The sage desiring to think well and wisely about a poker wil

A MISCELLANY OF MEN

By G. K. Chesterton

Contents

THE SUFFRAGIST

THE POET AND THE CHEESE

THE THING

THE MAN WHO THINKS BACKWARDS

THE NAMELESS MAN

THE GARDENER AND THE GUINEA

THE VOTER AND THE TWO VOICES

THE MAD OFFICIAL

THE ENCHANTED MAN

THE SUN WORSHIPPER

THE WRONG INCENDIARY

THE FREE MAN

THE HYPOTHETICAL HOUSEHOLDER

THE PRIEST OF SPRING

THE REAL JOURNALIST

THE SENTIMENTAL SCOT

THE SECTARIAN OF SOCIETY

THE FOOL

THE CONSCRIPT AND THE CRISIS

THE MISER AND HIS FRIENDS

THE MYSTAGOGUE

THE RED REACTIONARY

THE SEPARATIST AND SACRED THINGS

THE MUMMER

THE ARISTOCRATIC 'ARRY

THE NEW THEOLOGIAN

THE ROMANTIC IN THE RAIN

THE FALSE PHOTOGRAPHER

THE SULTAN

THE ARCHITECT OF SPEARS

THE MAN ON TOP

THE OTHER KIND OF MAN

THE MEDIÆVAL VILLAIN

THE DIVINE DETECTIVE

THE ELF OF JAPAN

THE CHARTERED LIBERTINE

THE CONTENTED MAN

THE ANGRY AUTHOR: HIS FAREWELL

THE SUFFRAGIST

Rightly or wrongly, it is certain that a man both liberal and chivalric,

can and very often does feel a dis-ease and distrust touching

those political women we call Suffragettes. Like most other popular

sentiments, it is generally wrongly stated even when it is rightly felt.

One part of it can be put most shortly thus: that when a woman puts up

her fists to a man she is putting herself in the only posture in which

he is not afraid of her. He can be afraid of her speech and still more

of her silence; but force reminds him of a rusted but very real weapon

of which he has grown ashamed. But these crude summaries are never quite

accurate in any matter of the instincts. For the things which are the

simplest so long as they are undisputed invariably become the subtlest

when once they are disputed: which was what Joubert meant, I suppose,

when he said, “It is not hard to believe in God if one does not define

Him.” When the evil instincts of old Foulon made him say of the poor,

“Let them eat grass,” the good and Christian instincts of the poor

made them hang him on a lamppost with his mouth stuffed full of that

vegetation. But if a modern vegetarian aristocrat were to say to the

poor, “But why don't you like grass?” their intelligences would be much

more taxed to find such an appropriate repartee. And this matter of the

functions of the sexes is primarily a matter of the instincts; sex and

breathing are about the only two things that generally work best

when they are least worried about. That, I suppose, is why the same

sophisticated age that has poisoned the world with Feminism is also

polluting it with Breathing Exercises. We plunge at once into a forest

of false analogies and bad blundering history; while almost any man or

woman left to themselves would know at least that sex is quite different

from anything else in the world.

There is no kind of comparison possible between a quarrel of man and

woman (however right the woman may be) and the other quarrels of slave

and master, of rich and poor, or of patriot and invader, with which the

Suffragists deluge us every day. The difference is as plain as noon;

these other alien groups never came into contact until they came into

collision. Races and ranks began with battle, even if they afterwards

melted into amity. But the very first fact about the sexes is that they

like each other. They seek each other: and awful as are the sins and

sorrows that often come of their mating, it was not such things that

made them meet. It is utterly astounding to note the way in which modern

writers and talkers miss this plain, wide, and overwhelming fact: one

would suppose woman a victim and nothing else. By this account ideal,

emancipated woman has, age after age, been knocked silly with a stone

axe. But really there is no fact to show that ideal, emancipated woman

was ever knocked silly; except the fact that she is silly. And that

might have arisen in so many other ways. Real responsible woman has

never been silly; and any one wishing to knock her would be wise (like

the streetboys) to knock and run away. It is ultimately idiotic to

compare this prehistoric participation with any royalties or rebellions.

Genuine royalties wish to crush rebellions. Genuine rebels wish to

destroy kings. The sexes cannot wish to abolish each other; and if we

allow them any sort of permanent opposition it will sink into something

as base as a party system.

As marriage, therefore, is rooted in an aboriginal unity of instincts,

you cannot compare it, even in its quarrels, with any of the mere

collisions of separate institutions. You could compare it with the

emancipation of negroes from planters--if it were true that a white

man in early youth always dreamed of the abstract beauty of a black

man. You could compare it with the revolt of tenants against a

landlord--if it were true that young landlords wrote sonnets to

invisible tenants. You could compare it to the fighting policy of the

Fenians--if it were true that every normal Irishman wanted an

Englishman to come and live with him. But as we know there are no

instincts in any of these directions, these analogies are not only

false but false on the cardinal fact. I do not speak of the comparative

comfort or merit of these different things: I say they are different. It

may be that love turned to hate is terribly common in sexual matters: it

may be that hate turned to love is not uncommon in the rivalries of race

or class. But any philosophy about the sexes that begins with anything

but the mutual attraction of the sexes, begins with a fallacy; and all

its historical comparisons are as irrelevant and impertinent as puns.

