CHAPTER XII

NEW YEAR CUSTOMS

[_Bibliographical Note._--The two works of Dr. Tille remain of

importance. The compilations specially devoted to the usages

of the Christmas season are chiefly of a popular character;

W. Sandys, _Christmas Tide_ (n. d.), J. Ashton, _A Righte

Merrie Christmasse!!!_ (n. d.), and, for French data, E.

Müller, _Le Jour de l’An_ (n. d.), may be mentioned; H. Usener,

_Religionsgeschichtliche Untersuchungen_, vol. ii (1889), prints

various documents, including the _Largum Sero_ of a Bohemian

priest named Alsso, on early fifteenth-century Christmas eve

customs. Most of the books named in the bibliographical note to

chap. v also cover the subject. A _Bibliography of Christmas_

runs through _Notes and Queries_, 6th series, vi. 506, viii. 491,

x. 492, xii. 489; 7th series, ii. 502, iii. 152, iv. 502, vi.

483, x. 502, xii. 483; 8th series, ii. 505, iv. 502, vi. 483,

viii. 483, x. 512, xii. 502; 9th series, ii. 505, iv. 515, vi.

485.]

It is the outcome of the last chapter that all the folk-customs of

the winter half of the year, from Michaelmas to Plough Monday, must

be regarded as the flotsam and jetsam of a single original feast.

This was a New Year’s feast, held by the Germano-Keltic tribes at the

beginning of the central European winter when the first snows fell

about the middle of November, and subsequently dislocated and dispersed

by the successive clash of Germano-Keltic civilization with the rival

schemes of Rome and of Christianity. A brief summary of the customs

in question will show clearly their common character. For purposes of

classification they may be divided into several groups. There are such

customs belonging to the agricultural side of the old winter feast as

have not been transferred with the growing importance of tillage to

the feast of harvest. There are the customs of its domestic side, as

a feast of the family hearth and of the dead ancestors. There are the

distinctively New Year customs of omen and prognostication for the

approaching twelve months. There are the customs of play, common more

or less to all the village festivals. And, finally, there are a small

number of customs, or perhaps it would be truer to say legends, which

appear to owe their origin not merely to heathenism transformed by

Christianity, but to Christianity itself. Each of these groups may well

claim a more thoroughgoing consideration than can here be given to any

one of them.

The agricultural customs are just those of the summer feasts over

again. Once more the fertilization spirit is abroad in the land.

The embodiment of it in vegetation takes several forms. Obviously

the last foliage and burgeoning flowers of spring and summer are no

longer available. But there is, to begin with, the sheaf of corn or

‘harvest-May’ in which the spirit appeared at harvest, and which is

called upon once more to play its part in the winter rites. This,

however, is not a very marked part. A Yorkshire custom of hanging a

sheaf on the church door at Christmas is of dubious origin[865]. But

Swedish and Danish peasants use the grain of the ‘last sheaf’ to bake

the Christmas cake, and both in Scandinavia and Germany the ‘Yule

straw’ serves various superstitious purposes. It is scattered on barren

fields to make them productive. It is strewed, instead of rushes, upon

the house floor and the church floor. It is laid in the mangers of the

cattle. Fruit-trees are tied together with straw ropes, that they may

bear well and are said to be ‘married[866].’

More naturally the fertilization spirit may be discerned at the

approach of winter in such exceptional forms of vegetation as endure

the season. In November the apples and the nuts still hang upon their

boughs, and these are traditional features in the winter celebrations.

Then there are the evergreens. Libanius, Tertullian, and Chrysostom

tell how on the Kalends the doors of houses throughout the Roman

empire were crowned with bay. Martin of Braga forbade the ‘pagan

observance’ in a degree which found its way into the canon law. The

original _strena_ which men gave one another on the same day for luck

was nothing but a twig plucked from a sacred grove; and still in the

fifth century men returned from their new year auguries laden with

_ramusculi_ that they might thereafter be laden with wealth[867]. It

is not necessary to dwell upon the surviving use of evergreens in the

decoration at Christmas of houses and churches[868]. The sacredness

of these is reflected in the taboo which enjoins that they shall not

be cast out upon the dust-heap, but shall, when some appropriate day,

such as Candlemas, arrives, be solemnly committed to the flames[869].

