WHICH REVEALS THE CHERUB TOILING FOR THE WELFARE OF HUMANITY
AND CONCLUDES IN AN ENTIRELY NOVEL MANNER WITH THE MIRACLE
OF THE FLUTE
The first night of his incarnation Arcade slept at the angel Istar's, in
a garret in that narrow, gloomy Rue Mazarine which wallows along beneath
the shadow of the old Institute of France. Istar, who had been expecting
him, had pushed against the wall the shattered retorts, cracked pots,
broken bottles, and odds and ends of iron stoves, which made up the
furniture of his room, and spread his clothes on the floor to lie on,
leaving his guest his folding-bed with its straw mattress.
The celestial spirits differ from one another in appearance according to
the hierarchy and the choir to which they belong, and according to their
own particular nature. They are all beautiful; but in different fashion,
and they do not all offer to the eye the soft contours and dimpling
smiles of childhood with its rosy lights and pearly tints. Nor do they
all adorn themselves with eternal youth, that indefinable beauty that
Greek art in its decline has imparted to its most lovingly handled
marbles, and whereof Christian painters have so often timidly essayed to
give us veiled and softened imitations. In some of them the chin glows
with tufts of hair, and the limbs are furnished with such vigorous
muscles that it seems as if serpents were writhing beneath the skin.
Some have no wings, others possess two, four, or six; others again are
formed entirely of conjoined pinions. Many, and these not the least
illustrious, take the form of superb monsters, such as the Centaurs of
fable; nay, one may even see some who are living chariots, and wheels of
fire. A member of the highest celestial hierarchy, Istar belonged to the
choir of Cherubim or Kerûbs who see above them the Seraphim alone. In
common with all the angelic spirits of his rank he had formerly borne in
Heaven the bodily shape of a winged bull surmounted by the head of a
horned and bearded man, and carrying between his loins the attributes of
generous fecundity. He was vaster and more vigorous than any animal on
earth, and when he stood erect with outspread wings he covered with his
shadow sixty archangels.
Such was Istar in his native home. There he radiated strength and
sweetness. His heart was full of courage and his soul benevolent.
Moreover, in those days he loved his lord. He believed him to be good
and yielded him faithful service. But even while guarding the portals of
his Master, he used to ponder unceasingly on the punishment of the
rebellious angels and the curse of Eve. His mind worked slowly but
profoundly. When, after a long course of centuries, he persuaded himself
that Ialdabaoth in creating the world had created evil and death, he
ceased to adore and to serve him. His love changed to hatred, his
veneration to contempt. He shouted his execrations in his face, and fled
to earth.
Embodied in human form and reduced to the stature of the sons of Adam,
he still retained some characteristics of his former nature. His big
protruding eyes, his beaked nose, his thick lips framed in a black beard
which descended in curls on to his chest recalled those Cherubs of the
tabernacle of Iahveh, of which the bulls of Nineveh afford us a pretty
accurate representation. He bore the name of Istar on earth as well as
in Heaven, and although exempt from vanity and free from all social
prejudice, he was immensely desirous of showing himself sincere and
truthful in all things. He therefore proclaimed the illustrious rank in
which his birth had placed him in the celestial hierarchy and translated
into French his title of Cherub by the equivalent one of Prince, calling
himself Prince Istar. Seeking shelter among mankind he had developed an
ardent love for them. While awaiting the coming of the hour when he
should deliver Heaven from bondage, he dreamed of the salvation of
regenerate humanity and was eager to consummate the destruction of this
wicked world, in order to raise upon its ashes, to the sound of the
lyre, a city radiant with happiness and love. A chemist in the pay of a
dealer in nitrates, he lived very frugally. He wrote for newspapers with
advanced views on liberty, spoke at public meetings, and had got himself
sentenced several times to several months' imprisonment for
anti-militarism.
Istar greeted his brother Arcade cordially, approved of his rupture with
the party of crime, and informed him of the descent of fifty of the
children of light who, at the present moment, formed a colony near Val
de Grace, imbued with a really excellent spirit.
"It is simply raining angels in Paris," he said, laughing. "Every day
some dignitary of the sacred palace falls on one's head, and soon the
Sultan of the Cherubs will have no one to make into Vizirs or guards but
the little unbreeched vagabonds of his pigeon coops."
Soothed by the good news, Arcade fell asleep, full of happiness and
hope.
He awoke in the early dawn and saw Prince Istar bending over his
furnaces, his retorts, and his test tubes. Prince Istar was working for
the good of humanity.
Every morning when Arcade woke he saw Prince Istar fulfilling his work
of tenderness and love. Sometimes the Kerûb, huddled up with his head in
his hands, would softly murmur a few chemical formulæ; at others,
drawing himself up to his full height, like a dark naked column, with
his head, his arms, nay, his entire bust clean out of the sky-light
window, he would deposit his melting-pot on the roof, fearing the
perquisition with which he was constantly menaced. Moved by an immense
pity for the miseries of the world wherein he dwelt in exile, conscious
perhaps of the rumours to which his name gave rise, inebriated with his
own virtue, he played the part of apostle to the Human Race, and
neglecting the task he had undertaken in coming to earth, he forgot all
about the emancipation of the angels. Arcade, who, on the contrary,
dreamed of nothing else but of conquering Heaven and returning thither
in triumph, reproached the Cherub with forgetting his native land.
