TALKING-MACHINES.
The phonograph--The recorder--The reproducer--The gramophone--The
making of records--Cylinder records--Gramophone records.
In the Patent Office Museum at South Kensington is a curious little
piece of machinery--a metal cylinder mounted on a long axle, which has
at one end a screw thread chased along it. The screw end rotates in a
socket with a thread of equal pitch cut in it. To the other end is
attached a handle. On an upright near the cylinder is mounted a sort of
drum. The membrane of the drum carries a needle, which, when the
membrane is agitated by the air-waves set up by human speech, digs into
a sheet of tinfoil wrapped round the cylinder, pressing it into a
helical groove turned on the cylinder from end to end. This construction
is the first phonograph ever made. Thomas Edison, the "wizard of the
West," devised it in 1876; and from this rude parent have descended the
beautiful machines which record and reproduce human speech and musical
sounds with startling accuracy.
[Illustration: FIG. 146.--The "governor" of a phonograph.]
We do not propose to trace here the development of the talking-machine;
nor will it be necessary to describe in detail its mechanism, which is
probably well known to most readers, or could be mastered in a very
short time on personal examination. We will content ourselves with
saying that the wax cylinder of the phonograph, or the ebonite disc of
the gramophone, is generally rotated by clockwork concealed in the body
of the machine. The speed of rotation has to be very carefully governed,
in order that the record may revolve under the reproducing point at a
uniform speed. The principle of the governor commonly used appears in
Fig. 146. The last pinion of the clockwork train is mounted on a shaft
carrying two triangular plates, A and C, to which are attached three
short lengths of flat steel spring with a heavy ball attached to the
centre of each. A is fixed; C moves up the shaft as the balls fly out,
and pulls with it the disc D, which rubs against the pad P (on the end
of a spring) and sets up sufficient friction to slow the clockwork. The
limit rate is regulated by screw S.
THE PHONOGRAPH.
Though the recording and reproducing apparatus of a phonograph gives
very wonderful results, its construction is quite simple. At the same
time, it must be borne in mind that an immense amount of experimenting
has been devoted to finding out the most suitable materials and forms
for the parts.
[Illustration: FIG. 147.--Section of an Edison Bell phonograph
recorder.]
The _recorder_ (Fig. 147) is a little circular box about one and a half
inches in diameter.[32] From the top a tube leads to the horn. The
bottom is a circular plate, C C, hinged at one side. This plate supports
a glass disc, D, about 1/150th of an inch thick, to which is attached
the cutting stylus--a tiny sapphire rod with a cup-shaped end having
very sharp edges. Sound-waves enter the box through the horn tube; but
instead of being allowed to fill the whole box, they are concentrated by
the shifting nozzle N on to the centre of the glass disc through the
hole in C C. You will notice that N has a ball end, and C C a socket to
fit N exactly, so that, though C C and N move up and down very rapidly,
they still make perfect contact. The disc is vibrated by the
sound-impulses, and drives the cutting point down into the surface of
the wax cylinder, turning below it in a clockwork direction. The only
dead weight pressing on S is that of N, C C, and the glass diaphragm.
[Illustration: FIG. 148.--Perspective view of a phonograph recorder.]
As the cylinder revolves, the recorder is shifted continuously along by
a leading screw having one hundred or more threads to the inch cut on
it, so that it traces a continuous helical groove from one end of the
wax cylinder to the other. This groove is really a series of very minute
indentations, not exceeding 1/1000th of an inch in depth.[33] Seen under
a microscope, the surface of the record is a succession of hills and
valleys, some much larger than others (Fig. 151, _a_). A loud sound
causes the stylus to give a vigorous dig, while low sounds scarcely move
it at all. The wonderful thing about this sound-recording is, that not
only are the fundamental tones of musical notes impressed, but also the
harmonics, which enable us to decide at once whether the record is one
of a cornet, violin, or banjo performance. Furthermore, if several
instruments are playing simultaneously near the recorder's horn, the
stylus catches all the different shades of tone of every note of a
chord. There are, so to speak, minor hills and valleys cut in the slopes
of the main hills and valleys.
[Illustration: FIG. 149.--Section of the reproducer of an Edison Bell
phonograph.]
[Illustration: FIG. 150.--Perspective view of a phonograph reproducer.]
The _reproducer_ (Fig. 149) is somewhat more complicated than the
recorder. As before, we have a circular box communicating with the horn
of the instrument. A thin glass disc forms a bottom to the box. It is
held in position between rubber rings, R R, by a screw collar, C. To the
centre is attached a little eye, from which hangs a link, L. Pivoted at
P from one edge of the box is a _floating weight_, having a circular
opening immediately under the eye. The link passes through this to the
left end of a tiny lever, which rocks on a pivot projecting from the
weight. To the right end of the lever is affixed a sapphire bar, or
stylus, with a ball end of a diameter equal to that of the cutting point
of the recorder. The floating weight presses the stylus against the
record, and also keeps the link between the rocking lever of the glass
diaphragm in a state of tension. Every blow given to the stylus is
therefore transmitted by the link to the diaphragm, which vibrates and
sends an air-impulse into the horn. As the impulses are given at the
same rate as those which agitated the diaphragm of the recorder, the
sounds which they represent are accurately reproduced, even to the
harmonics of a musical note.
