CHAPTER L.

CLEVER SOPHY.

Bob was waiting for me on the platform. He was smoking a cigar, and

did not appear the least flurried. His calm demeanor, being somewhat

antagonistic to the tone of his telegram, annoyed me.

"Well, Bob?" I said.

"Well, old man?" said he. "Knew you would come down by this train."

"Of course you did," I said irritably. "Now for your news."

"No hurry," he said, phlegmatically. "Plenty of time before us."

"Don't trifle, there's a good fellow. Have you seen M. Bordier?"

"I have seen a gentleman of that name. Introduced himself to me.

Showed me a letter from your lady friend. It was addressed to you, but

he made free with it. He had a right to do so perhaps, as it was in an

unsealed envelope. Who is the gentleman? Has he anything to do with

this affair?"

"He is an important person in our inquiry, Bob," I replied, "and is

intimately connected with it."

"Ah," said Bob, dryly. "If I'd been in your place I should have

mentioned him earlier. He came like a bombshell upon me, and vanished,

so to speak, like a flash of lightning. Any better, Sophy?"

Then for the first time I noticed the girl. She was crouched up on a

bench, with her cloak over her head. The words Bob and I had exchanged

were uttered at a little distance from her, and she had not heard my

voice. I stepped close to her and removed the cloak from her head.

"Sophy," I said, "are you ill?"

She jumped up and took the hand I held out to her, but did not answer.

Her face was very white, and there was a look of fear in her eyes.

"Good God!" I cried, with a pang. "Have they been ill-treating her?

What's the matter with you, Sophy?"

"Not afore 'im," she said. Her throat seemed to be parched, her voice

was so choked.

"No, they have not ill-treated her," said Bob; "I can answer for that.

When she came with the desk----"

"You've got the desk!" I cried. Notwithstanding my anxiety for Sophy

the news excited me, and my attention was diverted from her for a

moment.

"Yes," said Bob, with a laugh in which I detected a shade of

bitterness, "we've got the desk. For all the good it's worth. When she

hopped into my room with it she was as bright as a cricket. Later on

sent her to bed. Supposed her to be asleep, when she tumbled into the

room again with a face like--well, look at it. Thought she'd have a

fit. She'd had a nightmare."

"I hadn't," gasped Sophy.

"I'll take your word for it," said Bob. "Anyway, she wouldn't open her

lips to me. Very mysterious. She will to you, most likely."

"Yes, I will," said Sophy, still clinging to me; she was trembling all

over.

"Thought as much," said Bob, who seemed to feel this lack of

confidence in him very acutely. "There are things to tell. My

proposition--if I may be allowed to make one--is that we begin at the

beginning, else we shall get muddled."

"It's the properest way," said Sophy.

"Thank you. Even this slight mark of approval appreciated by yours

truly. Do I gather that we are friends, Sophy, no longer Maria?"

"In course we are; but I ain't 'ad no nightmare, I've 'ad a scare."

She offered him her hand, and it really put life into him. He spoke

more briskly.

"Let us get back to the hotel," he said. "Everything down there in

black and white--except Sophy's scare--the reason for which I shall be

glad to hear, if permitted."

"If he likes," said Sophy, "he can tell yer everythink when he 'ears

it 'isself. It's best it should be led up to." She addressed these

last words to me.

"For which purpose," said Bob; "march."

I listened to all this in amazement, but I fell in with their humor to

have Sophy's scare properly led up to, and we walked to the inn in

comparative silence.

"When did you have your last meal, Sophy?" I asked.

"Two o'clock. Biled beef and cabbage."

"You oaf," I said good-humoredly to Bob, "that's the reason of her

being so white. She has been ten hours without food."

Bob clapped his hand to his forehead. "I am an ass," he said.

"You ain't," said Sophy, promptly, "and it ain't what made me white.

But I shouldn't turn my back on a bit of grub."

"And a bit of grub you shall have," said Bob, "the moment we are in

our room. I've got the right side of the landlady. Cold meat and

pickles always on tap for Bob Tucker."

In the room Bob was as good as his word. A cold supper was spread

before Sophy, and a glass of weak brandy and water mixed for her. She

ate with avidity, and while she was thus employed Bob turned his

attention to me.

"My diary comes in handy here," he said, and he pushed the book toward

me. "You will find everything entered, saves a world of talk."

I skimmed through the pages till I reached yesterday's date, under

which I found my departure for London duly recorded, the brief entry

being:

"Agnold restless. Gone to London. For no particular reason--but gone."

Further on the record of the present day:

"Six P.M. Just returned from Tylney House. A surprising number of

stones thrown by Sophy, otherwise Maria. She usually throws three or

four, never more than five, including pellet in white paper, denoting

happiness and safety. But this afternoon, quite a shower, including

four pellets in white paper. Counted altogether eighteen. Does it mean

anything? Wait till to-morrow. Logical interpretation, that things

going on more satisfactorily than ever. Something discovered, perhaps.

A thousand pities Sophy, otherwise Maria, cannot read or write. If the

latter, could obtain positive information. When this particularly

clever girl comes out she must begin to learn immediately. Talents

must have a fair chance. Cruel they should be wasted. See to it.

Singular no letter from Agnold. But did not promise to write."