But to expose such cold negation of the instincts is easy: to express

or even half express the instincts is very hard. The instincts are very

much concerned with what literary people call “style” in letters or more

vulgar people call “style” in dress. They are much concerned with how

a thing is done, as well as whether one may do it: and the deepest

elements in their attraction or aversion can often only be conveyed

by stray examples or sudden images. When Danton was defending himself

before the Jacobin tribunal he spoke so loud that his voice was heard

across the Seine, in quite remote streets on the other side of the

river. He must have bellowed like a bull of Bashan. Yet none of us would

think of that prodigy except as something poetical and appropriate. None

of us would instinctively feel that Danton was less of a man or even

less of a gentleman, for speaking so in such an hour. But suppose we

heard that Marie Antoinette, when tried before the same tribunal,

had howled so that she could be heard in the Faubourg St.

Germain--well, I leave it to the instincts, if there are any left.

It is not wrong to howl. Neither is it right. It is simply a question

of the instant impression on the artistic and even animal parts of

humanity, if the noise were heard suddenly like a gun.

Perhaps the nearest verbal analysis of the instinct may be found in

the gestures of the orator addressing a crowd. For the true orator must

always be a demagogue: even if the mob be a small mob, like the French

committee or the English House of Lords. And “demagogue,” in the good

Greek meaning, does not mean one who pleases the populace, but one who

leads it: and if you will notice, you will see that all the instinctive

gestures of oratory are gestures of military leadership; pointing the

people to a path or waving them on to an advance. Notice that long

sweep of the arm across the body and outward, which great orators use

naturally and cheap orators artificially. It is almost the exact gesture

of the drawing of a sword.

The point is not that women are unworthy of votes; it is not even that

votes are unworthy of women. It is that votes are unworthy of men, so

long as they are merely votes; and have nothing in them of this ancient

militarism of democracy. The only crowd worth talking to is the crowd

that is ready to go somewhere and do something; the only demagogue worth

hearing is he who can point at something to be done: and, if he points

with a sword, will only feel it familiar and useful like an elongated

finger. Now, except in some mystical exceptions which prove the rule,

these are not the gestures, and therefore not the instincts, of women.

No honest man dislikes the public woman. He can only dislike the

political woman; an entirely different thing. The instinct has nothing

to do with any desire to keep women curtained or captive: if such a

desire exists. A husband would be pleased if his wife wore a gold crown

and proclaimed laws from a throne of marble; or if she uttered oracles

from the tripod of a priestess; or if she could walk in mystical

motherhood before the procession of some great religious order. But that

she should stand on a platform in the exact altitude in which he stands;

leaning forward a little more than is graceful and holding her mouth

open a little longer and wider than is dignified--well, I only

write here of the facts of natural history; and the fact is that it is

this, and not publicity or importance, that hurts. It is for the modern

world to judge whether such instincts are indeed danger signals; and

whether the hurting of moral as of material nerves is a tocsin and a

warning of nature.

THE POET AND THE CHEESE

There is something creepy in the flat Eastern Counties; a brush of the

white feather. There is a stillness, which is rather of the mind than of

the bodily senses. Rapid changes and sudden revelations of scenery, even

when they are soundless, have something in them analogous to a movement

of music, to a crash or a cry. Mountain hamlets spring out on us with

a shout like mountain brigands. Comfortable valleys accept us with open

arms and warm words, like comfortable innkeepers. But travelling in the

great level lands has a curiously still and lonely quality; lonely even

when there are plenty of people on the road and in the market-place.

One's voice seems to break an almost elvish silence, and something

unreasonably weird in the phrase of the nursery tales, “And he went a

little farther and came to another place,” comes back into the mind.

In some such mood I came along a lean, pale road south of the fens, and

found myself in a large, quiet, and seemingly forgotten village. It was

one of those places that instantly produce a frame of mind which, it may

be, one afterwards decks out with unreal details. I dare say that grass

did not really grow in the streets, but I came away with a curious

impression that it did. I dare say the marketplace was not literally

lonely and without sign of life, but it left the vague impression of

being so. The place was large and even loose in design, yet it had the

air of something hidden away and always overlooked. It seemed shy, like

a big yokel; the low roofs seemed to be ducking behind the hedges and

railings; and the chimneys holding their breath. I came into it in that

dead hour of the afternoon which is neither after lunch nor before tea,

nor anything else even on a half-holiday; and I had a fantastic feeling

that I had strayed into a lost and extra hour that is not numbered in

the twenty-four.

