CHAPTER I

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A LIFE UNVEILED

BY

A CHILD OF THE DRUMLINS

WITH AN INTRODUCTION

BY

JOHN BURROUGHS

[Illustration: Logo]

_Ce livre est toute ma jeunesse; je

l’ai fait sans presque y songer._

--DE MUSSET

GARDEN CITY NEW YORK

DOUBLEDAY, PAGE & COMPANY

1922

COPYRIGHT, 1922, BY

DOUBLEDAY, PAGE & COMPANY

ALL RIGHTS RESERVED, INCLUDING THAT OF TRANSLATION

INTO FOREIGN LANGUAGES, INCLUDING THE SCANDINAVIAN

PRINTED IN THE UNITED STATES

AT

THE COUNTRY LIFE PRESS, GARDEN CITY, N. Y.

_First Edition_

CONTENTS

PAGE

INTRODUCTION BY JOHN BURROUGHS vii

TO THE READER xi

CHAPTER

I. THE FAMILY TREE 1

II. THE ROOF-TREE 14

III. “A CHILD WENT FORTH” 42

IV. IN THE OLD PATHS 71

V. “AS TWIG IS BENT” 94

VI. “BRED IN THE BONE” 119

VII. SCHOOL DAYS 134

VIII. THE “MEDIC” 172

IX. THE “MEDIC” (Continued) 229

X. THE “MEDIC” (Concluded) 245

XI. THROUGH THE GATE OF DREAMS 273

INTRODUCTION

I fancy that this “Child of the Drumlins” did not know she was living

amid drumlins when she passed her youth there. She knew them only as

the long, smooth, loaf-shaped hills that were scattered over her native

landscape, upon which she saw cattle grazing and grain ripening, and

upon which she roamed and played in the freedom of childhood.

These curious-looking hills are found in certain parts of New England,

and in a large section of the central and western parts of New York

state. They would suggest artificial mounds were they not so large

as to preclude all idea of their being the work of man. They were

indeed made, but not by human hands. They are the work of the great

continental ice-sheet which tens of thousands of years ago crept slowly

over a large part of the Northern hemisphere, giving to the landscape,

among many other strange new features, these long, low, rounded hills,

called by the geologists drumlins, amid which the “Child” passed her

early life. Carpeted with grass and often dotted with trees, these

peaceful pastoral elevations are seldom more than a quarter of a mile

long, and perhaps a hundred feet high. Their trend is in one direction,

from northeast to southwest--the general course the ice-flood took.

They are simply huge heaps of clay and water-worn boulders shovelled

together by the gods of the Ice Age, though just how it all came about

the geologists are not clear. But there they stand, making a marked

feature in the landscape.

To the Land of the Drumlins, rich in its early associations, the

writer of this narrative turns, giving a moving record of real life

which to me makes fiction insipid. It presents the natural history of

an American girl in the last quarter of the nineteenth century. (And

why should we not have such a history, as well as that of much less

interesting animals?) Herein we see pictured typical and representative

conditions and individuals which contributed to the development

of a dreaming, aspiring girl into a woman of serious purpose and

substantial achievement in a strenuous and useful career. A notable

piece of work of permanent literary and psychological value, it sweeps

one along by its intrinsic interest, its candour, its playfulness,

and its seriousness. Childhood memories, trivial and signal events,

portraiture, incidents, form a picture of real life convincing as

only real things can convince. Through it we look into a heart and a

life. It is life. One sees the writer from her forebears up. With what

admirable art she brings certain scenes before us! One is present,

sees and feels them all, and shares her inmost thoughts and emotions.

One’s tears stand trembling at the doorway; smiles and laughter are

irresistibly evoked. The feeling with which the writer has invested the

narrative is the principal source of its charm and value; it is that

which makes us a sharer in all her life. The book does not appear to be

written, but rather an unveiling of memories, with an entire absence of

literary consciousness. Her mind seems transparent; her life like an

open book before her where she can trace every passage. Does she forget

nothing? Few persons can see themselves objectively and at the same

time achieve such self-analysis.

