CHAPTER I. ST. CUTHBERT’S.

FOXGLOVE MANOR

A Novel

By Robert W. Buchanan

In Three Volumes, Vol. I.

London

Chatto And Windos, Piccadilly

1884

PREFATORY NOTE.

The following attempt at a tragedy in fiction (a tragedy, however,

without a tragic ending) must not be construed into an attack on the

English priesthood generally. I have simply pictured, in the Rev.

Charles Santley, a type of man which exists, and of which I have had

personal experience. Fortunately, such men are uncommon; still more

fortunately, the clergymen of, the English Establishment are for

the most part sane and healthy men, too unimaginative for morbid

deviations.

ROBERT BUCHANAN.

FOXGLOVE MANOR.

CHAPTER I. ST. CUTHBERT’S.

|As the sweet, clear voices of the surpliced choristers rose in the

closing verse of the hymn, and the vicar, in his white robe and

violet hood, ascended the pulpit steps, old Gabriel Ware, sexton and

doorkeeper of St. Cuthbert’s, limped across the pavement and slipped

into the porch, as his custom was at sermon-time on Sunday afternoons.

He waited till the singing had ceased and the congregation had settled

in their pews; and while he listened to the vicar announcing his

text--“For in Him we live, and move, and have our being”--he fumbled

in the pockets beneath his black gown of office, and then limped

noiselessly out into the sunshine, where, after a glance round him, he

pulled out a short clay pipe, well seasoned, filled it with twist, and

began his usual after-dinner smoke.

It was a hot, shimmering July afternoon, and it was much pleasanter to

sit out of doors on a tombstone, listening to the vicars voice as it

came though the dark lancets like a sound of running water.

Half a mile or so away, nestled in trees, was the village of Omberley,

with its glimpses of white walls and tiled or slated roofs. Then there

were soft, hazy stretches of pasture, with idyllic groupings of cattle

and sheep and trees. The fields of wheat and barley, turnips and

potatoes, lay out idle and warm, growing and taking no care, and

apparently causing none. The sight and smell of the land filled

Gabriel with a stolid satisfaction at the order of nature and the

providential gift of tobacco.

There was but the faintest breeze stirring, and it wafted all manner

of sweet odours and lulling whispers about the graveyard. Everywhere

there was evidence of a fervent throbbing vitality and joyousness. The

soft green turf which spread all round the church to the limits of the

churchyard, here billowing over a nameless grave, here crusting with

moss the base of a tombstone or a marble cross or a pillared urn,

here edging round an oblong plot brilliant with flowers and hothouse

plants,--the very turf seemed stirred by glad impulses, and quivering

with a crush of hurrying insect life. Daisies and buttercups and

little blue and pink eyed flowers danced among the restless spears of

grass with a merry hardihood. Laburnums and sycamores stood drowsing

in the hot shining air, but they were not asleep, and were not silent,

A persistent undertone came from among their shadowy boughs, as if

the sap were buzzing through every leaf and stalk. Up their trunks,

toiling through the rugged ravines of the rough bark, travelling

along the branches, flitting from one cool leaf to another, myriads of

nameless winged and creeping things went to and fro, and added their

murmurs to the vast, vague resonance of life. A soft, ceaseless

whispering was diffused from the tall green spires of a row of poplars

which Went along the iron railing that separated the enclosure from

the high-road. Blue and yellow butterflies fluttered from one ‘flowery

grave to another; the big booming humble-bee went blundering among the

blossoms; a grasshopper was: singing shrilly in the bushes near the

railing; a laborious caravan of ants was crossing the stony wilderness

of the gravel path; a dragon-fly hawked to and fro beneath the

sycamores; small birds dropped twittering on cross or urn for an

instant, flashed away up into a tree, and then darted off into the

fields, as though too full of excitement and gamesomeness to rest more

than a moment anywhere. Soft fleecy masses of luminous cloud slumbered

in the hot blue sky overhead, and only in its remote deeps did there

seem to be unimpassioned quietude and a sabbath stillness--only there

and in the church.

