BY GILBERT PARKER.

It lay in the sharp angle of a wooded shore near Pontiac. When the

river was high it had all the temper of a maelstrom, but in the hot

summer, when the logs had ceased to run, and the river wallowed idly

away to the rapids, it was like a molten mirror which, with the

regularity of a pulse, resolved itself into a funnel, as though

somewhere beneath there was a blowhole. It had a look of hunger. Even

the children noticed that, and they fed it with many things. What it

passed into its rumbling bowels you never saw again. You threw a stick

upon the shivering surface, and you saw it travel, first slowly, then

very swiftly, round and round the sides, till the throat of the eddy

seemed to open suddenly, and it ran straight down into darkness, and

presently the funnel filled up again. It was shadowed by a huge cedar

tree. If you came suddenly into the thicket above it, you were stilled

with wonder. The place was different from all others on the river. It

looked damp, it was so strangely green; the grass and trees showed so

juicy; you fancied you could slice the fallen logs through with a

penknife. Every sound there carried with a peculiar distinctness, yet

the air was almost painfully still. Through the stillness there ran

ever a sound, metallic, monotonous, pleasant--a clean cling-clung,

cling-clung. It never varied, was the river high or low. If you lay

down in the mossy grass you were lulled by that sing-song vibration,

behind which you heard the low sucking breath of the eddy. The two

sounds belonged to each other, and had a peculiar sympathy of tone.

The birds never sang in the place, not because it was gloomy, maybe,

but as though not to break in upon other rights.

There was nothing mysterious about that unceasing cling-clung, it was

merely the ram of a force-pump. If you followed the pipe that led from

the ram up the hill, you came to a large white house.

Many a summer day, and especially of a morning, a young girl came

dancing down to the eddy, to sit beside it. She and it were very good

friends; she used to tell it her secrets, and she made up a little

song about it--a simple, almost foolish little song such as a clever

young girl can write--Laure had been to the convent in Montreal, so

she was not a common village maid.

"Green, so green, is the cedar tree,

And green is the moss that's under;

Can you hear the things that he says to me?

Do you like them? O Eddy, I wonder."

It was very foolish. But she had such a soft, thrilling voice that you

would have thought it beautiful. She was young--about sixteen--and her

hair was so light that it fell about her like spray. But suddenly she

ceased to be quite happy.

Armand, the avocat's clerk, was a Protestant, and she had been meeting

him at the eddy secretly. What did she care about the Catechism, or

the _cure_, or an unblessed marriage, if Armand blessed her? She was

afraid of nothing; she would dare anything while she was certain of

him. But the _cure_ discovered something--she ceased to go to

confession, and, though he was a kind man, he had his duty to do.

There was trouble, and the ways of Laure's people were devious and

hard. It was said that she must go to the convent again, and they kept

her prisoner in the house. One day they brought her a letter which,

they said, was from Armand. It told her that he was going away, and

that he had given her up. She had never seen his writing--they had

trusted nothing to the village post-office--and she believed that the

letter was from him. She had wept so much that tears were all done;

her eyes only ached now. At first she thought that she would get away

and go to him, and beg him not to give her up--what does a child know

of pride all at once? But the pride came to her a little later, and

she tried to think what she must do. While her thoughts went waving

to and fro, and she could make nothing of them, she heard all the time

the long, sighing breath of the eddy and the cling-clung of the

force-pump. She never slept, and after a time it grew in her mind that

she never would sleep till she went down to the cedar tree and the

eddy; they seemed always calling her. She had said her Ave Marias over

and over again, but they seemed to do her no good. Nothing could quiet

her, not even the music of the twelfth mass, played on the little reed

organ by the organist of St. Savior's, when they took her to church

against her will--a passive rebel. The next day she was to go to the

convent again.

That night she stole from the house into the light of the soft harvest

moon, and ran down through the garden, over the road, and into the

cedar thicket. She did not hear behind her the footsteps of a man who,

night after night, had watched the house, hoping that she would come

out. She hastened to the cedar tree, and looked down into the eddy.

From far up the river there came the plaintive cry of a loon; but she

heard no other sound in the night, save this and the cling-clung of

the ram muffled by fallen branches, and the loud-breathing eddy which

invited--until an arm ran round her waist and held her fast.

A minute later he said: "You will come, then? And we shall be man and

wife very quick."

"Wait a minute," she said, and she picked up handfuls of leaves and

dropped them softly into the funnel of water.

"What's that for?" he asked.

"I am a cock-robin," she said with her old gayety. "There's a girl

drowned there. Yes, but it's true. She was a good Catholic and

unhappy. I'm a heretic now, and happy."

But she said her Ave Marias again just the same; being happy, they did

her more good. And she says that the eddy is spiteful to her now. It

had counted on a different end to her wooing.

McClure's Magazine, Vol. 1, No. 1 · 第 10 / 83 题