Obviously amongst other evergreens the holly and the ivy, with their

clustering pseudo-blossoms of coral and of jet, are the more adequate

representatives of the fertilization spirit[870]; most of all the

mistletoe, perched an alien visitant, faintly green and white, amongst

the bared branches of apple or of oak. The mistletoe has its especial

place in Scandinavian myth[871]: Pliny records the ritual use of it by

the Druids[872]; it is essential to the winter revels in their amorous

aspect; and its vanished dignities still serve, here to bar it from,

there to make it imperative in, the edifices of Christian worship[873].

A more artificial embodiment of the fertilization spirit is the

‘Christmas tree’ _par excellence_, adorned with lights and apples, and

often with a doll or image upon the topmost sprig. The first recorded

Christmas tree is at Strassburg in 1604. The custom is familiar enough

in modern England, but there can be little doubt that here it is of

recent introduction, and came in, in fact, with the Hanoverians[874].

Finally, there can be little wonder that the popular imagination found

a special manifestation of the fertilization spirit in the unusual

blossoming of particular trees or species of trees in the depths of

winter. In mild seasons a crab or cherry might well adorn the old

winter feast in November. A favourable climate permits such a thing

even at mid-winter. Legend, at any rate, has no doubt of the matter,

and connects the event definitely with Christmas. A tenth-century

Arabian geographer relates how all the trees of the forest stand in

full bloom on the holy night. In the thirteenth-century _Vita_ of St.

Hadwigis the story is told of a cherry-tree. A fifteenth-century bishop

of Bamberg tells it of two apple-trees, and to apple-trees the miracle

belongs, in German folk-belief, to this day[875]. In England the

stories of Christmas-flowering hawthorns or blackthorns are specific

and probably not altogether baseless[876]. The belief found a special

location at Glastonbury, where the famous thorn is said by William of

Malmesbury and other writers to have budded from the staff of Joseph of

Arimathea, who there ended his wanderings with the Holy Grail. Where

winter-flowering trees are not found, a custom sometimes exists of

putting a branch of cherry or of hawthorn in water some weeks before

Christmas in order that it may blossom and serve as a substitute[877].

It may fairly be conjectured that at the winter, as at the summer

feast, the fertilization spirit, in the form of bush or idol, was

borne about the fields. The fifteenth-century writer, Alsso, records

the _calendisationes_ of the god Bel in Bohemia, suppressed by St.

Adalbert[878]. In modern England, a ‘holly-bough’ or ‘wesley-bob,’ with

or without an image or doll, occasionally goes its rounds[879]. But

a definite lustration of the bounds is rare[880], and, for the most

part, the winter procession either is merely riotous or else, like too

many of the summer processions themselves, has been converted, under

the successive influence of the _strenae_ and the cash nexus, into

little more than a _quête_. Thus children and the poor go ‘souling’ for

apples and ‘soul-cakes’ on All Souls’ day; on November 5 they collect

for the ‘guy’; on November 11 in Germany, if not in England, for St.

Martin; on St. Clement’s day (November 23) they go ‘clemencing’; on

St. Catherine’s (November 25) ‘catherning.’ Wheat is the coveted boon

on St. Thomas’s day (December 21) or ‘doling day,’ and the _quête_

is variously known as ‘thomasing,’ ‘mumping,’ ‘corning,’ ‘gooding,’

‘hodening,’ or ‘hooding[881].’ Christmas brings ‘wassailing’ with its

bowl of lamb’s-wool and its bobbing apple, and this is repeated on

New Year’s day or eve[882]. The New Year _quête_ is probably the most

widespread and popular of all. Ducange records it at Rome[883]. In

France it is known as _l’Aguilaneuf_[884], in Scotland and the north

of England as Hogmanay, terms in which the philologists meet problems

still unsolved[885]. Other forms of the winter _quête_ will crop up

presently, and the visits of the guisers with their play or song, the

carol singers and the waits may be expected at any time during the

Christmas season. As at the summer _quêtes_, some reminiscence of the

primitive character of the processions is to be found in the songs

sung, with their wish of prosperity to the liberal household and their

ill-will to the churl[886].

