SHAKSPERE & TYPOGRAPHY

_By William Blades_

NEW YORK: Edited & Reprinted

by _The Winthrop Press_ for _The

American Type Founders Company_

MD CCC XC VII

_The_ INTRODUCTION

In the good old days when printing was better recognized as a mystery than

as an art, one could call a printer 'a man of letters' without being

guilty of a pun. Books were for the few then, and the man who would print

them must be somewhat of a scholar himself.

To-day, amid the whirr of many presses, and the hurrying to and fro of the

printing office, the printer finds little or no time for literary

pursuits, despite the fact that printing is, in very truth, the handmaid

of literature. It is the more admirable, therefore, when a successful

printer attains to a degree of scholarship--particularly scholarship in

matters that enlighten and dignify his own handicraft.

Such a printer was _William Blades_. During fifty years of active

business life he contributed to the history of printing, a goodly number

of books and a mass of miscellaneous articles. Among these is the most

complete and authoritative life of Caxton, England's first printer,

representing an immense amount of study and research.

The book from which the following pages are reprinted is perhaps the least

familiar of Blades' works, and it evidently was written as a literary

recreation. The thought that reading it may afford recreation to those

busied about the making of books, and the comparative scarcity of the only

edition, are the excuses for reprinting the more interesting portion.

The first chapter (merely a resumé of the theories that have been advanced

by various professions and callings to claim Shakspere for their own) has

been omitted; likewise the appendix, which is a suggestion that many of

the obscurities in the text of Shakspere may be cleared up by a study of

the typographical errors in the first editions. With these exceptions, the

work is given here entire, and, it is hoped, in such form as accords with

the spirit of the author, whose tastes were those of the scholarly

printer.

_Editorial Dept.

The Winthrop Press,

32 Lafayette Place, N. Y.

November, 1897_

_The PREFACE_

_The First Chapter of this Tractate is designed to show, in a succinct

manner, the numerous and contradictory theories concerning Shakspere's

special knowledge, the evidence for which has been created by 'selecting'

certain words and phrases from the mass of his writings._

_The Second and Third Chapters, erected on a similar basis of 'selection',

are intended to prove that Shakspere had an intimate and special knowledge

of Typography._

_Old Printers can still call to mind that period of our history when a

stalwart Pressman, on his way to work, ran considerable risk in the

streets of London of being seized by another kind of pressmen, viz., the

Press-gang, and forced_ nolens volens _into the service of the King. Some

readers (not Printers) may think that I have exercised over quotations

from Shakspere's works a similar compulsion, by pressing into my service

passages whose bearing is by no means in a typographical direction. They

may even go so far as to strain somewhat the self-accusation of Falstaff

(Henry IV, iv, 2), and bring against me the charge that_

_I have misused the King's press most damnably, by printing such

evidences._

_I can only reply that if, notwithstanding a careful consideration of the

proofs here laid before him, the reader should consider my case 'not

proven', I must submit with all humility to his penetration and judgment._

_At the same time, since my proofs that Shakspere was a Printer are at

least quite as conclusive as the evidence brought forward by others to

demonstrate that he was Doctor, Lawyer, Soldier, Sailor, Catholic,

Atheist, Thief, I would claim as a right that my opponent, having rejected

my theory that he was a Printer, should be consistent, and at once, reject

all theories which attribute to him special knowledge, and repose upon the

simple belief that Shakspere, the Actor and Playwright, was a man of

surpassing genius, of keen observation, and never-failing memory._

Shakspere & Typography · 第 1 / 10 题