INSTRUMENTAL MUSIC_The Life of Johannes Brahms (Vol 2 of 2)

FOR ORCHESTRA.

Op. 11. Serenade, D major

Op. 16. " A major

Op. 56A Variations, Haydn's Theme

Op. 68. Symphony, C minor

Op. 73. " D major

Op. 90. " F major

Op. 98. " E minor

Op. 80. Overture, Academic

Op. 81. " Tragic

Arrangement: 3 Hungarian Dances

PIANOFORTE WITH ORCHESTRA.

Op. 15. Concerto, D minor

Op. 83. " B flat major

PIANOFORTE SOLOS.

Op. 1. Sonata, C major

Op. 2. " F sharp minor

Op. 5. " F minor

Op. 4. Scherzo, E flat minor

Op. 10. Ballades

Op. 9. Variations, Schumann's Theme

Op. 21,} " Original Theme

No. 1 }

Op. 21,} " Hungarian Air

No. 2 }

Op. 24. Variations and Fugue, Handel's Theme

Op. 35. Variations, Paganini's Theme

Op. 76. Pianoforte Pieces, 2 books

Op. 79. Two Rhapsodies

Op. 116. Fantasias, 2 books

Op. 117. Three Intermezzi

Op. 118. Pianoforte Pieces

Op. 119. " "

Technical Exercises, 2 bks.

Arrangement: Hungarian Dances, 2 books

" Studies 1-5

" Gavotte by Gluck

PIANOFORTE DUETS.

Op. 23. Variations, Schumann's Theme

Op. 39. Waltzes

Op. 52A Waltzes

Arrangement: Hungarian Dances, 4 books

TWO PIANOFORTES.

Op. 34} Sonata in F minor (after

_bis_} the Pianoforte Quintet)

Op. 56B. Variations, Haydn's Theme

PIANOFORTE AND VIOLIN.

Op. 78. Sonata, G major

Op. 100. " A major

Op. 108. " D minor

PIANOFORTE AND VIOLONCELLO.

Op. 38. Sonata, E minor

Op. 99. " F major

PIANOFORTE AND CLARINET (OR VIOLA).

Op. 120,} Sonata, F minor

No. 1 }

Op. 120,} " E flat major

No. 2 }

TRIOS.

Op. 8. Pianoforte, Violin, Violoncello, B major

Op. 87. Pianoforte, Violin, Violoncello, C major

Op. 101. Pianoforte, Violin, Violoncello, C minor

Op. 40. Pianoforte, Violin, Horn, E flat major

Op. 114. Pianoforte, Clarinet, Violoncello, A minor

QUARTETS.

Op. 25. Pianoforte, Violin, Viola, Violoncello, G minor

Op. 26. Pianoforte, Violin, Viola, Violoncello, A major

Op. 60. Pianoforte, Violin, Viola, Violoncello, C minor

QUINTET.

Op. 34. Pianoforte, 2 Violins, Viola, Violoncello, F minor

PIANOFORTE WITH VOICES.

Op. 52. Liebeslieder, Waltzer (voices _ad libitum_)

Op. 65. Neue Liebeslieder

ORGAN.

Op. 122. Eleven Chorale-Preludes

Chorale-Prelude and Fugue

Fugue in A minor

STRINGS WITH ORCHESTRA.

Op. 77. Violin Concerto, D major

Op. 102. Concerto for Violin and Violoncello, A minor

STRING QUARTETS.

Op. 51,} C minor

No. 1.}

Op. 51,} A minor

No. 2.}

Op. 67. B flat major

STRING QUINTETS.

Op. 88. F major

Op. 111. G major

Op. 115. Quintet for Clarinet, 2

Violins, Viola, Violoncello,

B minor

STRING SEXTETS.

Op. 18. B flat major

Op. 36. G major

VOCAL MUSIC

MIXED CHORUS WITHOUT ACCOMPANIMENT.

Op. 22. Marienlieder

Op. 29. Two Motets; five-part

Op. 42. Three Songs (Gesänge); six-part

Op. 62. Seven Songs (Lieder)

Op. 74. Two Motets; four- and six-part

Op. 93A Songs (Lieder) and Romances

Op. 104. Songs (Gesänge)

Op. 109. Fest and Gedenksprüche

Op. 110. Three Motets; four- and eight-part

German Folk-songs (dedicated

to the Vienna Singakademie)

WOMEN'S CHORUS WITHOUT ACCOMPANIMENT.

Op. 37. Three Sacred Choruses

Op. 44. Twelve Songs and Romances

Op. 113. Thirteen Canons

MEN'S CHORUS WITHOUT ACCOMPANIMENT.

Op. 41. Five Songs (Lieder)

VOCAL MUSIC WITH ORCHESTRAL ACCOMPANIMENT.

Op. 12. Ave Maria: women's Chorus

Op. 45. A German Requiem: Soli and Chorus

Op. 50. Rinaldo: Tenor Solo and men's Chorus

Op. 53. Rhapsody: Contralto Solo and men's Chorus

Op. 54. Song of Destiny: mixed Chorus

Op. 55. Triumph-Song: double Chorus

Op. 82. Nänie: mixed Chorus

Op. 89. Song of the Fates: mixed Chorus

VOCAL MUSIC VARIOUSLY ACCOMPANIED.

Op. 13. Funeral Song: mixed Chorus and Wind

Op. 17. Songs for women's Chorus with accompaniment for

2 Horns and a Harp

Op. 91. Two Songs for Contralto with Viola and Pianoforte

CHORUSES WITH PIANOFORTE OR ORGAN ACCOMPANIMENT.

Op. 12. Ave Maria: women's Chorus

Op. 27. The 13th Psalm: women's Chorus

Op. 30. Sacred Song: mixed Chorus

CHORUSES WITH PIANOFORTE ACCOMPANIMENT.

Op. 93B. Tafellied: mixed Voices

German Folk-songs

VOCAL QUARTETS WITH PIANOFORTE ACCOMPANIMENT.

Op. 31. Three Quartets

Op. 64. " "

Op. 92. Four "

Op. 112. Six "

Op. 52. Love Songs (Pianoforte duet)

Op. 65. New Love Songs (Pianoforte duet)

Op. 103. Gipsy Songs

VOCAL DUETS WITH PIANOFORTE ACCOMPANIMENT.