In the summer festivals both water-rites and fire-rites frequently

occur. In those of winter, water-rites are comparatively rare, as

might naturally be expected at a season when snow and ice prevail.

There is some trace, however, of a custom of drawing ‘new’ water, as

of making ‘new’ fire, for the new year[887]. Festival fires, on the

other hand, are widely distributed, and agree in general features with

those of summer. Their relation to the fertility of crop and herd is

often plainly enough marked. They are perhaps most familiar to-day

in the comparatively modern form of the Guy Fawkes celebration on

November 5[888], but they are known also on St. Crispin’s day (October

25)[889], Hallow e’en[890], St. Martin’s day[891], St. Thomas’s

day[892], Christmas eve[893], New Year[894], and Twelfth night[895].

An elaborate and typical example is the ‘burning of the clavie’ at

the little fishing village of Burghead on the Moray Firth[896]. This

takes place on New Year’s eve, or, according to another account[897],

Christmas eve (O.S.). Strangers to the village are excluded from any

share in the ritual. The ‘clavie’ is a blazing tar-barrel hoisted on a

pole. In making it, a stone must be used instead of a hammer, and must

then be thrown away. Similarly, the barrel must be lit with a blazing

peat, and not with lucifer matches. The bearers are honoured, and the

bridegroom of the year gets the ‘first lift.’ Should a bearer stumble,

it portends death to himself during the year and ill-luck to the town.

The procession passes round the boundaries of Burghead, and formerly

visited every boat in the harbour. Then it is carried to the top of

a hillock called the ‘Doorie,’ down the sides of which it is finally

rolled. Blazing brands are used to kindle the house fires, and the

embers are preserved as charms.

The central heathen rite of sacrifice has also left its abundant traces

upon winter custom. Bede records the significant name of _blôt-monath_,

given to November by the still unconverted Anglo-Saxons[898]. The

tradition of solemn slaughter hangs around both Martinmas and

Christmas. ‘Martlemas beef’ in England, St. Martin’s swine, hens,

and geese in Germany, mark the former day[899]. At Christmas the

outstanding victim seems to be the boar. _Caput apri defero: reddens

laudem Domino_, sings the taberdar at Queen’s College, Oxford, as

the manciple bears in the boar’s head to the Christmas banquet. So

it was sung in many another mediaeval and Elizabethan hall[900],

while the gentlemen of the Inner Temple broke their Christmas fast on

‘brawn, mustard, and malmsey[901],’ and in the far-off Orkneys each

householder of Sandwick must slay his sow on St. Ignace’s or ‘Sow’ day,

December 17[902]. The older mythologists, with the fear of solstices

before their eyes, are accustomed to connect the Christmas boar with

the light-god, Freyr[903]. If the cult of any one divinity is alone

concerned, the analogous use of the pig in the Eleusinian mysteries of

Demeter would make the earth-goddess a more probable guess[904]. A few

more recondite customs associated with particular winter anniversaries

may be briefly named. St. Thomas’s day is at Wokingham the day for

bull-baiting[905]. On St. Stephen’s day, both in England and Germany,

horses are let blood[906]. On or about Christmas, boys are accustomed

to set on foot a hunt of victims not ordinarily destined to such a

fate[907]; owls and squirrels, and especially wrens, the last, be it

noted, creatures which at other times of the year a taboo protects. The

wren-hunt is found on various dates in France, England, Ireland, and

the Isle of Man, and is carried out with various curious rituals. Often

the body is borne in a _quête_, and in the Isle of Man the _quêteurs_

give a feather as an amulet in return for hospitality. There are

other examples of winter _quêtes_, in which the representation of a

sacrificial victim is carried round[908]. ‘Hoodening’ in Kent and other

parts of England is accompanied by a horse’s head or hobby-horse[909].

The Welsh ‘Mari Lwyd’ is a similar feature[910], while at Kingscote,

in Gloucestershire, the wassailers drink to a bull’s head called ‘the

Broad[911].’

