Lary's (Gorham, New Hampshire), 171.
Lead Mine Bridge (Shelburne, G. T. R.), grand view from, 175, 176.
Legends of General Hampton and the Devil, 11-14;
of Mount Chocorua, 21-24;
of Passaconnaway, 24, 25, _note_;
Indian tradition of the Deluge, 114;
the Indian's heaven, 115;
the Great Carbuncle, 115;
the war party and its prisoners, 127, 128;
the youthful lovers, 128;
of Glen Ellis Falls, 152;
of the Silver Image, 263.
Lion's Head (Tuckerman's Ravine), 142, 146, 159.
Lisbon (B., C., & M. R.R.), discovery of gold ores in, 251.
Littleton (B., C., & M. R.R.), from Bethlehem, 279.
Livermore (P. & O. R.R.), Saco Valley, logging hamlet of, 63;
way to the Pemigewasset, 221.
Livermore Falls (Pemigewasset River), 212.
Logging on the Androscoggin, 173, 174.
Lonesome Lake (Mount Kinsman), 244.
Long Island, Lake Winnipiseogee, east shore, 9.
Lovewell, John (captain of colonial rangers), battle with the Sokokis, 34-38.
Lovewell's Pond (scene of Lovewell's fight), 34.
Lowell, Mount (Saco Valley), slide on, 64.
MAD RIVER and Valley (branch of Pemigewasset), 218.
Madison, Mount (next north of Adams), 165.
Marsh, Sylvester, projector of Mount Washington railway, 301.
Merrimack River, source of, 65.
Moat Range, position of, 39;
cliffs of, 40, 41, 44;
the ascent, 47;
from Jackson Falls, 124.
Monroe, Mount, from Tuckerman's Ravine, 160.
Moose River (branch of Androscoggin), 171.
Moosehillock, or Moosilauke, from Lake Winnipiseogee, 10;
from Chocorua, 30;
from Pemigewasset Valley, 223;
from Newbury, Vermont, 258;
_see_ Chapter VII., Third Journey, 269-275;
how to reach the mountain, 269;
the mountain's top, 271;
view from, 273;
from Bethlehem, 279.
Moriah, Mount (Carter Chain, near Gorham), 169.
Mountain Butterfly, 202.
NANCY'S BROOK (Saco Valley), story of, 67-69.
Newbury, Vermont (Pass. R.R.), 257.
Nineteen Mile Brook (branch of the Peabody River, a branch
of the Androscoggin; rises in Carter Notch), 143.
North Conway (E. R.R. and P. & O. R.R.), topographical features of, 39-41;
excursions from, 57;
_see_ Intervale, White Horse Ledge, Cathedral Ledge, Humphrey's
Ledge, Echo Lake, Diana's Baths, Artists' Falls,
Kearsarge and Moat Mountains, etc.
OAKE'S GULF (in great range), 103.
Old Man of the Mountain (Franconia Pass), 231-236;
legends of, 235.
Ossipee Mountains, from Lake Winnipiseogee, 8.
Owl's Head (Lake Memphremagog), from Moosehillock, 273;
Cherry Mountain, 292.
PEABODY RIVER (branch of the Androscoggin; rises in Pinkham
Notch), 144, 154, _note_.
Pemigewasset River, branch of Merrimack, 210;
Livermore Falls, 211;
East Branch, 223.
Pemigewasset, Mount (near Flume House), ascent and view, 229.
Pemigewasset Valley (Chapter I., Third Journey), 210-223;
villages of, 212.
Pemigewasset Wilderness, way through, 221, 229.
Percy Peaks, 280, note.
Perkins Notch, position of, 133.
Pilot Mountains from Gorham, 170;
origin of name, 170, 171.
Pine Mountain (Gorham, New Hampshire), 170.
Pinkham Notch from Thorn Hill, 122;
from the road between Jackson and Glen House, 129;
from Glen House, 144;
_see_ Thompson's Falls, Emerald Pool, Crystal Cascade,
Tuckerman's Ravine, Glen Ellis Falls, etc., 144-164.
Pleasant, Mount, from Fabyan's, 300.
Plymouth (B., C., & M. R.R.), 209;
routes through the mountains, 211.
Pool, The (Franconia Pass), 225.
