"I have found a man, Uncle Fritz, who is an inventor, a great inventor;

and he is very nice, and he likes people and people like him, and he

always succeeds,--his things turn out well, like Dr. Franklin's; and he

says the world has always been grateful to him. He never sulks or

complains; he knows all about the moon, and makes wonderful pictures of

it; and he's enormously rich, I believe, too,--but that's not so much

matter. The best of all is, that he began just as we begin. He had a

nice father and a nice mother and a good happy home, and was brought up

like good decent children. Now really, Uncle Fritz, you mustn't laugh;

but do you not think that most of the people whose lives we read have to

begin horridly? They have to be beaten when they are apprentices, or

their fathers and mothers have to die, or they have to walk through

Philadelphia with loaves of bread under their arms, or to be brought up

in poor-houses or something. Now, nothing of that sort happened to my

inventor. And I am very much encouraged. For my father never beat me,

and my mother never scolded me half as much as I deserved, and I never

was in a poor-house, and I never carried a loaf of bread under my arm,

and so I really was afraid I should come to no good. But now I have

found my new moon-man, I am very much encouraged."

The others laughed heartily at Hester's zeal, and Blanche asked what

Hester's hero had invented, and what was his name. The others turned to

Uncle Fritz half incredulously. But Uncle Fritz came to Hester's relief.

"Hester is quite right," he said; "and his name it is James Nasmyth. He

has invented a great many things, quite necessary in the gigantic system

of modern machine-building. He has chosen the steam-hammer for his

device. Here is a picture of it on the outside of his Life. You see I

was ready for you, Hester."

The children looked with interest on the device, and Fergus said that it

was making heraldry do as it should, and speak in the language of the

present time.

Then Uncle Fritz bade Hester find for them a passage in the biography

where Mr. Nasmyth tells how he changed the old motto of the family.

Oddly enough, the legend says that the first Nasmyth took his name

after a romantic escape, when one of his pursuers, finding him disguised

as a blacksmith, cried out, "Ye're _nae smyth_."

It is a little queer that this name should have been given to the family

of a man, who, in his time, forged heavier pieces of iron than had ever

been forged before, and, indeed, invented the machinery by which this

should be done. The old Scotch family had for a motto the words

"Non arte, sed Marte."

With a very just pride, James Nasmyth has changed the motto, and made it

"Non Marte, sed arte."

That is, while they said, "Not by art, but by war," this man, who has

done more work for the world, directly or indirectly, than any of

Aladdin's genii, says, "Not by war, but by art."

Hester was well pleased that their old friend justified her enthusiasm

so entirely. He and she began dipping into her copy and his copy of the

biography, which is one of the most interesting books of our time.

JAMES NASMYTH.

My grandfather, Michael Naesmyth, like his father and grandfather, was a

builder and architect. The buildings he designed and erected for the

Scotch nobility and gentry were well arranged, carefully executed, and

thoroughly substantial. I remember my father pointing out to me the

extreme care and attention with which he finished his buildings. He

inserted small fragments of basalt into the mortar of the external

joints of the stones, at close and regular distances, in order to

protect the mortar from the adverse action of the weather; and to this

day they give proof of their efficiency.

The excellence of my grandfather's workmanship was a thing that my own

father impressed upon me when a boy. It stimulated in me the desire to

aim at excellence in everything that I undertook, and in all practical

matters to arrive at the highest degree of good workmanship. I believe

that these early lessons had a great influence upon my future career.

My father, Alexander Nasmyth, was the second son of Michael Nasmyth. He

was born in his father's house in the Grassmarket, on the 9th of

September, 1758.

I have not much to say about my father's education. For the most part he

was his own schoolmaster. I have heard him say that his mother taught

him his A B C, and that he afterward learned to read at Mammy Smith's.

This old lady kept a school for boys and girls at the top of a house in

the Grassmarket. There my father was taught to read his Bible and to

learn his Carritch (the Shorter Catechism).