The hobby-horse is an example of an apparently grotesque element which

is found widespread in folk-processions, and which a previous chapter

has traced to its ritual origin. The man clad in a beast-skin is the

worshipper putting himself by personal contact under the influence

and protection of the sacrificed god. The rite is not a very salient

one in modern winter processions, although it has its examples, but

its historical importance is great. A glance at the ecclesiastical

denunciations of the Kalends collected in an appendix will disclose

numerous references to it. These are co-extensive with the western area

of the Kalends celebrations. In Italy, in Gaul, in southern Germany,

apparently also in Spain and in England, men decked themselves for

riot in the heads and skins of cattle and the beasts of the chase,

blackened their faces or bedaubed them with filth, or wore masks fit

to terrify the demons themselves. The accounts of these proceedings

are naturally allusive rather than descriptive; the fullest are given

by a certain Severian, whose locality and date are unknown, but

who may be conjectured to speak for Italy, by Maximus of Turin and

Chrysologus of Ravenna in the fifth century, and by Caesarius of Arles

in the beginning of the sixth. Amongst the _portenta_ denounced is a

certain _cervulus_, which lingers in the _Penitentials_ right up to

the tenth century, and with which are sometimes associated a _vitula_

or _iuvenca_. Caesarius adds a _hinnicula_, and St. Eadhelm, who is

my only authority for the presence of the _cervulus_ in England, an

_ermulus_. These seem to be precisely of the nature of ‘hobby-horses.’

Men are said _cervulum ambulare_, _cervulum facere_, _in cervulo

vadere_, and Christians are forbidden to allow these _portenta_ to

come before their houses. The _Penitential_ of the Pseudo-Theodore

tells us that the performers were those who wore the skins and heads

of beasts. Maximus of Turin, and several writers after him, put the

objection to the beast-mimicry of the Kalends largely on the ground

that man made in the image of God must not transform himself into the

image of a beast. But it is clear that the real reason for condemning

it was its unforgettable connexion with heathen cult. Caesarius warns

the culprit that he is making himself into a _sacrificium daemonum_,

and the disguised reveller is more than once spoken of as a living

image of the heathen god or demon itself. There is some confusion of

thought here, and it must be remembered that the initial significance

of the skin-wearing rite was probably buried in oblivion, both for

those who practised it and for those who reprobated. But it is

obvious that the worshipper wearing a sacrificial skin would bear a

close resemblance to the theriomorphic or semi-theriomorphic image

developed out of the sacrificial skin nailed on a tree-trunk; and

it is impossible not to connect the fact that in the prohibitions a

_cervulus_ or ‘hobby-buck’ rather than a ‘hobby-horse’ is prominent

with the widespread worship throughout the districts whence many of

these notices come of the mysterious stag-horned deity, the _Cernunnos_

of the Gaulish altars[912]. On the whole I incline to think that at

least amongst the Germano-Keltic peoples the agricultural gods were not

mimed in procession by human representatives. It is true that in the

mediaeval German processions which sprang out of those of the Kalends

St. Nicholas plays a part, and that the presence of St. Nicholas may

be thought to imply that of some heathen precursor. It will, however,

be seen shortly that St. Nicholas may have got into these processions

through a different train of ideas, equally connected with the Kalends,

but not with the strictly agricultural aspect of that festival. But of

the continuity of the beast-masks and other horrors of these Christmas

processions with those condemned in the prohibitions, there can be no

doubt[913]. A few other survivals of the _cervulus_ and its revel can

be traced in various parts of Europe[914].

The sacrifices of cereals and of the juice of the vine or the barley

are exemplified, the one by the traditional furmenty, plum-porridge,

mince-pie, souling-cake, Yule-dough, Twelfth night cake, _pain de

calende_, and other forms of ‘feasten’ cake[915]; the other by the

wassail-bowl with its bobbing apple[916]. The summer ‘youling’ or

‘tree-wassailing’ is repeated in the orchard[917], and a curious

Herefordshire custom represents an extension of the same principle to

the ox-byre[918]. A German hen-yard custom requires mixed corn, for

the familiar reason that every kind of crop must be included in the

sacrifice[919].