Notwithstanding the dazzling sunshine and the heat, the church was

cool and dim and fragrant. The black and red tiles of the pavement,

the brown massive; pillars and airy arches of sandstone, the oaken

pews, the spacious, sanctuary with, its wide, stone steps, affected

one with a. refreshing sense of coolness and comfort. The light

entered soft and subdued through richly stained glass, for the windows

looked, not on familiar breadths, of English landscape glowing

and ripening in the July sun, but seemed rather to open into the

strangely coloured world of nineteen centuries ago. The blessing of

the little children, the raising of Lazarus, the interview at the well

with the woman of Samaria, the minstrel rout about the house of the

ruler whose little maid lay not dead but sleeping, took the place

of the mundane scenes beheld through unhallowed windows. Even the

unpictured lancets were filled with leaded panes of crimson and blue

and gold. Then there was a faint, pleasant odour of incense about the

building, emphasizing the contrast between the mood of nature and the

mood of man. St. Cuthberts was floridly ritualistic, and the vicar

was one of those who felt that, in an age of spiritual disquiet

and unbelief, a man cannot cling with too many hands to the great

Revelation which appeared to be daily growing more elusive, and who

believed that if the soul may be lost, it may also be, in a measure,

saved through the senses. Feigned devotions and the absence of any

appeal to the physical nature of man had, he was convinced, drawn

innumerable souls into indifference on the one hand, and into

Catholicism on the other. If there was a resurrection of the body as

well as of the soul, surely the body ought not to be abandoned as a

thing accursed, from which no good can come. The vicar encountered no

difficulty in realize ing his views of the dignity of flesh and blood

at St. Cuthbert’s.

A thick, softly toned carpet lay on the broad stone steps which led

up to the communion table. Behind the communion table, and for some

distance to right and left, the sanctuary walls were hung with richly

coloured tapestry. The table itself--or the altar, as it was usually

called--was draped with violet silk, embroidered with amber crosses,

and upon it stood a large crucifix of brass, with vases of flowers,

and massive brazen candlesticks on either side. In the centre a

large brass gasalier was suspended from a large ring, containing

an enamelled cross, and beneath it hung an oil-lamp, which was kept

perpetually burning. Amid all the coolness and fragrance and mystical

flush of colour, that little leaf of flame floating in its glass cup

attracted the attention of the stranger most singularly. It piqued the

imagination, and added an indescribable feeling of hallowed sorcery to

the general effect, which was that of an influence too spiritual

not to excite reverence, but too sensuous to be considered sacred.

Stepping out of the churchyard, with its throbbing warmth and glad

undertones of commotion, into the cool, soft-lighted, artificially

coloured atmosphere of the church, one might have felt as if

dropped into the Middle Ages, but for the modern appearance of the

congregation.

St. Cuthbert’s was the fashionable place of worship at Omberley, and

its afternoon service was always well attended, though at a glance

one perceived, from the chromatic effect of the pews, that the large

majority of the congregation were of the more emotional sex. As the

vicar gave out his text, his taste for the bright and beautiful must

have been gratified by the flowers and feathers and dainty dresses,

and still more by the rows of young and pretty faces which were raised

towards the pulpit with such varied expression of interest, affection,

and admiration.

The Rev. Charles Santley had been Vicar of St. Cuthbert’s for little

less than a year. He was unmarried, just turned thirty, a little over

the middle height, and remarkably handsome. It was not to be wondered

at that, with such recommendations, the new vicar had at the very

outset fascinated the maids and matrons of his congregation. A bright

shapely face, with soft dark eyes, a complexion almost feminine in its

clear flush, a broad scholarly forehead, black hair slightly thinned

with study on the brow and at the temples, black moustache and short

curling black beard,--such was the face of the vicar as he stood

uncovered before you. His voice was musical and sympathetic; the

pressure of his hand invited confidence and trust; his soft dark eyes

not only looked into your heart, but conveyed the warmth and eagerness

of his own; you felt instinctively that here you might turn for help

which would never be found wanting, and seek advice that would never

lead you astray, appeal for sympathy with a certainty that you would

be understood, obey the prompting to transfer the burthen of spiritual

distress with a sure knowledge that your self-esteem would never be

wounded. Of course there were ladies of a critical and censorious

disposition among his flock, but even these were forced to acknowledge

the charm of his presence and the kindliness of his disposition. Among

the men he was less enthusiastically popular, as was natural enough;

but he was still greatly liked for his frankness and cordiality, and

his keen intellect and sterling common sense commanded their respect.

On one thing you might always reckon at St. Cuthbert’s--a thoughtful,

eloquent sermon, delivered in a voice full of exquisite modulations.

It happened often enough that the preacher forgot the capacities of

his hearers, and became dreamy and mystical; but, though you failed to

comprehend, you were conscious that the fault lay less with him than

with your own smaller spiritual nature. This, too, happened only in

certain passages, and never throughout an entire discourse. He began

on the grass, as the lark does, and gradually rose higher and higher

in the brightening heavens till your vision failed; but, if you waited

patiently, he descended again to earth, still singing.

On this Sunday afternoon, preaching from the text in the Acts, he

held his hearers spell-bound at the outset. Referring to the memorable

discourse in which the text occurs, he conjured up before them

Athens--glittering, garrulous, luxurious, profligate--the Athens St.