Op. 20. Soprano and Contralto

Op. 61. " "

Op. 66. " "

Op. 28. Contralto and Baritone

Op. 75. Ballads and Romances

Op. 84. Romances and Songs

SONGS FOR ONE VOICE WITH PIANOFORTE ACCOMPANIMENT.

Op. 3. 6 Gesänge

Op. 6. 6 "

Op. 7. 6 "

Op. 14. 8 Lieder und Romanzen

Op. 19. 5 Gedichte

Op. 32. 9 Lieder und Gesänge

Op. 33. 15 Magelone Romanzen

Op. 43. 4 Gesänge

Op. 46. 4 "

Op. 47. 5 Lieder

Op. 48. 7 "

Op. 49. 5 "

Op. 57. 8 Lieder und Gesänge

Op. 58. 8 " "

Op. 59. 8 " "

Op. 63. 9 " "

Op. 69. 9 Gesänge

Op. 70. 4 "

Op. 71. 5 "

Op. 72. 5 "

Op. 84. 5 Romanzen und Lieder

Op. 85. 6 Lieder

Op. 86. 6 "

Op. 94. 5 "

Op. 95. 7 "

Op. 96. 4 "

Op. 97. 6 "

Op. 105. 5 "

Op. 106. 5 "

Op. 107. 5 "

Op. 121. 4 Gesänge

Mondnacht

(Total 195 Songs)

German Folk-songs

Children's Folk-songs

INDEX

FOR INDEX OF WORKS, SEE CHRONOLOGICAL CATALOGUE, P. 293.

Abel, II. 50, 51.

Aegidi, I. 259.

Ahle, J. H., II. 130.

Ahna, de, II. 204.

Ahsen, Jenny v., I. 239.

Albers, I. 73.

Albert, Eugen d', II. 232, 267, 270.

Albrechtsberger, I. 64, 67.

Allgeyer, Julius, I. 166;

II. 29, 42, 44, 90, 93, 104, 120, 159, 176, 185.

Arien, d', I. 84.

Arnim, Bettina v., I. 144.

" Gisela v., I. 195.

Artôt, I. 83.

Asmus, Christiana, I. 46.

Astor, II. 134.

Austria, Francis Joseph, Emperor of, II. 242.

Bach, Friedemann, II. 71.

" Philipp Emanuel, I. 113, 188.

" Johann Sebastian, I. 12, 13, 17, 18, 63, 65, 146, 188, 216, 234,

244;

II. 20, 23, 115, 116, 119, 120, 130, 136, 141,

148, 155, 168, 172, 180, 182, 218, 267,

269, 277.

" Works of, played by Brahms on the pianoforte,

I. 15, 16, 185, 199, 201, 209, 215, 221, 235,

272;

II. 13, 39, 40, 54, 60, 71, 86, 102.

Bachrich, II. 143, 246.

Bächthold, II. 229, 262.

Backhaus, I. 73.

Bade, Carl, I. 54;

II. 57, 80, 175.

Baden, Frederick, Grand-Duke of, II. 29.

Bagge, Selmar, II. 4, 26.

Baglehole, II. 102.

Balcke, I. 98.

Barbi, Alice, II. 270.

Bargheer, Carl, I. 208-210, 214, 215, 217, 245, 247;

II. 41, 137, 171, 204.

Bargiel, Woldemar, I. 126, 218, 275;

II. 187, 275.

Barth, Heinrich, II. 200, 204.

" Richard, II. 73, 183, 276.

Baumeyer, Marie, II. 201.

Baumgarten and Heins, I. 68, 88, 192.

Bavaria, Ludwig II., King of, I. 127, 131.

Bechstein, II. 195.

Becker, Dr., I. 257.

" Frau, I. 36.

" Hugo, II. 230, 282.

Beckerath, Alwyn v., II. 183, 213, 275.

Beethoven, Ludwig van, I. 104, 180, 197, 267, 283, 285, 289;

II. 1, 20, 23, 119, 123, 130, 139, 140, 148,

152, 155, 164, 168, 171, 172, 177, 181,

189, 198, 200, 212, 217, 218, 267, 287.

" Works played by Brahms, I. 59, 84, 96, 98, 186, 191, 199,

206, 209, 215, 263, 272;

II. 13, 40, 54, 60, 70, 71, 86,

139.

Begas, I. 92.

Bellini, I. 180.

Bennet, John, II. 25.

Bennett, W. Sterndale, I. 128, 197; II. 155.

Bergmann, Carl, I. 163.

Berlioz, Hector, I. 100, 124, 135, 136, 138, 139, 147, 286, 288;

II. 139.

Bernhard de Trèves, I. 290.

Berninger, II. 73.

Bernsdorf, Edward, I. 227, 228, 229;

II. 134, 154, 178.

Bernstorff, Countess, I. 107.

Bernuth, Julius v., II. 70, 166, 176, 183, 210.

Bibl, Rudolf, II. 4, 20, 117, 119.

Billroth, Theodor, II. 46, 47, 60, 62, 84, 90, 115, 119, 124, 137,

140, 142, 149, 150, 163, 169, 184, 199, 201,

203, 207, 237, 239, 240, 247, 248, 256, 258,

259.

Birgfeld, I. 59, 79.

Bismarck, Otto v., II. 137, 240, 283.

Bizet, G., II. 242.

Blagrove, Henry, II. 53.

Blume, Amtsvogt, I. 78, 80, 94, 117, 164.

" Calculator, I. 97.

" " Frau, I. 98.

Bocklet, C. M. v., I. 64.

Böhm, Josef, I. 92, 102.

Böhme, F. M., II. 262.

Böie, John, I. 261, 268, 270, 277;

II. 143, 175.

Böie, Marie, I. 123, 266.

See also under Böie.

" Minna, I. 266;

II. 73.

Volkland, Alfred, II. 134.

Volkmann, R., II. 130.

Voss, J. Heinrich, II. 91.

Wachtel, Theodor, I. 84.

Wäfelghem, II. 102.

Wagner, Friedchen, I. 192, 218, 219, 238, 239, 240, 241, 269;

II. 175.

" Thusnelda, I. 239.

