IX

So these two went back to the battered old red house with the patches of

white plaster still hanging to the walls of its rooms, and the blue

February sky showing where its roof should have been. The window of the

kitchen looked along the Rue de Picardie and all the broken and jagged

outlines of the village, etched with black rafters and the rawness of

fractured brick. The snapped spire of the church was the colour of

amethyst. White clouds floated above the beeches of the Bois du Renard.

Manon lingered for a moment at this window, her hands clenched,

something between pity and anger in her eyes. Beaucourt mattered to the

little Frenchwoman in a way that no restless dweller in cities could

understand. It had formed the background of her memories, a quiet place

where she had made a little song of the day’s work, a place where life

had been rich in the emotions that are her religion to a woman. She had

been proud of her café, proud of her linen, of her garden. Her happiness

had made Beaucourt what no other place in the world could be to her. As

the old Frenchman had put it, “The roots of life were deep down under

the ruins.”

There were other memories, perhaps, thoughts that left a sour taste in

her mouth, but Manon was thinking of the happier days. She had forgotten

Brent, forgotten her hunger, as she stood looking out upon the ruins;

and Brent waited like a man in the doorway of a church, some sanctuary

that he had not the right to enter, feeling her at her prayers, wise

enough not to disturb her. Her sadness was like a sweet smell of incense

and the soft obscurity of some shrine. She was no mere material

woman,—just a pretty, white-skinned, dark-eyed creature, with a

beautiful bosom and a soft throat. Manon Latour had a soul, a little

white fire burning in her heart. That was what Brent felt about her, the

Brent who asked for those dear moments of mystery in a woman, for the

flash of that spiritual fineness that can fill the eyes with a mist of

tears. He did not want money; he craved for self-expression,—the simple

human things, nearness to someone who was a little better than himself.

Manon’s lingering at the gap in the wall that had been a window lasted

but a few seconds. She turned to Brent with a soft animation that played

like sunlight across the deeps of her seriousness.

“Forgive me, Monsieur Paul.”

He smiled and handed her a box of matches.

“You will find a candle down there, and all that you need. I’m afraid I

have not lit the stove.”

Her eyes seemed to question him. “Is it that you are wiser and a little

more sensitive than other men? You can hold back.”

She went out into the passage, and Brent took her place at the window,

lounging in the sunlight with his hands in his pockets, and recasting

the metal of his vision. For a few short hours life had seemed solid and

real, centred in that cellar in ruined Beaucourt, a life of quaint

adventure, a boyish game played with the elements of existence as the

counters. All this had changed with the return of Manon Latour. Brent

felt himself adrift—on the edge again of a casual vagabondage. He was

surrendering that cellar and all that it contained, food, shelter, even

the vague inspiration that had been born in it. He saw himself packing

his bag and marching.

“Monsieur.”

He had been so absorbed in these thoughts that he had not heard her

re-enter the kitchen. He was struck by her seriousness. She, too, had

been thinking.

“How long have you been in Beaucourt?”

“Since yesterday,” said Brent.

She sat down on the box.

“Since yesterday. And in my cellar I find food for many days, a bed,

plates, blankets, all that a man would think of—if——”

She paused, looking up at him.

“What I did yesterday will be useful to you to-day.”

He smiled as he spoke.

“There is the beginning of a little home for you, madame. I washed the

blankets; they have not been used since I washed them, and they will be

dry by to-night. The food was collected by me—in Beaucourt.”

She interrupted him.

“Then—you meant to stay in Beaucourt?”

His face remained turned to the window, and she saw it in profile.

“I had thought of it. Just a whim, you know, the whim of a man who was

starting life over again. By the way, the matches and the candles

belonged to me. I can leave you two boxes—and if I may take one

candle?”

Her eyes were dark with some emotion that Brent did not fathom.

“And where will you go?”

He refused to look at her.

“Oh, anywhere. It does not matter.”

“There is nothing that does not matter. And—you want your breakfast.

Shall we have it up here in the sunlight?”

Brent’s chin swung round. He stared.