One is carried along by the rush and spontaneity of the record, as the

author evidently was in writing it. In her passionate confession,

faults and errors are courageously set down. One rejoices to know that

there were imps in the girl who shows at the same time such a serious,

earnest nature, such a vibrant, susceptible personality. One likes her

for her pranks and her naughtiness, her stubbornness, her primness,

and her deep attachments. She piques one and leads one on, a willing

sharer in all her experiences. One comes to see that he is always to

expect the unexpected from this demure, enigmatic creature who, though

preserving her own individuality, is so like all girls of her time

and race. And it is this universal appeal which gives the record its

value: other girls and women, other youths and men as well, will see

themselves in this “Child of the Drumlins” who summons her past before

us so vividly that we, too, live over again the days of our own youth.

[Illustration: _John Burroughs_[signature]]

TO THE READER

Have you ever reached a time in your life when all that had gone before

seemed cut off from the present; when you felt an imperious need to

review whatever had gone to the making of the You; when the preceding

years, full as they had seemed, were barren of that which made the

present so vital; when, because of that barrenness, they seemed to

have belonged rather to the life of one you knew than to your own? If

you have, you will understand the motive that sometimes leads one to

deliberate self-study and self-delineation.

He who honestly undertakes such study is pledged to candour at all

costs. Beginning by reviewing his ancestry and environment, he also

tries to recapture some of those earliest, evanescent sense experiences

and memories of childhood. He peers into that mysterious borderland

between childhood and youth; surveys the formative influences,

the outstanding events, the proclivities, longings, aspirations,

achievements, struggles, temptations, successes, defeats--reviews

them all, tries to estimate their influence, and to recognize their

possible reappearance, in other guises perhaps, in his present self.

The dawning of religious emotion, sex consciousness, the gradual

transition from the receptiveness and naïve simplicity of childhood

to the wilful caprice of adolescence (with its blind gropings, its

heightened emotional life, its contradictory moods, its evolution of

self-consciousness and social consciousness)--all these phases he

passes in review and weighs, hoping to form a just estimate as to

their effect upon his personality as he alone knows it.

One cannot compass this survey until one has passed beyond the

seething period of adolescence which merges so insensibly into that of

maturity. Immaturity, maturity--the difference is only of degree; the

child _is_ father to the man; the psychology we trace in child life

is fundamentally the same that obtains when the individual achieves

that self-control and balance, that steadiness of aim, that harmonious

union of bodily and mental powers which characterize maturity. Until we

understand this merging and blending of experiences that make up a life

history, we may regard as trivial the fleeting events and memories of

childhood which the psychologist knows are significant and far-reaching.

In the rapid setting down of what comes crowding into the consciousness

as the canvas of one’s life unrolls before him, one is not especially

concerned with the orderly sequence of events; mental associations

are intractable forces to deal with; a certain looseness of exterior

matters is inevitable; the eye cannot look both in and out at the

same time. What really matters is that one accurately read one’s own

consciousness, without mistakes, without self-deception, without wilful

deceit. Unless this is achieved, one cheats one’s self.

Perhaps the record is made for self alone; perhaps for another; in any

case not for the public; and yet as the years pass, and the events

recorded have become so remote as to seem dissociated from the present

self, it may happen that the question of sharing the record with others

arises--a question which gives pause to the autobiographer with scant

claim on the public.

“Who is this,” he imagines the reader inquiring, “who so confidently

asks us to share all these details of her life?” And then there

comes to mind that statement of Carlyle’s: that the humblest life,

if truthfully presented, would be of absorbing interest; that a true

delineation of the smallest man and his scene of pilgrimage throughout

life, is capable of interesting the greatest men, since all men are

brothers, and since human portraits, faithfully drawn, must be of all

pictures the welcomest on human walls.

And so the story goes forth. If it faithfully depict the psychology

of child life, of adolescence, of dawning maturity, devoid though it

be of plot and, as a whole, of dramatic interest, it may yet, as a

typical human portrait, justify itself; may aid the young to a better

understanding of their own natures, and help those no longer young

to a keener remembrance, a deeper sympathy, and a broader tolerance

concerning the struggles, problems, and complexities that beset the

young lives around them.

This book of my childhood and youth, written many years ago, is as

sincere as such a thing can well be, and this constitutes its only

excuse for being. Unless I have told the naked, unblushing truth,

why pretend to unveil my life?[1] If I have concealed faults and

follies, what is there in common with your life as you alone know it?