Paul had seen. The vivid picture was crowded with magnificent temples,

countless altars, innumerable shapes of mortal loveliness. Here

was the Agora, with its altar of the Twelve Gods, and its painted

cloisters, and its plane trees, beneath whose shade were disputing

groups of philosophers, in the garb of their various sects. Gods

and goddesses, in shining marble, in gold and ivory, caught the eye

wherever it fell. There were altars to Fame and Health and Energy, to

Modesty and Persuasion, to Pity and to Oblivion. On the ledges of the

precipitous Acropolis glittered the shrines of Bacchus and Æscülapius,

Venus, Earth, and Ceres. Over all towered the splendid statue of

Pallas, cast from the brazen spoils of Marathon, visible, as it

flashed in the sun, to the sailor doubling the distant promontory of

Sunium. Every divinity that it had entered into the imagination of man

to, conceive or the heart of man to yearn for, every deified attribute

of human nature, had here its shrine or its voluptuous image. “Ye men

of Athens, all things which I behold bear witness to your carefulness

in religion.” It was easier, said the Roman satirist, to find a god

than a man in Athens. And yet these men, with all their civilization,

with all their art and poetry and philosophy, had not found God, and,

notwithstanding all the statues and altars they had erected, were

aware that they had not found Him; for St. Paul, as he traversed

their resplendent city, and beheld their devotions, had found an altar

with this inscription, “_To the Unknown God._” Referring then to

those “certain philosophers of the Epicureans and of the Stoics,” who

encountered the apostle, he briefly sketched the two great systems of

Greek speculation, and their influence on the morality of the age: the

pantheism of the Stoics, who recognized in the universe a rational,

organizing soul which produced all things and absorbed all

things,--who perceived in pleasure no good, in pain no evil,--who

judged virtue to be virtue and vice vice, according as they conformed

to reason; the materialism of the Epicureans, who perceived in

creation a fortuitous concourse of atoms, acknowledged no Godhead,

or, at best, an unknowable, irresponsible Godhead, throned in happy

indifference far beyond human imptration,--taught that the soul

perished as the body perished, and was dissipated like a streak of

morning cloud into the infinite azure of the inane. Following Paul as

the philosophers “took him and brought him unto Areopagus,” where from

immemorial time the judges, seated on benches hewn out of the rock,

had sat under the witnessing heavens, passing sentence on the greatest

criminals and deciding the most solemn questions of religion, he

glanced down once more at the city glittering with temples and

thronged with gods and goddesses, and bringing into broad contrast

the radiant Apollo and the voluptuous Aphrodite, with the scourged and

thorn-crowned figure on the cross, he read the message of the apostle

to the pagan world. On how many altars to-day might not the words “To

the Unknown God” be fittingly inscribed! “In Him we live, and move,

and have our being;” but how few of us have “felt after” and found

Him! In a strain of impassioned eloquence the preacher spoke of that

unseen sustaining presence, which brooded over and encompassed us; of

the yearning of the human heart for communion with the Creator; of the

cry of anguish which rose from the depths of our being, when our

eyes ached with straining into the night and saw nothing, when our

quivering hands were reached out into the infinite and clasped but

darkness; of the intense need we felt for a personal, tangible,

sympathetic Being, for an incarnation of the divinity; of those

ecstatic ascensions of the soul, in which man “felt after” and

actually touched God; and, as he spoke, his glowing words gradually

ceased to convey any definite meaning to the great majority of his

hearers: but one face, flushed with joyous intelligence, one young

beautiful face, with large, liquid blue eyes of worship, and with

eager tremulous lips, was all the while turned fixedly up to his.

Seated in a little curtained nook near the organ, a slim, fair girl

of two and twenty watched the preacher with almost breathless

earnestness. She was a bright little fragile-looking blossom of a

being, who seemed scarcely to have yet slipped out of her girlhood.

Her face was of that delicate white, tinged with a spot of pink, which

so often indicates a consumptive constitution, but in her case

this delicacy of complexion was owing rather to the fineness of the

material of which nature had moulded her. Light fine hair, in silky

confusion rather than curls, clustered about her forehead and temples.

Her little hands still clasped the music-book from which she had been

playing the accompaniment of the hymn--for Edith Dove was the organist

of St. Cuthbert’s--as though from the outset she had been too absorbed

to remember that she was holding it.