My father's profession was that of a portrait-painter, to begin with;

but later he devoted himself to landscape-painting. But he did not

confine himself to this pursuit. He was an all-round man, with something

of the universal about him. He was a painter, an architect, and a

mechanic. Above all, he was an incessantly industrious man.

I was born on the morning of the 19th of August, 1808, at my father's

house in Edinburgh. I was named James Hall, after a dear friend of my

father. My mother afterward told me that I must have been a "very

noticin' bairn," as she observed me, when I was only a few days old,

following with my little eyes any one who happened to be in the room, as

if I had been thinking to my little self, "Who are you?"

When I was about four or five years old I was observed to give a decided

preference to the use of my left hand. At first everything was done to

prevent my using it in preference to the right, until my father, after

viewing a little sketch I had drawn with my left hand, allowed me to go

on in my own way. I used my right hand in all that was necessary, and my

left in all sorts of practical manipulative affairs. My left hand has

accordingly been my most willing and obedient servant, and in this way I

became ambidexter.

In due time I was sent to school; and while attending the High School,

from 1817 to 1820, there was the usual rage among boys for

spinning-tops, "peeries," and "young cannon." By means of my father's

excellent foot-lathe I turned out the spinning-tops in capital style, so

much so that I became quite noted among my school companions. They all

wanted to have specimens of my productions. They would give any price

for them. The peeries were turned with perfect accuracy, and the

steel-shod or spinning pivot was centred so as to correspond with the

heaviest diameter at the top. They would spin twice as long as the

bought peeries. When at full speed they would "sleep;" that is, turn

round without a particle of wavering. This was considered high art as

regarded top-spinning.

Flying-kites and tissue-paper balloons were articles that I was also

somewhat famed for producing. There was a good deal of special skill

required for the production of a flying-kite. It must be perfectly still

and steady when at its highest flight in the air. Paper messengers were

sent up to it along the string which held it to the ground. The top of

the Calton Hill was the most favorite place for enjoying this pleasant

amusement.

Another article for which I became equally famous was the manufacture of

small brass cannon. These I cast and bored, and mounted on their

appropriate gun-carriages. They proved very effective, especially in the

loudness of the report when fired. I also converted large cellar-keys

into a sort of hand-cannon. A touch-hole was bored into the barrel of

the key, with a sliding brass collar that allowed the key-guns to be

loaded and primed, ready for firing.

The principal occasion on which the brass cannon and hand-guns were used

was on the 4th of June,--King George the Third's birthday. This was

always celebrated with exuberant and noisy loyalty. The guns of the

Castle were fired at noon, and the number of shots corresponded with the

number of years that the king had reigned. The grand old Castle was

enveloped in smoke, and the discharges reverberated along the streets

and among the surrounding hills. Everything was in holiday order. The

coaches were hung with garlands, the shops were ornamented, the troops

were reviewed on Bruntsfield Links, and the citizens drank the king's

health at the Cross, throwing the glasses over their backs. The boys

fired off gunpowder, or threw squibs or crackers, from morning till

night. It was one of the greatest schoolboy events of the year.

My little brass cannon and hand-guns were very busy that day. They were

fired until they became quite hot. These were the pre-lucifer days. The

fire to light the powder at the touch-hole was obtained by the use of a

flint, a steel, and a tinder-box. The flint was struck sharply on the

steel, a spark of fire consequently fell into the tinder-box, and the

match (of hemp string, soaked in saltpetre) was readily lit and fired

off the little guns.

One of my attached cronies was Tom Smith. Our friendship began at the

High School in 1818. A similarity of disposition bound us together.

Smith was the son of an enterprising general merchant at Leith. His

father had a special genius for practical chemistry. He had established

an extensive color-manufactory at Portobello, near Edinburgh, where he

produced white lead, red lead, and a great variety of colors,--in the

preparation of which he required a thorough knowledge of chemistry. Tom

Smith inherited his father's tastes, and admitted me to share in his

experiments, which were carried on in a chemical laboratory situated

behind his father's house at the bottom of Leith Walk.