“Just as you please.”

She got up.

“I must light the stove. Or perhaps you are more clever at it than I am.

Supposing I wash those plates. I can find some more boxes and make a

table and seats here. And I have a packet of coffee in my bag.”

“Mon Dieu!” said Brent. “Life is good. I’ll go and light that stove.”

He went about the work like a thoroughly practical man, trying to limit

the day’s outlook to that one word “breakfast,” and refusing to see

anything sentimental in lighting a stove and boiling a saucepan of

water.

“Anyhow, I shall start the day with a meal,” he said to himself; “I

wonder what she will make of this place when I have gone?”

But Manon—the woman—kept intruding herself upon Brent’s prosaic

philosophy.

“Mon ami—I want more water, and there is no bucket.”

Brent went upstairs with the bucket and filled it at the well.

“We ought to have a cistern,” she said when he returned; “it would save

so much trouble.”

Brent was conscious of a shock of surprise. She seemed to be thinking in

twos, while he was carefully limiting the future to one. But then—Brent

knew very little about women. He had not learnt to divide the sex into

its two groups, the woman who can be bought, and the woman who cannot.

The woman who can be bought had always thought Brent a fool, because he

had made a mystery where no mystery existed. Brent was an incorrigible

romanticist, and your material woman detests romance. She suffers it in

novels, but finds the thing a damnable nuisance when it comes gesturing

and dreaming and getting itself mixed up with the very obvious furniture

of her very obvious little life. The woman who could not be bought

understood Brent at once. She was ready to trust him—but that did not

help Brent to understand Manon Latour.

Manon had contrived a table and two seats in the kitchen, and had spread

a clean handkerchief with a pink border to give a touch of feminine

refinement to the deal box that formed the table. That handkerchief

fascinated Brent. He stood staring at it while she was down below making

the coffee. He supposed that she had taken that bit of pink and white

stuff out of her bag. It was one of those little touches of colour, of

imagination, that are like the opening of a flower, or the voice of a

bird when the leaves are still in bud upon the trees.

Then he heard her calling him. She had one of those pleasant, animated

French voices, soft and expressive, a voice that was made to chatter

happily about a house.

“Mon ami—will you help?”

He met her on the stairs.

“The candle is burning out, and I do not know where to find another.

Besides—they are so expensive; we must use more daylight. Be

careful—it is very hot.”

She gave him the pewter coffee-pot, and was ready to follow with the

rest of the meal. And she had a surprise for Brent—a little pat of

fresh butter laid out on a rice-paper serviette.

“Allons!”

They sat down at the table, with the blue sky for a roof. The day was

warm, a day that heartened the world with a breath of the spring, and

the coffee was fragrant, exquisite. Brent spread some of the fresh

butter on a biscuit, and looked vaguely sad.

“It is very pleasant here,” he said.

Manon was cutting herself a slice of bully beef.

“What children we are! And a child is the most inquisitive thing in the

world.”

He gave her a sudden, yet shy look.

“Are you inquisitive?”

“Well, of course. But I do not catechize a friend.”

Brent gulped a mouthful of hot coffee, put the cup down, and stared at

the pink and white handkerchief in the middle of the table.

“I would like to think I was that.”

She understood his hesitation and kept silent. Brent was still staring,

the fingers of his right hand holding the cup.

“I am supposed to be dead,” he said with a kind of unwilling abruptness.

Manon put a slice of corned beef upon his plate.

“A good man has reasons.”

He raised his eyes to hers.

“A good man?—Well—perhaps! You see—I made a mess of life over there

in England. I do not mean to go back.”

Manon’s eyes held his.

“You wish to become a Frenchman?”

Brent smiled one of those human and half-whimsical smiles.

“Perhaps—I want to make a fresh start. I’m not the sort of man who

makes money; I’m too easy-going. I have always liked the things that you

can’t buy.”

“I know what you mean,” said Manon. “One can’t buy happiness, can one?”

Brent’s eyes lit up.

“Now—how did you find that out?”