Doubtless you yourself would shrink from the deliberate self-analysis

and self-revelation I have made, and yet may find herein natural human

reactions which tally with your own inarticulate experiences.

L’INNOMMÉE.

FOOTNOTE:

[1] The names in the narrative are, of course, fictitious.

A LIFE UNVEILED

_I once wandered in a beautiful garden. It had high walls which made

one feel safe and sheltered. There were many flower-bordered paths, and

some that were stony and rough. There were broad open spaces, dark,

wooded corners, cosy nooks, and friendly trees. Openings in the wall

gave glimpses that made one’s heart beat faster and that filled one

with queer restless feelings, half pleasure, half pain._

_There came a day when I left the garden and started on a long journey.

I have never been back. Sometimes I have wanted to go back, but the

great gate can never open from the outside._

_When we lose our Edens, you and I, is it any wonder that we sometimes

pause in the journey, and long to recapture the days when we played in

the enchanted enclosure? What if, some day, one creeps back close to

the wall, holding up the magic mirror he brought away with him? What

if he gets glimpses that help him to continue on the way? What if he

lets you peep into the mirror, too--the mirror which will reflect the

garden you played in, the paths you trod, the flowers you gathered, the

playmates you knew?_

A LIFE UNVEILED

CHAPTER I

THE FAMILY TREE

I seem always to have lived a life apart from the obvious one, seeing

the strange contrasts, the incongruities, the dramatic moments, though

always these things were unexpressed. Those about me had no inkling of

what was passing in my mind. Perhaps it is so with all children. One

can only know one’s self, and that so vaguely.

I was born near the foot of a drumlin. Their smooth level crests broke

the horizon line of my native village. Amid the drumlins I shared

in all the little world they bounded. On the summit of a drumlin my

kindred lie buried, and back to the drumlins I shall one day turn--back

to the commonplace little village where my life began. The village has

not grown in all the years, either in population or importance; on the

contrary, it seems to have dwindled to tiny dimensions. Whenever I go

back there now, the houses and the prominent buildings look smaller,

the drumlins lower, and all the distances are lessened to a surprising

degree. I look at the one handsome residence the village boasts and

ask, Is that the house I used to think so imposing? Are those the

grounds so illimitable to my childish eyes? And is this the same hill

near Grandfather’s barn that was so steep when three happy children

clambered over it in search of sorrel leaves? What a paltry patch

of ground Grandmother’s garden now is! yet there was a time when,

engaged in one of the tasks of my childhood (that of picking Grandma’s

raspberries and currants), her garden bounded my little world which

then did not seem little at all. Nor was it; for while moving among the

currant bushes, my fingers busy, my thoughts roamed far afield--out

past the hop vines in the rear; out past the clump of big red “pineys”

in front, and the corner where the smallage grew; past the snowball

bush, even past the oxheart cherry tree; through the little blue gate,

and out into the big wonderful world beyond. No, it was not a little

garden; it was a very big garden then; some unkind trickery has been

at work these later years to make it the poor cramped little enclosure

which I viewed last summer through blinding tears.

And Grandma’s old house, too. How low the rooms are now! There was

a time when, caught up in the arms of an uncle, and seated on his

shoulder, the laughing faces below me seemed remote indeed to my

half-pleased, half-frightened eyes. How tall I feel, almost stately, as

I enter the rooms now; and what a chill and gloom strike to the marrow

of my being to find no longer the dear old wrinkled face to greet me!

To see the same paper on the walls, the same clock on the mantel, the

same familiar things at every turn, worn and faded, but still there,

while that cherished face, and those beneficent, toil-worn hands, and

the tired, pain-racked heart are gone forever!

No one was ever so hospitable as Grandpa and Grandma. “Just sit by

and have a bite of something,” Grandma would urge, unaware that she

was dispensing a blessing instead of asking a boon. Their meals were

frugal--no recollection of bounty comes to me, except at Thanksgiving

or other family reunions; but Grandma’s bread and butter, her

warmed-up potatoes, and her sugar cookies (with caraway seeds in them),

touched the spot as no other food ever did or can. Then she used to

place a cup of tea (green tea, it always was) slyly by my plate,

saying: “I guess your Ma won’t care this time if you take a little.”