Portland and Ogdensburg Railroad, passage of the White Mountains Notch, 93.
Prime, W. C., referred to, 244.
Profile House (Franconia Pass), its attractions, 237-240;
_see_ Old Man, Profile Lake, Mounts Cannon and Lafayette,
Eagle Cliff, Echo Lake, etc.;
to Bethlehem by the old highway via Franconia, 248;
by rail, 248.
Profile Lake (Franconia Pass), 232.
Prospect, Mount (Holderness), 214.
RANDOLPH HILL, drive to, and view from, 297, 298.
Ravine of the Castles (Mount Jefferson), 313.
Raymond's Cataract, from Carter Dome, 142;
from Pinkham Notch, 147;
see Tuckerman's Ravine.
Red Hill from Lake Winnipiseogee, 10;
ascent of, from Centre Harbor, and view from summit, 14-17.
Ripley Falls (on Cow Brook, Saco Valley), 89.
Rogers's, Robert (Major), account of the White Mountains, 119, 121, note;
destroys St. Francis, 259;
_see_ Chapter VI., Third Journey.
Rosebrook, Eleazer, sketch of, 302, 303.
SACO VALLEY (Chapters IV. to IX., inclusive), from Mount Chocorua, 31;
at Fryeburg (Maine), 33;
at North Conway, 39;
at Bartlett, 61-65;
from Mount Carrigain, 64, 65;
source of the Saco, 88;
historical incident, 153.
Sandwich Mountains from Lake Winnipiseogee, 8;
from Sandwich Centre, 19;
from Tamworth (Nickerson's), 24.
Sandwich (town of), mountains near, 19.
Sandwich Notch, position of, 218.
Sawyer's River (branch of the Saco), valley of, 62, 63.
Sawyer's Rock (Saco Valley, west side, near Bartlett), 62.
Schoolcraft, Henry Rowe, quoted on the Indian name for the
White Mountains, 120.
Silver Cascade (Crawford Notch), 85.
Snow Arch (Tuckerman's Ravine), 161, 162.
Spencer, Jabez (General), settles Campton, 216.
Squam Lake from Red Hill, 16.
St. Francis de Sales, sacked by Rogers, 259;
_see_ Chapter VI., Third Journey.
Star Lake (Mount Adams), 317.
Stark, John (General), captured by Indians, 210, 211.
Stark, William, 210, 211.
Starr King Mountain, 291.
Storm Lake (between Madison and Adams), 317.
Sugar Hill, from Profile House road, 249;
view from, 252, 253.
Sullivan, James (Governor of Massachusetts), his authority for
the story of "The Great Carbuncle," 116;
quoted, 153.
Swift River (branch of the Saco), from Mount Chocorua, 30.
TAMWORTH IRON WORKS (point from which Chocorua is usually ascended), 21, 25.
Thompson's Falls (near Glen House), 146.
Thorn Mountain, from North Conway, 40;
walk over Thorn Hill (lower spur of Thorn Mountain) to Jackson, 122, 132.
Tripyramid Mountain, from Mad River Valley, 219;
slide on, 221.
Trout-breeding, State establishment at Plymouth, 212.
Trout-fishing begins in New Hampshire May 1, 213.
Trumbull, J. Hammond, LL.D., quoted on the Indian names
for the White Mountains, 120, _note_.
Tuckerman's Ravine from Mount Kearsarge, 51;
from Carter Dome, 142;
from Thompson's Falls, 146;
way into from Glen House, 156;
appearance from Glen House, 156;
Hermit Lake and Lion's Head Crag, 159;
Snow Arch, 161;
head wall, 162;
out by the path to Crystal Cascade, 164.
VIEWS, from Red Hill, 14-17;
from Chocorua, 29-31;
from Jockey Cap, 34;
from Conway Corner, 33;
from North Conway, 40;
from Mount Kearsarge, 51;
from the Intervale (North Conway), 55-57;
from Mount Carrigain, 64, 65;
from above Bemis's, 74;
from Mount Willard, 91;
from Mount Clinton, 100;
from Carter Dome, 141;
from Glen House, 145;
from Gorham, 169;
from Berlin, 172, 175;
from Shelburne (Lead Mine Bridge), 176;
from Mount Washington carriage-road, 181, 185;
from the summit, 189-192;
from West Campton, 215;
from the Ellsworth road (Pemigewasset valley), 216;
from Mount Pemigewasset (Flume House), 229;
from Mount Lafayette, 246;
from Sugar Hill, 252;
from the foot of Bethlehem heights (Gale River valley), 254;
from Moosehillock, 272;
from Bethlehem, 280, 281;
from Jefferson Hill, 292;
from East Jefferson, 295;
from Randolph Hill, 297;
from Mount Adams, 316.