Human sacrifice has been preserved in the whipping of boys on

Innocents’ day, because it could be turned into the symbol of a

Christian myth[920]. It is preserved also, as throughout the summer,

in the custom, Roman as well as Germano-Keltic, of electing a mock

or temporary king. Of such the Epiphany king or ‘king of the bean’

is, especially in France, the best known[921]. Here again, the

association with the three kings or _Magi_ has doubtless prolonged

his sway. But he is not unparalleled. The _rex autumnalis_ of Bath is

perhaps a harvest rather than a beginning of winter king[922]. But the

shoemakers choose their King Crispin on October 25, the day of their

patron saints, Crispin and Crispinian; on St. Clement’s (November

23) the Woolwich blacksmiths have their King Clem, and the maidens

of Peterborough and elsewhere a queen on St. Catherine’s (November

25). Tenby, again, elects its Christmas mock mayor[923]. At York, the

proclaiming of Yule by ‘Yule’ and ‘Yule’s wife’ on St. Thomas’s day

was once a notable pageant[924]. At Norwich, the riding of a ‘kyng of

Crestemesse’ was the occasion of a serious riot in 1443[925]. These may

be regarded as ‘folk’ versions of the mock king. Others, in which the

folk were less concerned, will be the subject of chapters to follow.

Before passing to a fresh group of Christmas customs, I must note the

presence of one more bit of ritual closely related to sacrificial

survivals. That is, the man masquerading in woman’s clothes, in whom we

have found a last faint reminiscence of the once exclusive supremacy

of women in the conduct of agricultural worship. At Rome, musicians

dressed as women paraded the city, not on the Kalends, but on the

Ides of January[926]. The Fathers, however, know such disguising as

a Kalends custom, and a condemnation of it often accompanies that of

beast-mimicry, from the fourth to the eighth century[927].

The winter festival is thus, like the summer festivals, a moment in the

cycle of agricultural ritual, and is therefore shared in by the whole

village in common. It is also, and from the time of the institution

of harvest perhaps preeminently, a festival of the family and the

homestead. This side of it finds various manifestations. There is the

solemn renewal of the undying fire upon the hearth, the central symbol

and almost condition of the existence of the family as such. This

survives in the institution of the ‘Yule-log,’ which throughout the

Germano-Keltic area is lighted on Christmas or more rarely New Year’s

eve, and must burn, as local custom may exact, either until midnight,

or for three days, or during the whole of the Twelve-night period,

from Christmas to Epiphany[928]. Dr. Tille, intent on magnifying the

Roman element in western winter customs, denies any Germano-Keltic

origin to the Christmas blaze, and traces it to the Roman practice of

hanging lamps upon the house-doors during the _Saturnalia_ and the

Kalends[929]. It is true that the Yule-log is sometimes supplemented

or even replaced by the Christmas candle[930], but I do not think that

there can be any doubt which is the primitive form of rite. And the

Yule-log enters closely into the Germano-Keltic scheme of festival

ideas. The preservation of its brands or ashes to be placed in the

mangers or mingled with the seed-corn suggests many and familiar

analogies. Moreover, it is essentially connected with the festival fire

of the village, from which it is still sometimes, and once no doubt was

invariably, lit, affording thus an exact parallel to the Germano-Keltic

practice on the occasion of summer festival fires, or of those built to

stay an epidemic.

Another aspect of the domestic character of the winter festival is

to be found in the prominent part which children take in it. As

_quêteurs_, they have no doubt gradually replaced the elder folk,

during the process through which, even within the historical purview,

ritual has been transformed into play. But St. Nicholas, the chief

mythical figure of the festival, is their patron saint; for their

benefit especially, the _strenae_ or Christmas and New Year’s gifts are

maintained; and in one or two places it is their privilege, on some

fixed day during the season, to ‘bar out’ their parents or masters[931].

Thirdly, the winter festival included a commemoration of ancestors.

