Enter GHOST of CAESAR

Brutus: How ill this taper burns! Ha! who comes here?

I think it is the weakness of mine eyes

That shapes this monstrous apparition.

It comes upon me. Art thou any thing?

Art thou some god, some angel, or some devil

That makest my blood cold, and my hair to stare?

Speak to me what thou art!

His very “scare,” or rather his cold blood and staring hair are as

things apart, to be analysed and explained quickly and put aside.

Ghost: Thy evil spirit, Brutus.

That was frank enough, anyway.

Brutus: Why comest thou?

Ghost: To tell thee thou shalt see me at Philippi.

Brutus: Well; then I shall see thee again?

Ghost: Ay, at Philippi.

(Vanishes.)

That was very satisfactory, so far. But Brutus, having taken heart,

as he says, would hold more talk with the “ill spirit.” A ghost always

needs to be taken quietly--it's no use getting excited and threshing

round. But Caesar's, being a new-chum ghost and bashful, was doubtless

embarrassed by his cool, matter-of-fact reception, and left. It didn't

matter much. They were to meet soon, above Philippi, on more level

terms.

But I cannot get away from the idea that Caesar's ghost's visit was made

in a friendly spirit. Who knows? Perhaps Portia's spirit had sent it to

comfort Brutus: her own being prevented from going for some reason only

known to the immortal gods.

Then Brutus wakes them all.

Lucius: The strings, my lord, are false.

Brutus: He thinks he is still at his instrument.

Lucius, awake!

And after questioning them as to whether they cried out in their sleep,

or saw anything, he bids the boy sleep again (it is easy for tired boys

to sleep at will in camp) and sends two of the others to Cassius to bid

him get his forces on the way early and he would follow.

Brutus: Go and commend me to my brother Cassius;

Bid him set on his powers betimes before,

And we will follow.

Varro and Claudius: It shall be done, my lord.

For, being a wise soldier, as well as a brave and gentle one, he

reckoned, no doubt, that it would be best to have a strong man in the

rear until the field was actually reached, for the benefit of would-be

deserters, and unconsidered trifles of country people-and maybe for

another reason not totally disconnected with his erratic friend Cassius.

Just one more scene, and a very different one, before we hurry on to the

end, as they have done to Philippi. It's the only scene in which those

two unlucky Romans, Cassius and Brutus, seem to score.

It is during the barney, or as Shakespeare calls it, the “parley” before

the battle. Those parleys never seemed to do any good--except to make

matters worse, if I might put it like that: it's the same, under similar

circumstances, right up to to-day. Enter on one side Octavius Caesar,

Mark Antony, and their pals and army; and, on the other, Brutus and

Cassius and the friends and followers of their falling fortunes.

Brutus: Words before blows: is it so, countrymen?

Octavius: Not that we love words better, as you do.

You see, Octavius starts it.

Brutus lays himself open:

Brutus: Good words are better than bad strokes, Octavius.

Antony: In your bad strokes, Brutus, you give good words:

Witness the hole you made in Caesar's heart,

Crying, “Long live! hail, Caesar!”

This is one for Brutus, though it contains a lie. But Cassius comes to

the rescue:

Cassius: Antony,

The posture of your blows are yet unknown,

But, for your words, they rob the Hybla bees

And leave them honeyless.

Antony: Not stingless too.

Brutus: O, yes, and soundless too;

For you have stol'n their buzzing, Antony,

And very wisely threat before you sting.

That was one for Antony, and he gets mad. “Villains!” he yells, and he

abuses them about their vile daggers hacking one another in the sides

of Caesar (a little matter that ought to be worn threadbare by now),

and calls them apes and hounds and bondmen and curs, and O, flatterers

(which seems to be worst of all in his opinion--for he isn't one, you

know), and damns 'em generally.

Old Cassius remarks, “Flatterers!”

Then Octavius breaks loose, and draws his Roman chopper and waves

it round, and spreads himself out over Caesar's three-and-thirty

wounds--which ought to be given a rest by this time, but only seem to

be growing in number--and swears that he won't put up said chopper till

said wounds are avenged,

Or till another Caesar

Have added slaughter to the sword of traitors.

Brutus says quietly that he cannot die by traitors unless he brings 'em

with him. (He sent one to Egypt later on.) Octavius says he hopes he

wasn't born to die on Brutus's sword; and Brutus says, in effect, that

even if he was any good he couldn't die more honourably.

Brutus: O, if thou wert the noblest of thy strain,

Young man, thou couldst not die more honourable.

Cassius: A peevish schoolboy, worthless of such honour,

Join'd with a masker and a reveller!

Octavius calls off his dogs, and tells them to come on to-day if they

dare, or if not, when they have stomachs.

Cassius: Why, now, blow wind, swell billow, and swim bark!

The storm is up, and all is on the hazard.

Yes, I reckon old Cassius (“old” in an affectionate sense) and Brutus

came out top dogs from that scrap anyway. And, yes, Antony _was_ good

at orating. He was great at orating over dead men--especially dead

“friends” (as he called his rivals) and dead enemies. Brutus was “the

noblest Roman of them all” when Antony came across him stiff later on.