WARREN (B., C., & M. R.R.), point from which to ascend Moosehillock, 269.
Washington, Mount, River (formerly Dry River), grand
view of the high summits up this valley from P. & O. R.R., 74;
the valley from Mount Clinton, 100.
Washington, Mount, carriage-road, 178;
Half-way House and the Ledge, 180;
Great Gulf, 181;
accident on, 183;
Willis's Seat, and the view 185;
Cow Pasture, 186;
Dr. Ball's adventure, 186;
fate of a climber, 186;
up the pinnacle, 186;
United States Meteorological Station, 187;
the summit, 188.
Washington, Mount, from Lake Winnipiseogee, 9;
from Mount Chocorua, 31;
from Conway, 33;
from North Conway, 40;
from Mount Kearsarge, 51;
from Mount Carrigain, 65;
first path to, 71;
Davis path, 73;
view near Bemis's (P. & O. R.R.), 74;
Crawford bridle-path opened, 89;
from Mount Willard, 93;
from Mount Clinton, 100;
first ascension, 116-119;
Indian traditions of, _see_ Chapter I., Second Journey;
from Thorn Hill, 122;
from the Wildcat Valley, 133;
from Carter Dome, 142;
from Glen House, 144;
from the Glen House and Gorham road, 168;
carriage-road, _see_ Chapter VII., Second Journey;
the Signal Station, 187, 196;
a winter tornado on the summit, 192-194;
shadow of the mountain, 195;
the plateau--its floral and entomological treasures, 197, 198;
transported bowlders on, 197;
Lake of the Clouds, 198;
from Mount Lafayette, 246;
travellers lost on, 186, 199, 310;
from Moosehillock, 270;
from Bethlehem, 281, 282;
from Fabyan's, 300;
railway to summit, 301-306;
moonlight on the summit, 311;
sunrise, 312;
sunset, 318.
Washington, Mount, Railway, from Fabyan's, 301;
to the base, 304;
its mechanism, 305;
Jacob's Ladder, 305;
up the mountain, 306, 307;
the Summit Hotel, 307.
Waterville (Mad River valley), the neighborhood, 219;
path to Livermore, 221.
Webster, Daniel, at Fryeburg, Maine, 33.
Webster, Mount, approach to, 75;
from Mount Willard, 92.
Weirs (B., C., & M. R.R.), Lake Winnipiseogee, west shore, 10, _see note_.
Welch Mountain (Pemigewasset valley), 218.
Whipple, Joseph (Colonel), settles at Jefferson, 294.
White Horse Ledge (North Conway), 41.
White Mountains, general view of, from Conway, 33;
from North Conway, 40;
from Mount Carrigain (in mass), 65;
legends of, _see_ Chapter 1., Second Journey;
first ascensions, 116-119;
how named, 119, 120;
appearance from the coast, 120, 121;
from Mount Lafayette, 246;
from Bethlehem, 281;
from Fabyan's, 300.
Wildcat River (branch of the Ellis, a branch of the Saco;
rises in Carter Notch), Jackson Falls on, 124;
disappearance of, 136.
Wildcat Mountain (one of Carter Notch and Pinkham
Notch Mountains), position of, 123;
avalanche of bowlders, 136;
appearance from Carter Notch, 141;
from Glen House, 145.
Wildcat Valley (Jackson to Carter Notch), 133-140.
Willard, Mount, 77;
ascent of, from Crawford House, 91.
Willey family, burial-place of, 55;
destruction of, by a landslip, 77-80.
Willey, Mount, from Carrigain, 65;
approach to by the valley, 75;
from Mount Willard, 92.
Winnipiseogee, Lake, sail up, from Wolfborough to Centre Harbor, 8-10;
Indian occupation and customs, 10;
sunset view of, from Red Hill. 16, 17.
