CHAPTER 67.

How D’Artagnan became acquainted with a Poet, who had turned Printer

for the sake of printing his own Verses

Before taking his place at table, D’Artagnan acquired, as was his

custom, all the information he could; but it is an axiom of curiosity,

that every man who wishes to question well and fruitfully ought in the

first place to lay himself open to questions. D’Artagnan sought, then,

with his usual skill, a promising questioner in the hostelry of La

Roche-Bernard. At the moment, there were in the house, on the first

story, two travelers either preparing for supper, or at supper itself.

D’Artagnan had seen their nags in the stable, and their equipages in

the salle. One traveled with a lackey, undoubtedly a person of

consideration;—two Perche mares, sleek, sound beasts, were suitable

means of locomotion. The other, a little fellow, a traveler of meagre

appearance, wearing a dusty surtout, dirty linen, and boots more worn

by the pavement than the stirrup, had come from Nantes with a cart

drawn by a horse so like Furet in color, that D’Artagnan might have

gone a hundred miles without finding a better match. This cart

contained divers large packets wrapped in pieces of old stuff.

“That traveler yonder,” said D’Artagnan to himself, “is the man for my

money. He will do, he suits me; I ought to do for and suit him; M.

Agnan, with the gray doublet and the rusty calotte, is not unworthy of

supping with the gentleman of the old boots and still older horse.”

This said, D’Artagnan called the host, and desired him to send his

teal, tourteau, and cider up to the chamber of the gentleman of modest

exterior. He himself climbed, a plate in his hand, the wooden staircase

which led to the chamber, and began to knock at the door.

“Come in!” said the unknown. D’Artagnan entered, with a simper on his

lips, his plate under his arm, his hat in one hand, his candle in the

other.

“Excuse me, monsieur,” said he, “I am, as you are, a traveler; I know

no one in the hotel, and I have the bad habit of losing my spirits when

I eat alone, so that my repast appears a bad one to me, and does not

nourish me. Your face, which I saw just now, when you came down to have

some oysters opened,—your face pleased me much. Besides, I have

observed you have a horse just like mine, and that the host, no doubt

on account of that resemblance, has placed them side by side in the

stable, where they appear to agree amazingly well together. I

therefore, monsieur, do not see any reason why the masters should be

separated when the horses are united. Accordingly, I am come to request

the pleasure of being admitted to your table. My name is Agnan, at your

service, monsieur, the unworthy steward of a rich seigneur, who wishes

to purchase some salt-mines in this country, and sends me to examine

his future acquisitions. In truth, monsieur, I should be well pleased

if my countenance were as agreeable to you as yours is to me; for, upon

my honor, I am quite at your service.”

The stranger, whom D’Artagnan saw for the first time—for before he had

only caught a glimpse of him,—the stranger had black and brilliant

eyes, a yellow complexion, a brow a little wrinkled by the weight of

fifty years, bonhomie in his features collectively, but some cunning in

his look.

“One would say,” thought D’Artagnan, “that this merry fellow has never

exercised more than the upper part of his head, his eyes, and his

brain. He must be a man of science: his mouth, nose, and chin signify

absolutely nothing.”

“Monsieur,” replied the latter, with whose mind and person we have been

making so free, “you do me much honor; not that I am ever ennuye, for I

have,” added he, smiling, “a company which amuses me always; but never

mind that, I am very happy to receive you.” But when saying this, the

man with the worn boots cast an uneasy look at his table, from which

the oysters had disappeared, and upon which there was nothing left but

a morsel of salt bacon.

“Monsieur,” D’Artagnan hastened to say, “the host is bringing me up a

pretty piece of roasted poultry and a superb tourteau.” D’Artagnan had

read in the look of his companion, however rapid it disappeared, the

fear of an attack by a parasite: he divined justly. At this opening,

the features of the man of modest exterior relaxed; and, as if he had

watched the moment for his entrance, as D’Artagnan spoke, the host

appeared, bearing the announced dishes. The tourteau and the teal were

added to the morsel of broiled bacon; D’Artagnan and his guest bowed,

sat down opposite to each other, and, like two brothers, shared the

bacon and the other dishes.

“Monsieur,” said D’Artagnan, “you must confess that association is a

wonderful thing.”

“How so?” replied the stranger, with his mouth full.

“Well, I will tell you,” replied D’Artagnan.

The stranger gave a short truce to the movement of his jaws, in order

to hear the better.

“In the first place,” continued D’Artagnan, “instead of one candle,

which each of us had, we have two.”

“That is true!” said the stranger, struck with the extreme lucidity of

the observation.

“Then I see that you eat my tourteau in preference, whilst I, in

preference, eat your bacon.”

“That is true again.”

“And then, in addition to being better lighted and eating what we

prefer, I place the pleasure of your company.”

“Truly, monsieur, you are very jovial,” said the unknown, cheerfully.