I entered an inn which stood openly in the market-place yet was almost

as private as a private house. Those who talk of “public-houses” as if

they were all one problem would have been both puzzled and pleased with

such a place. In the front window a stout old lady in black with an

elaborate cap sat doing a large piece of needlework. She had a kind of

comfortable Puritanism about her; and might have been (perhaps she was)

the original Mrs. Grundy. A little more withdrawn into the parlour sat

a tall, strong, and serious girl, with a face of beautiful honesty and

a pair of scissors stuck in her belt, doing a small piece of needlework.

Two feet behind them sat a hulking labourer with a humorous face like

wood painted scarlet, with a huge mug of mild beer which he had not

touched, and probably would not touch for hours. On the hearthrug there

was an equally motionless cat; and on the table a copy of 'Household

Words'.

I was conscious of some atmosphere, still and yet bracing, that I had

met somewhere in literature. There was poetry in it as well as piety;

and yet it was not poetry after my particular taste. It was somehow at

once solid and airy. Then I remembered that it was the atmosphere in

some of Wordsworth's rural poems; which are full of genuine freshness

and wonder, and yet are in some incurable way commonplace. This was

curious; for Wordsworth's men were of the rocks and fells, and not of

the fenlands or flats. But perhaps it is the clearness of still water

and the mirrored skies of meres and pools that produces this crystalline

virtue. Perhaps that is why Wordsworth is called a Lake Poet instead

of a mountain poet. Perhaps it is the water that does it. Certainly the

whole of that town was like a cup of water given at morning.

After a few sentences exchanged at long intervals in the manner of

rustic courtesy, I inquired casually what was the name of the town. The

old lady answered that its name was Stilton, and composedly continued

her needlework. But I had paused with my mug in air, and was gazing at

her with a suddenly arrested concern. “I suppose,” I said, “that it has

nothing to do with the cheese of that name.” “Oh, yes,” she answered,

with a staggering indifference, “they used to make it here.”

I put down my mug with a gravity far greater than her own. “But this

place is a Shrine!” I said. “Pilgrims should be pouring into it from

wherever the English legend has endured alive. There ought to be a

colossal statue in the market-place of the man who invented Stilton

cheese. There ought to be another colossal statue of the first cow who

provided the foundations of it. There should be a burnished tablet let

into the ground on the spot where some courageous man first ate Stilton

cheese, and survived. On the top of a neighbouring hill (if there

are any neighbouring hills) there should be a huge model of a Stilton

cheese, made of some rich green marble and engraven with some haughty

motto: I suggest something like 'Ver non semper viret; sed Stiltonia

semper virescit.'” The old lady said, “Yes, sir,” and continued her

domestic occupations.

After a strained and emotional silence, I said, “If I take a meal here

tonight can you give me any Stilton?”

“No, sir; I'm afraid we haven't got any Stilton,” said the immovable

one, speaking as if it were something thousands of miles away.

“This is awful,” I said: for it seemed to me a strange allegory of

England as she is now; this little town that had lost its glory; and

forgotten, so to speak, the meaning of its own name. And I thought it

yet more symbolic because from all that old and full and virile life,

the great cheese was gone; and only the beer remained. And even that

will be stolen by the Liberals or adulterated by the Conservatives.

Politely disengaging myself, I made my way as quickly as possible to

the nearest large, noisy, and nasty town in that neighbourhood, where I

sought out the nearest vulgar, tawdry, and avaricious restaurant.

There (after trifling with beef, mutton, puddings, pies, and so on) I

got a Stilton cheese. I was so much moved by my memories that I wrote

a sonnet to the cheese. Some critical friends have hinted to me that my

sonnet is not strictly new; that it contains “echoes” (as they express

it) of some other poem that they have read somewhere. Here, at least,

are the lines I wrote:

SONNET TO A STILTON CHEESE

Stilton, thou shouldst be living at this hour

And so thou art. Nor losest grace thereby;

England has need of thee, and so have I--

She is a Fen. Far as the eye can scour,

League after grassy league from Lincoln tower

To Stilton in the fields, she is a Fen.

Yet this high cheese, by choice of fenland men,

Like a tall green volcano rose in power.

Plain living and long drinking are no more,

And pure religion reading 'Household Words',

And sturdy manhood sitting still all day

Shrink, like this cheese that crumbles to its core;

While my digestion, like the House of Lords,

The heaviest burdens on herself doth lay.

I confess I feel myself as if some literary influence, something that

has haunted me, were present in this otherwise original poem; but it is

hopeless to disentangle it now.

THE THING

The wind awoke last night with so noble a violence that it was like

the war in heaven; and I thought for a moment that the Thing had broken

free. For wind never seems like empty air. Wind always sounds full and

physical, like the big body of something; and I fancied that the Thing

itself was walking gigantic along the great roads between the forests of

beech.

Let me explain. The vitality and recurrent victory of Christendom have

been due to the power of the Thing to break out from time to time from

its enveloping words and symbols. Without this power all civilisations

tend to perish under a load of language and ritual. One instance of this

we hear much in modern discussion: the separation of the form from the

spirit of religion. But we hear too little of numberless other cases of

the same stiffening and falsification; we are far too seldom reminded

that just as church-going is not religion, so reading and writing are

not knowledge, and voting is not self-government. It would be easy to

find people in the big cities who can read and write quickly enough to

be clerks, but who are actually ignorant of the daily movements of the

sun and moon.

