II

You tell me (Don Egidio began) that you know our little lake; and if you

have seen it you will understand why it always used to remind me of the

“garden enclosed” of the Canticles.

_Hortus inclusus; columba mea in foraminibus petræ_: the words used

to come back to me whenever I returned from a day’s journey across the

mountains, and looking down saw the blue lake far below, hidden in its

hills like a happy secret in a stern heart. We were never envious of

the glory of the great lakes. They are like the show pictures that some

nobleman hangs in his public gallery; but our Iseo is the treasure that

he hides in his inner chamber.

You tell me you saw it in summer, when it looks up like a saint’s eye,

reflecting the whole of heaven. It was then too that I first saw it.

My future friend, the old Count, had found me at work on one of his

fruit-farms up the valley, and hearing that I was ill-treated by my

step-father--a drunken pedlar from the Val Mastellone, whom my poor mother

a year or two earlier had come across at the fair of Lovere--he had taken

me home with him to Iseo. I used to serve mass in our hill-village of

Cerveno, and the village children called me “the little priest” because

when my work was done I often crept back to the church to get away from

my step-father’s blows and curses. “I will make a real priest of him,”

the Count declared; and that afternoon, perched on the box of his

travelling-carriage, I was whirled away from the dark scenes of my

childhood into a world, where, as it seemed to me, every one was as happy

as an angel on a _presepio_.

I wonder if you remember the Count’s villa? It lies on the shore of the

lake, facing the green knoll of Monte Isola, and overlooked by the village

of Siviano and by the old parish-church where I said mass for fifteen happy

years. The village hangs on a ledge of the mountain; but the villa dips its

foot in the lake, smiling at its reflection like a bather lingering on the

brink. What Paradise it seemed to me that day! In our church up the valley

there hung an old brown picture, with a Saint Sabastian in the foreground;

and behind him the most wonderful palace, with terraced gardens adorned

with statues and fountains, where fine folk in resplendent dresses walked

up and down without heeding the blessed martyr’s pangs. The Count’s villa,

with its terraces, its roses, its marble steps descending to the lake,

reminded me of that palace; only instead of being inhabited by wicked

people engrossed in their selfish pleasures it was the home of the kindest

friends that ever took a poor lad by the hand.

The old Count was a widower when I first knew him. He had been twice

married, and his first wife had left him two children, a son and a

daughter. The eldest, Donna Marianna, was then a girl of twenty, who

kept her father’s house and was a mother to the two lads. She was not

handsome or learned, and had no taste for the world; but she was like the

lavender-plant in a poor man’s window--just a little gray flower, but a

sweetness that fills the whole house. Her brother, Count Roberto, had been

ailing from his birth, and was a studious lad with a melancholy musing face

such as you may see in some of Titian’s portraits of young men. He looked

like an exiled prince dressed in mourning. There was one child by the

second marriage, Count Andrea, a boy of my own age, handsome as a Saint

George, but not as kind as the others. No doubt, being younger, he was less

able to understand why an uncouth peasant lad should have been brought to

his father’s table; and the others were so fearful of hurting my feelings

that, but for his teasing, I might never have mended my clumsy manners or

learned how to behave in the presence of my betters. Count Andrea was not

sparing in such lessons, and Count Roberto, in spite of his weak arms,

chastised his brother roundly when he thought the discipline had been too

severe; but for my part it seemed to me natural enough that such a godlike

being should lord it over a poor clodhopper like myself.

Well--I will not linger over the beginning of my new life for my story has

to do with its close. Only I should like to make you understand what the

change meant to me--an ignorant peasant lad, coming from hard words and

blows and a smoke-blackened hut in the hills to that great house full of

rare and beautiful things, and of beings who seemed to me even more rare

and beautiful. Do you wonder I was ready to kiss the ground they trod, and

would have given the last drop of my blood to serve them?

