CHAPTER VII King of the Hollyhocks: Protoparce Celeus

Protoparce Celeus was the companion of Deilephila Lineata in the

country garden where I first studied Nature. Why I was taught that

Lineata was a bird, and Celeus a moth, it is difficult to understand,

for they appear very similar when poising before flowers. They

visit the same blooms, and vary but little in size. The distinction

that must have made the difference was that while Lineata kept

company with the hummingbirds and fed all day, Celeus came forth at

dusk, and flew in the evening and at night. But that did not

conclusively prove it a moth, for nighthawks and whip-poor-wills did

the same; yet unquestionably they were birds.

Anyway, I always knew Celeus was a moth, and that every big, green

caterpillar killed on the tomato vines meant one less of its kind

among the flowers. I never saw one of these moths close a tomato

or potato vine, a jimson weed or ground cherry, but all my life

I have seen their eggs on these plants, first of a pale green

closely resembling the under side of the leaves, and if they

had been laid some time, a yellow colour. The eggs are not dotted

along in lines, or closely placed, but are deposited singly, or

by twos, at least very sparsely.

The little caterpillars emerge in about a week, and then comes the

process of eating until they grow into the large, green tomato or

tobacco worms that all of us have seen. When hatched the

caterpillars are green, and have grey caudal horns similar to

Lineata. After eating for four or five days, they cast their

skins. This process is repeated three or four times, when the

full-grown caterpillars are over four inches long, exactly the

colour of a green tomato, with pale blue and yellow markings of

beautiful shades, the horns blue-black; and appearing sharp enough

to inflict a severe wound.

Like all sphinx caterpillars Celeus is perfectly harmless; but

this horn, in connexion with the habit the creatures have of

clinging to the vines with the back feet, raising the head and

striking from side to side, makes people very sure they can bite

or sting, or inflict some serious hurt. So very vigorous are they

in self-defence when disturbed, that robins and cuckoos are the only

birds I ever have seen brave enough to pick them until the caterpillars

loosen their hold and drop to the ground, where they are eaten with

evident relish.

One cuckoo of my experience that nested in an old orchard, adjoining

a potato patch, frequently went there caterpillar-hunting, and played

havoc with one wherever found. The shy, deep wood habits of the

cuckoo prevent it from coming close houses and into gardens, but

robins will take these big caterpillars from tomato vines. However,

they go about it rather gingerly, and the work of reducing one to

non-resistance does not seem to be at all coveted. Most people

exhibit symptoms of convulsions at sight of one. Yet it is a matter

of education. I have seen women kiss and fondle cats and dogs, one

snap from which would result in disfiguration or horrible death,

and seem not to be able to get enough of them. But they were quite

equal to a genuine faint if contact were suggested with a perfectly

harmless caterpillar, a creature lacking all means of defence, save

this demonstration of throwing the head.

When full-fed the caterpillars enter the earth to pupate, and on

the fifteenth of October, 1906, only the day before I began this

chapter, the Deacon, in digging worms for a fishing trip to the

river, found a pupa case a yard from the tomato vines, and six

inches below the surface. He came to my desk, carrying on a spade

a ball of damp earth larger than a quart bowl. With all care we

broke this as nearly in halves as possible and found in the centre

a firm, oval hole, the size and shape of a hen's egg, and in the

opening a fine fresh pupa case.

It was a beautiful red-brown in colour, long and slenderer than

a number of others in my box of sand, and had a long tongue case

turned under and fastened to the pupa between the wing shields.

The sides of the abdomen were pitted; the shape of the head, and

the eyes showed through the case, the wing shields were plainly

indicated, and the abdominal shield was in round sections so that

the pupa could twist from side to sid when touched, proving that

the developing moth inside was very much alive and in fine condition.

There were no traces of the cast skin. The caterpillar had been

so strong and had pushed so hard against the surrounding earth that

the direction from which it had entered was lost. The soil was

packed and crowded firmly for such a distance that this large ball

was forced together. Trembling with eagerness I hurriedly set up

a camera. This phase of moth life often has been described, but

I never before heard of any one having been able to reproduce it,

so my luck was glorious. A careful study of this ball of earth,

the opening in which the case lies, and the pupa, with its blunt

head and elaborate tongue shield, will convince any one that when

ready to emerge these moths must bore the six inches to the surface

with the point of the abdomen, and there burst the case, cling to

the first twig and develop and harden the wings. The abdominal

point is sharp, surprisingly strong, and the rings of the segments

enable it to turn in all directions, while the earth is mellow

and moist with spring rains. To force a way head first would be

impossible on account of the delicate tongue shield, and for the

moth to emerge underground and dig to the surface without displacing

a feather of down, either before or after wing expansion, is

unthinkable. Yet I always had been in doubt as to precisely how the

exit of a pupa case moth took place, until I actually saw the earth

move and the sharp abdominal point appear while working in my garden.