It was a feast, not only of riotous life, but of the dead. For, to

the thinking of the Germano-Keltic peoples, the dead kinsmen were not

altogether outside the range of human fellowship. They shared with the

living in banquets upon the tomb. They could even at times return to

the visible world and hover round the familiar precincts of their own

domestic hearth. The Germans, at least, heard them in the gusts of the

storm, and imagined for them a leader who became Odin. From another

point of view they were naturally regarded as under the keeping of

earth, and the earth-mother, in one aspect a goddess of fertility, was

in another the goddess of the dead. As such she was worshipped under

various names and forms, amongst others in the triad of the _Matres_

or _Matronae_. In mediaeval superstition she is represented by Frau

Perchte, Frau Holda and similar personages, by Diana, by Herodias, by

St. Gertrude, just as the functions of Odin are transferred to St.

Martin, St. Nicholas, St. John, Hellequin. It was not unnatural that

the return of the spirits, in the ‘wild hunt’ or otherwise, to earth

should be held to take place especially at the two primitive festivals

which respectively began the winter and the summer. Of the summer or

spring commemoration but scant traces are to be recovered[932]; that

of winter survives, in a dislocated form, in more than one important

anniversary. Its observances have been transferred with those of the

agricultural side of the feast to the _Gemeinwoche_ of harvest[933];

but they are also retained, at or about their original date, on All

Saints’ and All Souls’ days[934]; and, as I proceed to show, they form

a marked and interesting part of the Christmas and New Year ritual.

I do not, indeed, agree with Dr. Mogk, who thinks that the Germans

held their primitive feast of the dead in the blackest time of winter,

for it seems to me more economical to suppose that the observances in

question have been shifted like others from November to the Kalends.

But I still less share the view of Dr. Tille, who denies that any

relics of a feast of the dead can be traced in the Christmas season at

all[935].

Bede makes the statement that the heathen Anglo-Saxons gave to the eve

of the Nativity the name of _Modranicht_ or ‘night of mothers,’ and

in it practised certain ceremonies[936]. It is a difficult passage,

but the most plausible of various explanations seems to be that

which identifies these ceremonies with the cult of those _Matres_ or

_Matronae_, corresponding with the Scandinavian _disar_, whom we seem

justified in regarding as guardians and representatives of the dead.

Nor is there any particular difficulty in guessing at the nature of

the ceremonies referred to. Amongst all peoples the cult of the dead

consists in feeding them; and there is a long catena of evidence for

the persistent survival in the Germano-Keltic area of a Christmas and

New Year custom closely parallel to the _alfablót_ and _disablót_

of the northern _jul_. When the household went to bed after the New

Year revel, a portion of the banquet was left spread upon the table

in the firm belief that during the night the ancestral spirits and

their leaders would come and partake thereof. The practice, which was

also known on the Mediterranean, does not escape the animadversion

of the ecclesiastical prohibitions. The earlier writers who speak of

it, Jerome, Caesarius, Eligius, Boniface, Zacharias, the author of the

_Homilia de Sacrilegiis_, if they give any explanation at all, treat it

as a kind of charm[937]. The laden table, like the human over-eating

and over-drinking, is to prognosticate or cause a year of plentiful

fare. The preachers were more anxious to eradicate heathenism than

to study its antiquities. Burchardus, however, had a touch of the

anthropologist, and Burchardus says definitely that food, drink, and

three knives were laid on the Kalends table for the three _Parcae_,

figures of Roman mythology with whom the western _Matres_ or ‘weird

sisters’ were identified[938]. Mediaeval notices confirm the statement

of Burchardus. Martin of Amberg[939], the _Thesaurus Pauperum_[940] and

the Kloster Scheyern manuscript[941] make the recipient of the bounty

Frau Perchte. In Alsso’s _Largum Sero_ it is for the heathen gods or

demons[942]; in _Dives and Pauper_ for ‘Atholde or Gobelyn[943].’ In

modern survivals it is still often Frau Perchte or the Perchten or

Persteln for whom fragments of food are left; in other cases the custom

has taken on a Christian colouring, and the ancestors’ bit becomes the

portion of _le bon Dieu_ or the Virgin or Christ or the _Magi_, and is

actually given to _quêteurs_ or the poor[944].