The case of self-government is even more curious, especially as one

watches it for the first time in a country district. Self-government

arose among men (probably among the primitive men, certainly among the

ancients) out of an idea which seems now too simple to be understood.

The notion of self-government was not (as many modern friends and foes

of it seem to think) the notion that the ordinary citizen is to be

consulted as one consults an Encyclopaedia. He is not there to be asked

a lot of fancy questions, to see how he answers them. He and his fellows

are to be, within reasonable human limits, masters of their own lives.

They shall decide whether they shall be men of the oar or the wheel, of

the spade or the spear. The men of the valley shall settle whether the

valley shall be devastated for coal or covered with corn and vines; the

men of the town shall decide whether it shall be hoary with thatches or

splendid with spires. Of their own nature and instinct they shall gather

under a patriarchal chief or debate in a political market-place. And in

case the word “man” be misunderstood, I may remark that in this moral

atmosphere, this original soul of self-government, the women always have

quite as much influence as the men. But in modern England neither the

men nor the women have any influence at all. In this primary matter, the

moulding of the landscape, the creation of a mode of life, the people

are utterly impotent. They stand and stare at imperial and economic

processes going on, as they might stare at the Lord Mayor's Show.

Round about where I live, for instance, two changes are taking place

which really affect the land and all things that live on it, whether for

good or evil. The first is that the urban civilisation (or whatever

it is) is advancing; that the clerks come out in black swarms and the

villas advance in red battalions. The other is that the vast estates

into which England has long been divided are passing out of the hands

of the English gentry into the hands of men who are always upstarts and

often actually foreigners.

Now, these are just the sort of things with which self-government was

really supposed to grapple. People were supposed to be able to indicate

whether they wished to live in town or country, to be represented by a

gentleman or a cad. I do not presume to prejudge their decision; perhaps

they would prefer the cad; perhaps he is really preferable. I say that

the filling of a man's native sky with smoke or the selling of his roof

over his head illustrate the sort of things he ought to have some say

in, if he is supposed to be governing himself. But owing to the strange

trend of recent society, these enormous earthquakes he has to pass over

and treat as private trivialities. In theory the building of a villa

is as incidental as the buying of a hat. In reality it is as if all

Lancashire were laid waste for deer forests; or as if all Belgium

were flooded by the sea. In theory the sale of a squire's land to a

moneylender is a minor and exceptional necessity. In reality it is a

thing like a German invasion. Sometimes it is a German invasion.

Upon this helpless populace, gazing at these prodigies and fates, comes

round about every five years a thing called a General Election. It

is believed by antiquarians to be the remains of some system of

self-government; but it consists solely in asking the citizen questions

about everything except what he understands. The examination paper of

the Election generally consists of some such queries as these: “I. Are

the green biscuits eaten by the peasants of Eastern Lithuania in your

opinion fit for human food? II. Are the religious professions of the

President of the Orange Free State hypocritical or sincere? III. Do you

think that the savages in Prusso-Portuguese East Bunyipland are as happy

and hygienic as the fortunate savages in Franco-British West Bunyipland?

IV. Did the lost Latin Charter said to have been exacted from Henry III

reserve the right of the Crown to create peers? V. What do you think of

what America thinks of what Mr. Roosevelt thinks of what Sir Eldon Gorst

thinks of the state of the Nile? VI. Detect some difference between the

two persons in frock-coats placed before you at this election.”

Now, it never was supposed in any natural theory of self-government that

the ordinary man in my neighbourhood need answer fantastic questions

like these. He is a citizen of South Bucks, not an editor of 'Notes and

Queries'. He would be, I seriously believe, the best judge of whether

farmsteads or factory chimneys should adorn his own sky-line, of whether

stupid squires or clever usurers should govern his own village. But

these are precisely the things which the oligarchs will not allow him to

touch with his finger. Instead, they allow him an Imperial destiny and

divine mission to alter, under their guidance, all the things that he

knows nothing about. The name of self-government is noisy everywhere:

the Thing is throttled.

The wind sang and split the sky like thunder all the night through;

in scraps of sleep it filled my dreams with the divine discordances

of martyrdom and revolt; I heard the horn of Roland and the drums of

Napoleon and all the tongues of terror with which the Thing has gone

forth: the spirit of our race alive. But when I came down in the morning

only a branch or two was broken off the tree in my garden; and none of

the great country houses in the neighbourhood were blown down, as would

have happened if the Thing had really been abroad.

THE MAN WHO THINKS BACKWARDS

The man who thinks backwards is a very powerful person to-day: indeed,

if he is not omnipotent, he is at least omnipresent. It is he who writes

nearly all the learned books and articles, especially of the scientific

or skeptical sort; all the articles on Eugenics and Social Evolution

and Prison Reform and the Higher Criticism and all the rest of it. But

especially it is this strange and tortuous being who does most of the

writing about female emancipation and the reconsidering of marriage. For

the man who thinks backwards is very frequently a woman.

