In the old romances the dead leaves crackled, and the cavalier of her

dreams whispered the soft right word in her ear, and she murmured

“Yes!” spelling it with two letters and a capital N as in the present

hour. Would the gallant of the past be to her liking to-day? Would she

receive him civilly, or would she tease and taunt him in her provoking

modern way, abusing the qualities she liked in him, sending him away

because she didn’t want him to go, telling him that he should never win

her because she had begun to fear that he would?

[Illustration]

[Illustration]

Neither the brusqueness nor the diffidence of the Puritan lover would

be likely to please her. The Puritan lover would lack a great many

of the qualities she now admires in men, chief among these, mayhap,

the quality of not being too solemn. She is far from Puritan severity

herself, and she would, I fear, see him go with a sigh of relief. In

the quality of not being too solemn, she might find the beau of Louis

XVI.’s time more to her liking, though his eagerness to draw his sword

for her would certainly make her laugh. She never would appreciate the

romance of his dainty duels.

His pretty speeches would amuse her for a little while, but the man

who flatters her nowadays must be a more expert artist to escape the

mortal wound of her ridicule. In a later day compliment undoubtedly

became more of an art, and the dude of the Directoire, whom you might

have found in the quaint drawing-rooms of old Boston, or Philadelphia,

or Georgetown, as well as upon his native soil, was an ingratiating

gallant in many ways. He posed, because Napoleon was making it the

fashion to pose, but he posed well, and he studied the best methods

of saying caressing things without making them nauseatingly sweet.

This art of compliment, of not saying the right thing to the wrong

woman, nor the wrong thing to any woman, reached an interesting

point of development in the contemporaries of Beau Brummel. Possibly

Miss America would have liked a Beau Brummel in an artistic spirit,

and Brummel had, as a spectacle, many traits of gracefulness and

fascination. Her elusiveness would have piqued him and his not too

grovelling deference would have made her think him an entertaining

fellow. His dress was elegant without effeminacy, his hat was the most

extraordinary yet devised by the ingenuity of man--which itself should

be a bond of sympathy. But hats pass away, and beaux melt among the

hazy images in the tapestry of time.

[Illustration]

Yet they are always with us. Every age has blamed its beaux for wanting

the true gallantry of beaux in the past. We all have heard Miss America

say, rather petulantly, that the days of chivalry are gone. Perhaps

they are; perhaps our men give too little attention to the graces of

life. But let us hope that the modern man is not always as satire

paints him, that for the little shams of chivalry he has substituted

some real essence of an even deeper homage.

And we must not forget, in considering courtship, that she, too, though

she may not have greatly changed in fact, has produced an effect quite

as puzzling as the change in man. One of the German painters, possibly

under the influence of Sudermann, has shown the modern girl, assisted,

and possibly instigated by Cupid, paring hearts with a knife. But this

is an old partnership--Cupid & Co., Limited. I cannot say what sign the

firm puts up over the door in Germany. In this country it certainly

should read: “Hearts extracted without pain.”

[Illustration]

Yes, she is cool. The caterer’s sign “Weddings Furnished,” does not,

I fear, ever give her a thrill. She asks no one to furnish a wedding

for her. She seldom appears to be in the mental situation described

by the thought-curers as one of “intense expectancy.” And she is,

it must be frankly admitted, developing a keen, a disconcerting,

critical sense, an inevitable result to be sure, yet carrying its own

bewildering effects. This is the American spirit, the inquiring spirit,

the tendency to insist upon the re-establishment of standards. The

American girl always is in the attitude of being willing to admit the

superiority of man--if he can prove it. Here enters her Americanism.

Her contention is that you cannot transmit relativity. She summons

science to show that new criteria are necessary, and she continually

is calling man into the lists to defend his titles, to repeat his

victories, or surrender the trophies.

If you look at it squarely it simply is iconoclasm, a social form

of image-breaking, the image in this case being traditional man.

Observe, however, that woman does not actually destroy the image.