" Richard, I. 100, 101, 103, 105, 252, 287-290;

II. 14, 30, 95, 141, 157-159, 184, 185, 186.

Wahrendorf, Fritz, I. 88.

Waiz, I. 113.

Wallace, Lady, II. 91.

Walter, Gustav, II. 85, 94, 233.

" Fräulein, II. 233.

Wasielewsky, Josef v., I. 114-116, 118, 132, 195;

II. 121.

Webbe, Septimus, II. 201.

Weber, C. M. v., I. 67, 288;

II. 18, 174, 249, 283.

Wehermann, II. 275.

Wehner, I. 118, 137.

Weigand, II. 133.

Weiglein, II. 233.

Weiss, Amalie, See under Joachim.

Weitzmann, I. 251

Wendt, Gustav, I. 148;

II. 31, 229, 230, 264.

Wenzel, Ernst F., I. 134, 144.

Wesendonck, II. 46.

Westermann, II. 42.

Widmann, J. V., I. 67, 86;

II. 39, 89, 138, 156-161, 193, 194, 221-225, 229, 230,

238, 239, 243, 251-253, 258, 269, 270, 272.

Wieck, Friedrich, I. 134.

" Marie, I. 134.

Wiedemann, II. 94.

Wiemann, I. 261.

Wiesemann, I. 203.

Wildenbruch, Ernst v., II. 222.

William I., German Emperor, II. 69, 116, 137.

William II., German Emperor, II. 69.

Wilsing, E. F., I. 126.

Wilt, II. 13, 20, 87, 99, 116.

Winter, II. 84.

Wittgenstein, II. 202, 283.

Wolf, Hugo, II. 220.

Wolff-Homersee, Baroness, See under Barbi.

Woronzow, I. 56.

Wrede, II. 187.

Wüllner, Franz, I. 116;

II. 117, 166.

Young, Edward, I. 89.

Zelter, II. 94.

Zerbini, II. 53, 147.

Zimmermann, Agnes, II. 103.

" Dr. v., II. 288.

THE END

BILLING AND SONS, LTD., PRINTERS, GUILDFORD.

Telegrams: 41 and 43 Maddox Street,

'Scholarly, London.' Bond Street, London, W.,

_November, 1908_.

Mr. Edward Arnold's List of New Books.

THE REMINISCENCES OF

LADY RANDOLPH CHURCHILL.

By Mrs. GEORGE CORNWALLIS-WEST.

_Second Impression._

_Demy 8vo. With Portraits._ =15s. net.=

The title of this delightful book gains point from its contents. Mrs.

George Cornwallis-West is unable to bring her recollections down to the

immediate present, and so she brings them to a close when she ceased to

be Lady Randolph Churchill. But that was only a few years ago, and it is

doubtful whether any volume of reminiscences of Society has ever

described the life of the interesting and distinguished people so close

to our own day.

Lady Randolph Churchill's earliest experiences were in Paris during the

last gay days of the Empire and the horrors of the Franco-German War.

Then came her marriage and introduction to all that was best and highest

in English Society. In 1876 Lord and Lady Randolph accompanied the Duke

of Marlborough to Dublin, and her account of life at the Viceregal Court

is full of entertainment. Then come recollections of political society

in London, of the formation of the Primrose League, and anecdotes of

well-known politicians, such as Mr. Balfour, Sir William Harcourt, Mr.

Chamberlain, and others.

Lady Randolph visited the Royal Family both at Windsor and at

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General Boulanger. Such are some of the varied items that catch the eye

as one turns over the pages. They are samples from a mine of well-chosen

topics, handled with tact, courage and grace.

LONDON: EDWARD ARNOLD. 41 & 43 MADDOX STREET. W.

EIGHTEEN YEARS IN UGANDA

AND EAST AFRICA.

By the Right Rev. ALFRED R. TUCKER, D.D., LL.D.,

BISHOP OF UGANDA.

_With 60 Full-page Illustrations from the Author's Sketches, several

of them in Colour, and a Map. In Two Volumes. Demy 8vo._ =30s. net.=

This is a book of absorbing interest from various points of view,

religious, political and adventurous. It will appeal to the Churchman

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'There is no spot under the British Flag, perhaps in the whole

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results than in the kingdom of Uganda.'

It will interest the politician as a chapter of Empire-building, in

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Bishop describes his wanderings, mostly afoot, through nearly 22,000

miles of tropical Africa. He tells of the strange tribes among whom he

dwells, of the glories of the great lakes and the Mountains of the Moon.

He tells of them not only with the pen, but also with pencil and brush,

which he uses with masterly skill.

ON SAFARI.

Big-Game hunting in British East Africa, with Studies in Bird-Life.

By ABEL CHAPMAN, F.Z.S.,

AUTHOR OF 'WILD NORWAY,' 'BIRD-LIFE OF THE BORDERS,' 'WILD SPAIN,'

ETC.

_With 170 Illustrations by the_ AUTHOR _and_ E. CALDWELL. _Demy 8vo._

=16s. net.=

The author of this fascinating book is a well-known ornithologist, as

well as a mighty hunter and traveller. He takes us 'on safari' (_i.e._,

on trek) through a new African region--a creation of yesterday,

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existence during the current decade, on the opening of the Uganda

Railway. 'The new Colony,' he says, 'six times greater in area than the

Mother Island, is an Imperial asset of as yet unmeasured possibilities,

consisting, to-day, largely of virgin hunting grounds, unsurpassed on

earth for the variety of their wild fauna, yet all but unknown save to a

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owing to the expert knowledge of both author and artist, are probably

the most accurate that have ever appeared.

OLD AND ODD MEMORIES.

By the Hon. LIONEL A. TOLLEMACHE,

AUTHOR OF 'TALKS WITH MR. GLADSTONE,' 'BENJAMIN JOWETT,' ETC.

