
Principal 4 "
Flute 4 "
Fifteenth 2 "
French Horn tenor F# 8 "
Vox Humana 8 "
Clarinet 8 "
PEDAL ORGAN, CCC TO F.
Open Diapason 16 feet
Bourdon 16 "
Trombone 16 "
COUPLERS.
Swell to Great.
Swell to Choir.
Swell to Pedal.
Great to Pedal.
Choir to Pedal.
Three Composition Pedals to Great.
Two Composition Pedals to Swell.
In 1886 the organ was purchased from St. Stephen's, Walbrook, for St.
Bartholomew-the-Great, where a new case was made for it, the original
being retained at St. Stephen's, for the sake of the carving, attributed
to the famous Grinling Gibbons. Several alterations were then made in
the instrument to adapt it to its new position, and at the present time
the specification is as follows:
GREAT ORGAN, CC TO G.
Open Diapason (i) 8 feet
Open Diapason (ii) 8 "
Stopped Diapason 8 "
Principal 4 "
Wald-Flute 4 "
Twelfth 2-2/3 "
Fifteenth 2 "
Mixture (4 ranks).
Furniture (3 ranks).
Trumpet 8 "
Clarion 4 "
CHOIR ORGAN, CC TO G.
Dulciana 8 feet
Keraulophon 8 "
Hohl Flute 8 "
Gamba 8 "
Suabe Flute 4 "
Fifteenth 2 "
French Horn 8 "
Clarinet 8 "
Vox Humana 8 "
SWELL ORGAN, CC TO G.
Bourdon 16 feet
Open Diapason 8 "
German Flute 8 "
Stopped Diapason 8 "
Vox Angelica 8 "
Principal 4 "
Fifteenth 2 "
Mixture (4 ranks).
Double Trumpet 16 "
Trumpet 8 "
Oboe 8 "
Clarion 4 "
PEDAL ORGAN, CCC TO F.
Open Diapason 16 feet
Bourdon 16 "
Trombone 16 "
COUPLERS.
Swell to Great.
Swell to Choir.
Great to Pedal.
Choir to Pedal.
Swell to Pedal.
Five Combination Pedals.
* * * * *
INDEX
Ambulatory, 50.
Anthony, Francis, 52, and note.
Bartholomew Fair, 7, and note.
Bells, 28.
Belmeis, Bishop Richard de. 5.
Black Friars, Dominican Order of, 13, and note.
Canonbury House, 43 (note).
Canons Regular of St. Augustine, 6, and note.
Choir, 40.
Clerestory, 44.
Cloister, 58.
Crypt, 57.
Dimensions of St. Bartholomew-the-Great, 84.
---- of St. Bartholomew-the-Less, 71.
Early English columns, 33.
---- gateway, 26.
Exterior of the Church, 25, _et seq._
Font, 39.
Grindal, Bishop Edmund, 16.
History of the Foundation, 3, _et seq._
Hogarth, William, 39.
"Horseshoe" arches, 40.
Hospital, 63, _et seq._
Lady Chapel, 10, 55.
Monasteries in London at the Dissolution, 13.
Monuments:
Anthony, 52.
Chamberlayne, 48.
Freshwater, 40.
Mildmay, 54.
Savory, 57 (note).
Smalpace, 49.
Nave, surviving bay of, 33.
Oriel Window (Prior Bolton's), 10, 43.
Organ, Specifications of, 80-82.
---- Screen, 33.
Porches:
West, 26.
North, 28.
South, 39.
Priors, list of, 77-78.
Priory Buildings, conjectural plan of, 14.
---- Desecration of, 17-20.
Pulpit, 48.
Rahere:
Early life, 3.
Conversion, 4.
Vision and vow, 4.
Realized in the Smithfield Foundation, 5.
Charter of privileges granted, 6.
Death, 8.
Tomb, 45.
Rectors, list of, 78.
Restoration of the Church, 20-22.
Rich, Sir Richard, 12, 16.
St. Bartholomew-the-Less and the Hospital, 64, _et seq._
Savory, Sir Borradaile, Memorials to, 27, 48, 57 (notes).
Seals of the Convent and Hospital, 73-77.
Services at the Church, 30.
Smithfield, 5.
Stone Screen (ancient), 38.
Surrender of the Priory to Henry VIII, 10.
Tower (ancient central) and arches, 35.
---- (17th century western), 27.
Transepts:
North, 35.
South, 38.
Triforium, 43.
Vestments, Inventory of, 79.
West Front, 26.