We had a special means of communication. When anything particular was

going on at the laboratory, Tom hoisted a white flag on the top of a

high pole in his father's garden. Though I was more than a mile away, I

kept a lookout in the direction of the laboratory with a spy-glass. My

father's house was at the top of Leith Walk, and Smith's house was at

the bottom of it. When the flag was hoisted I could clearly see the

invitation to me to come down. I was only too glad to run down the Walk

and join my chum, to take part in some interesting chemical process. Mr.

Smith, the father, made me heartily welcome. He was pleased to see his

son so much attached to me, and he perhaps believed that I was worthy of

his friendship. We took zealous part in all the chemical proceedings,

and in that way Tom was fitting himself for the business of his life.

Mr. Smith was a most genial-tempered man. He was shrewd and

quick-witted, like a native of York, as he was. I received the greatest

kindness from him as well as from his family. His house was like a

museum. It was full of cabinets, in which were placed choice and

interesting objects in natural history, geology, mineralogy, and

metallurgy. All were represented. Many of these specimens had been

brought to him from abroad by his ship-captains, who transported his

color manufactures and other commodities to foreign parts.

My friend Tom Smith and I made it a rule--and in this we were encouraged

by his father--that, so far as was possible, we ourselves should

actually _make_ the acids and other substances used in our experiments.

We were not to buy them ready-made, as this would have taken the zest

out of our enjoyment. We should have lost the pleasure and instruction

of producing them by means of our own wits and energies. To encounter

and overcome a difficulty is the most interesting of all things. Hence,

though often baffled, we eventually produced perfect specimens of

nitrous, nitric, and muriatic acids. We distilled alcohol from duly

fermented sugar and water, and rectified the resultant spirit from

fusel-oil by passing the alcoholic vapor through animal charcoal before

it entered the worm of the still. We converted part of the alcohol into

sulphuric ether. We produced phosphorus from old bones, and elaborated

many of the mysteries of chemistry.

The amount of practical information which we obtained by this system of

making our own chemical agents, was such as to reward us, in many

respects, for the labor we underwent. To outsiders it might appear a

very troublesome and roundabout way of getting at the finally desired

result; but I feel certain that there is no better method of rooting

chemical or any other instruction deeply in our minds. Indeed, I regret

that the same system is not pursued by the youth of the present day.

They are seldom if ever called upon to exert their own wits and industry

to obtain the requisites for their instruction. A great deal is now said

about technical education; but how little there is of technical

handiness or head work! Everything is _bought ready-made_ to their

hands; and hence there is no call for individual ingenuity.

I left the High School at the end of 1820. I carried with me a small

amount of Latin and no Greek. I do not think I was much the better for

my small acquaintance with the dead languages.

By the time I was seventeen years old I had acquired a considerable

amount of practical knowledge as to the use and handling of mechanical

tools, and I desired to turn it to some account. I was able to construct

working models of steam-engines and other apparatus required for the

illustration of mechanical subjects. I began with making a small working

steam-engine, for the purpose of grinding the oil-colors used by my

father in his artistic work. The result was quite satisfactory. Many

persons came to see my active little steam-engine at work; and they were

so pleased with it that I received several orders for small workshop

engines, and also for some models of steam-engines to illustrate the

subjects taught at Mechanics' Institutions.

I contrived a sectional model of a complete condensing steam-engine of

the beam and parallel-motion construction. The model, as seen from one

side, exhibited every external detail in full and due action when the

fly-wheel was moved round by hand; while on the other, or sectional

side, every detail of the interior was seen, with the steam-valves and

air-pump, as well as the motion of the piston in the cylinder, with the

construction of the piston and the stuffing-box, together with the

slide-valve and steam-passages, all in due position and relative

movement.

I was a regular attendant at the Edinburgh School of Arts from 1821 to

1826, meanwhile inventing original contrivances of various sorts.