_Denny 8vo. With Portraits._ =12s. 6d. net.=

One of the most brilliant men of his day, only prevented, probably, by

the physical infirmity of near-sightedness, from being also one of the

most prominent, gives us in this volume a collection of remarkably

interesting reminiscences, which extend over half a century. They

include, mostly in anecdotal form, life-like portraits of the author's

father, the first Baron Tollemache (another Coke of Norfolk, but with

more eccentricities), and of Dr. Vaughan of Harrow. The author's years

at Harrow, of which he records his memories, were from 1850 to 1856, and

those at Oxford from 1856 to 1860. The book contains, besides, a number

of characteristic stories, now for the first time given to the public,

of the Duke of Wellington, Lord Houghton, Lord and Lady Mount Temple,

Fitz-James Stephen, to take but a few names at random from these

fascinating pages.

IN SEARCH OF A POLAR

CONTINENT.

By ALFRED H. HARRISON, F.R.G.S.

_Illustrated from Photographs taken by the Author in the Arctic

Regions, and a Map. Derry 8vo._ =12s. 6d. net.=

The white North continues to exert its magnetism upon British explorers.

Mr. Harrison's object was to explore the unknown region off the North

American Coast of the Arctic Ocean, but he first travelled 1,800 miles

by waterway through Northern Canada, till he arrived at the delta of the

Mackenzie River. There he was frozen in and delayed for three months. He

then continued his journey to the Arctic Ocean with dogs, but was

obliged to abandon his supplies. He hoped to obtain provisions at

Herschel Island, but being disappointed in this, he went into the

mountains and spent two months with the Eskimo, whose manners and

customs he describes. He next returned to Herschel Island and made a

voyage to Banks Land in a steam whaler. There, too, the failure of an

expected tender to arrive from San Francisco again defeated his hopes of

procuring supplies. Consequently he once more threw in his lot with the

Eskimo, between the Mackenzie Delta and Liverpool Bay, and spent a year

among them.

Such are the adventures described in this interesting book, the last

chapter of which, explaining the author's plans for resuming his

enterprise, once more illustrates the fact that an Englishman never

knows when he is beaten.

CHRONICLES OF THE HOUGHTON

FISHING CLUB, 1822-1908.

Edited by the Rt. Hon. Sir HERBERT MAXWELL, Bart.,

AUTHOR OF 'MEMORIES OF THE MONTHS,' 'THE CREEVEY PAPERS,'

'THE STORY OF THE TWEED,' 'BRITISH FRESH-WATER FISHES,' ETC.

_With numerous Illustrations, many in Photogravure or on Japanese

Vellum, including facsimile Reproductions from Sketches by Landseer,

Chantrey, Turner, etc.

Demy 4to._ =£2 2s. net.= _Limited to 350 copies._

This sumptuous volume, which gives the history of one of the oldest and

most famous fishing clubs, on that finest of all English streams, the

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angling on literature has always been genial and discursive, and these

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light on the changes which have affected social habits in general, and

the craft of fly-fishing in particular, during the best part of a

century. They contain not only records of sport, but various

contributions--literary and pictorial--to the club album, made by

celebrated members and visitors. These included Penn's well-known

fishing maxims, some portraits by Chantrey, several sketches by Landseer

and Sir Francis Grant, and one precious drawing from the hand of Turner.

In the leisurely old days of mail-coaches, the members of the club and

their guests had more time for such diversions, when the weather was

unfavourable to sport, than is the case in the present age of telegrams

and express trains.

IN OLD CEYLON.

By REGINALD FARRER,

AUTHOR OF 'THE GARDEN OF ASIA.'

_With numerous Illustrations. Demy 8vo._ =12s. 6d. net.=

The shrines of Oriental romance have once more charmed the pen of Mr.

Reginald Farrer. His book has little concern with modern Ceylon, its

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Nor is the interest of the book wholly antiquarian and historic, for

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to read in Mr. Farrer's pages.

THE BOOK OF WINTER SPORTS.

With an Introduction by the Rt. Hon. the EARL OF LYTTON,

and contributions from experts in various branches of sport.

Edited by EDGAR SYERS.

_Fully illustrated. Dewy 8vo._ =15s. net.=

Every winter more and more visitors are attracted to Switzerland, the

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and Mr. Ernest Law on Valsing on Ice. The various chapters give

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The book contains a large number of original illustrations. It should be

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FIVE MONTHS IN THE HIMALAYAS.

A Record of Mountain Travel in Garhwal and Kashmir.

By A. L. MUMM,

LATE HONORARY SECRETARY OF THE ALPINE CLUB.

_Magnificently illustrated with Photogravure Plates and Panoramas, and

a Map. Royal 8vo._ =21s. net.=

The first and principal portion of this volume contains an account of a

journey through the mountains of Garhwal made by the author in May,

June, and July, 1907, with Major the Hon. C. G. Bruce and Dr. T. G.

Longstaff, whose names are already well known in connexion with

Himalayan mountaineering. The tour has considerable geographical

interest, which is enhanced by a magnificent series of original

photographs of scenes never before submitted to the camera, and it was

rendered memorable by the fact that in the course of it Dr. Longstaff

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the loftiest peak on the earth's surface whose actual summit has, beyond

all doubt or question, been trodden by man.

Later on, Major Bruce and Mr. Mumm proceeded to Kashmir, where they

climbed Mount Haramukh, whose snowy crest is familiar to all visitors to

'the happy valley'; and made a 'high-level route' down the range of

mountains which separates Kashmir from Kagan. Their photographic spoils

were of an interest hardly inferior to those of the Garhwal journey.

PAINTING IN THE FAR EAST.

An Introduction to the History of Pictorial Art in Asia, especially

China and Japan.

By LAURENCE BINYON.

_With 31 Full-page Illustrations in Collotype from Original Chinese

and Japanese Pictures. One Volume. Crown 4to._ =21s. net.=

This important book is a pioneer work in the artistic interpretation of

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'the public at present has nothing but a few general misconceptions.' He

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is the general student and lover of painting,' he continues, 'whom I

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value and significance these Eastern paintings have for us in the West.'

Besides its stimulating artistic criticism, the book is full of

interesting glimpses of Eastern history and thought in so far as they

have affected art, as well as of biographical sketches of Eastern

painters.

MADAME ELIZABETH DE FRANCE,

1764-1794.

A Memoir.

By the Hon. Mrs. MAXWELL-SCOTT,

AUTHOR OF 'JOAN OF ARC,' 'ABBOTSFORD AND ITS TREASURES,' ETC.