* * * * *
DIMENSIONS OF THE CHURCH OF ST. BARTHOLOMEW-THE-GREAT
(_Internal_)
CHOIR: Length 105 feet 2 inches
Breadth 27 " 8 "
AMBULATORY: Breadth 12 " 10 "
NAVE (surviving bay): From east to west 8 " 3 "
NORTH TRANSEPT: From east to west 27 " 8 "
From north to south 19 " 3 "
SOUTH TRANSEPT: From east to west 27 " 4 "
From north to south 21 " 6 "
LADY CHAPEL: Length 60 " 6 "
Breadth 23 " 7 "
CLOISTER (three bays restored):
Length 38 " 8 "
Breadth 13 " 2 "
[Illustration: PLAN OF ST. BARTHOLOMEW-THE-GREAT (EXISTING CHURCH)
REFERENCES.
A Choir.
B Lady Chapel.
C South Transept.
D North Transept.
E Portion of Cloister.
F West Porch.
G North Porch.
H South Porch.
I Clergy Vestry.
K Pulpit.
L Baptistery.
M Founder's Tomb.
N Mildmay Monument.]
[Illustration]
CHISWICK PRESS: CHARLES WHITTINGHAM AND CO.
TOOKS COURT, CHANCERY LANE, LONDON.
* * * * *
BELL'S CATHEDRAL SERIES
_Profusely Illustrated. Cloth, crown 8vo_, #1s. 6d.# _net each_.
NOW READY.
ENGLISH CATHEDRALS. An Itinerary and Description. Compiled by J.
G. GILCHRIST, A.M., M.D. Revised and edited with an Introduction
on Cathedral Architecture by Rev. T. PERKINS, M.A., F.R.A.S.
BANGOR. By P. B. IRONSIDE-BAX.
BRISTOL. By H. J. L. J. MASSÉ, M.A.
CANTERBURY. By HARTLEY WITHERS. 4th Edition.
CARLISLE. By C. K. ELEY.
CHESTER. By CHARLES HIATT. 2nd Edition, revised.
CHICHESTER. By H. C. CORLETTE, A.R.I.B.A. 2nd Edition.
DURHAM. By J. E. BYGATE, A.R.C.A. 2nd Edition.
ELY. By Rev. W. D. SWEETING, M.A. 2nd Edition.
EXETER. By PERCY ADDLESHAW, B.A. 2nd Edition.
GLOUCESTER. By H. J. L. J. MASSÉ, M.A. 2nd Edition.
HEREFORD. By A. HUGH FISHER, A.R.E. 2nd Edition, revised.
LICHFIELD. By A. B. CLIFTON. 2nd Edition, revised.
LINCOLN. By A. F. KENDRICK, B.A. 3rd Edition, revised.
LLANDAFF. By E. C. MORGAN-WILLMOTT.
MANCHESTER. By the Rev. T. PERKINS, M.A., F.R.A.S.
NORWICH. By C. H. B. QUENNELL. 2nd Edition.
OXFORD. By Rev. PERCY DEARMER, M.A. 2nd Edition, revised.
PETERBOROUGH. By Rev. W. D. SWEETING, M.A. 2nd Edition.
RIPON. By CECIL HALLET, B.A.
ROCHESTER. By G. H. PALMER, B.A. 2nd Edition.
ST. ALBANS. By Rev. T. PERKINS, M.A.
ST. ASAPH. By P. B. IRONSIDE-BAX.
ST. DAVID'S. By PHILIP ROBSON, A.R.I.B.A.
ST. PATRICK'S, DUBLIN. By the Very Rev. Dean BERNARD. 2nd
Edition.
ST. PAUL'S. By Rev. ARTHUR DIMOCK, M.A. 2nd Edition.
SALISBURY. By GLEESON WHITE. 2nd Edition, revised.
SOUTHWARK, ST. SAVIOUR'S. By GEORGE WORLEY.
SOUTHWELL. By Rev. ARTHUR DIMOCK, M.A. 2nd Edition.
WELLS. By Rev. PERCY DEARMER, M.A. 2nd Edition, revised.
WINCHESTER. By P. W. SERGEANT. 3rd Edition, revised.
WORCESTER. By EDWARD F. STRANGE.
YORK. By A. GLUTTON BROCK. 3rd Edition.
_Others to follow._
* * * * *
_Uniform with above Series_, 1s. 6d. _net each_.
BATH ABBEY, MALMESBURY ABBEY, AND BRADFORD-ON-AVON CHURCH. By
Rev. T. PERKINS, M.A.
BEVERLEY MINSTER. By CHARLES HIATT. 47 Illustrations.
ST. MARTIN'S CHURCH, CANTERBURY. By Rev. CANON ROUTLEDGE, M.A.
F.S.A. 24 Illustrations.
ROMSEY ABBEY. By Rev. T. PERKINS, M.A.
STRATFORD-ON-AVON. By HAROLD BAKER.
THE TEMPLE CHURCH. By GEORGE WORLEY.
ST. BARTHOLOMEW'S, SMITHFIELD. By GEORGE WORLEY.
TEWKESBURY ABBEY AND DEERHURST PRIORY. By H. J. L. J. MASSÉ,
M.A. 44 Illustrations.