She tentatively takes it down from the pedestal. Who knows but that,

having dusted it off, she may, after all, decide to put it back on

the pedestal again? Meanwhile, man is under scrutiny. It is a trying

moment. It is like an examination in a postgraduate course. The

American girl is examining man for a new degree. And man has no choice

but to struggle for it. He absolutely is without an alternative. He

must face the most exacting social service examination ever imposed by

human caution or sociological skepticism. To meet the test will be to

wear a proud title.

[Illustration]

[Illustration]

[Illustration]

VIII

THE NEW OLD MAID

[Illustration]

The complacence of the unmarried is regarded by many as one of the most

distressing spectacles in modern life. Perhaps there is some resentment

of this as an apparent lack of faith, or at least of hope; others may

be inclined to add, of charity. Eliminate these from woman and it

may be difficult to mend the situation by making her president of a

kindergarten society.

It is natural enough that the unmarried woman rather than the unmarried

man should be the particular mark for attack. There are obvious reasons

why woman’s resentment of the unmarried man should be concealed or

disguised. Woman, outside the resolution committee at a suffrage

convention, cannot gracefully seem to resent an impairment of the

selecting instinct in man. Even though she were quite securely removed

from the possibility of social commiseration she always would be in

danger of appearing to speak with something less than strictly abstract

feeling. She knows her fundamental limitations in the casting of

missiles, and the boomerang of personalities is least to her liking. To

her, natural selection may begin to wear the appearance of a huge joke,

an immense, fantastic contradiction. “This,” she may say, “is natural,

but it is not selection.” Under the circumstances who can blame her

if she resort to a paraphrase of evolution and bewilder man by an

unnatural rejection?

Man’s resentment is more vocal, and so often does it seem to be

touched with real asperity that we well may feel that he has begun to

contemplate the situation with more than a languid interest. I suppose

there is a fair question as to who began it. Gallantry dictates that a

man should neither admit nor declare that he did. The excitements of

scientific controversy doubtless often cause the masculine debater to

overlook this obligation. Certainly it often is beyond all dispute that

the American girl has succeeded, with or without design, in affecting

man with a definite awe, and it is claimed that, in certain quarters

at least, this awe has resulted in making him afraid to marry her,

which, if it were true, would have to be regarded as a calamity of the

profoundest moment. To admit the existence of such a condition would be

deeply humiliating, since it must belittle both man and woman, though

it should be admitted that woman would appear to better advantage as a

creature that had frightened man than as one that had ceased to attract

him.

As I said one day to the Professor, science is not treating us quite

fairly in this emergency. “As a scientific person,” I said to the

Professor, “you will remember the things science once undertook to

tell us about the great dualities. ‘Witness,’ said science, with not a

glimmer of insincerity, ‘the beautiful interdependence of the two lobes

of the cerebrum! How marvellous is their union! Each individual in form

and function, yet working in an eternal harmony. One cannot get along

without the other. Let one side of the brain be hurt and the other

droops in sympathetic inactivity.’ This was lovely. It fortified every

advocate of the fitness of marriage. ‘Observe,’ we could say to the

skeptic, ‘that this duality proceeds throughout nature. Interdependence

is universal,’ and so on. But what happens? Just as we have this

impressive object lesson in good working order, along comes science,

with a frown and a cough, to remark that it was mistaken in the matter

of that absolute interdependence theory, that the brain lobes can,

after all, each get along quite well at times without the other; that

the injury or decay of one is, indeed, sometimes followed by a steady

increase in the powers of the other, one taking up the functions lost

or dropped by the other. Nor was this the worst thing that happened.

You know well enough what they used to say about the marriage of the

two lobes of the cerebrum by the _corpus callosum_. The _corpus

callosum_ at least seemed secure. We could have worried along with

the _corpus callosum_. We always could say: the lobes are highly

independent in action, but they are firmly married by this wonderful

ligament--if it is a ligament. Even this comfort is now taken from

us. Science has just rudely snatched away the _corpus callosum_.

‘The two lobes can get along without it,’ grunts science. ‘People have

lived for years with no impairment of their brain power with a totally

shrivelled _corpus callosum_.’ It is hard to keep pace with these

cynicisms of science.”

