CHAPTER I.

Produced by Barbara Tozier, Bill Tozier, Sankar Viswanathan,

and the Online Distributed Proofreading Team at

http://www.pgdp.net

SIR WALTER SCOTT

BY

RICHARD H. HUTTON.

London:

MACMILLAN AND CO.

1878

PREFATORY NOTE.

It will be observed that the greater part of this little book has been

taken in one form or other from Lockhart's _Life of Sir Walter Scott_,

in ten volumes. No introduction to Scott would be worth much in which

that course was not followed. Indeed, excepting Sir Walter's own

writings, there is hardly any other great source of information about

him; and that is so full, that hardly anything needful to illustrate

the subject of Scott's life remains untouched. As regards the only

matters of controversy,--Scott's relations to the Ballantynes, I have

taken care to check Mr. Lockhart's statements by reading those of the

representatives of the Ballantyne brothers; but with this exception,

Sir Walter's own works and Lockhart's life of him are the great

authorities concerning his character and his story.

Just ten years ago Mr. Gladstone, in expressing to the late Mr. Hope

Scott the great delight which the perusal of Lockhart's life of Sir

Walter had given him, wrote, "I may be wrong, but I am vaguely under

the impression that it has never had a really wide circulation. If so,

it is the saddest pity, and I should greatly like (without any censure

on its present length) to see published an abbreviation of it." Mr.

Gladstone did not then know that as long ago as 1848 Mr. Lockhart did

himself prepare such an abbreviation, in which the original

eighty-four chapters were compressed into eighteen,--though the

abbreviation contained additions as well as compressions. But even

this abridgment is itself a bulky volume of 800 pages, containing, I

should think, considerably more than a third of the reading in the

original ten volumes, and is not, therefore, very likely to be

preferred to the completer work. In some respects I hope that this

introduction may supply, better than that bulky abbreviation, what Mr.

Gladstone probably meant to suggest,--some slight miniature taken from

the great picture with care enough to tempt on those who look on it to

the study of the fuller life, as well as of that image of Sir Walter

which is impressed by his own hand upon his works.

CONTENTS.

CHAPTER I.

ANCESTRY, PARENTAGE, AND CHILDHOOD

CHAPTER II.

YOUTH--CHOICE OF A PROFESSION

CHAPTER III.

LOVE AND MARRIAGE

CHAPTER IV.

EARLIEST POETRY AND BORDER MINSTRELSY

CHAPTER V.

SCOTT'S MATURER POEMS

CHAPTER VI.

COMPANIONS AND FRIENDS

CHAPTER VII.

FIRST COUNTRY HOMES

CHAPTER VIII.

REMOVAL TO ABBOTSFORD, AND LIFE THERE

CHAPTER IX.

SCOTT'S PARTNERSHIPS WITH THE BALLANTYNES

CHAPTER X.

THE WAVERLEY NOVELS

CHAPTER XI.

SCOTT'S MORALITY AND RELIGION

CHAPTER XII.

DISTRACTIONS AND AMUSEMENTS AT ABBOTSFORD

CHAPTER XIII.

SCOTT AND GEORGE IV

CHAPTER XIV.

SCOTT AS A POLITICIAN

CHAPTER XV.

SCOTT IN ADVERSITY

CHAPTER XVI.

THE LAST YEAR

CHAPTER XVII.

THE END OF THE STRUGGLE

SIR WALTER SCOTT.

CHAPTER I.

ANCESTRY, PARENTAGE, AND CHILDHOOD.