Living pupae can be had in the fall, by turning a few shovels of

soil close vegetables in any country garden. In the mellow

mould, among cabbages and tomato vines, around old log cabins close

the Limberlost swamp, they are numerous, and the emerging moths

haunt the sweet old-fashioned flowers.

The moth named Celeus, after a king of Eleusis, certainly has

kingly qualities to justify the appellation. The colouring is

all grey, black, brown, white and yellow, and the combinations are

most artistic. It is a relative of Lineata. It flies and feeds by

day, has nearly the same length of life, and is much the same in

shape.

The head is small and sharp, eyes very much larger than Lineata,

and tongue nearly four inches in length. The antennae are not

clubbed, but long and hairlike. It has the broad shoulders, the

long wings, and the same shape of abdomen. The wings, front and

back, are so mottled, lined, and touched with grey, black, brown

and white, as to be almost past definite description. The back

wings have the black and white markings more clearly defined.

The head meets the thorax with a black band. The back is covered

with long, grey down, and joins the abdomen, with a band of black

about a quarter of an inch wide, and then a white one of equal width.

The abdomen is the gaudiest part of the moth. In general it is a

soft grey. It is crossed by five narrow white lines the length

of the abdomen, and a narrow black one down the middle. Along each

side runs a band of white. On this are placed four large yellow spots

each circled by a band of black that joins the black band of the

spot next to it. The legs and under side of the abdomen and wings

are a light grey-tan, with the wing markings showing faintly, and

the abdomen below is decorated with two small black dots.

My first Celeus, a very large and beautiful one, was brought to

me by Mr. Wallace Hardison, who has been an interested helper

with this book. The moth had a wing sweep of fully five and a

half inches, and its markings were unusually bright and strong.

No other Celeus quite so big and beautiful ever has come to my

notice. From four and a half to five inches is the average size.

There was something the matter with this moth. Not a scale of down

seemed to be missing, but it was torpid and would not fly.

Possibly it had been stung by some parasite before taking flight

at all, for it was very fresh. I just had returned from a trip

north, and there were some large pieces of birch bark lying on the

table on which the moth had been placed. It climbed on one of

these, and clung there, so I set up the bark, and made a time

exposure. It felt so badly it did not even close them when I took

a brush and spread its wings full width. Soon after it became

motionless. I had begun photographing moths recently; it was

one of my very first, and no thought of using it for natural

history purposes occurred at the time. I merely made what I

considered a beautiful likeness, and this was so appreciated

whenever shown, that I went further and painted it in water

colours.

Since moth pictures have accumulated, and moth history has

engrossed me with its intense interest, I have been very careful

in making studies to give each one its proper environment when

placing it before my camera. Of all the flowers in our garden,

Celeus prefers the hollyhocks. At least it comes to them oftenest

and remains at them longest. But it moves continually and flies so

late that a picture of it has been a task. After years of fruitless

effort, I made one passable snapshot early in July, while the light

was sufficiently strong that a printable picture could be had by

intensifying the plate, and one good time exposure as a Celeus, with

half-folded wings, clambered over a hollyhock, possibly hunting a

spot on which to deposit an egg or two. The hollyhock painting of

this chapter is from this study. The flowers were easy but it required

a second trial to do justice to the complicated markings of the moth.

This evening lover and strong flyer, with its swallow-like sweep of

wing, comes into the colour schemes of nature with the otter, that

at rare times thrusts a sleek grey head from the river, with the

grey-brown cotton-tails that bound across the stubble, and the

coots that herald dawn in the marshes. Exactly the shades, and

almost the markings of its wings can be found on very old rail fences.

This lint shows lighter colour, and even grey when used in the house

building of wasps and orioles, but I know places in the country where

I could carve an almost perfectly shaded Celeus wing from a

weather-beaten old snake fence rail.

Celeus visits many flowers, almost all of the trumpet-shaped ones,

in fact, but if I were an artist I scarcely would think it right to

paint a hollyhock without putting King Celeus somewhere in the picture,

poised on his throne of air before a perfect bloom as he feasts on

pollen and honey. The holly-hock is a kingly flower, with its regally

lifted heads of bright bloom, and that the king of moths should show

his preference for it seems eminently fitting, so we of the Cabin

named him King of the Hollyhocks.

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