“I don’t think I ever found it out, mon ami. It’s the sort of thing I

always knew. I suppose my mother gave it me. And yet, half the world

never finds it out, and dies grumbling.”

Brent looked at her as though he had discovered a miracle.

“Extraordinary!—I always knew it—somehow, but the people I happened to

live with did not believe in that sort of foolishness. I suppose my wife

was an unhappy woman; she was always wanting something she had not got

and she was always wanting the wrong thing—something that meant money.

Well, of course, it fell on me.”

She gave him a look that was like a sympathetic caress.

“What a fool! And so——?”

“I smashed. Then, of course, she hated me. I was a failure—according to

her ideas. If I had had a little pity, I might have got up again; but I

did not get any pity. A man does like to have his head stroked, you

know. Then the war came, and I got away.”

He drank his coffee and Manon refilled his cup.

“How did you manage it?” she asked.

“Manage what?”

“To be dead.”

He looked a little embarrassed, and then he told her.

“When my friend was killed down there in the orchard, I had an idea, an

inspiration. He had no wife or children, no one who cared. So I buried

myself in his grave, and took his name. It was so simple. I wanted to

disappear, and to begin life over again.”

She was silent for a while, and her eyes seemed to be looking at a

picture—a picture of this Englishman’s life. Her silence troubled

Brent. He began to fidget.

“Perhaps it was a coward’s trick,” he suggested; “what do you think?”

“It is not easy to judge.”

Manon sat very still—realizing that he was in earnest.

“So you have turned Frenchman?”

He gave her a shy look.

“I managed to buy these clothes in Belgium, and then I disappeared. Paul

Brent died a year ago, and if they look for Tom Beckett, my friend,

well—they will never find him. If necessary, I am a Frenchman who is a

little touched in the head. I have forgotten things. All my people are

lost or dead; that happened in some village—early in the war. I’m just

Paul—a vagabond. If people ask too many questions I just smile and

shrug my shoulders.”

“But—all that—will lead to nothing,” she said gravely; “a dog’s life.

I think you had some other purpose in your mind—and you are hiding it

from me.”

“I have shown you the vagabond, madame, and a vagabond has no rights, no

claims upon anybody.”

“Mon ami,” she said, “many men would say that you were a fool to trust a

woman. You shall not regret it. When I look at these ruins I feel that

the lives of all of us will have to begin over again.”

X

Brent’s day had begun with Manon’s tears, and those tears of hers and

the incident of the untouched treasure had produced in both of them an

atmosphere of emotional candour. Brent’s confession had grown out of the

emotion that the misfortunes of Manon Latour had roused in him, and the

tale that he had told her made her glimpse him as a sort of lost child,

a man who was better than his past. She believed that he had told her

the truth. His plan to begin life over again was so naïve, so whimsical,

and so sad, that it moved her pity and made her wonder whether something

more significant than chance had not brought Brent to Beaucourt.

She saw that he was making ready to go. He had the restless air of a man

who was girding his loins for the road and preparing to shoulder his

bag. She felt that he was sad over it, and that he was not so greatly in

love with the vagabond life of which he spoke so lightly. She thought

that Brent had neither the eyes nor the mouth of a wanderer. She could

fancy him loving a corner by the fire, a bit of garden to dig in, the

smell of a stable, a glass of wine on a summer evening, someone to whom

he could talk, someone who did not listen to him because he was a

stranger. She did not forget the corner he had made for himself in the

cellar. A man who collects cups and plates and lays a store of food has

not the heart of an Ishmaelite.

The meal was over and they were sitting there in silence, very conscious

of each other and of the elemental and simple needs that had made

comrades of them for an hour. Brent was filling his pipe. He looked

vaguely dejected, and she noticed this all the more because he was

making a business of trading in cheerfulness. Brent was a bad salesman.

Manon pulled out a gold watch, a watch that she wore under her blouse

like a locket.

“Eleven o’clock!”