I can see the little brown tea-pot now as she brings it from the back

of the stove; the silver lustre sugar-bowl with its ribbed sides, and

the nick on the knob of the cover; the blue dishes; the Britannia

spoons--no one but Grandma had Britannia spoons--and the thin, pointed

silver ones; the yellow-handled knives; and the funny little two-tined

fork that Grandma herself used--the rest of us had forks with three

tines.

There’s the Boston rocker in which Grandpa sat of a winter evening and

peeled apples for drying. I wonder where his little old “shoe-knife”

is. “What makes your hands tremble so, Grandpa?” Sister would ask; but

in spite of the tremor he peeled a heaping pile of an evening.

“Eunice, fetch me a bigger pan,” he would call to Grandma, busy in

kitchen or buttery; and how testy he got if she didn’t understand,

or brought the wrong pan! I shuddered when he spoke that way to her,

and wondered why it was; and her meek face and humble silence made

me love and pity her the more. I never learned not to mind Grandpa’s

angry tones. It was “his way” with her. His voice, as I remember it,

was almost always harsh to her, but never to me, never to me. He was

always indulgent with me, and with all of us children--except when we

hung around the barn at milking-time--then he would forget himself,

and one would have thought he was shouting to Grandma or to the

cows instead. We learned not to put his temper to this strain very

often--his hospitality did not extend that far. I don’t know how much

an incident of my babyhood engendered this feeling: Grandpa had a white

cow, a gentle, well-behaved “critter,” but one day when they took her

calf away, maddened, she made a dash at me, playing near; caught me on

her horns, and ran up the bank of the tow-path, while Mother looked on

paralyzed with fear. As Grandpa and a neighbour ran up the bank, the

cow ran faster, then tossed me wildly in the air.

“I didn’t know whether you would fall in the water or on her horns,”

Mother used to say; “I expected to see you drowned in the canal or

horribly wounded; but Mr. Mintline caught you in his arms--Grandpa sold

the cow the next day.” Mother’s voice always trembled in recounting the

incident.

Since then I have always been afraid of cows. If the peaceable

creatures come slowly toward me, try as I will I cannot walk slowly

away. I breathe freely only when the fence is between them and me. By

some childish twist of the imagination, so vivid was the impression

made upon me by hearing of being caught on the horns of that old white

cow, I believed myself to have been injured by the act, and was quite a

big child before I learned that certain anatomical mark on my body--the

little deep dimple in the abdomen--was not made by the horns of that

angry cow. It needed the confirmation given by seeing my sister’s and

other children’s bodies similarly marked to disabuse my mind of that

belief.

I remember when in my early ’teens I would meet that

neighbour--Mintline--an unkempt man, who had long since forgotten his

share in my life, I would think, “He caught you in his arms,” and

would smile to myself at the incongruity as, fluttering past him on

the street in my pretty muslin gown, I was acutely conscious of the

contrast with his rough, untidy clothes. Turning and looking after

him I would say under my breath, “_You_ don’t know, but I do, and I’m

grateful to you, even if you have forgotten it all.”

Grandpa, as I have said, was impatient and irascible; he was easily

moved to profanity; but he was a man of probity of life and character

and a hater of shams. His sense of humour was keen, also his sense

of justice. He was a mason by trade; had built the brick church in

the town, the old Academy, and a few other fine old brick buildings

standing there to-day. I used to look upon these with pride, saying

to myself, “Grandpa built that--and that”; though, since my earliest

recollection, he had not worked at his trade. He led an active life

up to his eighty-sixth year about his village farm, with his cows and

his pigs, and his haying in the low-lying meadows. I can see him now

riding his black horse, straight and sturdy, on his way to the pasture

with the cows. Often they were wayward and the boys in the street would

annoy him. I used to feel chagrined beyond words when I heard him

swearing at the cows, or at the boys, and saw him brandishing his whip

in the air. Mother felt the same. I could detect a look of relief on

her face those days when Grandpa rode peaceably by with the cows.