“Yes, monsieur; jovial, as all people are who carry nothing on their

minds, or, for that matter, in their heads. Oh! I can see it is quite

another sort of thing with you,” continued D’Artagnan; “I can read in

your eyes all sorts of genius.”

“Oh, monsieur!”

“Come, confess one thing.”

“What is that?”

“That you are a learned man.”

“Ma foi! monsieur.”

“Hein?”

“Almost.”

“Come, then!”

“I am an author.”

“There!” cried D’Artagnan, clapping his hands, “I knew I could not be

deceived! It is a miracle!”

“Monsieur——”

“What, shall I have the honor of passing the evening in the society of

an author, of a celebrated author perhaps?”

“Oh!” said the unknown, blushing, “celebrated, monsieur, celebrated is

not the word.”

“Modest!” cried D’Artagnan, transported, “he is modest!” Then, turning

towards the stranger, with a character of blunt bonhomie: “But tell me

at least the name of your works, monsieur; for you will please to

observe you have not told me your name, and I have been forced to

divine your genius.”

“My name is Jupenet, monsieur,” said the author.

“A fine name! a grand name! upon my honor; and I do not know why—pardon

me the mistake, if it be one—but surely I have heard that name

somewhere.”

“I have made verses,” said the poet modestly.

“Ah! that is it, then, I have heard them read.”

“A tragedy.”

“I must have seen it played.”

The poet blushed again, and said: “I do not think that can be the case,

for my verses have never been printed.”

“Well, then, it must have been the tragedy which informed me of your

name.”

“You are again mistaken, for MM. the comedians of the Hotel de

Bourgogne, would have nothing to do with it,” said the poet, with a

smile, the receipt for which certain sorts of pride alone knew the

secret. D’Artagnan bit his lips. “Thus, then, you see, monsieur,”

continued the poet, “you are in error on my account, and that not being

at all known to you, you have never heard tell of me.”

“Ah! that confounds me. That name, Jupenet, appears to me,

nevertheless, a fine name, and quite as worthy of being known as those

of MM. Corneille, or Rotrou, or Garnier. I hope, monsieur, you will

have the goodness to repeat to me a part of your tragedy presently, by

way of dessert, for instance. That will be sugared roast

meat,—mordioux! Ah! pardon me, monsieur, that was a little oath which

escaped me, because it is a habit with my lord and master. I sometimes

allow myself to usurp that little oath, as it seems in pretty good

taste. I take this liberty only in his absence, please to observe, for

you may understand that in his presence—but, in truth, monsieur, this

cider is abominable; do you not think so? And besides, the pot is of

such an irregular shape it will not stand on the table.”

“Suppose we were to make it level?”

“To be sure; but with what?”

“With this knife.”

“And the teal, with what shall we cut that up? Do you not, by chance,

mean to touch the teal?”

“Certainly.”

“Well, then——”

“Wait.”

And the poet rummaged in his pocket, and drew out a piece of brass,

oblong, quadrangular, about a line in thickness, and an inch and a half

in length. But scarcely had this little piece of brass seen the light,

than the poet appeared to have committed an imprudence, and made a

movement to put it back again in his pocket. D’Artagnan perceived this,

for he was a man that nothing escaped. He stretched forth his hand

towards the piece of brass: “Humph! that which you hold in your hand is

pretty; will you allow me to look at it?”

“Certainly,” said the poet, who appeared to have yielded too soon to a

first impulse. “Certainly, you may look at it: but it will be in vain

for you to look at it,” added he, with a satisfied air; “if I were not

to tell you its use, you would never guess it.”

D’Artagnan had seized as an avowal the hesitation of the poet, and his

eagerness to conceal the piece of brass which a first movement had

induced him to take out of his pocket. His attention, therefore, once

awakened on this point, he surrounded himself with a circumspection

which gave him a superiority on all occasions. Besides, whatever M.

Jupenet might say about it, by a simple inspection of the object, he

perfectly well knew what it was. It was a character in printing.

“Can you guess, now, what this is?” continued the poet.

“No,” said D’Artagnan, “no, ma foi!”

“Well, monsieur,” said M. Jupenet, “this little piece of metal is a

printing letter.”

“Bah!

“A capital.”

“Stop, stop, stop;” said D’Artagnan, opening his eyes very innocently.

“Yes, monsieur, a capital; the first letter of my name.”

“And this is a letter, is it?”

“Yes, monsieur.”

“Well, I will confess one thing to you.

“And what is that?”

“No, I will not, I was going to say something stupid.”

“No, no,” said Master Jupenet, with a patronizing air.

“Well then, I cannot comprehend, if that is a letter, how you can make

a word.”

“A word?”

“Yes, a printed word.”

“Oh, that’s very easy.”

“Let me see.”

“Does it interest you?”

“Enormously.”

“Well, I will explain the thing to you. Attend.”

“I am attending.”

“That is it.”

“Good.”

“Look attentively.”