Sir Walter Scott was the first literary man of a great riding,

sporting, and fighting clan. Indeed, his father--a Writer to the

Signet, or Edinburgh solicitor--was the first of his race to adopt a

town life and a sedentary profession. Sir Walter was the lineal

descendant--six generations removed--of that Walter Scott commemorated

in _The Lay of the Last Minstrel_, who is known in Border history and

legend as Auld Wat of Harden. Auld Wat's son William, captured by Sir

Gideon Murray, of Elibank, during a raid of the Scotts on Sir Gideon's

lands, was, as tradition says, given his choice between being hanged

on Sir Gideon's private gallows, and marrying the ugliest of Sir

Gideon's three ugly daughters, Meikle-mouthed Meg, reputed as carrying

off the prize of ugliness among the women of four counties. Sir

William was a handsome man. He took three days to consider the

alternative proposed to him, but chose life with the large-mouthed

lady in the end; and found her, according to the tradition which the

poet, her descendant, has transmitted, an excellent wife, with a fine

talent for pickling the beef which her husband stole from the herds of

his foes. Meikle-mouthed Meg transmitted a distinct trace of her large

mouth to all her descendants, and not least to him who was to use his

"meikle" mouth to best advantage as the spokesman of his race. Rather

more than half-way between Auld Wat of Harden's times--i. e., the

middle of the sixteenth century--and those of Sir Walter Scott, poet

and novelist, lived Sir Walter's great-grandfather, Walter Scott

generally known in Teviotdale by the surname of Beardie, because he

would never cut his beard after the banishment of the Stuarts, and who

took arms in their cause and lost by his intrigues on their behalf

almost all that he had, besides running the greatest risk of being

hanged as a traitor. This was the ancestor of whom Sir Walter speaks

in the introduction to the last canto of _Marmion_:--

"And thus my Christmas still I hold,

Where my great grandsire came of old,

With amber beard and flaxen hair,

And reverend apostolic air,--

The feast and holy tide to share,

And mix sobriety with wine,

And honest mirth with thoughts divine;

Small thought was his in after time

E'er to be hitch'd into a rhyme,

The simple sire could only boast

That he was loyal to his cost;

The banish'd race of kings revered,

And lost his land--but kept his beard."

Sir Walter inherited from Beardie that sentimental Stuart bias which

his better judgment condemned, but which seemed to be rather part of

his blood than of his mind. And most useful to him this sentiment

undoubtedly was in helping him to restore the mould and fashion of

the past. Beardie's second son was Sir Walter's grandfather, and to

him he owed not only his first childish experience of the delights of

country life, but also,--in his own estimation at least,--that risky,

speculative, and sanguine spirit which had so much influence over his

fortunes. The good man of Sandy-Knowe, wishing to breed sheep, and

being destitute of capital, borrowed 30_l._ from a shepherd who was

willing to invest that sum for him in sheep; and the two set off to

purchase a flock near Wooler, in Northumberland; but when the shepherd

had found what he thought would suit their purpose, he returned to

find his master galloping about a fine hunter, on which he had spent

the whole capital in hand. _This_ speculation, however, prospered. A

few days later Robert Scott displayed the qualities of the hunter to

such admirable effect with John Scott of Harden's hounds, that he sold

the horse for double the money he had given, and, unlike his grandson,

abandoned speculative purchases there and then. In the latter days of

his clouded fortunes, after Ballantyne's and Constable's failure, Sir

Walter was accustomed to point to the picture of his grandfather and

say, "Blood will out: my building and planting was but his buying the

hunter before he stocked his sheep-walk, over again." But Sir Walter

added, says Mr. Lockhart, as he glanced at the likeness of his own

staid and prudent father, "Yet it was a wonder, too, for I have a

thread of the attorney in me," which was doubtless the case; nor was

that thread the least of his inheritances, for from his father

certainly Sir Walter derived that disposition towards conscientious,

plodding industry, legalism of mind, methodical habits of work, and a

generous, equitable interpretation of the scope of all his obligations

to others, which, prized and cultivated by him as they were, turned a

great genius, which, especially considering the hare-brained element

in him, might easily have been frittered away or devoted to worthless

ends, to such fruitful account, and stamped it with so grand an

impress of personal magnanimity and fortitude. Sir Walter's father

reminds one in not a few of the formal and rather martinetish traits

which are related of him, of the father of Goethe, "a formal man, with

strong ideas of strait-laced education, passionately orderly (he

thought a good book nothing without a good binding), and never so much

excited as by a necessary deviation from the 'pre-established harmony'