Grandma was not pious, she was a saint. Though a church member, she

seldom went to church. Toiling from morning till night, she endured

hardship, harshness, and pain with a sweet reasonableness that endeared

her to all. Grandpa’s impatience and shouting never provoked complaints

from her. She seemed to think his quick temper and deafness excused him.

In contrast to her hard workaday life I was always dreaming of the

romance of Grandma’s early days. Filling in related facts with fancies,

I pored over her early picture with its quaint arrangement of gown and

hair, rejoicing in traces of her girlish beauty. I liked her quaint

name, Eunice (a cousin of hers, a courtly old gentleman, used to

call her Eu-ni’-ce--that was beautiful, but Grandpa uncompromisingly

pronounced it Eu’-nis); I liked the names of her sisters,

too--Thankful, Peace, and Nancy.

In retrospect I mourned with my great-grandfather Albro when he lost

his young wife and had to scatter his baby girls among their relatives.

Near neighbours, John Gear and wife, had begged for little Eunice, then

less than two years old. Though he let them take her, he had refused

their repeated requests to adopt her. But one morning the neighbours

were astonished to find the Gear house dismantled and deserted, the

couple having stolen away in the night. They were bound to have that

child. No trace of them could be obtained. That was in 1813. They

easily escaped detection, though for years the poor father inquired

diligently of chance strangers and travellers for news of the fugitives.

The Gears journeyed to a distant county. Eunice was reared in ignorance

of her real parentage. Even when she married, her foster parents were

loth to let her leave them. Her own home and children soon claimed all

her thoughts, and she lived on unaware of the tragedy in the life of

her father.

There was a certain youth, Otis Sprague, to whom Grandma had been

attached before marrying Grandpa; at least, she went to parties with

him. (I can’t tell just how much of this is my own romancing, but I

convinced myself he was a disappointed suitor.) He left home in the

early years after Grandma’s marriage, journeying to Washington county,

the home of his ancestors. (I used to make believe he left because he

could not bear to see Grandma the wife of another.) Visiting among his

kindred, he came upon his uncle, my great-grandfather. As usual, the

old man inquired of the traveller what parts he had come from, and then

ventured, “Did you ever chance to meet a man, Gear--John Gear?”

“John Gear? Why, yes--there’s a John Gear lives in our place. I know

him well.”

I could see the old man trembling with joy--the long-expected answer

come at last! Faltering as he tried to frame the next question, he

hesitated so long the young man thought him a little daft:

“And did you--has he--is there--did you ever hear tell of Eunice--a

child with big blue eyes and”--then he broke off, afraid to question

further--she might be dead, or, if living, must be a woman now.

Otis had his own reasons, I was confident, for remembering Eunice. He

knew just how those wistful blue eyes looked, and how the soft brown

hair waved over her forehead. Seeing at once that this meant more to

the old man than he could express, Otis answered the unasked questions;

told him there had been a Eunice Gear, eldest daughter of John Gear

(for the childless couple had later had children born to them). She

had married a young mason a few years ago--Crandall by name--quick

tempered, but a good fellow; they had two babies when he came away, and

he guessed there was another one a-coming. Yes, he went to school with

her--took her to a party once.

Then I saw the scene that followed--the broken explanations of the

joyous father--questions, answers, hurriedly uttered, and the growing

eagerness of both men as they supplemented for each other the missing

information about the lost-and-found Eunice.

Enraged at the Gears, on his return home Otis told Grandma the story

of her abduction, and gave her the messages from her father and sisters.

After that, one hope dominated Grandma’s life--to save enough money

to go to her father. Loving the Gears, her heart yet yearned for

the father and sisters she had never known. But her children came

near together; money was scarce; means of travel were difficult and

uncertain; two children sickened and died; and the years went by with

her hope unfulfilled, an infrequent and laboured correspondence being

the only link between them.

After many years of careful saving, the little hoard was thought

sufficient for the trip. The children were old enough to be left with

Otis’s sister, and Grandma set out on her long journey.

There were no railroads then. She went on the canal “packet.” This

scene was very real to me. I could see her starting, loth to leave her

little family, yet eager to go; timid at the thought of the enterprise,

but impatient at the slow-moving boat. I’m sure she often walked on the

towpath to relieve excitement and suspense. I wonder how long it took

that snail boat to make the trip. Parts of the journey were made by

stagecoach.

