CHAPTER XXIX

KATE RUTHERFORD RELIEVES HER MIND

"It was your own fault, Don. Your own fault, boy," Doctor Stevens

remarked, with partly assumed annoyance. "If you'd waited at home until

I 'phoned, you never would have seen Miss Blake with that dreadful

thing on her face. It was part of the experiment I was trying upstairs."

He looked across his private office at a stately figure ensconced in

the largest chair in the room. "It was Mrs. Rutherford who suggested

how it could be managed, and she made Miss Blake up with her own fair

hands. And Mr. Clancy backed me up in style." He glanced aside at Peter

who was sitting near him.

"But," said Donald, looking down into the glowing face so near to

his, as he and Mary (as he insisted on calling her) sat together upon

a couch. "But I can't realize it all, somehow. The--mark, dear," he

clasped her hand tenderly, "was a birthmark, wasn't it? I thought that

it was practically impossible----"

"And I thought so, too, Donald," she interrupted. "For the last few

years I've hunted up every report--all the experiments of this kind

that have been tried, for I wanted--oh, I wanted so to be rid of

the hideous, dreadful thing. I saw one of the best specialists here

last fall. He said something might be done by skin-grafting, but that

it would be a long and painful experiment. I was playing then, of

course, and couldn't give up the time.... And then, just after that,

there was an article in a silly magazine called _Beauty_, which told

of the wonderful discovery, made by a doctor, in a little place near

Chicago named Cordenham. It was a new kind of ray--which destroyed the

colouring matter in the skin. I subscribed for the magazine at once,

but there were only two more notices and they weren't very convincing.

In the meantime I went to the library and looked for more authentic

reports in all the current medical journals. I found the experiments of

Doctor Witherspoon mentioned, but the articles seemed to indicate that

nothing conclusive had been done at that time.... Oh, Donald, can you

imagine with what anxious longing I watched for the new numbers of that

magazine to appear?"

"And when they did come out, Mr. Morris," Peter interjected, "Miss

Blake cut out some of the articles and saved them. That was how I

traced her."

"You found them in her apartment?" asked Donald, quickly. "You didn't

tell me that."

"No," answered Peter, promptly, "for the simple reason that I didn't

find the articles. It was like the old story of the fisherman who was

about to take a party out among some dangerous rocks. When asked if he

knew where the submerged rocks were, he said, 'I don't know where they

be, but I know where they ain't.' Well, that was my case. I found the

magazines that the articles had been cut from pretty early in the game,

but I didn't see any significance in that till I knew--well, most of

the facts. Then I went back to the apartment and made a note of every

magazine from which anything had been clipped, the date and page. After

that, I went to the library--and found that the articles all pointed

one way. Directly or indirectly, they pointed to Doctor Witherspoon and

Cordenham."

"You're all right, Clancy," said Donald with sincerity. "You certainly

are a wonder."

Peter looked a little sheepish. "It would have been more to the point

if I'd made my discovery a little earlier," he said. "Miss Blake was

almost ready to come back to town when I found her."

"Yes, Donald," said Mary, looking at him with concern in her beautiful

eyes. "Doctor Witherspoon was almost ready to let me go, at last.

Oh, my dear, if I had known it would be so long I never would have

done what I did--have left you in suspense all these weeks. I would

have told you everything, and taken the risk.... But the very last

thing I found--it was in the _Planet_, just a few days before I went

away--an article which gave a full description of a wonderful cure made

by Doctor Witherspoon. It took only three days, and was absolutely

successful.... From previous accounts in the medical journals, I knew

that the operation was considered dangerous--but I pinned my faith to

the last thing I'd learned--and hoped.

"I'd made up my mind to take the risk, anyway. I had my plans all laid,

and that Saturday morning I drew enough money to see me through.... My

only question was whether or not to tell you.... And then, that last

night--that last night, dear, my courage failed utterly. When you spoke

of 'my sister Anne' with such confidence in me in your dear voice--oh,

Donald, every time you mentioned her, I felt--I can't tell you how

beneath contempt I felt.... To deceive you! Oh, Donald----"

"Don't--don't think of it, dearest," he said, gently. "I understand, I

understand."

"Oh, you're wonderful, wonderful," she said, with tears in her eyes.

"But it would all have been different if I had realized. Mine was a

bad case, Donald; the position and size of the mark, and my nervous

exhaustion, they all told against me, and after the very first

treatment I collapsed utterly. I knew nothing for days and days....

They kept me under anæsthetics and the treatment went on.... When

I came fully to myself, it was so near the end, I was so close to

achieving my heart's desire, that I made up my mind to wait--just a

little while, dear--to regain my strength, and then come back and tell

you--everything.... Oh, Donald," she paused, and looked deep into

his eyes, "I wonder if you can realize, quite, what the whole thing

meant to me. I knew you loved me, but I also knew how you shrank from

anything ugly, abnormal. I had good reason to know.... And the thing

had been a nightmare to me all my life long; I could not bear it any

longer.... And, if the operation was not to be successful, I had made

up my mind, Donald, that I would never, never see you again.... That

Mary Blake should vanish. That there should be no one left but Anne,

and that she would never be found, for--there would be nothing left in

life for her, and she would have been glad to lay it down----"

"Oh, Mary, Mary!" he cried, and unheeding the others in the room, he

threw his arms about her and held her fast. "It wouldn't have mattered

if the experiment had failed, dear. I love you, _you_--you must have

seen, just now, out there on the stairs--you must have realized that it

would have made no difference----"

"Oh, yes, Donald, yes," she sobbed. "I saw--I saw it all, and I

can't help being a little glad to know that not even that hideous

disfigurement could make a difference. But I never would have caused

you that pain, not even for my poor sister's sake, if I'd had any

idea----"

"And that's what made me so angry with you, Don," said Doctor Stevens,

striving to break the emotional tension of the scene. "As I said

before, if you'd only waited as I told you, you'd have been saved a

lot. You see, Don," he explained, "I have a very strong professional

interest in the case upstairs, and there was just one chance in a

million of helping Miss Rosamond Curwood to regain her memory, and the

Lord put it into my hand. I do think, now, it was that good old chap,

O'Malley, who first made the suggestion. It seems he had an experience

once with a similar case, where the patient was confronted with someone

well--intimately--known in the past."