Prince Istar, with a great frank, uncouth laugh, acknowledged that he
had no preference for angels over men.
"If I am doing my best," he replied to his celestial brother, "if I am
doing my best to stir up France and Europe, it is because the day is
dawning which will behold the triumph of the social revolution. It is a
pleasure to cast one's seed on ground so well prepared. The French
having passed from feudalism to monarchy, and from monarchy to a
financial oligarchy, will easily pass from a financial oligarchy to
anarchy."
"How erroneous it is," retorted Arcade, "to believe in great and sudden
changes in the social order in Europe! The old order is still young in
strength and power. The means of defence at her disposal are formidable.
On the other hand, the proletariat's plan of defensive organisation is
of the vaguest description and brings merely weakness and confusion to
the struggle. In our celestial country all goes quite otherwise. Beneath
an apparently unchangeable exterior all is rotten within. A mere push
would suffice to overturn an edifice which has not been touched for
millions of centuries. Out-worn administration, out-worn army, out-worn
finance, the whole thing is more worm-eaten than either the Russian or
Persian autocracy."
And the kindly Arcade adjured the Cherub to fly first to the aid of his
brethren who, though dwelling amid the soft clouds with the sound of
citterns and their cups of paradisal wine around them, were in more
wretched plight than mankind bowed over the grudging earth. For the
latter have a conception of justice, while the angels rejoice in
iniquity. He exhorted him to deliver the Prince of Light and his
stricken companions and to re-establish them in their ancient honours.
Prince Istar allowed himself to be convinced.
He promised to put the sweet persuasiveness of his words and the
excellent formulæ of his explosives at the service of the celestial
revolution. He gave his promise.
"To-morrow," he said.
And when the morrow came he continued his anti-militarist propaganda at
Issy-les-Moulineaux. Like the Titan Prometheus, Istar loved mankind.
Arcade, suffering from all the desires to which the sons of Adam are
subjected, found himself lacking in resources to satisfy them. Istar
gave him a start in a printing house in the Rue de Vaugirard where he
knew the foreman. Arcade, thanks to his celestial intelligence, soon
knew how to set up type and became, in a short time, a good compositor.
After standing all day in the whirring workroom, holding the
composing-stick in his left hand, and swiftly drawing the little leaden
signs from the case in the order required by the copy fixed in the
_visorium_, he would go and wash his hands at the pump and dine at the
corner bar, a newspaper propped up before him on the marble table. Being
now no longer invisible, he could not make his way into the d'Esparvieu
library, and was thus debarred from allaying his ardent thirst for
knowledge at that inexhaustible source. He went, of an evening, to read
at the library of Ste. Geneviève on the famous hill of learning, but
there were only ordinary books to be had there; greasy things, covered
with ridiculous annotations, and lacking many pages.
The sight of women troubled and unsettled him. He would remember Madame
des Aubels and her charm, and, although he was handsome, he was not
loved, because of his poverty and his workaday clothes. He saw much of
Zita, and took a certain pleasure in going for walks with her on Sundays
along the dusty roads which edge the grass-grown trenches of the
fortifications. They wandered, the pair of them, by wayside inns,
market-gardens, and green retreats, propounding and discussing the
vastest plans that ever stirred the world, and, occasionally, as they
passed along by some travelling circus, the steam organ of the
merry-go-round would furnish an accompaniment to their words as they
breathed fire and fury against Heaven.
Zita used often to say:
"Istar means well, but he's a simple fellow. He believes in the goodness
of men and things. He undertakes the destruction of the old world and
imagines that anarchy of itself will create order and harmony. You,
Arcade, you believe in Science; you deem that men and angels are capable
of understanding, whereas, in point of fact, they are only creatures of
sentiment. You may be quite sure that nothing is to be obtained from
them by appealing to their intelligence; one must rouse their interests
and their passions."
Arcade, Istar, Zita, and three or four other angelic conspirators
occasionally foregathered in Théophile Belais' little flat, where
Bouchotte gave them tea. Though she did not know that they were
rebellious angels, she hated them instinctively, and feared them, for
she had had a Christian education, albeit she had sadly failed to keep
it up.
Prince Istar alone pleased her; she thought there was something
kind-hearted and an air of natural distinction about him. He stove in
the sofa, broke down the arm-chairs, and tore corners off sheets of
music to make notes, which he thrust into pockets invariably crammed
with pamphlets and bottles. The musician used to gaze sorrowfully at the
manuscript of his operetta, _Aline, Queen of Golconda_, with its corners
all torn off. The prince also had a habit of giving Théophile Belais all
sorts of things to take care of--mechanical contrivances, chemicals,
bits of old iron, powders, and liquids which gave off noisome smells.