“You simply have been punishing yourself for whimsical analogies,”

remarked the Professor dryly. “Moreover, you are quoting abnormalities.”

“Alas, Professor!” I cried, “it makes little difference about the

abnormality. Admit an exception and the law is dead. We could conjure

with the law. What can we hope to do now? The American girl dotes on

exceptions--especially on illustrating them.”

[Illustration]

“You must remember,” said the Professor, her eyes glowing solemnly,

and with the tone of being consciously judicial and at a great

altitude, “you must remember certain facts about the selecting--the

pairing--instinct. Now, in the case of man it is necessary that the

selecting instinct be special and not general. So long as a man permits

himself to think of woman as an abstraction, continues to admire

ideals of womanhood and does not seek or is not drawn to seek charms

in a particular woman, he is likely to remain a bachelor. His

instinct must be, and has become by centuries of custom, an instinct

for specific selection. On the other hand, the instinct of specific

selection so favorable to the man, is distinctly unfavorable to the

woman--that is to say, unfavorable to the woman if we accept marriage

as her natural destination. A woman who grows up with the habit of

mind which predisposes her to search for a particular man, is likely

to remain unmarried. To favor pairing in her case, the instinct toward

marriage must be general rather than specific. A woman does not select

a mate from all the men in the world, as a man is supposed to select a

mate from all the women in the world. She selects from among those who

ask her, or, at most, from the group which she may have attracted into

debatable ground.”

“But--” I interposed.

“Wait a moment,” pursued the Professor firmly. “This is not to say

that a woman has no actual right to a privilege of selecting quite

as definite as that permitted to man. It simply is saying that under

present customs an effort toward specific selection on her part is not

favorable to marriage. There may, and probably will, come a time when

custom will permit to woman a more specific selection, without hazard

as to the chance of marriage, and without loss of status on her part in

any resulting marriage.”

“I am glad,” I said, “that you have touched that point, for of course

woman could not afford to be specific at the loss of prestige. It

seems to me that the present system gives an immense advantage to

women, since, in any matrimonial emergency she may always retort,

‘Nobody asked you, sir.’ Man’s initiative gives her the benefit of

the doubt in all after judgments from the world; for if man selects

her, and she accepts him or yields to his selection, and there should

possibly be error, plainly, as with Mark Twain’s mistaken lynchers,

the joke is on him. She cannot escape responsibility, but her

responsibility always is lesser, and all the privileges of reservation

are on her side.”

“My personal opinion,” observed the Professor (I always accept this

form of approach as a great concession), “is that she loses more than

she gains by these conditions. It is generally believed that during the

past century, particularly during the past half-century, woman, and

especially the American woman, has been selecting more definitely than

at any previous time in the history of civilized society. One result

of the habit of a more specific selection on the part of woman is a

decrease in the number of early marriages among women in circles or

classes where these ideas prevail, and a general increase in the whole

number of unmarried women. It may be that a further development of this

instinct will still further increase the proportion of the unmarried,

unless custom shall so far modify the arrangement of marriages that

women may more equally participate in the selection without, as at

present, exciting the antipathy of society, or, as you have suggested,

destroying her prestige under the partnership. There is, of course, no

final reason why matrimonial partnerships should not be arranged upon a

basis of as perfect equality as any other partnership. It simply is a

question of instinct on the one hand and expediency on the other.”

[Illustration]

I quote the Professor’s opinions here with especial gratification,

since in this instance they seem triumphantly free from sex bias,--a

freedom which, indeed, is a growing trait with women. And there is

something not always comfortable in the sign. Is the time coming when

we no longer can say, “Just like a woman”?

Perhaps we may discover that sentiment has more to do with the case

than has been supposed. If the progress of education has menaced

sentiment, who shall say that the greatest of sentiments may not be the

first to suffer? Nothing is truer than that all women are not equally

capable of sentiment. Some women seem to like the symbol of an emotion

quite as well as if it were the genuine article. To them the innocuous

make-believe of love is quite as satisfactory as the real thing. They

play with a great sentiment as they used to play with their dolls,

which gave much less trouble than real children and furnished just

as much sentimental excitement as if they actually had been alive. I

suppose this is particularly true of imaginative women, who know how

to drape their souls in nun’s garb and let their fancy play the devil.