Winnipiseogee River (outlet of the lake), Indian remains on, 10;
Endicott Rock in, 10, _note_.
Wolfborough ( E. R.R. branch ), Lake Winnipiseogee, 8.
NEW YORK & NEW ENGLAND RAILROAD.
THIS IS THE MOST CONVENIENT LINE BETWEEN
Boston, Philadelphia, Baltimore, and Washington,
AS IT IS THE ONLY LINE RUNNING
THROUGH PULLMAN CARS WITHOUT CHANGE.
The train leaving Washington, Baltimore, and Philadelphia in
the afternoon, arrives in Boston the following morning in season
to connect with trains on the Eastern, Boston & Maine, and Boston
& Lowell Railroads, for points in the White Mountains and shore
resorts. The morning trains from the White Mountains and shore
resorts arrive in Boston in sufficient time to cross the city and
take the 7 P.M. train for the South.
Berths in Pullman Sleepers can be secured in advance on
application to the Company's Office,
322 Washington St., Boston, and Depot, foot of Summer St.; and at
Pennsylvania Railroad Ticket Offices in Philadelphia, Baltimore, and
Washington.
==>Ask for Tickets via New England and Str. Maryland Lines.
S. M. FELTON, Jr., General Manager. A. C. KENDALL, General Passenger Agent.
WILLIAM S. BUTLER & CO.
90 & 92 Tremont Street,
(Opposite Tremont House), BOSTON, MASS.
DEALERS IN
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FANCY GOODS, PERFUMERY, TOILET ARTICLES, &c.
AND MANY OTHER NOVELTIES.
Ladies visiting Boston, or gentlemen wishing to make purchases
for absent wives, sisters, or lady friends, will do well to inspect
the admirably selected stock of Gloves, Laces, Velvets, Ribbons,
Flowers, Millinery Goods, Hats, Hosiery, Small Wares, and Fancy
Goods generally, offered by WILLIAM S. BUTLER & CO., at
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has won an enviable reputation for the excellence of its goods, its
courteous attendance, and the moderation of its prices; while its
location renders it most convenient of access by horse cars, either
from the hotels or from any of the railroad depots.
==>Orders by mail or express will receive prompt attention.
WILLIAM S. BUTLER & CO.,--90 and 92 Tremont Street, Boston.
SHORE LINE ROUTE.
NEW YORK AND BOSTON.
Trains leave GRAND CENTRAL DEPOT, New York, for Boston, at
=8.05 A.M.=, =1= and =10 P.M.=; arriving in Boston
at =6= and =8.05 P.M.=, and =6.20 A.M.=
Sundays for Boston at 10 P.M.
WAGNER DRAWING-ROOM CARS
On 1 P.M. trains from Boston and New York.
WAGNER SLEEPING CARS
On night trains from Boston and New York.
Leave BOSTON and PROVIDENCE STATION, Boston, at =8 A.M.=,
=1= and =10.30 P.M.=; arriving in the Grand Central
Depot, New York, at =4.22= and =7.40 P.M.=, and =6.38
A.M.=
Sundays for New York at 10.30 P.M.
For further information, apply to
J. W. RICHARDSON, Agent, State Street, Corner Washington;
Or at Providence Railroad Station, Columbus Avenue, near Boston Common.
A. A. FOLSOM, Superintendent.
HARPER'S CYCLOPEDIA
OF
BRITISH AND AMERICAN POETRY.
EDITED BY
EPES SARGENT.
Large 8vo, nearly 1000 pages, Illuminated Cloth, with Colored Edges,
$4.50; Half Leather, $5.00.
Mr. Sargent was eminently fitted for the preparation of a work
of this kind. Few men possessed a wider or more profound knowledge
of English literature; and his judgment was clear, acute, and
discriminating. * * * The beautiful typography and other exterior
charms broadly hint at the rich feast of instruction and enjoyment
which the superb volume is eminently fitted to furnish.--_N.Y.
Times._
We commend it highly. It contains so many of the notable poems
of our language, and so much that is sound poetry, if not notable,
that it will make itself a pleasure wherever it is found.--_N.Y.