In due course I was sent to the seminary at Lodi; and on holidays I used

to visit the family in Milan. Count Andrea was growing up to be one of

the handsomest young men imaginable, but a trifle wild; and the old Count

married him in haste to the daughter of a Venetian noble, who brought as

her dower a great estate in Istria. The Countess Gemma, as this lady was

called, was as light as thistledown and had an eye like a baby’s; but while

she was cooing for the moon her pretty white hands were always stealing

toward something within reach that she had not been meant to have. The old

Count was not alert enough to follow these manoeuvres; and the Countess hid

her designs under a torrent of guileless chatter, as pick-pockets wear long

sleeves to conceal their movements. Her only fault, he used to say, was

that one of her aunts had married an Austrian; and this event having taken

place before she was born he laughingly acquitted her of any direct share

in it. She confirmed his good opinion of her by giving her husband two

sons; and Roberto showing no inclination to marry, these boys naturally

came to be looked on as the heirs of the house.

Meanwhile I had finished my course of studies, and the old Count, on my

twenty-first birthday, had appointed me priest of the parish of Siviano. It

was the year of Count Andrea’s marriage and there were great festivities at

the villa. Three years later the old Count died, to the sorrow of his two

eldest children. Donna Marianna and Count Roberto closed their apartments

in the palace at Milan and withdrew for a year to Siviano. It was then

that I first began to know my friend. Before that I had loved him without

understanding him; now I learned of what metal he was made. His bookish

tastes inclined him to a secluded way of living; and his younger brother

perhaps fancied that he would not care to assume the charge of the estate.

But if Andrea thought this he was disappointed. Roberto resolutely took up

the tradition of his father’s rule, and, as if conscious of lacking the

old Count’s easy way with the peasants, made up for it by a redoubled zeal

for their welfare. I have seen him toil for days to adjust some trifling

difficulty that his father would have set right with a ready word; like the

sainted bishop who, when a beggar asked him for a penny, cried out: “Alas,

my brother, I have not a penny in my purse; but here are two gold pieces,

if they can be made to serve you instead!” We had many conferences over

the condition of his people, and he often sent me up the valley to look

into the needs of the peasantry on the fruit-farms. No grievance was too

trifling for him to consider it, no abuse too deep-seated for him to root

it out; and many an hour that other men of his rank would have given to

books or pleasure was devoted to adjusting a quarrel about boundary-lines

or to weighing the merits of a complaint against the tax-collector. I

often said that he was as much his people’s priest as I; and he smiled and

answered that every landowner was a king and that in old days the king was

always a priest.

Donna Marianna was urgent with him to marry, but he always declared that

he had a family in his tenantry, and that, as for a wife, she had never

let him feel the want of one. He had that musing temper which gives a man

a name for coldness; though in fact he may all the while be storing fuel

for a great conflagration. But to me he whispered another reason for not

marrying. A man, he said, does not take wife and rejoice while his mother

is on her death-bed; and Italy, his mother, lay dying, with the foreign

vultures waiting to tear her apart.

You are too young to know anything of those days, my son; and how can any

one understand them who did not live through them? Italy lay dying indeed;

but Lombardy was her heart, and the heart still beat, and sent the faint

blood creeping to her cold extremities. Her torturers, weary of their

work, had allowed her to fall into a painless stupor; but just as she was

sinking from sleep to death, heaven sent Radetsky to scourge her back to

consciousness; and at the first sting of his lash she sprang maimed and

bleeding to her feet.

Ah, those days, those days, my son! Italy--Italy--was the word on our

lips; but the thought in our hearts was just _Austria_. We clamored

for liberty, unity, the franchise; but under our breath we prayed only to

smite the white-coats. Remove the beam from our eye, we cried, and we shall

see our salvation clearly enough! We priests in the north were all liberals

and worked with the nobles and the men of letters. Gioberti was our

breviary and his Holiness the new Pope was soon to be the Tancred of our

crusade. But meanwhile, mind you, all this went on in silence, underground

as it were, while on the surface Lombardy still danced, feasted, married,

and took office under the Austrian. In the iron-mines up our valley there

used to be certain miners who stayed below ground for months at a time;

and, like one of these, Roberto remained buried in his purpose, while life

went its way overhead. Though I was not in his confidence I knew well

enough where his thoughts were, for he went among us with the eye of a

lover, the visionary look of one who hears a Voice. We all heard that

Voice, to be sure, mingling faintly with the other noises of life; but to

Roberto it was already as the roar of mighty waters, drowning every other

sound with its thunder.