of household rules." That description would apply almost wholly to the

sketch of old Mr. Scott which the novelist has given us under the thin

disguise of Alexander Fairford, Writer to the Signet, in

_Redgauntlet_, a figure confessedly meant, in its chief features, to

represent his father. To this Sir Walter adds, in one of his later

journals, the trait that his father was a man of fine presence, who

conducted all conventional arrangements with a certain grandeur and

dignity of air, and "absolutely loved a funeral." "He seemed to

preserve the list of a whole bead-roll of cousins merely for the

pleasure of being at their funerals, which he was often asked to

superintend, and I suspect had sometimes to pay for. He carried me

with him as often as he could to these mortuary ceremonies; but

feeling I was not, like him, either useful or ornamental, I escaped as

often as I could." This strong dash of the conventional in Scott's

father, this satisfaction in seeing people fairly to the door of life,

and taking his final leave of them there, with something of a

ceremonious flourish of observance, was, however, combined with a

much nobler and deeper kind of orderliness. Sir Walter used to say

that his father had lost no small part of a very flourishing business,

by insisting that his clients should do their duty to their own people

better than they were themselves at all inclined to do it. And of this

generous strictness in sacrificing his own interests to his sympathy

for others, the son had as much as the father.

Sir Walter's mother, who was a Miss Rutherford, the daughter of a

physician, had been better educated than most Scotchwomen of her day,

in spite of having been sent "to be finished off" by "the honourable

Mrs. Ogilvie," whose training was so effective, in one direction at

least, that even in her eightieth year Mrs. Scott could not enjoy a

comfortable rest in her chair, but "took as much care to avoid

touching her chair with her back, as if she had still been under the

stern eyes of Mrs. Ogilvie." None the less Mrs. Scott was a motherly,

comfortable woman, with much tenderness of heart, and a well-stored,

vivid memory. Sir Walter, writing of her, after his mother's death, to

Lady Louisa Stewart, says, "She had a mind peculiarly well stored with

much acquired information and natural talent, and as she was very old,

and had an excellent memory, she could draw, without the least

exaggeration or affectation, the most striking pictures of the past

age. If I have been able to do anything in the way of painting the

past times, it is very much from the studies with which she presented

me. She connected a long period of time with the present generation,

for she remembered, and had often spoken with, a person who perfectly

recollected the battle of Dunbar and Oliver Cromwell's subsequent

entry into Edinburgh." On the day before the stroke of paralysis which

carried her off, she had told Mr. and Mrs. Scott of Harden, "with

great accuracy, the real story of the Bride of Lammermuir, and pointed

out wherein it differed from the novel. She had all the names of the

parties, and pointed out (for she was a great genealogist) their

connexion with existing families."[1] Sir Walter records many

evidences of the tenderness of his mother's nature, and he returned

warmly her affection for himself. His executors, in lifting up his

desk, the evening after his burial, found "arranged in careful order a

series of little objects, which had obviously been so placed there

that his eye might rest on them every morning before he began his

tasks. These were the old-fashioned boxes that had garnished his

mother's toilette, when he, a sickly child, slept in her

dressing-room,--the silver taper-stand, which the young advocate had

bought for her with his first five-guinea fee,--a row of small packets

inscribed with her hand, and containing the hair of those of her

offspring that had died before her,--his father's snuff-box, and

etui-case,--and more things of the like sort."[2] A story,

characteristic of both Sir Walter's parents, is told by Mr. Lockhart

which will serve better than anything I can remember to bring the

father and mother of Scott vividly before the imagination. His father,

like Mr. Alexander Fairford, in _Redgauntlet_, though himself a strong

Hanoverian, inherited enough feeling for the Stuarts from his

grandfather Beardie, and sympathized enough with those who were, as he

neutrally expressed it, "out in '45," to ignore as much as possible

any phrases offensive to the Jacobites. For instance, he always called

Charles Edward not _the Pretender_ but _the Chevalier_,--and he did

business for many Jacobites:--

"Mrs. Scott's curiosity was strongly excited one autumn by the regular

appearance at a certain hour every evening of a sedan chair, to

deposit a person carefully muffled up in a mantle, who was immediately

ushered into her husband's private room, and commonly remained with

him there until long after the usual bed-time of this orderly family.