Herald._
The selections are made with a good deal of taste
and judgment, and without prejudice against any school or
individual. An index of first lines adds to the usefulness of the
volume.--_N.Y. Sun._
The collection is remarkably complete. * * * Mr. Sargent's
work deserves special commendation for the exquisite justice it
does to living writers but little known. It is a volume of rare and
precious flowers culled because of their intrinsic value, without
regard to the writer's fame. The selections are prefaced by a brief
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poetry. * * * A valuable acquisition to the literary treasures of
American households.--_N.Y. Evening Express._
He seems to have culled the choicest and the best from the
broad field. * * * Mr. Sargent had the fine ear to detect the pure,
true music of the heart and imagination wherever it was voiced. * *
* The elegant volume is a household treasure which will be highly
prized.--_Evangelist, N.Y._
PUBLISHED BY HARPER & BROTHERS, NEW YORK.
==>_Sent by mail, postage prepaid, to any part of the United States, on
receipt of the price._
DRAKE'S NEW ENGLAND COAST.
NOOKS AND CORNERS OF THE NEW ENGLAND COAST. By SAMUEL
ADAMS DRAKE. With numerous Illustrations. Square 8vo, Cloth,
$3 50; Half Calf, $5 75.
MY DEAR SIR,--I laid out your new and beautiful
book to take with me to-day to my summer home, but before I go I
wish to thank you for preparing a volume which is every way so
delightful. All summer I shall have it at hand, and many a pleasant
hour I anticipate in the enjoyment of it. I have _read_ far enough
in it already to feel how admirably you have done your part of it,
and I have _seen_, in turning over the delectable pages, what a
panorama of lovely nooks and rocky coast your artist has prepared
for the pleasure of your readers. May they be a good many thousand
this year, and continue to increase time onward. If I am not
greatly out in my judgment, edition after edition will be called
for. Truly yours,
JAMES T. FIELDS.
Thy "Nooks and Corners of the New England Coast" is a delightful book,
and one of most frequent reference in my library. Thy friend,
JOHN G. WHITTIER.
I take this opportunity of acknowledging the pleasure I have received
from your interesting book on our New England coast. It was my companion
last summer on the coast of Maine. Yours truly,
F. PARKMAN.
Mr. Samuel Adams Drake does for the New England coast such service as
Mr. Nordhoff has done for the Pacific. His "Nooks and Corners of the
New England Coast"--a volume of 459 pages--is an admirable guide both
to the lover of the picturesque and the searcher for historic lore, as
well as to stay-at-home travellers. The "Preface" tells the story of the
book; it is a sketch-map of the coast, with the motto, "On this line, if
it takes all summer." "Summer" began with Mr. Drake one Christmas-day
at Mount Desert, whence he went South, touching at Castine, Pemaquid,
and Monhegan; Wells and "Agamenticus, the ancient city" of York;
Kittery Point; "The Shoals;" Newcastle; Salem and Marblehead; Plymouth
and Duxbury; Nantucket; Newport; Mount Hope; New London, Norwich, and
Saybrook. What nature has to show and history to tell at each of these
places, who were the heroes and worthies--all this Mr. Drake gives in
pleasant talk--_N.Y Tribune._
MY DEAR MR. DRAKE,--I have given your beautiful book, "Nooks
and Corners of the New England Coast," a pretty general perusal. It is
one "after my own heart," and I thank you very much for it. Your Preface
is an admirable "hit" in more ways than one. Like Grant, whom you have
quoted, it took you, I imagine, _all winter_ as well as _all summer_
to accomplish your victory, for you speak of experiences with snow and
sleet.
You have gathered into your volume, in the most attractive form, a vast
amount of historical and descriptive matter that is exceedingly useful.
I hope your pen will not be stayed. Your friend and brother of the pen,
BENSON J. LOSSING.
To-morrow I leave home for a week or two in Maine, and shall take your
beautiful volume, "Nooks and Corners of the New England Coast," with
me to read and enjoy at leisure. I am sure it cannot fail to be very
interesting.
Yours faithfully,
HENRY W. LONGFELLOW.
I need not tell you with how much interest both my husband and
myself--lovers of the valley--look forward to your work, nor how much
pleasure your "Nooks and Corners" has already afforded us.