Brent straightened with uneasy self-consciousness; he felt that he ought

to be on the road. Manon had put her watch back, and she appeared to

have forgotten Brent—though she was thinking of him all the while with

a shrewdness that considered everything. If Manon had a heart, she also

had a head.

“Mon ami,” she said suddenly, “I shall stay here to-night.”

“The cellar is quite dry.”

“That long walk frightens me. It is seventeen kilomètres to Ste.

Claire.”

“Too far,” said Brent with grim cheerfulness; “you will be quite

comfortable here. Those blankets should be dry—and I’ll cut you some

more wood before I go.”

She ignored those last words of his, and stood up, pushing back the box

on which she had been sitting.

“I want to look again at all my little property. Will you come with me?”

Brent glanced at her in surprise.

“Of course.”

He rose and stood waiting while she took her cloak from the nail and

flung it over her shoulders. And suddenly he saw her as a lonely little

figure, a woman left sitting alone in this ruined house, and the man in

him rebelled. He pictured her helplessness, the impossible struggle she

would be carrying on against Nature, and perhaps against men. He

understood that life in Beaucourt would be very primitive, and it was

possible that it might be cruel. There were all the elements of a savage

struggle for existence among these rubbish heaps that had been houses.

“I am ready.”

She gave him a flicker of her brown eyes, eyes that were on the verge of

tears. He saw her bite her lower lip, and stiffen her shoulders as they

went out into the street and stood there together looking up at the red

shell of the house. A little furrow of pain, pain that was being fought

and suppressed, showed on Manon’s forehead.

“Ma pauvre petite maison!”

Brent knew now that he wanted to stay in Beaucourt, that there was work

here, work fit for a man’s hands.

“The walls are good,” he said; “they will stand.”

“But what can I do with bare walls, mon ami?”

She turned and walked into the yard, passing between the stone pillars

that had lost their gates. The yard was full of the cosmopolitan rubbish

that war creates, the elements of a civilized home reduced to one common

scrap-heap. The stable had lost its roof. The little barn and the

cow-house were mere timber frames from which the tiles and the plaster

had fallen. Manon stood and looked at it all, and her mouth quivered.

“You see,” she said with a helpless gesture of the hands; “what is a

woman to do?”

They passed on into the garden, and the garden did not despair. It had

one great wound, a huge shell-hole in its centre, a pit into which the

Germans had pitched their refuse, but an hour or two’s work with a spade

would heal all that. The two holes in the stone wall needed stopping,

and the espaliers cried out for the pruning knife, but as for the weeds,

well they would make green manure. Manon and Paul wandered down into the

orchard, climbing through the shell-hole in the wall, and here too

Nature had a smile of promise, a promise of green growth that nothing

could hinder or dismay.

Manon saw Beckett’s grave and glanced at Brent.

“Yes,—I lie there,” he said; “queer, isn’t it?”

“Was he a good man—your comrade?”

“He was a better man as a soldier than I was. That’s all I care to

remember.”

She turned back into the garden, and her heart failed her as she looked

at the roofless house. There had been an arbour in the garden at the end

of the little avenue of pollarded limes, and Manon’s memories led her

there. The iron frame was unbroken, rambled over by a hardy vine and

some climbing roses,—a round iron table standing in the centre, with a

semi-circular green bench at the back of it. People had forgotten to

break up the wooden bench for firewood.

Manon sat down, and looked up at Brent, who was knocking the bowl of his

pipe against the edge of the iron table. His face was

serious—overshadowed.

“Mon ami,” she said suddenly, “I think that I am ruined.”

Brent glanced at her, and her eyes hurt him. He sat down on an end of

the bench.

“I can understand,” he said; “it’s—it’s damnable.”

She began to talk with an air of pathetic candour.

“You see—my life lies here; the place is part of my heart. I have the

blood of peasants in me, and all the time I think of the past. This

morning I did not know what I should find here; I had such hopes, such

an excitement of tenderness. And look at the poor place!”

She seemed to be touching something with gentle and caressing hands.