THE GRAMOPHONE.
This effects the same purpose as the phonograph, but in a somewhat
different manner. The phonograph recorder digs vertically downwards into
the surface of the record, whereas the stylus of the gramophone wags
from side to side and describes a snaky course (Fig. 151_b_). It makes
no difference in talking-machines whether the reproducing stylus be
moved sideways or vertically by the record, provided that motion is
imparted by it to the diaphragm.
[Illustration: FIG. 151_a._]
[Illustration: FIG. 151_b._]
[Illustration: FIG. 151_c._--Section of a gramophone reproducer.]
In Fig. 151_c_ the construction of the gramophone reproducer is shown in
section. A is the cover which screws on to the bottom B, and confines
the diaphragm D between itself and a rubber ring. The portion B is
elongated into a tubular shape for connection with the horn, an arm of
which slides over the tube and presses against the rubber ring C to make
an air-tight joint. The needle-carrier N is attached at its upper end to
the centre of the diaphragm. At a point indicated by the white dot a pin
passes through it and the cover. The lower end is tubular to accommodate
the steel points, which have to be replaced after passing once over a
record. A screw, S, working in a socket projecting from the carrier,
holds the point fast. The record moves horizontally under the point in a
plane perpendicular to the page. The groove being zigzag, the needle
vibrates right and left, and rotating the carrier a minute fraction of
an inch on the pivot, shakes the glass diaphragm and sends waves of air
into the horn.
The gramophone is a reproducing instrument only. The records are made on
a special machine, fitted with a device for causing the recorder point
to describe a spiral course from the circumference to the centre of the
record disc. Some gramophone records have as many as 250 turns to the
inch. The total length of the tracing on a ten-inch "concert" record is
about 1,000 feet.
THE MAKING OF RECORDS.
For commercial purposes it would not pay to make every record separately
in a recording machine. The expense of employing good singers and
instrumentalists renders such a method impracticable. All the records we
buy are made from moulds, the preparation of which we will now briefly
describe.
CYLINDER, OR PHONOGRAPH RECORDS.
First of all, a wax record is made in the ordinary way on a recording
machine. After being tested and approved, it is hung vertically and
centrally from a rotating table pivoted on a vertical metal spike
passing up through the record. On one side of the table is a piece of
iron. On each side of the record, and a small distance away, rises a
brass rod enclosed in a glass tube. The top of the rods are hooked, so
that pieces of gold leaf may be suspended from them. A bell-glass is now
placed over the record, table, and rods, and the air is sucked out by a
pump. As soon as a good vacuum has been obtained, the current from the
secondary circuit of an induction coil is sent into the rods supporting
the gold leaves, which are volatilized by the current jumping from one
to the other. A magnet, whirled outside the bell-glass, draws round the
iron armature on the pivoted table, and consequently revolves the
record, on the surface of which a very thin coating of gold is
deposited. The record is next placed in an electroplating bath until a
copper shell one-sixteenth of an inch thick has formed all over the
outside. This is trued up on a lathe and encased in a brass tube. The
"master," or original wax record, is removed by cooling it till it
contracts sufficiently to fall out of the copper mould, on the inside
surface of which are reproduced, in relief, the indentations of the wax
"master."
Copies are made from the mould by immersing it in a tank of melted wax.
The cold metal chills the wax that touches it, so that the mould soon
has a thick waxen lining. The mould and copy are removed from the tank
and mounted on a lathe, which shapes and smooths the inside of the
record. The record is loosened from the mould by cooling. After
inspection for flaws, it is, if found satisfactory, packed in
cotton-wool and added to the saleable stock.
Gramophone master records are made on a circular disc of zinc, coated
over with a very thin film of acid-proof fat. When the disc is revolved
in the recording machine, the sharp stylus cuts through the fat and
exposes the zinc beneath. On immersion in a bath of chromic acid the
bared surfaces are bitten into, while the unexposed parts remain
unaffected. When the etching is considered complete, the plate is
carefully cleaned and tested. A negative copper copy is made from it by
electrotyping. This constitutes the mould. From it as many as 1,000
copies may be made on ebonite plates by combined pressure and heating.
[32] The Edison Bell phonograph is here referred to.
[33] Some of the sibilant or hissing sounds of the voice are computed to
be represented by depressions less than a millionth of an inch in depth.
Yet these are reproduced very clearly!