Occasionally the vicar turned towards the aisle in which she sat, and

his glance rested on her for a moment, and each time their eyes met

Edith’s heart beat more rapidly, and a deeper tinge of rose-colour

brightened her cheeks. But Mr. Santley showed no sign of kindred

emotion; he was wholly absorbed in the fervid thoughts which flowed

from his lips in such strains of exaltation. As his eyes wandered

over the congregation, however, he suddenly saw another face which was

turned attentively towards him, and which made him pause abruptly. He

stopped in the midst of a sentence. He felt the action of his heart

cease, and he knew that the blood was driven from his cheeks. He

looked dazedly down at his manuscript, but was unable to find the

place where his memory had failed him. For a few seconds there was

dead silence in the church, and the eyes of the congregation were

turned inquiringly towards the pulpit. Then, stammering and flushing,

he resumed almost at haphazard. But the enthusiasm of the preacher had

deserted him; his attention was distracted by a rush of recollections

and feelings which he could not banish; the words he had written

seemed to him foreign and purposeless, and it was only with a resolute

effort that he constrained himself to read the parallel he had drawn

between the pantheism and materialism of the days of St. Paul and

those of our own time. To the close of his sermon he never once

ventured to turn his eyes again in the direction of that face, but

kept them fixed resolutely upon his manuscript. Not till he had

descended the pulpit steps and was crossing the chancel, did he hazard

a glance across the church towards that disquieting apparition.

When the service was ended, and the choristers, headed by the

cross-bearer, had passed in procession down the nave to the vestry,

the vicar hastily disrobed and issued into the churchyard. As with a

strange fluttering hopefulness he had half anticipated, he was being

waited for. A lady was moving slowly about among the graves, pausing

now and again to read an inscription on a stone, but keeping a

constant observation on the church doors. As he came out of the porch,

she advanced to meet him, with a smile upon the face which had so

terribly disconcerted him. She was a most beautiful, starry-looking

creature--a tall, graceful, supple figure, with the exquisitely

moulded head of a Greek statue; a ripe rich complexion suffused with

a blush-rose tint; large lovely black eyes full of fire and softness;

long, curved, black eyelashes; a profusion of silky black hair parted

in little waves on a broad, bright forehead; and a pair of sweet, red

lips.

She held out a little white hand to him, and, as he took it, their

first words were uttered simultaneously.

“Ellen!”

“Mr. Santley!”

“I never dreamed,” said the vicar, excitedly, “I never dared to hope,

to see you again!”

“Oh, the world is very small,” she replied gaily, “and people keep

crossing each other at the most unexpected times and in the oddest

of places. But I am so glad to see you. Are you doing well? You can

scarcely imagine how curious it was when I recognized you to-day. Of

course I had heard your name as our vicar, but I had no idea it could

be _you_.”

“I am sure you are not more glad than I am,” rejoined the vicar. “Are

you staying at Omberley? Have you friends here?”

She regarded him for a moment with a mixed expression of surprise and

amusement.

“Do you not know that I am one of your parishioners now?” she asked,

with a pleasant laugh.

He looked wonderingly into her dark, joyous eyes, and felt a sudden

sense of chill and darkness within him, as a quick intelligence of who

and what she now was flashed into his mind.

“Are you at the Manor?” he asked, in a low, agitated voice.

“Yes,” she answered, without noticing his emotion. “We arrived only

yesterday, and have hardly had time yet to feel that we are at home;

but I could not resist the inclination to see what sort of a church,

and what sort of a vicar,” she added, with a glance of sly candour,

“we had at St. Cuthbert’s. I am really so glad I came. Of course you

will call and see us as soon and as often as you can, will you not?

Mr. Haldane will be delighted, I know.”

“You are very kind,” said the vicar, scarcely aware of what he was

saying.

“Indeed, I wish to be so,” she replied, smiling. “Of course you know

Mr. Haldane?”

“No; I have not yet had the pleasure of meeting him. He--you had gone

abroad before I came to Omberley.”

“Then you have not been here long?”

“Not quite a year yet.”

“And do you like the place--and the people?”

“Both, very much indeed!”

“You are not married yet, I think Mr. Haldane said?”

The vicar looked at her with a sadness that was almost reproachful as

he answered, “No; I have my sister living with me.”

“How pleasant! You _must_ bring Miss Santley with you when you come,

will you not?”

As she spoke she moved slowly towards the gateway opening on to the

road, where a little basket-carriage was awaiting her. He accompanied

her, and for a few seconds there was silence between them. Then they

shook hands again before she got into the carriage, and she repeated

her assurance--

“I am so glad to have met you, Mr. Santley!”

She took the reins, and, lightly flicking the ponies with the whip,

flashed upon him a farewell smile from those dark, spiritual eyes and

laughing lips.

The vicar turned back into the churchyard, and following a narrow

path that led across the sward through a wicket and a small beech

plantation, entered the Vicarage with a pale, troubled face.

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