Mr. Scott answered her repeated inquiries with a vagueness that

irritated the lady's feelings more and more; until at last she could

bear the thing no longer; but one evening, just as she heard the bell

ring as for the stranger's chair to carry him off, she made her

appearance within the forbidden parlour with a salver in her hand,

observing that she thought the gentlemen had sat so long they would be

better of a dish of tea, and had ventured accordingly to bring some

for their acceptance. The stranger, a person of distinguished

appearance, and richly dressed, bowed to the lady and accepted a cup;

but her husband knit his brows, and refused very coldly to partake the

refreshment. A moment afterwards the visitor withdrew, and Mr. Scott,

lifting up the window-sash, took the cup, which he had left empty on

the table, and tossed it out upon the pavement. The lady exclaimed for

her china, but was put to silence by her husband's saying, 'I can

forgive your little curiosity, madam, but you must pay the penalty. I

may admit into my house, on a piece of business, persons wholly

unworthy to be treated as guests by my wife. Neither lip of me nor of

mine comes after Mr. Murray of Broughton's.'

"This was the unhappy man who, after attending Prince Charles Stuart

as his secretary throughout the greater part of his expedition,

condescended to redeem his own life and fortune by bearing evidence

against the noblest of his late master's adherents, when--

"Pitied by gentle hearts, Kilmarnock died,

The brave, Balmerino were on thy side."[3]

"Broughton's saucer"--i. e. the saucer belonging to the cup thus

sacrificed by Mr. Scott to his indignation against one who had

redeemed his own life and fortune by turning king's evidence against

one of Prince Charles Stuart's adherents,--was carefully preserved by

his son, and hung up in his first study, or "den," under a little

print of Prince Charlie. This anecdote brings before the mind very

vividly the character of Sir Walter's parents. The eager curiosity of

the active-minded woman, whom "the honourable Mrs. Ogilvie" had been

able to keep upright in her chair for life, but not to cure of the

desire to unravel the little mysteries of which she had a passing

glimpse; the grave formality of the husband, fretting under his wife's

personal attention to a dishonoured man, and making her pay the

penalty by dashing to pieces the cup which the king's evidence had

used,--again, the visitor himself, perfectly conscious no doubt that

the Hanoverian lawyer held him in utter scorn for his faithlessness

and cowardice, and reluctant, nevertheless, to reject the courtesy of

the wife, though he could not get anything but cold legal advice from

the husband:--all these are figures which must have acted on the

youthful imagination of the poet with singular vivacity, and shaped

themselves in a hundred changing turns of the historical kaleidoscope

which was always before his mind's eye, as he mused upon that past

which he was to restore for us with almost more than its original

freshness of life. With such scenes touching even his own home, Scott

must have been constantly taught to balance in his own mind, the more

romantic, against the more sober and rational considerations, which

had so recently divided house against house, even in the same family

and clan. That the stern Calvinistic lawyer should have retained so

much of his grandfather Beardie's respect for the adherents of the

exiled house of Stuart, must in itself have struck the boy as even

more remarkable than the passionate loyalty of the Stuarts' professed

partisans, and have lent a new sanction to the romantic drift of his

mother's old traditions, and one to which they must have been indebted

for a great part of their fascination.

Walter Scott, the ninth of twelve children, of whom the first six died

in early childhood, was born in Edinburgh, on the 15th of August,

1771. Of the six later-born children, all but one were boys, and the

one sister was a somewhat querulous invalid, whom he seems to have

pitied almost more than he loved. At the age of eighteen months the

boy had a teething-fever, ending in a life-long lameness; and this was

the reason why the child was sent to reside with his grandfather--the

speculative grandfather, who had doubled his capital by buying a

racehorse instead of sheep--at Sandy-Knowe, near the ruined tower of

Smailholm, celebrated afterwards in his ballad of _The Eve of St.