On the surface, as I have said, things looked smooth enough. An Austrian

cardinal throned in Milan and an Austrian-hearted Pope ruled in Rome. In

Lombardy, Austria couched like a beast of prey, ready to spring at our

throats if we stirred or struggled. The Moderates, to whose party Count

Roberto belonged, talked of prudence, compromise, the education of the

masses; but if their words were a velvet sheath their thought was a dagger.

For many years, as you know, the Milanese had maintained an outward show of

friendliness with their rulers. The nobles had accepted office under the

vice-roy, and in the past there had been frequent intermarriage between

the two aristocracies. But now, one by one, the great houses had closed

their doors against official society. Though some of the younger and more

careless, those who must dance and dine at any cost, still went to the

palace and sat beside the enemy at the opera, fashion was gradually taking

sides against them, and those who had once been laughed at as old fogeys

were now applauded as patriots. Among these, of course, was Count Roberto,

who for several years had refused to associate with the Austrians, and

had silently resented his easy-going brother’s disregard of political

distinctions. Andrea and Gemma belonged to the moth tribe, who flock to

the brightest light; and Gemma’s Istrian possessions, and her family’s

connection with the Austrian nobility, gave them a pretext for fluttering

about the vice-regal candle. Roberto let them go their way, but his own

course was a tacit protest against their conduct. They were always welcome

at the palazzo Siviano; but he and Donna Marianna withdrew from society in

order to have an excuse for not showing themselves at the Countess Gemma’s

entertainments. If Andrea and Gemma were aware of his disapproval they were

clever enough to ignore it; for the rich elder brother who paid their debts

and never meant to marry was too important a person to be quarrelled with

on political grounds. They seemed to think that if he married it would be

only to spite them; and they were persuaded that their future depended on

their giving him no cause to take such reprisals. I shall never be more

than a plain peasant at heart and I have little natural skill in discerning

hidden motives; but the experience of the confessional gives every priest

a certain insight into the secret springs of action, and I often wondered

that the worldly wisdom of Andrea and Gemma did not help them to a clearer

reading of their brother’s character. For my part I knew that, in Roberto’s

heart, no great passion could spring from a mean motive; and I had always

thought that if he ever loved any woman as he loved Italy, it must be from

his country’s hand that he received his bride. And so it came about.

Have you ever noticed, on one of those still autumn days before a storm,

how here and there a yellow leaf will suddenly detach itself from the bough

and whirl through the air as though some warning of the gale had reached

it? So it was then in Lombardy. All round was the silence of decay; but now

and then a word, a look, a trivial incident, fluttered ominously through

the stillness. It was in ’45. Only a year earlier the glorious death of the

Bandiera brothers had sent a long shudder through Italy. In the Romagna,

Renzi and his comrades had tried to uphold by action the protest set forth

in the “Manifesto of Rimini”; and their failure had sowed the seed which

d’Azeglio and Cavour were to harvest. Everywhere the forces were silently

gathering; and nowhere was the hush more profound, the least reverberation

more audible, than in the streets of Milan.

It was Count Roberto’s habit to attend early mass in the Cathedral; and one

morning, as he was standing in the aisle, a young girl passed him with her

father. Roberto knew the father, a beggarly Milanese of the noble family of

Intelvi, who had cut himself off from his class by accepting an appointment

in one of the government offices. As the two went by he saw a group of

Austrian officers looking after the girl, and heard one of them say: “Such

a choice morsel as that is too good for slaves;” and another answer with a

laugh: “Yes, it’s a dish for the master’s table!”