“I am looking.” D’Artagnan, in fact, appeared absorbed in observations.

Jupenet drew from his pocket seven or eight other pieces of brass

smaller than the first.

“Ah, ah,” said D’Artagnan.

“What!”

“You have, then, a whole printing-office in your pocket. Peste! that is

curious, indeed.”

“Is it not?”

“Good God, what a number of things we learn by traveling.”

“To your health!” said Jupenet, quite enchanted.

“To yours, mordioux, to yours. But—an instant—not in this cider. It is

an abominable drink, unworthy of a man who quenches his thirst at the

Hippocrene fountain—is not it so you call your fountain, you poets?”

“Yes, monsieur, our fountain is so called. That comes from two Greek

words—hippos, which means a horse, and——”

“Monsieur,” interrupted D’Artagnan, “you shall drink of a liquor which

comes from one single French word, and is none the worse for that—from

the word grape; this cider gives me the heartburn. Allow me to inquire

of your host if there is not a good bottle of Beaugency, or of the

Ceran growth, at the back of the large bins in his cellar.”

The host, being sent for, immediately attended.

“Monsieur,” interrupted the poet, “take care, we shall not have time to

drink the wine, unless we make great haste, for I must take advantage

of the tide to secure the boat.”

“What boat?” asked D’Artagnan.

“Why the boat which sets out for Belle-Isle!”

“Ah—for Belle-Isle,” said the musketeer, “that is good.”

“Bah! you will have plenty of time, monsieur,” replied the hotelier,

uncorking the bottle, “the boat will not leave this hour.”

“But who will give me notice?” said the poet.

“Your fellow-traveler,” replied the host.

“But I scarcely know him.”

“When you hear him departing, it will be time for you to go.”

“Is he going to Belle-Isle, likewise, then?”

“The traveler who has a lackey?” asked D’Artagnan. “He is some

gentleman, no doubt?”

“I know nothing of him.”

“What!—know nothing of him?”

“No, all I know is, that he is drinking the same wine as you.”

“Peste!—that is a great honor for us,” said D’Artagnan, filling his

companion’s glass, whilst the host went out.

“So,” resumed the poet, returning to his dominant ideas, “you never saw

any printing done?”

“Never.”

“Well, then, take the letters thus, which compose the word, you see: A

B; ma foi! here is an R, two E E, then a G.” And he assembled the

letters with a swiftness and skill which did not escape the eye of

D’Artagnan.

“Abrege,” said he, as he ended.

“Good!” said D’Artagnan; “here are plenty of letters got together; but

how are they kept so?” And he poured out a second glass for the poet.

M. Jupenet smiled like a man who has an answer for everything; then he

pulled out—still from his pocket—a little metal ruler, composed of two

parts, like a carpenter’s rule, against which he put together, and in a

line, the characters, holding them under his left thumb.

“And what do you call that little metal ruler?” said D’Artagnan, “for,

I suppose, all these things have names.”

“This is called a composing-stick,” said Jupenet; “it is by the aid of

this stick that the lines are formed.”

“Come, then, I was not mistaken in what I said; you have a press in

your pocket,” said D’Artagnan, laughing with an air of simplicity so

stupid, that the poet was completely his dupe.

“No,” replied he; “but I am too lazy to write, and when I have a verse

in my head, I print it immediately. That is a labor spared.”

“Mordioux!” thought D’Artagnan to himself, “this must be cleared up.”

And under a pretext, which did not embarrass the musketeer, who was

fertile in expedients, he left the table, went downstairs, ran to the

shed under which stood the poet’s little cart, poked the point of his

poniard into the stuff which enveloped one of the packages, which he

found full of types, like those which the poet had in his pocket.

“Humph!” said D’Artagnan, “I do not yet know whether M. Fouquet wishes

to fortify Belle-Isle; but, at all events, here are some spiritual

munitions for the castle.” Then, enchanted with his rich discovery he

ran upstairs again, and resumed his place at the table.

D’Artagnan had learnt what he wished to know. He, however, remained,

none the less, face to face with his partner, to the moment when they

heard from the next room symptoms of a person’s being about to go out.

The printer was immediately on foot; he had given orders for his horse

to be got ready. His carriage was waiting at the door. The second

traveler got into his saddle, in the courtyard, with his lackey.

D’Artagnan followed Jupenet to the door; he embarked his cart and horse

on board the boat. As to the opulent traveler, he did the same with his

two horses and servant. But all the wit D’Artagnan employed in

endeavoring to find out his name was lost—he could learn nothing. Only

he took such notice of his countenance, that it was impressed upon his

mind forever. D’Artagnan had a great inclination to embark with the two

travelers, but an interest more powerful than curiosity—that of

success—repelled him from the shore, and brought him back again to the

hostelry. He entered with a sigh and went to bed directly in order to

be ready early in the morning with fresh ideas and the sage counsel of

sufficing sleep.

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