On reaching her old home she found her sisters, but her father

had moved to Warren County. More than that, he had had one or two

strokes of apoplexy and could no longer converse; he would, as the

sisters said, “say one word when he meant another.” Her money was not

sufficient to meet the additional expenses; the extra time it would

take was a serious drawback to the anxious mother; then there was her

father’s inability to talk with her; so, torn between conflicting

interests, hampered, anxious, and sore beset, she abandoned the quest,

renounced her long-cherished hope of reunion with her father, and

turned her face toward home and family, drawn by a half-defined fear

lest they get scattered, too.

During Grandma’s last years her sister Thankful came and lived with

her--two feeble old women, united in infancy, separated throughout

their long lives, reunited just before the end! We children called her

Aunt Unthankful: her presence added much to Grandma’s burdens, but no

murmur passed the patient lips; nor would she suffer criticism of the

poor soul who had found refuge in her home and heart.

As a girl I was keenly alive to the pathos of my great-grandfather’s

life, and to the deferred, then all-but-accomplished hope in Grandma’s.

My own mother’s cherished hope of one day taking Grandma to her

childhood home was also doomed to unfulfilment; and with a curious

prescience I used to ask, “Will the dearest hope that sleeps against

my own heart meet a like rebuff?” Had the tired, saddened woman found

her father at the last, I wonder if his failing mind could have grasped

the truth. Perhaps he would have turned away in bitter disappointment

when they had tried to make him understand; unable to articulate, but

thinking, “That is not my baby Eunice that John Gear stole from me.”

Perhaps he died hoping, believing, that his little Eunice would still

come back.

As a child I remember being gathered into Grandma’s arms, conscious of

an infinite tenderness, inarticulate but encompassing. I used to look

up into her pale, weary face and wonder why she had to work so hard. I

loved to stroke her soft cheeks; was mystified by the wrinkled flesh

that hung beneath her chin; and her poor hands with their enlarged

joints and crooked fingers--it seemed as though they must hurt to be so

bent; vainly I tried to straighten them. It was such a puzzle, too--the

contrast between age and youth as I saw and felt it in Grandma

and myself when patting her face with my chubby hand. I looked and

marvelled and questioned, then gave up questioning, and rested my head

on her breast, content to be folded in her arms.

There was a pink china teapot with a broken spout high on Grandma’s

pantry shelf. I never saw inside it, but a delightful jingle came from

its capacious depths. In it Grandma kept pennies, nickels, half-dimes

and dimes, and those tiny, three-cent coins I haven’t seen since

childhood; yes, and there were the large three-cent pieces and the

two-cent coppers that one sees no more. Grandma had a way of urging us

children: “Now take a nickel for all your trouble,” just as she had of

urging us to help her empty the old brown cookie jar. Although there

were no injunctions concerning a reasonable amount of cookies, we were

taught at home that we must not accept Grandma’s nickels (her milk and

yeast money) for the errands we did; and to our credit, be it said, we

refused them as a rule, even when we had to summon all our strength to

refuse. I can see now three pairs of red-mittened hands quickly drawn

away as Grandma would press the tempting coins, first on one, then the

other, of her little helpers. Sometimes the nickel would fall into

the pail, and we would fumble to get it out, while Grandma’s siren

tones would urge: “There, run along home like good children and mind

Grandma, just this once.” Ah, Grandma! many an enticing temptation of

yours did our childish strength withstand! Would that the forbidden

sweets and glittering coins Life has proffered had oftener met a like

renunciation! And yet, can one ever really say that he would change

anything that has become a part of him, of his experience--that, if he

could, he would blot it out, make it as though it had never been?

So used to serving was she, instead of being served, Grandma seemed

always to ask aid under protest; her gratitude was out of all

proportion to the service rendered: “You poor child, when will you get

paid for all you do for Grandma?” was the burden of her talk, though

the “poor child” fairly doted on running errands for her. “Four pounds

of white sugar, two of light brown, half a pound of green tea, and a

ball of Babbitt’s concentrated lye”--this refrain I would con over and

over on my way to the village, lest I forget it while loitering to

watch the boats crawl under the canal bridge.