_With Coloured Collotype and other Illustrations.

Demy 8vo._ =12s. 6d. net.=

Among the victims of the French Revolution, perhaps the figure which

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life is told in this deeply interesting memoir. Madame Elizabeth was the

sister of Louis XVI. Her life was at first one of calm and quiet. Her

studies, her charities, and her intimate friendships filled her time

until the storm broke over France, and she left her peaceful Montruil to

take her part in the dangers and sufferings of her family, and to be

their consoler in the time of trial. It was not till the King and Queen

had both been executed that Madame Elizabeth was brought from prison,

tried for corresponding with her brother, and condemned to the

guillotine.

The fresh documents lately discovered by M. Lenotre have enabled the

author, who, by the way, is a great-granddaughter of Sir Walter Scott,

to throw much new light on the life of 'The Angelic Princess.'

SCOTTISH GARDENS.

By the Right Hon. Sir HERBERT MAXWELL, Bart.

Illustrated in Colour by MARY G. W. WILSON,

MEMBER OF THE SOCIETY OF SCOTTISH ARTISTS.

_With 32 Full-page Coloured Plates. Crown 4to._ =21s. net.=

_Also an Edition de Luxe, limited to 250 copies, at_ =£2 2s. net=.

This work is the outcome of a desire to produce a volume worthy in every

respect of the beautiful gardens of Scotland. Sir Herbert Maxwell, whose

knowledge of the subject is probably unique, is personally acquainted

with the places described, and has throughout been in consultation with

the artist, Miss Wilson. Visitors to her studio in Edinburgh, or the

exhibitions of her work in London, will need no further testimony to the

charm of her pictures, which are here reproduced with the utmost care

and on the largest feasible scale.

One of the objects of the work is to dispel certain popular fallacies as

to the rigours of the Scottish climate. Its chief aim, however, is to

present a typical selection of Scottish garden scenes representing all

styles and all scales, modest as well as majestic, and formal as well as

free, so that the possessor of the humblest plot of ground may be

stimulated to beautify it, with as fair hope of success, in proportion,

as the lord of many thousand acres.

ALPINES AND BOG-PLANTS.

By REGINALD FARRER,

AUTHOR OF 'MY ROCK GARDEN,' ETC.

_With Illustrations. Large Crown 8vo._ =7s. 6d. net.=

Like most hobbies, rock-gardening provides an endless topic of interest

for its devotees, and the lore of the subject is inexhaustible. At any

rate, Mr. Reginald Farrer, who is a recognized authority on the art, by

no means exhausted his stock of information and anecdote in his previous

work, 'My Rock Garden.' That garden, as most of his fellow-enthusiasts

know, is on the slopes of Ingleborough in Yorkshire, and it is a place

of pilgrimage for the faithful of this cult. As a writer, Mr. Farrer

combines a light and genial style with sound practical information, so

that his books are at once readable and instructive. Some idea of the

scope of the present volume may be gained from the list of chapters,

which is as follows: 1. Of Shrubs and their Placing. 2. Of Shrubs,

Mostly Evergreen. 3. Ranunculaceæ, Papaveraceæ, Cruciferæ. 4. A

Collecting Day above Arolla. 5. Between Dianthus and Epilobium. 6. From

Epilobium on through Umbelliferæ and Compositæ. 7. Of Odd Treasures. 8.

The Big Bog and its Lilies. 9. The Greater Bog Plants. 10. Iris. 11. The

Mountain Bog. 12. More of the Smaller Bog Plants. 13. The Water Garden.

THE HISTORY OF THE 'GEORGE'

WORN ON THE SCAFFOLD BY

KING CHARLES I.

By SIR RALPH PAYNE-GALLWEY, Bart.,

AUTHOR OF 'THE MYSTERY OF MARIA STELLA,' ETC.

_Finely illustrated in Collotype. Royal 8vo._ =7s. 6d. net.=

A 'George,' in the sense in which it is here used, is the jewelled

pendant of St. George and the Dragon which is worn by Knights of the

Garter. There are two of these 'Georges' used in the Insignia of the

Order. One is attached to the collar, and is worn only on solemn feasts:

the other is called 'the lesser George,' and is worn on general

occasions, attached to a chain or lace of silk.

The sovereign is, of course, head of the Order, and Charles the First

was wearing his 'George' when he ascended the scaffold to be executed.

The question afterwards arose as to what had become of it, and it has

since been given up as lost. Sir Ralph Payne-Gallwey, however, who has

already, in his book on Maria Stella, proved himself a skilful literary

unraveller of historical mysteries, makes out a very good case, in his

new volume, for identifying the missing 'George' with one that is now in

King Edward's possession at Windsor.

A PARSON IN THE AUSTRALIAN

BUSH.

By C. H. S. MATTHEWS, M.A.,

LATE VICE-PRINCIPAL OF THE BROTHERHOOD OF THE GOOD SHEPHERD, N.S.W.

_Illustrated from Sketches by the_ AUTHOR, _etc.

Crown 8vo._ =6s. net.=

The Rev. C. H. S. Matthews, better known in the bush of New South Wales

as 'Brother Charles,' is one of the founders and chiefs of an Anglican

Society called the Brotherhood of the Good Shepherd, formed to minister

to the religious needs of those remote regions. During five years spent

almost entirely in itinerating in the 'back-blocks' of the colony, he

has had exceptional opportunities for studying bush-life. Finding, on

his return to England, a widespread interest in Australian affairs,

coupled often with an astonishing ignorance of the real Australia, it

occurred to him to set down his own experiences and views on various

Australian problems. Knocking about among the bushmen, camping with

sleeper-cutters and drovers, visiting the stations and selections

'out-back,' Mr. Matthews has caught the spirit and atmosphere of the

bush, with its mingled pathos, humour and humanity. The book should

appeal, not only to those interested in missionary enterprise, but to

all who like to learn how the other parts of the Empire live.

THE ROSE-WINGED HOURS.

English Love Lyrics.

Arranged by St. JOHN LUCAS,

EDITOR OF 'THE OXFORD BOOK OF FRENCH VERSE,' ETC.