Now when I die--

Octavius, by the way, orated over Antony and his dusky hussy later on

in Egypt, and they were the most “famous pair” in the world. I wonder

whether the grim humour of it struck Octavius _then_: but then that

young man seemed to have but little brains and less humour.

But now they go to see about settling the matter with ironmongery. You

can imagine the fight; the heat and the dust, for it was spring in a

climate like ours. The bullocking, sweating, grunting, slaughter, the

crack and clash and rattle as of fire-irons in a fender. The bad Latin

language; the running away and chasing _en masse_ and by individuals.

The mutual pauses, the truces or spells--“smoke-ho's” we'd call

'em--between masses and individuals. The battered-in, lost, discarded or

stolen helmets; the blood-stained, dinted, and loosened armour with bits

missing, and the bloody and grotesque bandages. The confusion amongst

the soldiers, as it is to-day--the ignorance of one wing as to the

fate of the other, of one party as to the fate of the other, of one

individual as to the fate of another:

Brutus: Ride, ride, Messala, ride, and give these bills [directions

to officers]

Unto the legions on the other side:

Poor Cassius, routed and in danger of being surrounded, and thinking

Brutus is in the same plight, or a prisoner or dead--and that Titinius

is taken or killed--gets his bondman, whose life he once saved, to kill

him in return for his freedom.

Stand not to answer: here, take thou the hilts;

And when my face is cover 'd, as 'tis now,

Guide thou the sword.

Caesar, thou art revenged,

Even with the sword that kill'd thee.

Good-bye, Cassius, old chap!

Titinius and Messala, coming too late, find Cassius dead; and Titinius,

being left alone while Messala takes the news to Brutus, kills himself

with Cassius's sword. Titinius, farewell!

Come Brutus and those that are left.

Brutus: Where, where, Messala, doth his body lie?

Messala: Lo, yonder, and Titinius mourning it.

Brutus: Titinius' face is upward.

Cato: He is slain.

Grim mates in a grim day in a grim hour. Then the cry of Brutus:

O Julius Caesar, thou art mighty yet!

But if he were, perhaps he only gathered old Cassius and Titinius to

be sure of their company with him and Brutus amongst the gods a little

later.

Brutus: Friends, I owe more tears

To this dead man than you shall see me pay.

I shall find time, Cassius, I shall find time.

And, after making arrangements for the removal of Cassius's body, they

go to try their fortunes in a second fight. Young Cato is killed and

good Lucilius taken. Comes Brutus beaten, with Dardanius his last

friend, and his three servants, Clitus, Strato, and Volumnius.

Brutus: Come, poor remains of friends, rest on this rock.

Strato, exhausted, goes to sleep, as man can sleep during a battle; and

Brutus whispers the others, one after another, to kill him; but they are

shocked and refuse: “I'll rather kill myself,” “I do such a deed?” etc.

He begs Volumnius, his old schoolmate, to hold his sword-hilt while he

runs on it, for their love of old.

Volumnius: That's not the office for a friend, my lord.

There are alarums, and they urge him to fly, for it's no use stopping

there.

Brutus: Farewell to you; and you; and you, Volumnius.

Strato, thou hast been all this while asleep;

Farewell to thee too, Strato! Countrymen,

My heart doth joy that yet in all my life

I found so man but he was true to me.

Ye gods! but it's grand. I wish to our God that I could say as much--or

that man or woman [n]ever found me untrue. Could Antony say as much,

afterwards, in Egypt--or Octavius! with Antony then on his mind? Even

Antony's last man and servant failed him in the end, killing himself

rather than kill his master. But Strato--

There are more alarums and voices calling to them to run. They urge

Brutus again, and he tells them to go and he'll follow. They all run

except Strato, who hesitates.

Brutus: I prithee, Strato, stay thou by thy lord:

Thou art a fellow of a good respect;

Thy life hath had some snatch of honour in it

Hold then my sword, and turn away thy face,

While I do run upon it. Wilt thou, Strato?

Strato: Give me your hand first: fare you well, my lord.

Brutus: Farewell, good Strato. Caesar, now be still:

I kill'd not thee with half so good a will.

Brutus, good night!

I like Shakespeare's servants. They seem to show that he sprang from

servants or common people rather than from lords and masters, for he

deals with them very gently. It must be understood that servants, bond

and free, were born unto the same house and served it for generations;

and so down to modern England, where the old nurse and the tottering old

gardener often nursed and played with “Master Will,” when his father,

the dead and gone old squire, was a young man.

See where Timon's servants stand in the only patch of sunlight in that

black and bitter story:

Enter Flavius, with two or three SERVANTS.

1 Serv.: Hear you, master steward, where's our master?

Are we undone? cast off? nothing remaining?

Flav.: Alack, my fellows, what should I say to you?

Let me be recorded by the righteous gods,

I am as poor as you.

1 Serv.: Such a house broke!

So noble a master fall'n! All gone! and not

One friend to take his fortune by the arm,

And go along with him!

2 Serv.: As we do turn our backs

From our companion thrown into his grave,

So his familiars to his buried fortunes

Slink all away; leave their false vows with him,

Like empty purses pick'd; and his poor self,

A dedicated beggar to the air,

With his disease of all-shunn'd poverty,

Walks, like contempt, alone. More of our fellows.

The Rising of the Court · 第 15 / 17 题