John_, in the neighbourhood of some fine crags. To these crags the

housemaid sent from Edinburgh to look after him, used to carry him up,

with a design (which she confessed to the housekeeper)--due, of

course, to incipient insanity--of murdering the child there, and

burying him in the moss. Of course the maid was dismissed. After this

the child used to be sent out, when the weather was fine, in the safer

charge of the shepherd, who would often lay him beside the sheep. Long

afterwards Scott told Mr. Skene, during an excursion with Turner, the

great painter, who was drawing his illustration of Smailholm tower for

one of Scott's works, that "the habit of lying on the turf there among

the sheep and the lambs had given his mind a peculiar tenderness for

these animals, which it had ever since retained." Being forgotten one

day upon the knolls when a thunderstorm came on, his aunt ran out to

bring him in, and found him shouting, "Bonny! bonny!" at every flash

of lightning. One of the old servants at Sandy-Knowe spoke of the

child long afterwards as "a sweet-tempered bairn, a darling with all

about the house," and certainly the miniature taken of him in his

seventh year confirms the impression thus given. It is sweet-tempered

above everything, and only the long upper lip and large mouth, derived

from his ancestress, Meg Murray, convey the promise of the power which

was in him. Of course the high, almost conical forehead, which gained

him in his later days from his comrades at the bar the name of "Old

Peveril," in allusion to "the peak" which they saw towering high above

the heads of other men as he approached, is not so much marked beneath

the childish locks of this miniature as it was in later life; and the

massive, and, in repose, certainly heavy face of his maturity, which

conveyed the impression of the great bulk of his character, is still

quite invisible under the sunny ripple of childish earnestness and

gaiety. Scott's hair in childhood was light chestnut, which turned to

nut brown in youth. His eyebrows were bushy, for we find mention made

of them as a "pent-house." His eyes were always light blue. They had

in them a capacity, on the one hand, for enthusiasm, sunny brightness,

and even hare-brained humour, and on the other for expressing

determined resolve and kindly irony, which gave great range of

expression to the face. There are plenty of materials for judging what

sort of a boy Scott was. In spite of his lameness, he early taught

himself to clamber about with an agility that few children could have

surpassed, and to sit his first pony--a little Shetland, not bigger

than a large Newfoundland dog, which used to come into the house to be

fed by him--even in gallops on very rough ground. He became very early

a declaimer. Having learned the ballad of Hardy Knute, he shouted it

forth with such pertinacious enthusiasm that the clergyman of his

grandfather's parish complained that he "might as well speak in a

cannon's mouth as where that child was." At six years of age Mrs.

Cockburn described him as the most astounding genius of a boy, she

ever saw. "He was reading a poem to his mother when I went in. I made

him read on: it was the description of a shipwreck. His passion rose

with the storm. 'There's the mast gone,' says he; 'crash it goes; they

will all perish.' After his agitation he turns to me, 'That is too

melancholy,' says he; 'I had better read you something more amusing.'"

And after the call, he told his aunt he liked Mrs. Cockburn, for "she

was a _virtuoso_ like himself." "Dear Walter," says Aunt Jenny, "what

is a _virtuoso_?" "Don't ye know? Why, it's one who wishes and will

know everything." This last scene took place in his father's house in

Edinburgh; but Scott's life at Sandy-Knowe, including even the old

minister, Dr. Duncan, who so bitterly complained of the boy's

ballad-spouting, is painted for us, as everybody knows, in the picture

of his infancy given in the introduction to the third canto of

_Marmion_:--

"It was a barren scene and wild,

Where naked cliffs were rudely piled:

But ever and anon between

Lay velvet tufts of loveliest green;

And well the lonely infant knew

Recesses where the wall-flower grew,

And honeysuckle loved to crawl

Up the low crag and ruin'd wall.