About the year 1827, when I was nineteen years old, the subject of

steam-carriages to run upon common roads occupied considerable

attention. Several engineers and mechanical schemers had tried their

hands, but as yet no substantial results had come of their attempts to

solve the problem. Like others, I tried my hand. Having made a small

working model of a steam-carriage, I exhibited it before the members of

the Scottish Society of Arts. The performance of this active little

machine was so gratifying to the Society, that they requested me to

construct one of such power as to enable four or six persons to be

conveyed along the ordinary roads. The members of the Society, in their

individual capacity, subscribed £60, which they placed in my hands, as

the means of carrying out their project.

I accordingly set to work at once. I had the heavy parts of the engine

and carriage done at Anderson's foundry at Leith. There was in

Anderson's employment a most able general mechanic, named Robert

Maclaughlan, who had served his time at Carmichael's, of Dundee.

Anderson possessed some excellent tools, which enabled me to proceed

rapidly with the work. Besides, he was most friendly, and took much

delight in being concerned in my enterprise. This "big job" was executed

in about four months. The steam-carriage was completed and exhibited

before the members of the Society of Arts. Many successful trials were

made with it on the Queensferry Road, near Edinburgh. The runs were

generally of four or five miles, with a load of eight passengers,

sitting on benches about three feet from the ground.

The experiments were continued for nearly three months, to the great

satisfaction of the members.

The chief object of my ambition was now to be taken on at Henry

Maudsley's works in London. I had heard so much of his engineering work,

of his assortment of machine-making tools, and of the admirable

organization of his manufactory, that I longed to obtain employment

there. But I was aware that my father had not the means of paying the

large premium required for placing me there, and I was also informed

that Maudsley had ceased to take pupils, they caused him so much

annoyance. My father and I went to London; and Mr. Maudsley received us

in the most kind and frank manner, and courteously invited us to go

round the works. When this was concluded I ventured to say to Mr.

Maudsley that "I had brought up with me from Edinburgh some working

models of steam-engines and mechanical drawings, and I should feel truly

obliged if he would allow me to show them to him." "By all means," said

he; "bring them to me to-morrow at twelve o'clock." I need not say how

much pleased I was at this permission to exhibit my handiwork, and how

anxious I felt as to the result of Mr. Maudsley's inspection of it.

I carefully unpacked my working model of the steam-engine at the

carpenter's shop, and had it conveyed, together with my drawings, on a

handcart to Mr. Maudsley's, next morning, at the appointed hour. I was

allowed to place my work for his inspection in a room next his office

and counting-house. I then called at his residence, close by, where he

kindly received me in his library. He asked me to wait until he and his

partner, Joshua Field, had inspected my handiwork.

I waited anxiously. Twenty long minutes passed. At last he entered the

room, and from a lively expression in his countenance I observed in a

moment that the great object of my long-cherished ambition had been

attained. He expressed, in good round terms, his satisfaction at my

practical ability as a workman, engineer, and mechanical draughtsman.

Then, opening the door which led from his library into his beautiful

private workshop, he said, "This is where I wish you to work, beside me,

as my assistant workman. From what I have seen there is no need of an

apprenticeship in your case."

One of his favorite maxims was, "First _get a clear notion_ of what you

desire to accomplish, and then in all probability you will succeed in

doing it." Another was, "Keep a sharp lookout upon your materials; get

rid of every pound of material you can _do without_; put to yourself the

question, 'What business has it to be there?' avoid complexities, and

make everything as simple as possible." Mr. Maudsley was full of quaint

maxims and remarks,--the result of much shrewdness, keen observation,

and great experience. They were well worthy of being stored up in the

mind, like a set of proverbs, full of the life and experience of men.

His thoughts became compressed into pithy expressions exhibiting his

force of character and intellect. His quaint remarks on my first visit

to his workshop and on subsequent occasions proved to me invaluable

guides to "right thinking" in regard to all matters connected with

mechanical structure.

On the morning of Monday, May 30, 1829, I began my regular attendance at

Mr. Maudsley's workshop, and remained with him until he died, Feb. 14,

1831. It was a very sad thing for me to lose my dear old master, who

always treated me like a friend and companion. At his death I passed

over into the service of his worthy partner, Joshua Field, until my

twenty-third year, when I intended to begin business for myself.