_Small 8vo., elegantly bound._ =5s. net.=

The special claim of this anthology, arranged, as it is, by one of our

most promising younger poets, will be due to the prominence given in it

to the love-lyrics of those Elizabethan and Jacobean poets whose verse,

though really entitled to rank with the finest flowers of their

better-known contemporaries, is unduly neglected by the ordinary reader.

The love-lyric is, indeed, the only form in which a great many of the

lesser poets write anything at all memorable.

Sidney and Campion, both writers of extraordinary power and sweetness,

devote themselves almost entirely to this form, and the strange and

passionate voice of Doune finds in it an accent of deep and haunting

eloquence. And since every love-lyric from Meleager to Meredith has a

certain deathless interest that is shared by every poem of its kind, no

matter how many the centuries between them, in this volume the great

line of the Elizabethans will lead to the nineteenth century poets, to

the singers of an epoch with a lyrical harvest as great, indeed, as all

the gold of Elizabeth.

THE MISTRESS ART.

By REGINALD BLOMFIELD, A.R.A.,

PROFESSOR OF ARCHITECTURE TO THE ROYAL ACADEMY.

AUTHOR OF 'A HISTORY OF RENAISSANCE ARCHITECTURE IN ENGLAND.'

_Crown 8vo._ =5s. net.=

The author of this interesting book, who speaks, as it were, _ex

cathedrâ_, has here collected a series of eight lectures on architecture

delivered in the Royal Academy. In them he has endeavoured to establish

a standpoint from which architecture should be studied and practised.

His general position is that architecture is an art with a definite

technique of its own, which cannot be translated into terms either of

ethics or of any of the other arts, and the development of this thesis

involves a somewhat searching criticism of the views on architecture

advanced by Ruskin and Morris.

The first four lectures deal with the study of architecture--its

relation to personal temperament, its appeal to the emotions, and its

limitations. In the last four, devoted to 'The Grand Manner,' the writer

has illustrated his conception of the aims and ideas of architecture by

reference to great examples of the art in the past.

WOODSMEN OF THE WEST.

By M. ALLERDALE GRAINGER.

_With Illustrations. Demy 8vo._ =7s. 6d. net.=

This is an extremely interesting personal narrative of 'logging' in

British Columbia. 'Logging,' as everyone knows, means felling and

preparing for the saw-mill the giant timber in the forests that fringe

the Pacific coast of Canada, and it is probably true that no more

strenuous work is done on the face of the earth. Mr. Grainger, who is a

Cambridge Wrangler, has preferred this manual work to the usual mental

occupations of the mathematician, and gives us a vivid and graphic

account of an adventurous life.

ARVAT.

A Dramatic Poem in Four Acts.

By LEOPOLD H. MYERS.

_Crown 8vo._ =4s. 6d. net.=

The author of this play is a son of the late Frederick Myers, the

well-known authority on 'Psychical Research.' It is a poetical drama in

four acts, describing the rise and fall of the hero, Arvat. The time and

place are universal, as are also the characters. But the latter, though

universal, and therefore in a sense symbolic, are psychologically human,

and the significance of the action, heightened as it may be by

interpretation through the imagination, is nevertheless independent of

it. Thus Arvat's career, while providing subject-matter for a drama

among individuals in the flesh, may also be taken as the symbol of a

drama among ideas in the spirit.

PEEP-IN-THE-WORLD.

A Story for Children.

By Mrs. F. E. CRICHTON.

_Illustrated by Harry Rountree. Crown 8vo._ =3s. 6d.=

The author of this charming tale ought to take rank with such writers as

Mrs. Molesworth in the category of childhood's literature. The story

tells of a little girl who visits her uncle in Germany and spends a year

in an old castle on the borders of a forest. There she finds everything

new and delightful. She makes friends with a dwarf cobbler, who lives

alone in a hut in the forest, and knows the speech of animals and birds.

Knut, the cobbler, is something of a hermit and a misanthrope, but he is

conquered by Peep-in-the-World, whom he eventually admits to the League

of Forest Friends. She wants him to teach her how to talk to the wild

things of the woods, and though she has to leave Germany without

learning the secret, she gains a growing sense of the magic power of

sympathy and kindness.

LONDON SIDE-LIGHTS.

By CLARENCE ROOK.

_With Frontispiece by S. de la Bere. Crown 8vo._ =6s.=

The author of these entertaining sketches has taken his place as an

ordinary Londoner who is a journalist as well. He has walked and ridden

about London with pennies in his pocket, eyes in his head, and a brain

behind the eyes. He has found secrets of London hotels, he has pierced

the problem of London traffic, he has been to queer boxing contests, and

he has been present at the birth of the popular song. He has sat in the

gallery of the House of Commons, and in the newspaper office that cuts

and carves its speeches. And he knows the story of the famous block in

Piccadilly. He has found, too, the problem of the London woman who is

alone. The problem also of those London children whom the Salvation Army

rescues. And at the end comes the 'Bath of Silence,' which gives the

City peace.

THE DOWAGER OF JERUSALEM.

A Romance in Four Acts.

By REGINALD FARRER,

AUTHOR OF 'IN OLD CEYLON,' 'MY ROCK GARDEN,' ETC.

_Crown 8vo._ =3s. 6d. net.=

CHRONICLES OF SERVICE LIFE IN

MALTA.

By Mrs. ARTHUR STUART.

_Illustrated by Paul Hardy. Crown 8vo._ =6s.=

Fiction is always the more interesting the more closely it is drawn from

life, and these sketches of naval and military society in Malta,

depicted in the form of stories, come from the pen of a lady who is

intimately acquainted with the life of which she writes. The names of

some of the stories, such as 'The Temptation of the Engineer,' 'The Red

Parasol,' 'The Prince, the Lady, and the Naval Captain,' will perhaps be

as good an indication as can be given of the character of the book. It

will doubtless appeal especially to those familiar with society at naval

and military stations, while the fact of its having a specific _milieu_,

should in no way detract from its general interest. 'Plain Tales from

the Hills' did not appeal only to the Anglo-Indian.

KNOWN TO THE POLICE.

Memories of a Police Court Missionary.

By THOMAS HOLMES,

AUTHOR OF 'PICTURES AND PROBLEMS FROM LONDON POLICE COURTS.'