Thinking backwards is not quite easy to define abstractedly; and,

perhaps, the simplest method is to take some object, as plain as

possible, and from it illustrate the two modes of thought: the right

mode in which all real results have been rooted; the wrong mode, which

is confusing all our current discussions, especially our discussions

about the relations of the sexes. Casting my eye round the room, I

notice an object which is often mentioned in the higher and subtler of

these debates about the sexes: I mean a poker. I will take a poker and

think about it; first forwards and then backwards; and so, perhaps, show

what I mean.

The sage desiring to think well and wisely about a poker will begin

somewhat as follows: Among the live creatures that crawl about this star

the queerest is the thing called Man. This plucked and plumeless bird,

comic and forlorn, is the butt of all the philosophies. He is the only

naked animal; and this quality, once, it is said, his glory, is now his

shame. He has to go outside himself for everything that he wants. He

might almost be considered as an absent-minded person who had gone

bathing and left his clothes everywhere, so that he has hung his hat

upon the beaver and his coat upon the sheep. The rabbit has white warmth

for a waistcoat, and the glow-worm has a lantern for a head. But man has

no heat in his hide, and the light in his body is darkness; and he must

look for light and warmth in the wild, cold universe in which he is

cast. This is equally true of his soul and of his body; he is the one

creature that has lost his heart as much as he has lost his hide. In a

spiritual sense he has taken leave of his senses; and even in a literal

sense he has been unable to keep his hair on. And just as this external

need of his has lit in his dark brain the dreadful star called religion,

so it has lit in his hand the only adequate symbol of it: I mean the red

flower called Fire. Fire, the most magic and startling of all material

things, is a thing known only to man and the expression of his sublime

externalism. It embodies all that is human in his hearths and all that

is divine on his altars. It is the most human thing in the world; seen

across wastes of marsh or medleys of forest, it is veritably the purple

and golden flag of the sons of Eve. But there is about this generous and

rejoicing thing an alien and awful quality: the quality of torture. Its

presence is life; its touch is death. Therefore, it is always necessary

to have an intermediary between ourselves and this dreadful deity; to

have a priest to intercede for us with the god of life and death; to

send an ambassador to the fire. That priest is the poker. Made of

a material more merciless and warlike than the other instruments of

domesticity, hammered on the anvil and born itself in the flame, the

poker is strong enough to enter the burning fiery furnace, and, like

the holy children, not be consumed. In this heroic service it is often

battered and twisted, but is the more honourable for it, like any other

soldier who has been under fire.

Now all this may sound very fanciful and mystical, but it is the right

view of pokers, and no one who takes it will ever go in for any wrong

view of pokers, such as using them to beat one's wife or torture one's

children, or even (though that is more excusable) to make a policeman

jump, as the clown does in the pantomime. He who has thus gone back to

the beginning, and seen everything as quaint and new, will always see

things in their right order, the one depending on the other in degree of

purpose and importance: the poker for the fire and the fire for the man

and the man for the glory of God.

This is thinking forwards. Now our modern discussions about everything,

Imperialism, Socialism, or Votes for Women, are all entangled in

an opposite train of thought, which runs as follows:--A modern

intellectual comes in and sees a poker. He is a positivist; he will not

begin with any dogmas about the nature of man, or any day-dreams about

the mystery of fire. He will begin with what he can see, the poker; and

the first thing he sees about the poker is that it is crooked. He says,

“Poor poker; it's crooked.” Then he asks how it came to be crooked; and

is told that there is a thing in the world (with which his temperament

has hitherto left him unacquainted)--a thing called fire. He points

out, very kindly and clearly, how silly it is of people, if they want

a straight poker, to put it into a chemical combustion which will very

probably heat and warp it. “Let us abolish fire,” he says, “and then

we shall have perfectly straight pokers. Why should you want a fire

at all?” They explain to him that a creature called Man wants a fire,

because he has no fur or feathers. He gazes dreamily at the embers for

a few seconds, and then shakes his head. “I doubt if such an animal is

worth preserving,” he says. “He must eventually go under in the cosmic

struggle when pitted against well-armoured and warmly protected species,

who have wings and trunks and spires and scales and horns and shaggy

hair. If Man cannot live without these luxuries, you had better abolish

Man.” At this point, as a rule, the crowd is convinced; it heaves up all

its clubs and axes, and abolishes him. At least, one of him.

Before we begin discussing our various new plans for the people's

welfare, let us make a kind of agreement that we will argue in a

straightforward way, and not in a tail-foremost way. The typical modern

movements may be right; but let them be defended because they are right,

not because they are typical modern movements. Let us begin with the

actual woman or man in the street, who is cold; like mankind before the

finding of fire. Do not let us begin with the end of the last red-hot

discussion--like the end of a red hot poker. Imperialism may be

right. But if it is right, it is right because England has some divine

authority like Israel, or some human authority like Rome; not because we

have saddled ourselves with South Africa, and don't know how to get rid

of it. Socialism may be true. But if it is true, it is true because the

tribe or the city can really declare all land to be common land, not

because Harrod's Stores exist and the commonwealth must copy them.

