XLI

In the full blaze of an August afternoon Louis Blanc made Barbe take him

up the hill to the Bois du Renard. They had locked up the buvette, and

the red-haired girl led Bibi by the hand along the field-path to the

wood. Her head shone like a piece of red metal close to the blackness of

the man’s coat; she had to watch the ground so that Bibi should not

stumble.

“My God, but it is hellish to be blind!” he said; “I cannot even see

you, you know.”

She helped him over an old, fallen trench at the edge of the wood, and

in crossing it he slipped and fell against her. They stood, clinging

together on the edge of the rotten bank; but Barbe had a body like

steel, and she held the man on his feet with his head resting against

her bosom. They remained thus for a moment, Bibi’s face flat against her

red blouse as though he were burying his face in an armful of flowers.

“Ah, but you smell good.”

He took great breaths of her, holding her close, and pressing her body

to his till it was curved like a bow.

“Do you want to break me, you great rough?”

She was delighted, a sensuous cat, her eyes half closed, her chin

resting on the crown of Bibi’s head.

“There is something left in life after all. Let us sit down in the

shade.”

“Anywhere?”

“No. I want to be where I could see all Beaucourt like a meal laid out

on a table.”

She chose a shady place for him at the foot of a beech tree, spreading

out her skirt and making him sit on it. From the Bois du Renard it was

possible to see the whole of Beaucourt and the fields and woods lying

about it in the broad August sunshine. Bibi sat with his knees drawn up

and his elbows resting on them. Barbe let her right arm lie across his

shoulders.

“There it is,” she said; “I can even see little Crapaud putting new

tiles on the factory roof.”

Bibi moistened his lips with the tip of his tongue.

“Tell me all about it, just as though you were painting a picture.”

She humoured him, describing Beaucourt and all that she could see

happening in Beaucourt, using that brisk and satirical slang of hers,

the language of the comptoir.

“There is the church with half its spire knocked off, and, I suppose,

inside of it old Lefèbre is splashing whitewash about. The post-office

in the Place—just like a flat grey louse crawling up to have a bite at

the church! Someone is walking about in the ruins of your hotel.”

“Yes, my hotel! Who is it?”

“It’s too far off for me to see, but he has a basket, and seems to be

picking up bricks.”

“My bricks! Well, it doesn’t matter. Go on.”

“Half-way down the Rue de Picardie a peasant is lying flat on the roof

of a house. He has a white patch on the seat of his trousers, as though

the curé had given him a smack with his whitewash brush. Then we come to

the café. I can see the café quite plainly.”

“We will stay there a moment. What is happening at the café?”

“A woman is hanging out linen on a line in the orchard.”

“That’s a waste of time—when we are going to dirty it for them.”

“Oh—yes—and I can see the man. He is standing on a ladder doing

something to the new sign-board.”

“More waste of time. We shall drop a bomb on them next Sunday.”

Bibi remained silent for a while, his blind face like a grotesque

gargoyle spewing hatred over the house of his enemy. Barbe watched him

out of the corners of her eyes, her arm resting upon his shoulders. She

knew that some plan was forming in his mind, and, though he had thrown

out nothing but hints to her, she was ready to help her man.

“What happens on Sunday?”

He turned his blind eyes to her.

“You are not going to cut my hair—like that woman in the Bible.”

She answered sharply.

“You can’t get on without me. Isn’t that so?”

He put an arm round her.

“That’s the truth. You know how to mix the drinks.”

“So that is to be my job?”

“I want all of them mad on Sunday. I shall want old Cordonnier well

fuddled and in a state to swear anything. What’s the best stuff for it?”

She reflected, leaning her chin on the palm of her hand.

“There is that jar of cognac. It is fiery stuff. I could mix it with the

wine. What are you going to do?”

“I keep that card up my sleeve.”

“You must tell me,” she said; “I shan’t give you away.”

He drew her head close to his face, and whispered in her ear.

“The man is a Boche. Now do you see light?”

Neither Manon nor Paul had any suspicion that danger was so near to

them, nor guessed that they were to be made the victims of a drunken

mob. Quiet people do not foresee such catastrophes, nor is happiness a

window that opens upon tragedy. The very house they had rebuilt lulled

them like a cradle. It was so very precious, so much a portion of their

human selves that it shared that immortality that seems part of us when

we love. The wholesomeness of the place was unassailable.

Moreover, Paul Brent’s mood of pessimism and self-distrust had passed.

To share a secret with a friend is to halve the burden of it, and

Lefèbre was more than a friend. He and Durand were at the café early on

the morning after Paul and Manon’s visit to the sacristy. They sat in

Manon’s kitchen, with the doors and windows closed, and talked the

affair over from end to end.

Durand had pretended to be scandalized.

“My favourite Frenchman turning out English! A nice game you have played

with us!”

“I am very sorry, monsieur.”

“Well, well, don’t look so miserable. The war has turned the world

upside down, and after all—it is this that counts.”

He looked round Manon’s kitchen.

“We ought to judge a man by what he does. A simple rule of life and how

rarely we follow it! Now, then—it is for us to provide this Englishman

with a French character.”

He smiled at Lefèbre. There appeared to be some secret between them,

some dramatic and very human dénouement that they guarded like a couple

of sentimental old men.