The girl heard too. She was as white as a wind-flower and he saw the words

come out on her cheek like the red mark from a blow. She whispered to

her father, but he shook his head and drew her away without so much as

a glance at the Austrians. Roberto heard mass and then hastened out and

placed himself in the porch of the Cathedral. A moment later the officers

appeared, and they too stationed themselves near the doorway. Presently the

girl came out on her father’s arm. Her admirers stepped forward to greet

Intelvi; and the cringing wretch stood there exchanging compliments with

them, while their insolent stare devoured his daughter’s beauty. She,

poor thing, shook like a leaf, and her eyes, in avoiding theirs, suddenly

encountered Roberto’s. Her look was a wounded bird that flew to him for

shelter. He carried it away in his breast and its live warmth beat against

his heart. He thought that Italy had looked at him through those eyes; for

love is the wiliest of masqueraders and has a thousand disguises at his

command.

Within a month Faustina Intelvi was his wife. Donna Marianna and I

rejoiced; for we knew he had chosen her because he loved her, and she

seemed to us almost worthy of such a choice. As for Count Andrea and his

wife, I leave you to guess what ingredients were mingled in the kiss with

which they welcomed the bride. They were all smiles at Roberto’s marriage,

and had only words of praise for his wife. Donna Marianna, who had

sometimes taxed me with suspecting their motives, rejoiced in this fresh

proof of their magnanimity; but for my part I could have wished to see them

a little less kind. All such twilight fears, however, vanished in the flush

of my friend’s happiness. Over some natures love steals gradually, as the

morning light widens across a valley; but it had flashed on Roberto like

the leap of dawn to a snow-peak. He walked the world with the wondering

step of a blind man suddenly restored to sight; and once he said to me with

a laugh: “Love makes a Columbus of every one of us!”

And the Countess--? The Countess, my son, was eighteen, and her husband was

forty. Count Roberto had the heart of a poet, but he walked with a limp and

his skin was sallow. Youth plucks the fruit for its color rather than its

flavor; and first love does not serenade its mistress on a church-organ. In

Italy girls are married as land is sold; if two estates adjoin two lives

are united. As for the portionless girl, she is a knick-knack that goes to

the highest bidder. Faustina was handed over to her purchaser as if she

had been a picture for his gallery; and the transaction doubtless seemed

as natural to her as to her parents. She walked to the altar like an

Iphigenia; but pallor becomes a bride, and it looks well for a daughter to

weep on leaving her mother. Perhaps it would have been different if she had

guessed that the threshold of her new home was carpeted with love and its

four corners hung with tender thoughts of her; but her husband was a silent

man, who never called attention to his treasures.

The great palace in Milan was a gloomy house for a girl to enter. Roberto

and his sister lived in it as if it had been a monastery, going nowhere and

receiving only those who labored for the Cause. To Faustina, accustomed to

the easy Austrian society, the Sunday evening receptions at the palazzo

Siviano must have seemed as dreary as a scientific congress. It pleased

Roberto to regard her as a victim of barbarian insolence, an embodiment of

his country desecrated by the desire of the enemy; but though, like any

handsome penniless girl, Faustina had now and then been exposed to a free

look or a familiar word, I doubt if she connected such incidents with the

political condition of Italy. She knew, of course, that in marrying Siviano

she was entering a house closed against the Austrian. One of Siviano’s

first cares had been to pension his father-in-law, with the stipulation

that Intelvi should resign his appointment and give up all relations with

the government; and the old hypocrite, only too glad to purchase idleness

on such terms, embraced the liberal cause with a zeal which left his

daughter no excuse for half-heartedness. But he found it less easy than he

had expected to recover a footing among his own people. In spite of his

patriotic bluster the Milanese held aloof from him; and being the kind of

man who must always take his glass in company he gradually drifted back

to his old associates. It was impossible to forbid Faustina to visit her

parents; and in their house she breathed an air that was at least tolerant

of Austria.

But I must not let you think that the young Countess appeared ungrateful or

unhappy. She was silent and shy, and it needed a more enterprising temper

than Roberto’s to break down the barrier between them. They seemed to talk

to one another through a convent-grating, rather than across a hearth; but

if Roberto had asked more of her than she could give, outwardly she was

a model wife. She chose me at once as her confessor and I watched over

the first steps of her new life. Never was younger sister tenderer to her

elder than she to Donna Marianna; never was young wife more mindful of her

religious duties, kinder to her dependents, more charitable to the poor;

yet to be with her was like living in a room with shuttered windows. She

was always the caged bird, the transplanted flower: for all Roberto’s care

she never bloomed or sang.