Female suffrage may be just. But if it is just, it is just because women

are women, not because women are sweated workers and white slaves and

all sorts of things that they ought never to have been. Let not the

Imperialist accept a colony because it is there, nor the Suffragist

seize a vote because it is lying about, nor the Socialist buy up an

industry merely because it is for sale.

Let us ask ourselves first what we really do want, not what recent legal

decisions have told us to want, or recent logical philosophies proved

that we must want, or recent social prophecies predicted that we shall

some day want. If there must be a British Empire, let it be British, and

not, in mere panic, American or Prussian. If there ought to be female

suffrage, let it be female, and not a mere imitation as coarse as

the male blackguard or as dull as the male clerk. If there is to be

Socialism, let it be social; that is, as different as possible from all

the big commercial departments of to-day. The really good journeyman

tailor does not cut his coat according to his cloth; he asks for more

cloth. The really practical statesman does not fit himself to existing

conditions, he denounces the conditions as unfit. History is like some

deeply planted tree which, though gigantic in girth, tapers away at

last into tiny twigs; and we are in the topmost branches. Each of us is

trying to bend the tree by a twig: to alter England through a distant

colony, or to capture the State through a small State department, or to

destroy all voting through a vote. In all such bewilderment he is wise

who resists this temptation of trivial triumph or surrender, and happy

(in an echo of the Roman poet) who remembers the roots of things.

THE NAMELESS MAN

There are only two forms of government—the monarchy or personal

government, and the republic or impersonal government. England is not a

government; England is an anarchy, because there are so many kings.

But there is one real advantage (among many real disadvantages) in the

method of abstract democracy, and that is this: that under impersonal

government politics are so much more personal. In France and America,

where the State is an abstraction, political argument is quite full

of human details--some might even say of inhuman details. But in

England, precisely because we are ruled by personages, these personages

do not permit personalities. In England names are honoured, and

therefore names are suppressed. But in the republics, in France

especially, a man can put his enemies' names into his article and his

own name at the end of it.

This is the essential condition of such candour. If we merely made our

anonymous articles more violent, we should be baser than we are now. We

should only be arming masked men with daggers instead of cudgels. And I,

for one, have always believed in the more general signing of articles,

and have signed my own articles on many occasions when, heaven knows,

I had little reason to be vain of them. I have heard many arguments for

anonymity; but they all seem to amount to the statement that anonymity

is safe, which is just what I complain of. In matters of truth the fact

that you don't want to publish something is, nine times out of ten, a

proof that you ought to publish it.

But there is one answer to my perpetual plea for a man putting his name

to his writing. There is one answer, and there is only one answer, and

it is never given. It is that in the modern complexity very often a

man's name is almost as false as his pseudonym. The prominent person

today is eternally trying to lose a name, and to get a title. For

instance, we all read with earnestness and patience the pages of the

'Daily Mail', and there are times when we feel moved to cry, “Bring to

us the man who thought these strange thoughts! Pursue him, capture

him, take great care of him. Bring him back to us tenderly, like some

precious bale of silk, that we may look upon the face of the man who

desires such things to be printed. Let us know his name; his social

and medical pedigree.” But in the modern muddle (it might be said)

how little should we gain if those frankly fatuous sheets were indeed

subscribed by the man who had inspired them. Suppose that after every

article stating that the Premier is a piratical Socialist there were

printed the simple word “Northcliffe.” What does that simple word

suggest to the simple soul? To my simple soul (uninstructed otherwise)

it suggests a lofty and lonely crag somewhere in the wintry seas towards

the Orkheys or Norway; and barely clinging to the top of this crag the

fortress of some forgotten chieftain. As it happens, of course, I

know that the word does not mean this; it means another Fleet Street

journalist like myself or only different from myself in so far as he has

sought to secure money while I have sought to secure a jolly time.

A title does not now even serve as a distinction: it does not

distinguish. A coronet is not merely an extinguisher: it is a

hiding-place.

But the really odd thing is this. This false quality in titles does not

merely apply to the new and vulgar titles, but to the old and historic

titles also. For hundreds of years titles in England have been

essentially unmeaning; void of that very weak and very human instinct in

which titles originated. In essential nonsense of application there is

nothing to choose between Northcliffe and Norfolk. The Duke of Norfolk

means (as my exquisite and laborious knowledge of Latin informs me) the

Leader of Norfolk. It is idle to talk against representative government

or for it. All government is representative government until it begins

to decay. Unfortunately (as is also evident) all government begins to

decay the instant it begins to govern. All aristocrats were first meant

as envoys of democracy; and most envoys of democracy lose no time in

becoming aristocrats. By the old essential human notion, the Duke of

Norfolk ought simply to be the first or most manifest of Norfolk men.