Théophile Belais put them cautiously away in the cupboard where he kept
his wings, and the responsibility weighed heavily upon him.
Arcade was much pained at the disdain of those of his fellows who had
remained faithful. When they met him as they went on their sacred
errands they regarded him as they passed by with looks of cruel hatred
or of pity that was crueller still.
He used to visit the rebel angels whom Prince Istar pointed out to him,
and usually met with a good reception, but as soon as he began to speak
of conquering Heaven, they did not conceal the embarrassment and
displeasure he caused them. Arcade perceived that they had no desire to
be disturbed in their tastes, their affairs, and their habits. The
falsity of their judgment, the narrowness of their minds, shocked him;
and the rivalry, the jealousy they displayed towards one another
deprived him of all hope of uniting them in a common cause. Perceiving
how exile debases the character and warps the intellect, he felt his
courage fail him.
One evening, when he had confessed his weariness of spirit to Zita, the
beautiful archangel said:
"Let us go and see Nectaire; Nectaire has remedies of his own for
sadness and fatigue."
She led him into the woods of Montmorency and stopped at the threshold
of a small white house, adjoining a kitchen garden, laid waste by
winter, where far back in the shadows the light shone on forcing-frames
and cracked glass melon shades.
Nectaire opened the door to his visitors, and, after quieting the growls
of a big mastiff which protected the garden, led them into a low room
warmed by an earthenware stove.
Against the whitewashed wall, on a deal board, among the onions and
seeds, lay a flute ready to be put to the lips. A round walnut table
bore a stone tobacco-jar, a pipe, a bottle of wine and some glasses. The
gardener offered each of his guests a cane-seated chair, and himself sat
down on a stool by the table.
He was a sturdy old man; thick grey hair stood up on his head, he had a
furrowed brow, a snub-nose, a red face, and a forked beard.
The big mastiff stretched himself at his master's feet, rested his short
black muzzle on his paws, and closed his eyes. The gardener poured out
some wine for his guests, and when they had drunk and talked a little,
Zita said to Nectaire:
"Please play your flute to us, you will give pleasure to my friend whom
I have brought to see you."
The old man immediately consented. He put the boxwood pipe to his
lips,--so clumsy was it that it looked as if the gardener had fashioned
it himself,--and preluded with a few strange runs. Then he developed
rich melodies in which the thrills sparkled like diamonds and pearls on
a velvet ground. Touched by cunning fingers, animated with creative
breath, the rustic pipe sang like a silver flute. There were no
over-shrill notes and the tone was always even and pure. One seemed to
be listening to the nightingale and the Muses singing together, the soul
of Nature and the soul of Man. And the old man ordered and developed his
thoughts in a musical language full of grace and daring. He told of
love, of fear, of vain quarrels, of all-conquering laughter, of the
calm light of the intellect, of the arrows of the mind piercing with
their golden shafts the monsters of Ignorance and Hate. He told also of
Joy and Sorrow bending their twin heads over the earth and of Desire
which brings worlds into being.
The whole night listened to the flute of Nectaire. Already the evening
star was rising above the paling horizon.
There they sat; Zita with hands clasped about her knees, Arcade, his
head leaning on his hand, his lips apart. Motionless they listened. A
lark, which had awakened hard by in a sandy field, lured by these novel
sounds, rose swiftly in the air, hovered a few seconds, then dropped at
one swoop into the musician's orchard. The neighbouring sparrows,
forsaking the crannies of the mouldering walls, came and sat in a row on
the window-ledge whence notes came welling forth that gave them more
delight than oats or grains of barley. A jay, coming for the first time
out of his wood, folded his sapphire wings on a leafless cherry tree.
Beside the drain-head, a large black rat, glistening with the greasy
water of the sewers, sitting on his hind legs, raised his short arms and
slender fingers in amazement. A field-mouse, that dwelt in the orchard,
was seated near him. Down from the tiles came the old tom-cat, who
retained the grey fur, the ringed tail, the powerful loins, the courage,
and the pride of his ancestors. He pushed against the half-open door
with his nose and approaching the flute-player with silent tread, sat
gravely down, pricking his ears that had been torn in many a nocturnal
combat; the grocer's white cat followed him, sniffing the vibrant air
and then, arching her back and closing her blue eyes, listened in
ravishment. Mice, swarming in crowds from under the boards, surrounded
them, and fearing neither tooth nor claw, sat motionless, their pink
hands folded voluptuously on their bosoms. Spiders that had strayed far
from their webs, with waving legs, gathered in a charmed circle on the
ceiling. A small grey lizard, that had glided on to the doorstep, stayed
there, fascinated, and, in the loft, the bat might have been seen
hanging by her nails, head down, now half-awakened from her winter
sleep, swaying to the rhythm of the marvellous flute.