Donna Marianna was the first to speak of it. “The child needs more light

and air,” she said.

“Light? Air?” Roberto repeated. “Does she not go to mass every morning?

Does she not drive on the Corso every evening?”

Donna Marianna was not called clever, but her heart was wiser than most

women’s heads.

“At our age, brother,” said she, “the windows of the mind face north and

look out on a landscape full of lengthening shadows. Faustina needs another

outlook. She is as pale as a hyacinth grown in a cellar.”

Roberto himself turned pale and I saw that she had uttered his own thought.

“You want me to let her go to Gemma’s!” he exclaimed.

“Let her go wherever there is a little careless laughter.”

“Laughter--now!” he cried, with a gesture toward the sombre line of

portraits above his head.

“Let her laugh while she can, my brother.”

That evening after dinner he called Faustina to him.

“My child,” he said, “go and put on your jewels. Your sister Gemma gives a

ball to-night and the carriage waits to take you there. I am too much of a

recluse to be at ease in such scenes, but I have sent word to your father

to go with you.”

Andrea and Gemma welcomed their young sister-in-law with effusion, and from

that time she was often in their company. Gemma forbade any mention of

politics in her drawing-room, and it was natural that Faustina should be

glad to escape from the solemn conclaves of the palazzo Siviano to a house

where life went as gaily as in that villa above Florence where Boccaccio’s

careless story-tellers took refuge from the plague. But meanwhile the

political distemper was rapidly spreading, and in spite of Gemma’s Austrian

affiliations it was no longer possible for her to receive the enemy openly.

It was whispered that her door was still ajar to her old friends; but

the rumor may have risen from the fact that one of the Austrian cavalry

officers stationed at Milan was her own cousin, the son of the aunt on

whose misalliance the old Count had so often bantered her. No one could

blame the Countess Gemma for not turning her own flesh and blood out of

doors; and the social famine to which the officers of the garrison were

reduced made it natural that young Welkenstern should press the claims of

consanguinity.

All this must have reached Roberto’s ears; but he made no sign and his wife

came and went as she pleased. When they returned the following year to the

old dusky villa at Siviano she was like the voice of a brook in a twilight

wood: one could not look at her without ransacking the spring for new

similes to paint her freshness. With Roberto it was different. I found him

older, more preoccupied and silent; but I guessed that his preoccupations

were political, for when his eye rested on his wife it cleared like the

lake when a cloud-shadow lifts from it.

Count Andrea and his wife occupied an adjoining villa; and during the

_villeggiatura_ the two households lived almost as one family.

Roberto, however, was often absent in Milan, called thither on business of

which the nature was not hard to guess. Sometimes he brought back guests to

the villa; and on these occasions Faustina and Donna Marianna went to Count

Andrea’s for the day. I have said that I was not in his confidence; but

he knew my sympathies were with the liberals and now and then he let fall

a word of the work going on underground. Meanwhile the new Pope had been

elected, and from Piedmont to Calabria we hailed in him the Banner that was

to lead our hosts to war.

So time passed and we reached the last months of ’47. The villa on Iseo had

been closed since the end of August. Roberto had no great liking for his

gloomy palace in Milan, and it had been his habit to spend nine months

of the year at Siviano; but he was now too much engrossed in his work to

remain away from Milan, and his wife and sister had joined him there as

soon as the midsummer heat was over. During the autumn he had called me

once or twice to the city to consult me on business connected with his

fruit-farms; and in the course of our talks he had sometimes let fall a

hint of graver matters. It was in July of that year that a troop of Croats

had marched into Ferrara, with muskets and cannon loaded. The lighted

matches of their cannon had fired the sleeping hate of Austria, and the

whole country now echoed the Lombard cry: “Out with the barbarian!” All

talk of adjustment, compromise, reorganization, shrivelled on lips that

the live coal of patriotism had touched. Italy for the Italians, and

then--monarchy, federation, republic, it mattered not what!