“What can a woman do? I have a little money, but all the others will be

too busy to help. I shall not be able to hire labour. And even if my

hands were the hands of a man I should not know where or how to begin.”

Brent had the stem of his empty pipe gripped between his teeth. He was

staring at the house; and suddenly he turned to Manon.

“I am going to speak out. I shall not hurt you.”

“I am not afraid,” she said simply.

“Do you remember my telling you that I had had a dream? It happened at

Peronne, only a few days ago. My dead friend who is over there came and

spoke to me—we were here in this garden—but I could not understand

what he said. When I woke up I had a feeling that I should come to

Beaucourt, that it was my business to come to Beaucourt. And last night

as I sat in that cellar of yours, I began to wonder whether some wise

spirit had not sent me here. I want work, a new chance, something to

make me feel a man. That’s how it happened; just like that.”

“I can believe it,” she said.

He went on, not looking at her, but staring at the ground:

“I told you I wanted to make a fresh start. Why should I go any farther?

I have a little money, and one will want but little in Beaucourt to

begin with—just food and boots and a little tobacco. Why shouldn’t I

stay and rebuild your house?”

She was looking at him with her brown eyes wide open, softly, and with a

kind of gentle incredulity.

“Mon ami, it is a beautiful thought; but it is not possible.”

She saw the muscles of his jaw tighten.

“You mean that it is impossible for me to stay here?”

“No, no! But how can you put a roof on my house? Where are the wood and

the tiles to come from? Besides——”

He began to smile.

“It could be done.”

“But—you are dreaming?”

“I’m very wide awake,” he said, “and I say that it could be done. You

have not seen as much of Beaucourt as I have. There are army huts over

there—a little knocked about—but I could get enough timber and

corrugated iron out of them to do the job. You see—ten years ago I was

building houses with my own hands.”

“Are you serious?”

“I was never more serious in my life.”

Manon leant forward over the table, one hand shading her eyes and a

faint flush showing upon her face. The forefinger of her right hand

traced crosses and circles on the top of the iron table. She began to

speak, hesitated, and fell back into silence. The colour died away from

her face; she became very pale, so pale that even her red lips looked

blanched. The very intensity of her emotion broke in a storm of fierce

sincerity. She turned on Brent and attacked him.

“What is it that you want?”

And Brent did not flinch.

“I have told you. Work—a new chance—a man’s chance.”

She gave a flick of the head.

“Oh, I know men! They do not do things for nothing. Let us have no

misunderstanding. I have nothing to give but a little money.”

Brent faced it out as he had faced many a bloody ten minutes. He was a

little grim, but very gentle; and all his sympathies were with Manon.

“Now we are down to the foundations,” he said; “you have cleared all the

rubbish away. You can hit out at me; it doesn’t hurt—because you are

being honest, and I’m not a cad. I don’t want your money. I don’t expect

anything. I don’t say that I shouldn’t fall in love with you if I stayed

here—but even if I did, it wouldn’t be the sort of love that makes a

man behave like a beast. That’s all I have to say.”

She smiled; her colour returned; her lips and her eyes softened.

“Somehow I believe you,” she said, “though I could not tell you why. And

yet—what would you get out of such a life, what would it lead to—for

you?”

Brent leant over towards her.

“Manon,” he said, “can you understand a man who has been a failure

wanting to do something that is good and unselfish? Can’t you understand

him craving for a clean taste of life in his mouth?”

“I can understand it,” she answered.

“Good God—do we always sit down and work out a sum on paper? Aren’t

there bits of fine madness in life—glorious things that seem mad to the

careful people?”

She held out a hand.

“My friend, forgive me; but I have been a woman to whom many men have

made love. The fools do it so easily and they expect a woman to be

flattered and to surrender just as one opens a door.”

Brent grasped her hand.

“Then—I may stay?”

“Yes.”

He threw up his head with an air of pride, and a flash of half-boyish

exultation.

“That’s great of you—great. You are giving me my chance. Let’s go and

look at the house; let’s get at it—at once. I want to take my coat

off.”

The House of Adventure · 第 12 / 48 题