I see growing and filling out before me the image of an actual Duke of

Norfolk. For instance, Norfolk men all make their voices run up very

high at the end of a sentence. The Duke of Norfolk's voice, therefore,

ought to end in a perfect shriek. They often (I am told) end sentences

with the word “together”; entirely irrespective of its meaning. Thus

I shall expect the Duke of Norfolk to say: “I beg to second the motion

together”; or “This is a great constitutional question together.” I

shall expect him to know much about the Broads and the sluggish rivers

above them; to know about the shooting of water-fowl, and not to

know too much about anything else. Of mountains he must be wildly and

ludicrously ignorant. He must have the freshness of Norfolk; nay, even

the flatness of Norfolk. He must remind me of the watery expanses, the

great square church towers and the long level sunsets of East England.

If he does not do this, I decline to know him.

I need not multiply such cases; the principle applies everywhere. Thus I

lose all interest in the Duke of Devonshire unless he can assure me that

his soul is filled with that strange warm Puritanism, Puritanism shot

with romance, which colours the West Country. He must eat nothing but

clotted cream, drink nothing but cider, reading nothing but 'Lorna

Doone', and be unacquainted with any town larger than Plymouth, which he

must regard with some awe, as the Central Babylon of the world. Again, I

should expect the Prince of Wales always to be full of the mysticism and

dreamy ardour of the Celtic fringe.

Perhaps it may be thought that these demands are a little extreme; and

that our fancy is running away with us. Nevertheless, it is not my Duke

of Devonshire who is funny; but the real Duke of Devonshire. The point

is that the scheme of titles is a misfit throughout: hardly anywhere do

we find a modern man whose name and rank represent in any way his type,

his locality, or his mode of life. As a mere matter of social comedy,

the thing is worth noticing. You will meet a man whose name suggests a

gouty admiral, and you will find him exactly like a timid organist:

you will hear announced the name of a haughty and almost heathen grande

dame, and behold the entrance of a nice, smiling Christian cook. These

are light complications of the central fact of the falsification of all

names and ranks. Our peers are like a party of mediæval knights who

should have exchanged shields, crests, and pennons. For the present rule

seems to be that the Duke of Sussex may lawfully own the whole of Essex;

and that the Marquis of Cornwall may own all the hills and valleys so

long as they are not Cornish.

The clue to all this tangle is as simple as it is terrible. If England

is an aristocracy, England is dying. If this system IS the country,

as some say, the country is stiffening into more than the pomp and

paralysis of China. It is the final sign of imbecility in a people that

it calls cats dogs and describes the sun as the moon--and is very

particular about the preciseness of these pseudonyms. To be wrong, and

to be carefully wrong, that is the definition of decadence. The disease

called aphasia, in which people begin by saying tea when they mean

coffee, commonly ends in their silence. Silence of this stiff sort is

the chief mark of the powerful parts of modern society. They all seem

straining to keep things in rather than to let things out. For the kings

of finance speechlessness is counted a way of being strong, though it

should rather be counted a way of being sly. By this time the Parliament

does not parley any more than the Speaker speaks. Even the newspaper

editors and proprietors are more despotic and dangerous by what they do

not utter than by what they do. We have all heard the expression “golden

silence.” The expression “brazen silence” is the only adequate phrase

for our editors. If we wake out of this throttled, gaping, and wordless

nightmare, we must awake with a yell. The Revolution that releases

England from the fixed falsity of its present position will be not less

noisy than other revolutions. It will contain, I fear, a great deal of

that rude accomplishment described among little boys as “calling names”;

but that will not matter much so long as they are the right names.

THE GARDENER AND THE GUINEA

Strictly speaking, there is no such thing as an English Peasant.

Indeed, the type can only exist in community, so much does it depend on

cooperation and common laws. One must not think primarily of a French

Peasant; any more than of a German Measle. The plural of the word is its

proper form; you cannot have a Peasant till you have a peasantry. The

essence of the Peasant ideal is equality; and you cannot be equal all by

yourself.

Nevertheless, because human nature always craves and half creates

the things necessary to its happiness, there are approximations and

suggestions of the possibility of such a race even here. The nearest

approach I know to the temper of a Peasant in England is that of the

country gardener; not, of course, the great scientific gardener attached

to the great houses; he is a rich man's servant like any other. I mean

the small jobbing gardener who works for two or three moderate-sized

gardens; who works on his own; who sometimes even owns his house; and

who frequently owns his tools. This kind of man has really some of the

characteristics of the true Peasant--especially the characteristics

that people don't like. He has none of that irresponsible mirth which

is the consolation of most poor men in England. The gardener is even

disliked sometimes by the owners of the shrubs and flowers; because

(like Micaiah) he prophesies not good concerning them, but evil. The

English gardener is grim, critical, self-respecting; sometimes even

economical. Nor is this (as the reader's lightning wit will flash back

at me) merely because the English gardener is always a Scotch gardener.

The type does exist in pure South England blood and speech; I have

spoken to the type. I was speaking to the type only the other evening,

when a rather odd little incident occurred.