Following this was a revelation:

"Sent telegram to Agnold, advising him to come down at once. This is

putting cart before horse--in this instance allowable. Begin now at

the beginning of exciting chapter.

"At half-past seven was sitting alone, smoking and ruminating.

Door suddenly burst open, and Sophy, no longer Maria, rushes in. I

cry--'What, Sophy!' 'Yes,' she says, out of breath, 'it's me. I've got

it; I've got it. Where's the other?' (meaning Agnold). I briefly

explain that he has gone to London, but will return the moment

telegraphed for. 'Do you mean to tell me,' 'I said,' as excited as

herself, 'that you've brought the desk?' 'It's 'ere,' she says, and she

plumps it on the table, also a large door-key. She had carried the

desk wrapped in her cloak. There is no doubt about the article; it

exactly answers description given by Agnold. Remarkable girl, Sophy.

"This is her tale--and glad she was to set her tongue going after the

lock it has had on it for so many days. At Tylney House one day is so

like another that a lengthy experience of it must be perfectly

appalling. Sophy says it is like a long funeral. As a friendly patient

Sophy had the run of the house, and she knows every room in it except

one--Dr. Peterssen's private apartment, which he occupies when he is

in evidence. He is seldom in evidence. Absent six days out of seven.

As there was no sign of desk in any other part of the house, Sophy

decides that it is in Peterssen's room, if in the house at all. She

was right.

"Peterssen only been at home two days during Sophy's residence as

friendly patient. The first time last week. The second time, this. In

point of fact, this very day. Last week Peterssen stopped about two

hours in private room. Sophy passed door, through passage, while he

was within. Couldn't get a peep. Consequently knew nothing of desk.

Peterssen came out of room, locked door, went away. Most girls would

have been discouraged at the prospect of such small chance of success.

Not Sophy. She had made up her mind that the desk was there. There's

nothing like moral conviction. To-day at one o'clock Peterssen puts in

an appearance. After dinner, Sophy, on her way into the grounds,

passes private room. Door ajar. She gets a peep. On the table sees

desk, cedar-wood, inlaid with silver. Heart beats. Time not wasted.

Discovery made, but not yet utilized. Watches like a cat. Hears keeper

say Peterssen going to stop all night. Heart beats faster. Now or

never. But how is this to be accomplished. This explains meaning of

such a number of stones thrown over wall. Symbolical, but at the time

undecipherable to present writer. Quite clear now.

"At ten minutes past five by Sophy's silver watch (her own property

now), letter arrives for Peterssen. Delivered to him by keeper.

Evidently unexpected. Evidently of an exciting nature. He reads it,

and hurries out of house. What has he done with the key of the private

room? Sophy hears a bunch rattle in his pocket as he rushes past her.

Almost despairs, but not quite.

"Sophy creeps into passage again. The door is closed. She tries to

peep through keyhole, but it is blocked. By what? A key. The key being

inside, Peterssen in haste must have forgotten to lock the door. It

proves to be so. Sophy has only to put her hand on handle, to turn it

softly round, and presto! she is in the room. But the desk is not on

table. Where, then? Under the bed. Before you can say Jack Robinson

Sophy seizes it, creeps out of room. But first a stroke of genius. She

removes key of door from inside to outside, turns it in lock, removes

it from keyhole and retains it. Sublime! When Peterssen returns he

will find door locked. Will naturally think he has locked it himself.

Will feel in his pocket for key, without finding it. Will spend time

in searching for it. All in Sophy's favor. Bravo, little one!

"Sophy reconnoitres. Keeper in grounds. Presently enters house, goes

up to his bedroom--for private nap, of course. Coast clear. Like a

shot Sophy is in the grounds. Like a shot she is over the wall, where

there is no broken glass. How she did it she does not remember.. She

does not know. Neither do I. But it is done. There she is, over the

wall, outside Tylney House, instead of inside, with the key of the

door in her hand, and the precious desk under her arm. It takes my

breath away.

"Getting here to me takes hers away, She makes mistakes in the roads,

and comes seven miles instead of four. But she runs the distance, and

here she is.

"'Sophy,' I say, 'you are a treasure.'

"'I done it all right, didn't I?' she says.

"'You did, my girl, and you deserve a medal.'

"I formally make over the silver watch to her, and promise her a

silver chain to match. She is in ecstasies, but not quite happy

because Agnold is not here. I tell her he will be here to-morrow, and

then I examine the desk. An intense desire seizes me to open it. Right

or wrong, I determine to do so. I'll chance what Agnold may say when

he comes back. He should have remained. What made him go to London? He

had no immediate business there. His immediate business was here.

"Not one of my keys will open the desk. But I can pick a lock, and I

have some delicate tools with me. For an ambitious man, in the line to

which I have devoted myself, they are necessary and invaluable.

"I set to work, and very soon, without injuring the lock in the least,

the desk is open. There are papers in it, but no copy of a marriage

certificate. Agnold said it would be most likely in a secret drawer,

but no secret drawer could I discover.

"I was so much engrossed in the examination I was making that I did

not hear the door opened. But open it was, and the shadow of a man

fell upon me. Sophy's eyes were closed. She was tired. I looked up. A

stranger stood before me."

The Mystery of M. Felix · 第 50 / 60 章