WESTMINSTER ABBEY. By CHARLES HIATT.
WIMBORNE MINSTER AND CHRISTCHURCH PRIORY. By Rev. T. PERKINS,
M.A., F.R.A.S. 65 Illustrations.
#Bell's Handbooks to Continental Churches.#
_Profusely Illustrated. Crown 8vo, cloth_, #2s. 6d.# _net each_.
CHARTRES: The Cathedral and Other Churches. By H. J. L. J.
MASSÉ, M.A.
ROUEN: The Cathedral and Other Churches. By the Rev. T. PERKINS,
M.A.
AMIENS. By the Rev. T. PERKINS, M.A., F.R.A.S.
PARIS (NOTRE-DAME). By CHARLES HIATT.
MONT ST. MICHEL. By H. J. L. J. MASSÉ, M.A.
BAYEUX. By the Rev. R. S. MYLNE, M.A.
* * * * *
LONDON: GEORGE BELL AND SONS.
OPINIONS OF THE PRESS.
"For the purpose at which they aim they are admirably done, and there
are few visitants to any of our noble shrines who will not enjoy their
visit the better for being furnished with one of these delightful books,
which can be slipped into the pocket and carried with ease, and is yet
distinct and legible.... A volume such as that on Canterbury is exactly
what we want, and on our next visit we hope to have it with us. It is
thoroughly helpful, and the views of the fair city and its noble
cathedral are beautiful. Both volumes, moreover, will serve more than a
temporary purpose, and are trustworthy as well as delightful."--_Notes
and Queries._
"We have so frequently in these columns urged the want of cheap,
well-illustrated, and well-written handbooks to our cathedrals, to take
the place of the out-of-date publications of local booksellers, that we
are glad to hear that they have been taken in hand by Messrs. George
Bell & Sons."--_St. James's Gazette._
"The volumes are handy in size, moderate in price, well illustrated, and
written in a scholarly spirit. The history of cathedral and city is
intelligently set forth and accompanied by a descriptive survey of the
building in all its detail. The illustrations are copious and well
selected, and the series bids fair to become an indispensable companion
to the cathedral tourist in England."--_Times._
"They are nicely produced in good type, on good paper, and contain
numerous illustrations, are well written, and very cheap. We should
imagine architects and students of architecture will be sure to buy the
series as they appear, for they contain in brief much valuable
information."--_British Architect._
"Bell's 'Cathedral Series,' so admirably edited, is more than a
description of the various English cathedrals. It will be a valuable
historical record, and a work of much service also to the architect. The
illustrations are well selected, and in many cases not mere bald
architectural drawings but reproductions of exquisite stone fancies,
touched in their treatment by fancy and guided by art."--_Star._
"Each of them contains exactly that amount of information which the
intelligent visitor, who is not a specialist, will wish to have. The
disposition of the various parts is judiciously proportioned, and the
style is very readable. The illustrations supply a further important
feature; they are both numerous and good. A series which cannot fail to
be welcomed by all who are interested in the ecclesiastical buildings of
England."--_Glasgow Herald._
"Those who, either for purposes of professional study or for a cultured
recreation, find it expedient to 'do' the English cathedrals will
welcome the beginning of Bell's 'Cathedral Series.' This set of books is
an attempt to consult, more closely, and in greater detail than the
usual guide-books do, the needs of visitors to the cathedral towns. The
series cannot but prove markedly successful. In each book a
business-like description is given of the fabric of the church to which
the volume relates, and an interesting history of the relative diocese.
The books are plentifully illustrated, and are thus made attractive as
well as instructive. They cannot but prove welcome to all classes of
readers interested either in English Church history or in ecclesiastical
architecture."--_Scotsman._
"They have nothing in common with the almost invariably wretched local
guides save portability, and their only competitors in the quality and
quantity of their contents are very expensive and mostly rare works,
each of a size that suggests a packing-case rather than a coat-pocket.
The 'Cathedral Series' are important compilations concerning history,
architecture, and biography, and quite popular enough for such as take
any sincere interest in their subjects."--_Sketch._
LONDON: GEORGE BELL AND SONS
* * * * *
Transcriber's Notes:
1. Words and phrases which were italicized in the original have been
surrounded by underscores ('_') in this version. Words or phrases
which were bolded have been surrounded by pound signs ('#').
2. Obvious printer's errors have been corrected without note.
3. Inconsistencies in hyphenation or the spelling of proper names, and
dialect or obsolete word spelling, has been maintained as in the
original.
4. Special characters and symbols have been represented as follows:
Single characters with line above: [=x], where x is the character.
Solid Maltese cross: [Symbol : Maltese Cross]
Line drawing of a six-petaled flower: [Symbol : 6-Petal]
Line drawing of a fleur-de-lis: [Symbol: Fleur]