I deem'd such nooks the sweetest shade

The sun in all its round survey'd;

And still I thought that shatter'd tower

The mightiest work of human power;

And marvell'd as the aged hind

With some strange tale bewitch'd my mind,

Of forayers, who, with headlong force,

Down from that strength had spurr'd their horse,

Their southern rapine to renew,

Far in the distant Cheviots blue,

And, home returning, fill'd the hall

With revel, wassail-rout, and brawl.

Methought that still with trump and clang

The gateway's broken arches rang;

Methought grim features, seam'd with scars,

Glared through the window's rusty bars;

And ever, by the winter hearth,

Old tales I heard of woe or mirth,

Of lovers' slights, of ladies' charms,

Of witches' spells, of warriors' arms,

Of patriot battles, won of old

By Wallace wight and Bruce the bold;

Of later fields of feud and fight,

When, pouring from their Highland height,

The Scottish clans, in headlong sway,

Had swept the scarlet ranks away.

While, stretch'd at length upon the floor,

Again I fought each combat o'er,

Pebbles and shells in order laid,

The mimic ranks of war display'd;

And onward still the Scottish lion bore,

And still the scattered Southron fled before.

Still, with vain fondness, could I trace

Anew each kind familiar face

That brighten'd at our evening fire!

From the thatch'd mansion's grey-hair'd sire,

Wise without learning, plain and good,

And sprung of Scotland's gentler blood;

Whose eye in age, quick, clear, and keen,

Show'd what in youth its glance had been;

Whose doom discording neighbours sought,

Content with equity unbought;

To him the venerable priest,

Our frequent and familiar guest,

Whose life and manners well could paint

Alike the student and the saint;

Alas! whose speech too oft I broke

With gambol rude and timeless joke;

For I was wayward, bold, and wild,

A self-will'd imp, a grandame's child;

But, half a plague and half a jest,

Was still endured, beloved, caress'd."