_Demy 8vo._ =10s. 6d. net.=

There is probably no man living who is so well qualified as Mr. Holmes

to write the naked truth about the 'submerged tenth' of our population.

His are not the casual, superficial observations of the amateur, but the

first-hand experiences of one whose whole life is spent among the scenes

he describes. His work has lain among the hungry and thirsty; he has

visited the criminal in prison, and been face to face with the Hooligan

and the Burglar in their own haunts; but through all the gloom and

shadow of crime he has contrived to preserve a fellow-feeling with

humanity in its most depressing garb. Every chapter is full of interest,

of strange and quaint narratives in chequered pages of despair and hope.

VEGETARIAN COOKERY.

By FLORENCE A. GEORGE,

AUTHOR OF 'KING EDWARD'S COOKERY BOOK.'

_Crown 8vo._ =3s. 6d.=

Some are vegetarians for conscience' sake, and others for the sake of

their health. Miss George caters for both these classes in her new book;

but she does not strictly exclude all animal food, since eggs, butter,

milk, cream and cheese form a large part of her dishes. As far as

possible, dietetic foods have been avoided in the recipes, as they are

often difficult to procure. Every recipe given has been tested to ensure

accuracy, and the simplest language is used in explaining what has to be

done. A special feature of the book is the large number of vegetable

soufflés and creams. The various chapters deal with Stock and Soups;

Sauces; Pastes, Borders and Garnishes; Casseroles, Patties, Pies,

Puddings and Timbales; Curries, Stews and Scallops; Galantines;

Croquettes; Vegetables; Aspics, Creams and Salads; Soufflés, Omelettes

and Egg Dishes; Aigrettes and Fritters; Savouries; Macaroni and Rice;

Sweets; and Menus.

THE SEEKERS.

By FRANK SAVILE,

AUTHOR OF 'THE DESERT VENTURE,' ETC.

_Crown 8vo._ =6s.=

This is a stirring novel of adventure in Eastern Europe. A learned

Professor astonishes the British Association by announcing that he has

located the famous lost treasure of Diocletian, as buried somewhere in

the principality of 'Montenera.' This little State with its brave Prince

is hard pressed for funds to defend itself against more powerful

neighbours who aim at absorbing it, and the treasure would be

invaluable. Whether it was discovered or not, the reader learns in the

course of a spirited and exciting story. In reviewing the author's last

novel, 'The Desert Venture,' the _Times_ said: 'When you have agreed to

treat it as crude adventure, it is really as good as you can wish.' The

_World_ said: 'If Mr. Savile's style is to some extent modelled on that

of Merriman, this is no fault, but a virtue. And the reading world will

find that it may safely welcome such work as this on its own account--as

it assuredly will.'

THE WITCH'S SWORD.

By DAVID KERR FULTON.

_Illustrated by the Author. Crown 8vo._ =6s.=

This work, by a new author, is of a highly imaginative and romantic

tendency, and deals with a most interesting period in Scottish history.

The hero, who tells his own story, is an All Hallows child, born in the

one weird hour which makes him kith and kin to the spirits of the air.

The mystery of Flodden and the strange events grouped round the ancient

tradition as to the fate of the gallant James are stirringly told, and

lead up to the dénouement, which comes with vivid unexpectedness at the

close of the book.

The lonely orphan of a wronged father is unwittingly schooled to

vengeance by the fiery Welsh swordsman Jevan, who, at the instigation of

the dying old nurse, forges the wizard steel that gives the story its

name.

A tender love idyll is woven into the tale and relieves the scenes of

violence through which the wearer of the Witch's Sword must fight his

way to honour and acceptance.

AMABEL CHANNICE.

By ANNE DOUGLAS SEDGWICK,

AUTHOR OF 'VALERIE UPTON,' ETC.

_Crown 8vo._ =6s.=

Readers of 'Valerie Upton' will turn eagerly to Miss Sedgwick's new

novel. The scene is laid in England, and the principal characters are

four--Amabel Channice, her son, her husband, and another woman, Lady

Elliston. The relations between mother and son form the basis of the

story, and the dramatic situation begins when the son, a youth of

nineteen, broaches to his mother the question why she and his father do

not live together. Curiosity is thus awakened, and the emotional

atmosphere charged with uneasy expectation. Thereafter events move

quickly, reaching a dramatic climax within the space of a week. Further

than this it would not be fair to the author to reveal her plot.

A ROOM WITH A VIEW.

By E. M. FORSTER,

AUTHOR OF 'THE LONGEST JOURNEY,' 'WHERE ANGELS FEAR TO TREAD,' ETC.

_Crown 8vo._ =6s.=

A novelist's third book, when its predecessors have shown great promise,

is generally held to make or mar his reputation. There can be no

question that Mr. Forster's new story will effectually establish his

position. It is a comedy, having more affinity in style with his first

book, 'Where Angels Fear to Tread,' than with 'The Longest Journey.' The

author's whimsical humour, and unexpected turns of satire, have attained

a still more piquant quality. He excels especially in satirizing the

banalities of ordinary conversation, and his dialogue is always

deliciously amusing.

MIRIAM.

By EDITH C. M. DART.

_Crown 8vo._ =6s.=

This is a promising first novel by a new writer, whose style is

remarkable for delicate workmanship. The story moves round the dying

fortunes of an old country family and its ancestral home. The hero

belongs to another branch of this family, and there is a mystery about

his birth. The heroine is an orphan, the daughter of a yeoman father and

a French mother. Another important character is a scheming lawyer, and

with these threads of love and intrigue the author has woven an

interesting plot which is cleverly worked out.

THE DRESSING OF MINERALS.

By HENRY LOUIS, M.A.,

PROFESSOR OF MINING AND LECTURER ON SURVEYING, ARMSTRONG COLLEGE,

NEWCASTLE-ON-TYNE.

_With about 400 Illustrations. Royal 8vo._ =30s. net.=

The object of this book is to fill a gap in technological literature

which exists between works on Mining and works on Metallurgy. On the

intermediate processes, by which the minerals unearthed by the miner are

prepared for the smelter and for their use in arts and manufactures, no

English text-book has yet appeared. The present work should, therefore,

be very welcome to students, as well as to miners and metallurgists.

THE GEOLOGY OF ORE DEPOSITS.