With most cordial regards,
HARRIET P. SPOFFORD.
His style is at once simple and graphic, and his work as conscientious
and faithful to fact as if he were the dullest of annalists instead of
one of the liveliest of essayists and historians. The legitimate charm
of variety--characteristic of a work of this kind--makes the book more
entertaining than any volume of similar size devoted exclusively to
chronology, biography, essays, or anecdotes.--JOHN G. SAXE, in
the _Brooklyn Argus_.
Mr. Drake's "Nooks and Corners of the New England Coast" ought to be in
the hands of every one who visits our sea-side resorts. The artistic
features serve to embellish a very interesting description of our New
England watering-places, enlivened with anecdotes, bits of history
connected with the various places, and pleasant gossip about people and
things in general.--_Saturday Evening Gazette_, Boston.
PUBLISHED BY HARPER & BROTHERS, NEW YORK.
==>HARPER & BROTHERS _will send the above work by mail, postage
prepaid, to any part of the United States, on receipt of the price_.
GLOWING TRIBUTES TO AMERICAN ART.
WHAT LEADING ENGLISH PAPERS
SAY OF
"PASTORAL DAYS;
OR,
MEMORIES OF A NEW ENGLAND YEAR."
BY W. HAMILTON GIBSON.
4to, Illuminated Cloth, Gilt Edges, $7 50.
FROM "THE TIMES," LONDON.
The title of this very beautifully illustrated book conveys
but a very faint idea of its merits, which lie, not in the
descriptions of the varied beauties of the fields and fens of New
England, but in the admirable wood-engravings, which on every
page picture far more than could be given in words. The author
has the rare gift of feeling for the exquisitely graceful forms
of plant life and the fine touch of an expert draughtsman, which
enables him both to select and to draw with a refinement which few
artists in this direction have ever shown. Besides these essential
qualities in a painter from nature, Mr. Gibson has a fine sense
of the poetic and picturesque in landscape, of which there are
many charming pieces in this volume, interesting in themselves as
pictures, and singularly so in their resemblance to the scenery
of Old England. Most of the little vignette-like views might be
mistaken for Birket Foster's thoroughly English pictures, and some
are like Old Crome's vigorous idyls. One of the most striking--a
wild forest scene with a storm passing, called "The Line Storm"--is
quite remarkable in the excellent drawing of the trees swept by the
gale and in the general composition of the picture, which is full
of the true poetic conception of grandeur in landscape beauty. But
all Mr. Gibsons's good drawing would have been nothing unless he
had been so ably aided by the artist engravers, who have throughout
worked with such sympathy with his taste, and so much regard for
the native grace of wild flowers, grasses, ferns, insects, and
all the infinite beauties of the fields, down to the mysterious
spider and his silky net spread over the brambles. These cuts are
exceptional examples of beautiful work. Nothing in the whole round
of wood-engraving can surpass, if it has even equalled, these
in delicacy as well as breadth of effect. Much as our English
cutters pride themselves on belonging to the school which Bewick
and Jackson founded, they must certainly come to these American
artists to learn the something more which is to be found in their
works. In point of printing, too, there is much to be learned in
the extremely fine ink and paper, which, although subjected to
"hot-pressing," are evidently adapted in some special condition for
wood-printing. The printing is obviously by hand-press,[46] and in
the arrangement of the type with the cuts on each page the greatest
ingenuity and invention are displayed. This, too, has been designed
with a sort of a Japanesque fancy; here is a tangled mass of
grasses and weeds, with a party of ants stealing out of the shade,
and there the dragon-flies flit across among the blossoms of the
reeds, or the feathery seeds of the dandelion float on the page.
Each section of the seasons has its suggestive picture: Springtime,
with a flight of birds under a may-flower branch that hangs across
the brook: Summer, a host of butterflies sporting round the wild
rose: Autumn, with the swallows flying south and falling leaves
that strew the page; while for Winter the chrysalis hangs in the
leafless bough, and the snow-clad graves in the village church-yard
tell the same story of sleep and awakening. As many as thirty
different artists, besides the author and designer, have assisted
in producing this very tastefully illustrated volume, which
commends itself by its genuine artistic merits to all lovers of the
picturesque and the natural.
FROM "THE SATURDAY REVIEW," LONDON.