A picture this of a child of great spirit, though with that spirit was

combined an active and subduing sweetness which could often conquer,

as by a sudden spell, those whom the boy loved. Towards those,

however, whom he did not love he could be vindictive. His relative,

the laird of Raeburn, on one occasion wrung the neck of a pet

starling, which the child had partly tamed. "I flew at his throat like

a wild-cat," he said, in recalling the circumstance, fifty years

later, in his journal on occasion of the old laird's death; "and was

torn from him with no little difficulty." And, judging from this

journal, I doubt whether he had ever really forgiven the laird of

Raeburn. Towards those whom he loved but had offended, his manner was

very different. "I seldom," said one of his tutors, Mr. Mitchell, "had

occasion all the time I was in the family to find fault with him, even

for trifles, and only once to threaten serious castigation, of which

he was no sooner aware, than he suddenly sprang up, threw his arms

about my neck and kissed me." And the quaint old gentleman adds this

commentary:--"By such generous and noble conduct my displeasure was in

a moment converted into esteem and admiration; my soul melted into

tenderness, and I was ready to mingle my tears with his." This

spontaneous and fascinating sweetness of his childhood was naturally

overshadowed to some extent in later life by Scott's masculine and

proud character, but it was always in him. And there was much of true

character in the child behind this sweetness. He had wonderful

self-command, and a peremptory kind of good sense, even in his

infancy. While yet a child under six years of age, hearing one of the

servants beginning to tell a ghost-story to another, and well knowing

that if he listened, it would scare away his night's rest, he acted

for himself with all the promptness of an elder person acting for him,

and, in spite of the fascination of the subject, resolutely muffled

his head in the bed-clothes and refused to hear the tale. His sagacity

in judging of the character of others was shown, too, even as a

school-boy; and once it led him to take an advantage which caused him

many compunctions in after-life, whenever he recalled his skilful

puerile tactics. On one occasion--I tell the story as he himself

rehearsed it to Samuel Rogers, almost at the end of his life, after

his attack of apoplexy, and just before leaving England for Italy in

the hopeless quest of health--he had long desired to get above a

schoolfellow in his class, who defied all his efforts, till Scott

noticed that whenever a question was asked of his rival, the lad's

fingers grasped a particular button on his waistcoat, while his mind

went in search of the answer. Scott accordingly anticipated that if he

could remove this button, the boy would be thrown out, and so it

proved. The button was cut off, and the next time the lad was

questioned, his fingers being unable to find the button, and his eyes

going in perplexed search after his fingers, he stood confounded, and

Scott mastered by strategy the place which he could not gain by mere

industry. "Often in after-life," said Scott, in narrating the

manoeuvre to Rogers, "has the sight of him smote me as I passed by

him; and often have I resolved to make him some reparation, but it

ended in good resolutions. Though I never renewed my acquaintance with

him, I often saw him, for he filled some inferior office in one of the

courts of law at Edinburgh. Poor fellow! I believe he is dead; he took

early to drinking."[4]

Scott's school reputation was one of irregular ability; he "glanced like

a meteor from one end of the class to the other," and received more praise

for his interpretation of the spirit of his authors than for his knowledge

of their language. Out of school his fame stood higher. He extemporized

innumerable stories to which his school-fellows delighted to listen; and,

in spite of his lameness, he was always in the thick of the "bickers," or

street fights with the boys of the town, and renowned for his boldness in

climbing the "kittle nine stanes" which are "projected high in air from

the precipitous black granite of the Castle-rock." At home he was much

bullied by his elder brother Robert, a lively lad, not without some powers

of verse-making, who went into the navy, then in an unlucky moment passed

into the merchant service of the East India Company, and so lost the

chance of distinguishing himself in the great naval campaigns of Nelson.

Perhaps Scott would have been all the better for a sister a little closer

to him than Anne--sickly and fanciful--appears ever to have been. The

masculine side of life appears to predominate a little too much in his

school and college days, and he had such vast energy, vitality, and pride,

that his life at this time would have borne a little taming under the

influence of a sister thoroughly congenial to him. In relation to his

studies he was wilful, though not perhaps perverse. He steadily declined,

for instance, to learn Greek, though he mastered Latin pretty fairly.

After a time spent at the High School, Edinburgh, Scott was sent to a

school at Kelso, where his master made a friend and companion of him, and

so poured into him a certain amount of Latin scholarship which he would

never otherwise have obtained. I need hardly add that as a boy Scott was,

so far as a boy could be, a Tory--a worshipper of the past, and a great

Conservative of any remnant of the past which reformers wished to get rid

of. In the autobiographical fragment of 1808, he says, in relation to

these school-days, "I, with my head on fire for chivalry, was a Cavalier;

my friend was a Roundhead; I was a Tory, and he was a Whig; I hated

Presbyterians, and admired Montrose with his victorious Highlanders; he

liked the Presbyterian Ulysses, the deep and politic Argyle; so that we

never wanted subjects of dispute, but our disputes were always amicable."

And he adds candidly enough: "In all these tenets there was no real

conviction on my part, arising out of acquaintance with the views or

principles of either party.... I took up politics at that period, as King

Charles II. did his religion, from an idea that the Cavalier creed was the

more gentlemanlike persuasion of the two." And the uniformly amicable

character of these controversies between the young people, itself shows

how much more they were controversies of the imagination than of faith. I

doubt whether Scott's _convictions_ on the issues of the Past were ever

very much more decided than they were during his boyhood; though

undoubtedly he learned to understand much more profoundly what was really

held by the ablest men on both sides of these disputed issues. The

result, however, was, I think, that while he entered better and better

into both sides as life went on, he never adopted either with any

earnestness of conviction, being content to admit, even to himself, that

while his feelings leaned in one direction, his reason pointed decidedly

in the other; and holding that it was hardly needful to identify himself

positively with either. As regarded the present, however, feeling always

carried the day. Scott was a Tory all his life.

FOOTNOTES:

[Footnote 1: Lockhart's _Life of Scott_, vi. 172-3. The edition

referred to is throughout the edition of 1839 in ten volumes.]

[Footnote 2: Lockhart's _Life of Scott_, x. 241.]

[Footnote 3: Lockhart's _Life of Scott_, i. 243-4.]

[Footnote 4: Lockhart's _Life of Scott_, i. 128.]

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