Their character is illustrated by the modern fashion which permits them

to wear gowns sombre to superficial observation, but which, you may

have the opportunity to discover, possess a riotously crimson lining.

What is to happen to the world if women are to acquire a fondness for

the mere symbols of sex, if femininity is to become disembodied, is

a vast and vital question which prudence well might refer to one of

their own eager and tireless committees.

The other day I boldly put the thing to the Professor. “What,” I asked,

“is going to happen to the world if the number of old maids keeps on

increasing?”

“Well,” mused rather than replied the Professor, “the present rate of

increase in the number of old maids--”

“By which,” I said, “I assume that you mean hopelessly unmarried women.”

“I do not like that word,” retorted the Professor, a little sharply,

“it makes me think of hopelessly insane. I should prefer to say

affirmatively unmarried--the present rate of increase in the number

of affirmatively unmarried American women might suggest at the

first glance that something very annoying to evolution was going to

happen by-and-by. Indeed the conditions might seem to be positively

detrimental to the Darwinian hypothesis.”

“Not at all,” I protested, “if you remember the married old maids.

Their transmitted instinct is bound to count sooner or later.”

“But I have no fear that anything absurd is going to happen.” (I adored

the smile of which the Professor was guilty at this point.) “Nature

will work out the scheme. I mean supply and demand.”

“I hope you cannot mean,” I protested, “that the American girl has

deliberately set about creating a corner in wives for the sake of

raising the market--”

“Not precisely that,” returned the Professor; “though in the evolution

of altruism that might not be so absurd. But you must see that

old-maidism will not flourish unless it advantages the race somehow.

You cannot think that a girl would set about being an old maid for any

other reason than to please or profit herself--”

“Unless,” I said, “it were to get even.”

“Get even!” laughed the Professor, “think of getting even by being odd!

No. The American girl simply is experimenting in independence. If it

pays, she will keep it up. If it does not pay, she will revert to the

alternative.”

“Yes,” I admitted, “she always can do that.”

“And meanwhile,” pursued the Professor, “I insist that girl-bachelorism

must not be considered as in any sense final. The suggestion that woman

can get along without man is an impeachment of his charm and of her

wisdom. One thing is always to be remembered: a man cannot reasonably

expect to conquer a woman by not marrying her. If the girl bachelor

does not know what is good for her, if her position is untenable, if

she is losing precious time, a cynical attitude in the man bachelor

does not seem at all likely to help the matter. The presumption that

the American girl knows what she is about may be erroneous, but ill

temper in the opposition will simply fortify her. She will smile and

smile and be a spinster still.”

[Illustration: A SPINSTER]

A spinster! How oddly the word sounded! How grotesque the contrast

between the image called up by the name and the image that fills the

eye of modern contemplation! The old maid of tradition has become a

fantastic figure, as fantastic as if she had no actual successor--which

possibly is the real fact, for old-maidism is not strictly a social

condition but a state of mind. Nothing could better demonstrate this

than the prominence and multiplicity of married old maids. It is a mere

truism to say that old-maidism is not even restricted by gender. Who

does not know the masculine old maid! He is an altogether different

creature from the normal bachelor. Indeed, _he_ sometimes is

married. In this instance contemporary satire is entirely within facts;

he alone is the new woman.

It is not always an easy matter to estimate or to define the effect

of the new-spinsterism upon the mind of the opposition. If we were

to judge from certain acrid comments, the new state of mind not only

is more affirmative, but is vastly more aggressive than the old. A

shrill tenor note here and there complains that the sopranos are

sounding with an inelegant and disproportionate vigor. There is an

ill-concealed admission that man in general is still wholly unadjusted

to the affirmative attitude on the part of woman. Man cannot open the

door for her or help her out of the coach unless she lets him precede

her. The whole structure of gallantry is built upon her acquiescence in

his leadership,--his giving upon her taking. If she is to ignore the

tradition of his leadership and goes forth upon her own account, what

is to prevent the occasional, perhaps even the frequent, awkwardness of

her actual leadership? And when she ceases to follow she already has

begun to restrain. So runs the charge. You would think, to hear some

people talk, that the modern woman should be indicted for delaying the

males.