It is the ancestors, perhaps, who are really had in mind when libations

are made upon the Yule-log, an observance known to Martin of Braga in

the sixth century[945], and still in use in France[946]. Nor can it be

doubted that the healths drunk to them, and to the first of them, Odin,

lived on in the St. John’s _minnes_, no less than in the St. Martin’s

_minnes_, of Germany[947]. Apart from eating and drinking, numerous

folk-beliefs testify to the presence of the spirits of the dead on

earth in the Twelve nights of Christmas. During these days, or some one

of them, Frau Holle and Frau Perchte are abroad[948]. So is the ‘wild

hunt[949].’ Dreams then dreamt come true[950], and children then born

see ghosts[951]. The werwolf, possessed by a human spirit, is to be

dreaded[952]. The devil and his company dance in the Isle of Man[953]:

in Brittany the _korrigans_ are unloosed, and the dolmens and menhirs

disclose their hidden treasures[954]. Marcellus in _Hamlet_ declares:

‘Some say that ever ’gainst that season comes

Wherein our Saviour’s birth is celebrated,

The bird of dawning singeth all night long;

And then, they say, no spirit dare stir abroad;

The nights are wholesome; then no planets strike,

No fairy takes, nor witch hath power to charm,

So hallow’d and so gracious is the time[955].’

The folk-lorist can only reply, ‘So have I heard, and do not in the

least believe it.’

The wanderings of Odin in the winter nights must be at the bottom of

the nursery myth that the Christian representatives of this divinity,

Saints Martin and Nicholas (the Santa Claus of modern legend), are the

nocturnal givers of _strenae_ to children. In Italy, the fairy Befana

(Epiphania), an equivalent of Diana, has a similar function[956].

It was but a step to the actual representation of such personages

for the greater delight of the children. In Anspach the skin-clad

_Pelzmarten_, in Holland St. Martin in bishop’s robes, make their

rounds on St. Martin’s day with nuts, apples, and such-like[957].

St. Nicholas does the same on St. Nicholas’ day in Holland and

Alsace-Lorraine, at Christmas in Germany[958]. The beneficent saints

were incorporated into the Kalends processions already described, which

in the sixteenth-century Germany included two distinct groups, a dark

one of devils and beast-masks, terrible to children, and a white or

kindly one, in which sometimes appeared the _Jesus-Kind_ himself[959].

It is perhaps a relic of the same merging which gives the German

and Flemish St. Nicholas a black Moor as companion in his nightly

peregrinations[960].

Besides the customs which form part of the agricultural or the domestic

observances of the winter feasts, there are others which belong to

these in their quality as feasts of the New Year. To the primitive mind

the first night and day of the year are full of omen for the nights

and days that follow. Their events must be observed as foretelling,

nay more, they must as far as possible be regulated as determining,

those of the larger period. The eves and days of All Saints, Christmas,

and the New Year itself, as well as in some degree the minor feasts,

preserve in modern folk-lore this prophetic character. It is but an

extension and systematization of the same notion that ascribes to each

of the twelve days between Christmas and Epiphany a special influence

upon one of the twelve months of the year[961]. This group of customs

I can only touch most cursorily. The most interesting are those which,

as I have just said, attempt to go beyond foretelling and to determine

the arrival of good fortune. Their method is symbolic. In order that

the house may be prosperous during the year, wealth during the critical

day must flow in and not flow out. Hence the taboos which forbid the

carrying out in particular of those two central elements of early

civilization, fire[962] and iron[963]. Hence too the belief that a job

of work begun on the feast day will succeed, which conflicts rather

curiously in practice with the universal rustic sentiment that to work

or make others work on holidays is the act of a churl[964]. Nothing,

again, is more important to the welfare of the household during the

coming year than the character of the first visitor who may enter

the house on New Year’s day. The precise requirements of a ‘first

foot’ vary in different localities; but as a rule he must be a boy

or man, and not a girl or woman, and he must be dark-haired and not

splay-footed[965]. An ingenious conjecture has connected the latter

requirements with the racial antagonism of the high-instepped dark

pre-Aryan to the flat-footed blonde or red-haired invading Kelt[966].

A Bohemian parallel enables me to explain that of masculinity by the

belief in the influence of the sex of the ‘first foot’ upon that of

the cattle to be born during the year[967]. I regret to add that there

are traces also of a requirement that the ‘first foot’ should not be

a priest, possibly because in that event the shadow of celibacy would

make any births at all improbable[968].

