"You have reason for alarm," said Miss Vernon, very gravely; "and were I
you, I would endeavour to meet and obviate the dangers which arise from
so undesirable an arrangement."
"And how is it possible for me to do so?"
"Everything is possible for him who possesses courage and activity," she
said, with a look resembling one of those heroines of the age of
chivalry, whose encouragement was wont to give champions double valour at
the hour of need; "and to the timid and hesitating, everything is
impossible, because it seems so."
"And what would you advise, Miss Vernon?" I replied, wishing, yet
dreading, to hear her answer.
She paused a moment, then answered firmly--"That you instantly leave
Osbaldistone Hall, and return to London. You have perhaps already," she
continued, in a softer tone, "been here too long; that fault was not
yours. Every succeeding moment you waste here will be a crime. Yes, a
crime: for I tell you plainly, that if Rashleigh long manages your
father's affairs, you may consider his ruin as consummated."
"How is this possible?"
"Ask no questions," she said; "but believe me, Rashleigh's views extend
far beyond the possession or increase of commercial wealth: he will only
make the command of Mr. Osbaldistone's revenues and property the means of
putting in motion his own ambitious and extensive schemes. While your
father was in Britain this was impossible; during his absence, Rashleigh
will possess many opportunities, and he will not neglect to use them."
"But how can I, in disgrace with my father, and divested of all control
over his affairs, prevent this danger by my mere presence in London?"
"That presence alone will do much. Your claim to interfere is a part of
your birthright, and it is inalienable. You will have the countenance,
doubtless, of your father's head-clerk, and confidential friends and
partners. Above all, Rashleigh's schemes are of a nature that"--(she
stopped abruptly, as if fearful of saying too much)--"are, in short," she
resumed, "of the nature of all selfish and unconscientious plans, which
are speedily abandoned as soon as those who frame them perceive their
arts are discovered and watched. Therefore, in the language of your
favourite poet--