I first settled myself at Manchester, but afterwards established a large

business outside of Manchester on the Bridgewater Canal. In August,

1836, the Bridgewater Foundry was in complete and efficient action. The

engine ordered at Londonderry was at once put in hand, and the concern

was fairly started in its long career of prosperity. The wooden

workshops had been erected upon the grass, but the greensward soon

disappeared. The hum of the driving-belts, the whirl of the machinery,

the sound of the hammer upon the anvil, gave the place an air of busy

activity. As work increased, workmen multiplied. The workshops were

enlarged. Wood gave place to brick. Cottages for the accommodation of

the work-people sprung up in the neighborhood, and what had once been a

quiet grassy field became the centre of a busy population.

It was a source of vast enjoyment to me, while engaged in the anxious

business connected with the establishment of the foundry, to be

surrounded with so many objects of rural beauty. The site of the works

being on the west side of Manchester, we had the benefit of breathing

pure air during the greater part of the year. The scenery round about

was very attractive. Exercise was a source of health to the mind as well

as the body. As it was necessary that I should reside as near as

possible to the works, I had plenty of opportunities for enjoying the

rural scenery of the neighborhood. I had the good fortune to become the

tenant of a small cottage in the ancient village of Barton, in

Cheshire, at the very moderate rental of fifteen pounds a year. The

cottage was situated on the banks of the river Irwell, and was only

about six minutes' walk from the works at Patricroft. It suited my

moderate domestic arrangements admirably.

On June 16, 1840, a day of happy memory, I was married to Miss Anne

Hartop.

I was present at the opening of the Liverpool and Manchester Railway, on

Sept. 15, 1830. Every one knows the success of the undertaking. Railways

became the rage. They were projected in every possible direction; and

when made, locomotives were required to work them. When George

Stephenson was engaged in building his first locomotive, at

Killingworth, he was greatly hampered, not only by the want of handy

mechanics, but by the want of efficient tools. But he did the best that

he could. His genius overcame difficulties. It was immensely to his

credit that he should have so successfully completed his engines for the

Stockton and Darlington, and afterward for the Liverpool and Manchester,

Railway.

Only a few years had passed, and self-acting tools were now enabled to

complete, with precision and uniformity, machines that before had been

deemed almost impracticable. In proportion to the rapid extension of

railways the demand for locomotives became very great. As our machine

tools were peculiarly adapted for turning out a large amount of

first-class work, we directed our attention to this class of business.

In the course of about ten years after the opening of the Liverpool and

Manchester Railway, we executed considerable orders for locomotives for

the London and Southampton, the Manchester and Leeds, and the Gloucester

Railway Companies.

The Great Western Railway Company invited us to tender for twenty of

their very ponderous engines. They proposed a very tempting condition of

the contract. It was that if, after a month's trial of the locomotives,

their working proved satisfactory, a premium of £100 was to be added to

the price of each engine and tender. The locomotives were made and

delivered; they ran the stipulated number of test miles between London

and Bristol in a perfectly satisfactory manner; and we not only received

the premium, but, what was much more encouraging, we received a special

letter from the board of directors, stating their entire satisfaction

with the performance of our engines, and desiring us to refer other

contractors to them with respect to the excellence of our workmanship.

This testimonial was altogether spontaneous, and proved extremely

valuable in other quarters.

The date of the first sketch of my steam-hammer was Nov. 24, 1839. It

consisted of, first, a massive anvil, on which to rest the work; second,

a block of iron constituting the hammer, or blow-giving portion; and,

third, an inverted steam cylinder, to whose piston-rod the hammer-block

was attached. All that was then required to produce a most effective

hammer, was simply to admit steam of sufficient pressure into the

cylinder, so as to act on the under side of the piston, and thus to

raise the hammer-block attached to the end of the piston-rod. By a very

simple arrangement of a slide-valve under the control of an attendant,

the steam was allowed to escape, and thus permit the massive block of

iron rapidly to descend by its own gravity upon the work then upon the

anvil.

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