It was one of those wonderful evenings in which the sky was warm and

radiant while the earth was still comparatively cold and wet. But it

is of the essence of Spring to be unexpected; as in that heroic and

hackneyed line about coming “before the swallow dares.” Spring never is

Spring unless it comes too soon. And on a day like that one might pray,

without any profanity, that Spring might come on earth as it was in

heaven. The gardener was gardening. I was not gardening. It is needless

to explain the causes of this difference; it would be to tell the

tremendous history of two souls. It is needless because there is a more

immediate explanation of the case: the gardener and I, if not equal in

agreement, were at least equal in difference. It is quite certain that

he would not have allowed me to touch the garden if I had gone down

on my knees to him. And it is by no means certain that I should have

consented to touch the garden if he had gone down on his knees to me.

His activity and my idleness, therefore, went on steadily side by side

through the long sunset hours.

And all the time I was thinking what a shame it was that he was not

sticking his spade into his own garden, instead of mine: he knew about

the earth and the underworld of seeds, the resurrection of Spring and

the flowers that appear in order like a procession marshalled by a

herald. He possessed the garden intellectually and spiritually, while

I only possessed it politically. I know more about flowers than

coal-owners know about coal; for at least I pay them honour when they

are brought above the surface of the earth. I know more about gardens

than railway shareholders seem to know about railways: for at least I

know that it needs a man to make a garden; a man whose name is Adam. But

as I walked on that grass my ignorance overwhelmed me--and yet that

phrase is false, because it suggests something like a storm from the sky

above. It is truer to say that my ignorance exploded underneath me, like

a mine dug long before; and indeed it was dug before the beginning of

the ages. Green bombs of bulbs and seeds were bursting underneath me

everywhere; and, so far as my knowledge went, they had been laid by

a conspirator. I trod quite uneasily on this uprush of the earth; the

Spring is always only a fruitful earthquake. With the land all alive

under me I began to wonder more and more why this man, who had made the

garden, did not own the garden. If I stuck a spade into the ground, I

should be astonished at what I found there...and just as I thought this

I saw that the gardener was astonished too.

Just as I was wondering why the man who used the spade did not profit by

the spade, he brought me something he had found actually in my soil. It

was a thin worn gold piece of the Georges, of the sort which are called,

I believe, Spade Guineas. Anyhow, a piece of gold.

If you do not see the parable as I saw it just then, I doubt if I can

explain it just now. He could make a hundred other round yellow fruits:

and this flat yellow one is the only sort that I can make. How it came

there I have not a notion--unless Edmund Burke dropped it in his

hurry to get back to Butler's Court. But there it was: this is a cold

recital of facts. There may be a whole pirate's treasure lying under

the earth there, for all I know or care; for there is no interest in a

treasure without a Treasure Island to sail to. If there is a treasure it

will never be found, for I am not interested in wealth beyond the dreams

of avarice since I know that avarice has no dreams, but only insomnia.

And, for the other party, my gardener would never consent to dig up the

garden.

Nevertheless, I was overwhelmed with intellectual emotions when I saw

that answer to my question; the question of why the garden did not

belong to the gardener. No better epigram could be put in reply than

simply putting the Spade Guinea beside the Spade. This was the only

underground seed that I could understand. Only by having a little more

of that dull, battered yellow substance could I manage to be idle while

he was active. I am not altogether idle myself; but the fact remains

that the power is in the thin slip of metal we call the Spade Guinea,

not in the strong square and curve of metal which we call the Spade.

And then I suddenly remembered that as I had found gold on my ground by

accident, so richer men in the north and west counties had found coal in

their ground, also by accident.

I told the gardener that as he had found the thing he ought to keep it,

but that if he cared to sell it to me it could be valued properly, and

then sold. He said at first, with characteristic independence, that he

would like to keep it. He said it would make a brooch for his wife. But

a little later he brought it back to me without explanation. I could not

get a ray of light on the reason of his refusal; but he looked lowering

and unhappy. Had he some mystical instinct that it is just such

accidental and irrational wealth that is the doom of all peasantries?

Perhaps he dimly felt that the boy's pirate tales are true; and that

buried treasure is a thing for robbers and not for producers. Perhaps

he thought there was a curse on such capital: on the coal of the

coal-owners, on the gold of the gold-seekers. Perhaps there is.

THE VOTER AND THE TWO VOICES

The real evil of our Party System is commonly stated wrong. It was

stated wrong by Lord Rosebery, when he said that it prevented the best

men from devoting themselves to politics, and that it encouraged a

fanatical conflict. I doubt whether the best men ever would devote

themselves to politics. The best men devote themselves to pigs and

babies and things like that. And as for the fanatical conflict in

party politics, I wish there was more of it. The real danger of the two

parties with their two policies is that they unduly limit the outlook of

the ordinary citizen. They make him barren instead of creative, because

he is never allowed to do anything except prefer one existing policy to

another. We have not got real Democracy when the decision depends upon

the people. We shall have real Democracy when the problem depends upon

the people. The ordinary man will decide not only how he will vote, but

what he is going to vote about.

A Miscellany of Men · 第 1 / 11 段