Some of the New Year observances are but prophetic by second intention,

having been originally elements of cult. An example is afforded by the

all-night table for the leaders of the dead, which, as has been pointed

out, was regarded by the Fathers who condemned it as merely a device,

with the festal banquet itself, to ensure carnal well-being. Another is

the habit of giving presents. This, though widespread, is apparently

of Italian and not Germano-Keltic origin[969]. It has gone through

three phases. The original _strena_ played a part in the cult of the

wood-goddess. It was a twig from a sacred tree and the channel of the

divine influence upon the personality of him who held or wore it. The

later _strena_ had clearly become an omen, as is shown by the tradition

which required it to be honeyed or light-bearing or golden[970]. To-day

even this notion may be said to have disappeared, and the Christmas-box

or _étrenne_ is merely a token of goodwill, an amusement for children,

or a blackmail levied by satellites.

The number of minor omens by which the curiosity, chiefly of

women, strives on the winter nights to get a peep into futurity is

legion[971]. Many of them arise out of the ordinary incidents of the

festivities, the baking of the Christmas cakes[972], the roasting of

the nuts in the Hallow-e’en fire[973]. Some of them preserve ideas of

extreme antiquity, as when a girl takes off her shift and sits naked

in the belief that the vision of her future husband will restore it to

her. Others are based upon the most naïve symbolism, as when the same

girl pulls a stick out of the wood-pile to see if her husband will be

straight or crooked[974]. But however diversified the methods, the

objects of the omens are few and unvarying. What will be the weather

and what his crops? How shall he fare in love and the begetting of

children? What are his chances of escaping for yet another year the

summons of the lord of shadows? Such are the simple questions to which

the rustic claims from his gods an answer.

Finally, the instinct of play proved no less enduring in the

Germano-Keltic winter feasts than in those of summer. The priestly

protests against the invasion of the churches by folk-dance and

folk-song apply just as much to Christmas as to any other festal

period. It is, indeed, to Christmas that the monitory legend of the

dancers of Kölbigk attaches itself. A similar pious narrative is that

in the thirteenth-century _Bonum Universale de Apibus_ of Thomas of

Cantimpré, which tells how a devil made a famous song of St. Martin,

and spread it abroad over France and Germany[975]. Yet a third is

solemnly retailed by a fifteenth-century English theologian, who

professes to have known a man who once heard an indecent song at

Christmas, and not long after died of a melancholy[976]. During the

seventeenth century folk still danced and cried ‘Yole’ in Yorkshire

churches after the Christmas services[977]. Hopeless of abolishing

such customs, the clergy tried to capture them. The Christmas crib

was rocked to the rhythms of a dance, and such great Latin hymns as

the _Hic iacet in cunabulis_ and the _Resonat in laudibus_ became

the parents of a long series of festival songs, half sacred, half

profane[978]. In Germany these were known as _Wiegenlieder_, in France

as _noëls_, in England as carols; and the latter name makes it clear

that they are but a specialized development of those _caroles_ or

_rondes_ which of all mediaeval _chansons_ came nearest to the type of

Germano-Keltic folk-song. A single passage in a Byzantine writer gives

a tantalizing glimpse of such a folk-revel or _laiks_ at a much earlier

stage. Constantine Porphyrogennetos describes amongst the New Year

sports and ceremonies of the court of Byzantium in the tenth century

one known as τὸ Γοτθικόν. In this the courtiers were led by two ‘Goths’

wearing skins and masks, and carrying staves and shields which they

clashed together. An intricate dance took place about the hall, which

naturally recalls the sword-dance of western Europe. A song followed,

of which the words are preserved. They are only partly intelligible,

and seem to contain allusions to the sacrificial boar and to the

Gothic names of certain deities. From the fact that they are in Latin,

the scholars who have studied them infer that the Γοτθικόν drifted

to Byzantium from the court of the great sixth-century Ostrogoth,

Theodoric[979].

The mediaeval stage, volume 1 (of 2) · 第 9 / 18 章