It is hard to live down a tradition. Take the tradition about the

college girl, for example, the tradition that she is a sombre person,

strenuous, unlovely, dominated by an ambition to subdue man and

emancipate her sex by sheer force of learning. You can call up a

picture of her at work, her brain throbbing with great thoughts, her

face seared by study, greeting you with a smileless challenge to

talk to the point, mostly in Latin, and with a decent frequency in

quotations from Plato and Epictetus. This gruesome tradition makes her

the pallid, gloomy, absorbed, spectacled member of the household, with

a soul above clothes, glorying in unfeminine incapacities, shuddering

at fashion magazines and peevishly rebuking the frivolities of

girlhood. She uses vast words, communes with literary gods, and stands

forth as a sort of Book in Bloomers.

[Illustration: THE COLLEGE GIRL OF SATIRE]

[Illustration: THE COLLEGE GIRL OF FACT]

This, I say, is the college girl of tradition, of the older comic

papers. But what is the simple fact?--no, I cannot say the simple

fact, for she is a fact of the most complex variety; what, rather is

the literal, photographable truth? Very different, surely from the

absurdities of satire; in fact, simply the American girl, alive to

all of life, woman first and student afterward, continually up to the

mischief of teasing the social scientist by being lovely and actually

marrying, college education and all!

Yes, we are making some new traditions. The new old maid is a charming

perplexity. The old maids of the past read Plato together and

established Boston marriages. They read in Cicero and elsewhere that

friendship is less undebatable than love. The traditional old maid

talked about “the faded fire of chivalry.” Like Walpole on his Paris

journey, she “fell in love with twenty things and in hate with forty,”

which fully restored her equilibrium. Yet she did not “vow an eternal

misery,” nor grow combative at the thought that St. Chrysostom found

woman to be a natural temptation, a desirable calamity, a domestic

peril, a deadly fascination and a painted ill. She acquired a beautiful

serenity. She could read Schopenhauer’s proposition to rid the world of

old maids by establishing polygamy, without even an audible snort of

contempt. She filled her leisure by admonitions to younger girls as to

the fathomless hazards of credulity. She was securely and splendidly

detached.

Of the new old maid, variously titled, it is, of course, too early to

write. Whether she is sweeter or the world less sour, there certainly

is less antipathy between her and the world. Society certainly likes

her. She has been discovered to be immensely convenient. She has no

asperity. “It is not,” she murmurs to man, “that I love you less, but

that I love my freedom more,” for answer to which, man is sitting up o’

nights in profound thought. She does not even claim that her mood is

permanent. At the first feeling of heart failure she knows just when to

appoint a receiver.

All women can fool us some of the time, and some women can fool us all

of the time.

[Illustration]

[Illustration]

IX

“AND SO THEY WERE MARRIED”

[Illustration]

One day when the Professor had called a bachelor a bird without feet,

and I had retorted that an old maid was a bird without wings, the

Professor remarked significantly: “the old maid at least settles

better,” and we fell to talking of settling as a proposition. Between

the predicament of a bird who cannot fly and that of a bird who cannot

alight, there might not be much of a choice, though the Professor did

her utmost to prove that the bird condemned to perpetual flitting was

in the more pitiful situation. But it occurred to me as significant

that the man should dread to lose the privilege of flight, and the

woman the privilege of settling. I wondered if there was anything more

in it than the accident of contention.

We had agreed with Tolstoi, that “nothing complicates the difficulties

of life so much as a lack of harmony between married people”; we had

agreed that much of complication arose from a lack of antecedent

harmony as to the matrimonial proposition.

Miss America; pen and camera sketches of the American girl · 第 6 / 7 段