By H. H. THOMAS and D. A. MACALISTER,

OF THE GEOLOGICAL SURVEY.

_Illustrated. Crown 8vo._ =7s. 6d. net.=

This book belongs to a new series of works under the general editorship

of Dr. J. E. Marr, F.R.S., for students of economic geology, a subject

which is receiving more and more attention in our great educational

centres. It is also hoped that the series will be useful to students of

general geology, as well as to surveyors and others concerned with the

practical uses of geology. The chapters in the present volume treat

severally on the Genesis of Ore Deposits, Segregation, Pneumatolysis,

Metasomasis, Deposition from Solution, Sedimentary Deposits, and

Secondary Changes in Lodes.

STEEL ROOF AND BRIDGE DESIGN.

By W. HUME KERR, M.A., B.Sc.,

LECTURER ON ENGINEERING, DRAWING AND DESIGN, UNIVERSITY OF EDINBURGH.

_With detailed Drawings. Demy 8vo._ =10s. 6d. net.=

In accordance with a need long felt by engineering students, this work

presents the complete designs of four typical structures--two roof

trusses and two bridges--worked out with full arithmetical calculation

of stresses. There is a minimum of theory, and the author's object has

been to make the methods of design so clear as to enable students and

engineers to proceed to design independently.

THE BODY AT WORK.

By ALEX HILL, M.A., M.D., F.R.C.S.,

SOMETIME MASTER OF DOWNING COLLEGE, CAMBRIDGE.

AUTHOR OF

'AN INTRODUCTION TO SCIENCE,' 'THE PHYSIOLOGIST'S NOTE-BOOK,' ETC.

_With Illustrations, xii + 452 pages, Demy 8vo._ =16s. net.=

This is a book for the non-professional reader, not a regular text-book

for the medical student. It does not assume any technical knowledge of

the sciences, such as chemistry, physics and biology, which lead up to a

formal study of physiology. Dr. Hill describes the phenomena of life,

their interdependence and causes, in language intelligible to people of

general education, and his book may be compared in this respect with Dr.

Hutchison's well-known work on 'Food.' There is perhaps a prejudice

against the ordinary popularizer of scientific knowledge, but when a

master of his subject takes up his pen to write for the public, we

cannot but be grateful that he has cast aside the trammels of the

text-book, and handled subjects of vital interest to humanity in so

broad and philosophic a manner.

A TEXT-BOOK OF EXPERIMENTAL

PSYCHOLOGY.

By Dr. C. S. MYERS,

PROFESSOR OF PSYCHOLOGY AT KING'S COLLEGE, LONDON UNIVERSITY.

_Crown 8vo._ =8s. 6d. net.=

The lack of a text-book on Experimental Psychology has been long felt,

the literature of the subject having been hitherto so scattered and

profuse that the student has to collect a small library of books and

periodicals. The present work gives an account of the more important

results obtained, and describes methods of experiment, with practical

directions for the student.

APPLIED PHYSIOLOGY.

A Handbook for Students of Medicine.

By ROBERT HUTCHISON, M.D., F.R.C.P.,

PHYSICIAN TO THE LONDON HOSPITAL, AND ASSISTANT PHYSICIAN TO THE

HOSPITAL FOR SICK CHILDREN.

AUTHOR OF 'FOOD AND THE PRINCIPLES OF DIETETICS,' ETC.

_Crown 8vo._ =7s. 6d. net.=

The author of a standard work on diet is not likely to err by being too

theoretical. The principle of Dr. Hutchison's new book is to bring

physiology from the laboratory to the bedside. 'Physiology,' he writes,

'is studied in the laboratory, and clinical medicine in the wards, and

too often one finds that the student is incapable of applying his

scientific knowledge to his clinical work.'

LONDON: EDWARD ARNOLD, 41 & 43 MADDOX STREET, W.

Transcriber's Note

Apparent printer's errors have been retained, unless stated below.

"_" surrounding text represents italics.

"=" surrounding text represents boldface print.

Punctuation, capitalization, accents and formatting markup have been

made consistent.

Illustrations have been moved to be closer to their discussion in the

text.

Page vi, "Geheimrathe" changed to "Geheimrath" for consistency.

(Geheimrath Gille)

Page 11, "Weiner" changed to "Wiener". ('The serenade, a fine,

interesting, and intellectual work, deserved warmer acknowledgment,'

wrote Speidel in the _Wiener Zeitung_.)

Page 13, "music alnature" changed to "musical nature". (Though he could

not stoop to the attempt to dazzle his public by phenomenal feats of

virtuosity, the grace, tenderness, and truth of his musical nature

appealed to his southern audience, whilst the significance of his genius

dawned on the perception of one or two discerning musicians.)

Page 54, "Weiner" changed to "Wiener". (The musical critic of the

_Wiener Zeitung_ writes that Herr Brahms was cordially received by his

"party.")

Page 54, "muscial" changed to "musical". (If, however, the audience of

the evening is to be described as the "party" of the distinguished

artist, it must be said that his party consists of the cultivated

experts of musical Vienna.')

Page 55, "give" changed to "gave". (Joachim and I probably gave concerts

here before.)

Page 62, "Weiner" changed to "Wiener". (Hirsch did not fail to make use

of his opportunity in the _Wiener Zeitung_.)

Page 106, "performe dearly" changed to "performed early". (The

Schicksalslied was published by Simrock in December, and was performed

early in 1872 in Bremen, Breslau, Frankfurt, and Vienna.)

Page 117, "works" changed to "work". (Both as regards its form and its

treatment of masses, this work bears the stamp of a masterpiece.)

Page 119, "Waiden" changed to "Weiden". ('Dort in den Weiden steht ein

Haus.')

Page 139, "Solennis" changed to "Solemnis". (On December 6--Beethoven's

Missa Solemnis in D major.)

On Pages 143, 185, 280, 282, 288 and 307, the caron over the letter "r"

in "Dvorák" has been omitted.

"Wiesemann, I. 203." moved to page 319 to restore the Index's

alphabetical order.

Page 277, "in is" changed to "is in". (The fourth prelude, 'Herzlich

thut mich erfreuen,' is in a somewhat lighter vein than the others, but

is, none the less, absolutely and distinctly Brahms.)