“It should not be difficult,” said the priest.

Anatole turned to Manon.

“Monsieur Lefèbre and I are going to Amiens on Saturday. We have

business there—a deputation, a meeting upon the devastated regions. I

can interest a friend or two in his little romance; what is more, we

will approach the English authorities. If we give this rogue here a

passport it will make things so much simpler.”

Manon slipped across the room and kissed him.

“I do not think they can be very hard on us.”

“My dear, I had better take you with me to see some English colonel with

a red band round his hat. Feminine influence, you know! If you put your

arms round his neck——!”

“You can tease me as much as you like, both of you, for I love you

both.”

“Lefèbre,” said the manufacturer, “this house is becoming dangerous.”

It was Anatole Durand who advised them to send for Marie Castener from

Ste. Claire, and to arrange for her to stay with them in Beaucourt

during the next few weeks. He pointed out that Brent would have to go to

England, be released by the authorities, and return with the necessary

legal proofs of his identity. Meanwhile Marie would be the very woman to

help Manon in the house. She was so solid, so imperturbable, such a good

friend, quite as capable as a man of dealing with men.

“If any of Goblet’s fellows stroll round here, Marie would only have to

stand in the doorway.”

Durand lent her his car and drove Manon over to Ste. Claire. Marie was

willing to come to Beaucourt, and she accepted Manon’s confession with

her usual phlegmatic reasonableness.

“A good man is the same everywhere. You can trust me to keep your

secret.”

“It will not be a secret long.”

“So much the better. For myself I always prefer to tell people before

they find out. But that man of yours is clever; he took us all in.”

“Well, I helped him,” said Manon.

Marie Castener was to come to them on the Saturday. Etienne would drive

her over in the gig, for Etienne wanted to see how things were going at

Beaucourt. There were people who called it the “miraculous village,” and

she smiled shrewdly at Anatole Durand.

“Monsieur is a wizard.”

Durand, looking happy, shrugged off the compliment.

“Everybody has worked hard. We are so proud of Beaucourt that we have

asked a very great man to come and see it. But I am giving away secrets.

I am very glad that you are coming to look after Manon, madame.”

“I have always found Manon very well able to look after herself,

monsieur. But then—I am—solid.”

A man whose hands are well occupied is not, as a rule, a man of moods,

and yet a quite unexplainable sadness took possession of Paul Brent on

that Friday evening before the coming of Marie Castener. It was the last

evening that he and Manon were to spend alone before the uncertain days

that would follow his surrender to some English Provost-marshal. Paul

had become resigned to the idea of surrender; it was his penance before

his marriage, the only path by which he could come back to Manon with no

lie in his heart. It was the thought of leaving her that troubled him,

and gave an edge of pain to his tenderness. He was astonished to find

how deeply this new life of his had rooted itself in Beaucourt; England

mattered to him hardly at all.

“It is the woman,” he said to himself; “it is the woman who matters.”

As they sat at supper Manon became aware of his silence. She noticed

that his eyes wandered about the room, this room that had seen the

beginnings of the adventure, the defeat of Bibi, the exultation of their

first embrace. She saw Paul look at the pictures on the walls, the new

curtains, the bowl of asters on the table by the window, Philosophe

asleep on the rug by the stove. This familiar room was pleasantly and

wholesomely complete. It was home.

“Yes, without you it would never have happened,” she said.

He looked at her across the table with the tenderness of a grown man

whose love is far deeper than the romantic devotion of a boy.

“It makes me miserable to think of leaving it.”

She stretched out a hand and let it rest on his.

“But you will come back very soon. I have a feeling that they will not

do anything very terrible to you, and Marie and I can carry on.”

Dusk was falling. They did not light the lamp, but went out like lovers

into the orchard and watched the moon coming up huge and solemn in a

cloudless sky. It was one of those perfect summer nights, very gentle

and still, when you can fancy that you can hear the dew falling out of

the silent sky. Holding hands they wandered down to the stream and

followed its flickering movements in the moonlight, walking close to the

poplars and the old pollarded willows. The trees were silent as death.

There were no fences here, and the meadows seemed to stretch into the

illimitable moonlight.

“How peaceful it is.”

She slipped into the hollow of his arm, her head on his shoulder.

“It is so good to be able to trust a man. Do you not know what that

means to me?”

“I know that nothing matters to me—but you.”

They stood close to the trunk of a white poplar, and kissed.

“You belong here now, mon chéri. You are sure that you will never be

home-sick for England?”

Brent looked at the moon.

“It is like this,” he said; “a man learns what life can give him, and

what he wants life to give him. The things that matter—the simple,

happy, restful things! You may run all over the world looking for

something you left in your own village. When you are young you are

always wanting the apples on the other side of the wall. I’m not like

that—now—thank God!”

She stretched out a hand and touched the trunk of the great poplar.

“Trees are so wise. They stay in the same place, it is true, but they

grow; they see the great fields and the good, wise life of the fields.

They feel the wind, and see the sky and the moon and the stars, and hear

the water running through the meadows. Mon mari, I think we are going to

be very happy here, you and I.”

The House of Adventure · 第 43 / 48 题