How many hours I have spent down in her cool sweet cellar over the

little red churn, the dasher going up and down, up and down, while I

said aloud my favourite poems--after Grandma had gone upstairs. Many

a pat of butter has gathered under the dasher while I rehearsed the

winning of Juliet, Othello’s speech to the senate, Portia’s speech to

Shylock--extracts from Cathcart’s Literary Reader, which was my first

introduction to real literature.

Men do not gather grapes from thorns, or figs from thistles. As

Grandma’s life had been one of service, so her daughter, my mother,

was untiring in devotion to her mother; and so, too, I am glad to say,

Mother’s children have tried to emulate the filial examples set them.

By way of contrast I am reminded of a story illustrating hereditary

tendencies: A boy was arrested for beating his father; the injured

father defended his boy thus, “He can’t help beating me: I beat my

father; my father beat his father; and my son’s son will beat him--it

runs in our family.” I am glad it runs in our family to love and revere

our parents. Yet, there was Grandpa with his habit of profanity, the

son of a Baptist clergyman! Mother used to marvel how he could have

grown up that way, since his father, who used to take boys to tutor

in his own home, was said to have given him and them a very strict

up-bringing. His mother, Katrina Klincke, born in Alsace, was an

inexorable housekeeper. Her exacting ways have cropped out in full

force in one of our aunts; and in later years I’m not sure but this

great-grandmother wields an influence over my sister and me--we cannot

be comfortable in disorder or slack housekeeping, nor--more’s the

pity!--can we let any one else be.

My paternal ancestry is French and, probably, Scottish. Father used to

say we were descended on his father’s side from one of the celebrated

French Revolutionists, an intimate of Napoleon’s and Josephine’s;

but my grandparents and great-grandparents were born in the Land

of the Drumlins. When, some years ago, the memoirs of our reputed

French ancestor were published, bringing to light his brilliant but

unscrupulous career, I took a mischievous pleasure in sending Father

the particularly scathing comments concerning “our ancestor.”

My father was the fifth child in a family of ten; his father died in

early adult life, presumably of tuberculosis, though Father would never

admit it. Two of his sisters had the same disease, and, because of my

resemblance to one of them, and my not robust health in childhood, I

was something of an object of solicitude in early girlhood, though

all fears on that score vanished long ago. I have heard that my

paternal grandfather drank to excess, and know that one of his sons

did, which may largely account for my father’s life-long zeal for the

Temperance Cause. His mother, of Scottish descent, left with a large

family, was brave, strong, and resourceful to an unusual degree. Their

little log-house being miles away from a neighbour, once during a big

snow-storm lasting several days they had nothing in the house to eat

but potatoes and salt. “But we ate them and were glad to get them,”

said Father, who added, “We can never know how much inward anxiety

Mother felt at such times, but whatever it was, none but herself ever

knew.”

We children called her “the other Grandma,” for she then lived “way

out West” (in Michigan), and we never saw her but once. I remember her

serious face, which could look very merry when she smiled; and her

black gown with a purple stripe running through it. She was at our

house on one of my early birthdays and helped us smoke glass to look at

a total eclipse of the sun. When she died, a cousin came running down

the hill waving a yellow paper and saying breathlessly, “Grandma is

dead!” _And she smiled when she said it!_ A sensitive girl, overcome

with the importance of being the bearer of such news, her smile, I

know now, was a purely nervous manifestation; but I could not judge

her leniently then. Moved by the grief of my parents, I wept to see

them weep, but the shadow passed quickly; not so the resentment I held

toward that cousin for her untimely smile.

As youth passes one longs for fuller knowledge of the lives that

preceded one’s own. We are the result of all that has gone before,

but how often important figures are missing; and even when not, how

inexplicable the sum total is! Lives cut off in our childhood and

youth, or perhaps before we were born, may have endowed us with this

or that constitutional bias, this weakness, that strength--to which of

them do I owe this fault?--is this trait, for which I am commended, my

own, or my great grandmother’s?--insoluble complexities, yet how we

seek an answer, here and there, as we study our tree of life from the

roots up!

A Life Unveiled, by a Child of the Drumlins · 第 1 / 11 章