The oppressor’s grip had tightened on our throats and the clear-sighted

saw well enough that Metternich’s policy was to provoke a rebellion and

then crush it under the Croat heel. But it was too late to cry prudence in

Lombardy. With the first days of the new year the tobacco riots had drawn

blood in Milan. Soon afterward the Lions’ Club was closed, and edicts were

issued forbidding the singing of Pio Nono’s hymn, the wearing of white and

blue, the collecting of subscriptions for the victims of the riots. To each

prohibition Milan returned a fresh defiance. The ladies of the nobility put

on mourning for the rioters who had been shot down by the soldiery. Half

the members of the Guardia Nobile resigned and Count Borromeo sent back

his Golden Fleece to the Emperor. Fresh regiments were continually pouring

into Milan and it was no secret that Radetsky was strengthening the

fortifications. Late in January several leading liberals were arrested and

sent into exile, and two weeks later martial law was proclaimed in Milan.

At the first arrests several members of the liberal party had hastily left

Milan, and I was not surprised to hear, a few days later, that orders had

been given to reopen the villa at Siviano. The Count and Countess arrived

there early in February.

It was seven months since I had seen the Countess, and I was struck with

the change in her appearance.

She was paler than ever, and her step had lost its lightness. Yet she

did not seem to share her husband’s political anxieties; one would have

said that she was hardly aware of them. She seemed wrapped in a veil of

lassitude, like Iseo on a still gray morning, when dawn is blood-red on the

mountains but a mist blurs its reflection in the lake. I felt as though her

soul were slipping away from me, and longed to win her back to my care; but

she made her ill-health a pretext for not coming to confession, and for the

present I could only wait and carry the thought of her to the altar. She

had not been long at Siviano before I discovered that this drooping mood

was only one phase of her humor. Now and then she flung back the cowl of

melancholy and laughed life in the eye; but next moment she was in shadow

again, and her muffled thoughts had given us the slip. She was like the

lake on one of those days when the wind blows twenty ways and every

promontory holds a gust in ambush.

Meanwhile there was a continual coming and going of messengers between

Siviano and the city. They came mostly at night, when the household slept,

and were away again with the last shadows; but the news they brought stayed

and widened, shining through every cranny of the old house. The whole of

Lombardy was up. From Pavia to Mantua, from Como to Brescia, the streets

ran blood like the arteries of one great body. At Pavia and Padua the

universities were closed. The frightened vice-roy was preparing to withdraw

from Milan to Verona, and Radetsky continued to pour his men across the

Alps, till a hundred thousand were massed between the Piave and the Ticino.

And now every eye was turned to Turin. Ah, how we watched for the blue

banner of Piedmont on the mountains! Charles Albert was pledged to our

cause; his whole people had armed to rescue us, the streets echoed with

_avanti, Savoia!_ and yet Savoy was silent and hung back. Each day was

a life-time strained to the cracking-point with hopes and disappointments.

We reckoned the hours by rumors, the very minutes by hearsay. Then

suddenly--ah, it was worth living through!--word came to us that Vienna

was in revolt. The points of the compass had shifted and our sun had risen

in the north. I shall never forget that day at the villa. Roberto sent for

me early, and I found him smiling and resolute, as becomes a soldier on

the eve of action. He had made all his preparations to leave for Milan and

was awaiting a summons from his party. The whole household felt that great

events impended, and Donna Marianna, awed and tearful, had pleaded with

her brother that they should all receive the sacrament together the next

morning. Roberto and his sister had been to confession the previous day,

but the Countess Faustina had again excused herself. I did not see her

while I was with the Count, but as I left the house she met me in the

laurel-walk. The morning was damp and cold, and she had drawn a black scarf

over her hair, and walked with a listless dragging step; but at my approach

she lifted her head quickly and signed to me to follow her into one of the

recesses of clipped laurel that bordered the path.

“Don Egidio,” she said, “you have heard the news?”

Crucial Instances · 第 40 / 48 题