II

[Illustration: The little church at the foot of the grey-green down]

ON Sundays my feet take ever the same way. First my temple service,

and then five miles tramp over the tender, dewy fields, with their

ineffable earthly smell, until I reach the little church at the foot

of the grey-green down. Here, every Sunday, a young priest from a

neighbouring village says Mass for the tiny hamlet, where all are

very old or very young--for the heyday of life has no part under the

long shadow of the hills, but is away at sea or in service. There is

a beautiful seemliness in the extreme youth of the priest who serves

these aged children of God. He bends to communicate them with the

reverent tenderness of a son, and reads with the careful intonation

of far-seeing love. To the old people he is the son of their old

age, God-sent to guide their tottering footsteps along the highway

of foolish wayfarers; and he, with his youth and strength, wishes no

better task. Service ended, we greet each other friendly--for men

should not be strange in the acre of God; and I pass through the little

hamlet and out and up on the grey down beyond. Here, at the last gate,

I pause for breakfast; and then up and on with quickening pulse,

and evergreen memory of the weary war-worn Greeks who broke rank to

greet the great blue Mother-way that led to home. I stand on the summit

hatless, the wind in my hair, the smack of salt on my cheek, all round

me rolling stretches of cloud-shadowed down, no sound but the shrill

mourn of the peewit and the gathering of the sea.

The hours pass, the shadows lengthen, the sheep-bells clang; and I lie

in my niche under the stunted hawthorn watching the to and fro of the

sea, and Æolus shepherding his white sheep across the blue. I love the

sea with its impenetrable fathoms, its wash and undertow, and rasp of

shingle sucked anew. I love it for its secret dead in the Caverns of

Peace, of which account must be given when the books are opened and

earth and heaven have fled away. Yet in my love there is a paradox, for

as I watch the restless, ineffective waves I think of the measureless,

reflective depths of the still and silent Sea of Glass, of the dead,

small and great, rich or poor, with the works which follow them, and

of the Voice as the voice of many waters, when the multitude of one

mind rends heaven with alleluia: and I lie so still that I almost feel

the kiss of White Peace on my mouth. Later still, when the flare of

the sinking sun has died away and the stars rise out of a veil of

purple cloud, I take my way home, down the slopes, through the hamlet,

and across miles of sleeping fields over which night has thrown her

shifting web of mist--home to the little attic, the deep, cool well,

the kindly wrinkled face with its listening eyes--peace in my heart and

thankfulness for the rhythm of the road.

[Illustration: My niche under the stunted hawthorn]

Monday brings the joy of work, second only to the Sabbath of rest,

and I settle to my heap by the white gate. Soon I hear the distant

stamp of horsehoofs, heralding the grind and roll of the wheels which

reaches me later--a heavy flour-waggon with a team of four great gentle

horses, gay with brass trappings and scarlet earcaps. On the top of the

craftily piled sacks lies the white-clad waggoner, a pink in his mouth

which he mumbles meditatively, and the reins looped over the inactive

whip--why should he drive a willing team that knows the journey and

responds as strenuously to a cheery chirrup as to the well-directed

lash? We greet and pass the time of day, and as he mounts the rise he

calls back a warning of coming rain. I am already white with dust as he

with flour, sacramental dust, the outward and visible sign of the stir

and beat of the heart of labouring life.

Next to pass down the road is an anxious ruffled hen, her speckled

breast astir with maternal troubles. She walks delicately, lifting

her feet high and glancing furtively from side to side with comb low

dressed. The sight of man, the heartless egg-collector, from whose

haunts she has fled, wrings from her a startled cluck, and she makes

for the white gate, climbs through, and disappears. I know her feelings

too well to intrude. Many times already has she hidden herself, amassed

four or five precious treasures, brooding over them with anxious hope;

and then, after a brief desertion to seek the necessary food, she has

returned to find her efforts at concealment vain, her treasures gone.

At last, with the courage of despair she has resolved to brave the

terrors of the unknown and seek a haunt beyond the tyranny of man. I

will watch over her from afar, and when her mother-hope is fulfilled I

will marshal her and her brood back to the farm where she belongs; for

what end I care not to think, it is of the mystery which lies at the

heart of things; and we are all God's beasts, says St Augustine.

Here is my stone-song, a paraphrase of the Treasure Motif.

[Illustration: Music]

What a wonderful work Wagner has done for humanity in translating the

toil of life into the readable script of music! For those who seek

the tale of other worlds his magic is silent; but earth-travail under

his wand becomes instinct with rhythmic song to an accompaniment of

the elements, and the blare and crash of the bottomless pit itself.

The Pilgrims' March is the sad sound of footsore men; the San Graal

the tremulous yearning of servitude for richer, deeper bondage. The

yellow, thirsty flames lick up the willing sacrifice, the water wails

the secret of the river and the sea; the birds and beasts, the shepherd

with his pipe, the underground life in rocks and caverns, all cry their

message to this nineteenth-century toiling, labouring world--and to me

as I mend my road.

[Illustration: Æolus shepherding his white sheep]

Two tramps come and fling themselves by me as I eat my noonday meal.

The one, red-eyed, furtive, lies on his side with restless, clutching

hands that tear and twist and torture the living grass, while his lips

mutter incoherently. The other sits stooped, bare-footed, legs wide

apart, his face grey, almost as grey as his stubbly beard; and it is

not long since Death looked him in the eyes. He tells me querulously

of a two hundred miles tramp since early spring, of search for work,

casual jobs with more kicks than halfpence, and a brief but blissful

sojourn in a hospital bed, from which he was dismissed with sentence

passed upon him. For himself, he is determined to die on the road

under a hedge, where a man can see and breathe. His anxiety is all for

his fellow; _he_ has said he will "do for a man"; he wants to "swing,"

to get out of his "dog's life." I watch him as he lies, this Ishmael

and would-be Lamech. Ignorance, hunger, terror, the exhaustion of past

generations, have done their work. The man is mad, and would kill his

fellow-man.

Presently we part, and the two go, dogged and footsore, down the road

which is to lead them into the great silence.

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