"And this is how it happened just as it did, Mr. Morris," Peter broke

in, eagerly. "I'd wired O'Malley and Mrs. Rutherford, from Cordenham,

to meet us at the Penn. Station. Miss Blake didn't want me to telegraph

you. She was afraid of the shock, and it would have been impossible to

explain--well, everything--you see, in a telegram.... We got in about

noon, and O'Malley told us of the discovery you'd made. We compared

notes, and Miss Blake was certain that the person you'd found must be

her twin sister, Rosamond, who'd disappeared years ago. Miss Blake was

naturally all broken up over the whole thing, and O'Malley had a hunch

that if the two sisters were suddenly brought together, it might bring

Rosamond to herself. He called up Doctor Stevens on his own, while we

were going over to Mrs. Rutherford's hotel, where we were going to ask

you to come; and, by the time we'd seen to Miss Blake's luggage and

arrived at the hotel, Doctor Stevens was there, waiting for us. He was

keen on making the experiment, and was neither to hold nor to bind,"

he glanced, quizzically, at the doctor, "until he'd tried it out. Both

Miss Blake and I wanted to get you first, but he said he wasn't at all

satisfied with Miss Curwood's condition, and that the thing should be

tried at once if it was to be any good. Miss Blake became alarmed at

that, and agreed. But then we struck a snag; Miss Rosamond would never

know her sister without the--the mark, which had been successfully

removed. Then Mrs. Rutherford came to the front. She said, 'Why not

paint it on again?' And that she did to perfection, I will say----"

"So I telephoned to keep you out of the way, Don," added Doctor

Stevens, "and you upset all our plans."

"But you haven't told me yet whether you were successful," said Donald,

who, with Mary's hand held close in his, had followed the conversation

intently. "Were they right, Mary? And is your sister----"

She shook her head, sadly,

"She knew me, Donald. She recognized me--but she remembers nothing,

nothing at all, that has happened since we were little children

together. Perhaps--oh, perhaps, Donald, it is just as well. She has no

painful memories, and her life must have been--hard, I'm afraid. Doctor

Stevens says----"

"We can hope. We can always hope," said the doctor, comfortingly; but

by the look in his eyes, Donald Morris knew that there was little

hope, in this world, for Rosamond Curwood.

"We'll take care of her, Mary," Donald said, gently. "We'll take care

of her together, dear."

There was a moment's pause, and then Mrs. Rutherford spoke, for almost

the first time.

"Look here, Don," she said, in her deep, commanding voice. "I don't

want you to blame Anne for having played a part to the world."

"I don't, Aunt Kate," he said, looking not at her, but at Mary. "I

understand----"

"But that's just it," interrupted the old lady, quickly. "You

understand a part. That's all. I know you've a lively imagination,

and I will say, Don, that you're--that you're a pretty satisfactory

person--take it all in all.... But I want you to understand that it

was I who put Anne up to the whole thing, and I guess I'll need a few

prayers if my poor old soul is ever to get out of Purgatory."

"Don't talk that way, Aunt Kate," said Donald, smiling at her perturbed

face.

"All right, Don," she agreed, "but I want you to know, just the same,

how the whole thing came about. This clever young countryman of mine,"

with an appreciative glance at Peter, "figured out the whole affair.

His knowledge of it came to me like a bolt from the blue. I'd never

seen him, you know, till you introduced him to me in Fennimore Park,

and you can, perhaps, imagine my surprise when he told me who he was,

and what he was doing. I was startled nearly out of my wits, and when,

without more ado, he plunged into the very middle of the situation, and

announced, in a whisper that would have done credit to Henry Irving:

'Mrs. Rutherford, there has never been, in that apartment in New York,

but one person--and her name is Anne Curwood,' I was simply taken

completely off my feet."

She glanced about to note the effect of these lines, dramatically

uttered, then she went on:

"I told him, after that, what I'm going to tell you all now--you who

know some of the facts.... It was all my fault.... I found Anne slaving

her youth away in menial tasks--and I found out that she was the

daughter of my old friend, Winthrop Curwood."

"Winthrop Curwood of the old Athenæum Company?" asked Donald, with keen

interest. "Why, I've heard my mother speak of him often. She knew his

people in England."

"Yes, Don. That's the man. But please don't interrupt. I want to

get the whole thing off my mind. My conscience has been worrying me

so, in the last few days, that I must clear it, and take all the

blame.... This is how it was--I discovered, almost at once, that Anne

had inherited her father's wonderful gifts, and that he had given

her a perfectly marvellous training.... He had become blind, stone

blind, poor, poor Win--and teaching her had been his one pleasure and

recreation. He'd done wonders for her, and probably had great hopes

for her future. He never knew--Anne told me all this. With tears in

her eyes, she said that she could never bring herself to tell him that

there would be no possible chance for her on the stage.... When she

told me that--I had a great idea. I took her up to my room, and I made

her up with my own hands. Nobody was ever more skilful at that than

Kate Rohan." There was pride in the deep old voice. "I made her look

at herself in the glass. You could see the birthmark in the bright

daylight a little, not very much. But when I drew the blinds and turned

on the electric lights, there wasn't a trace--not a trace.

"Then I thought it all out.... She couldn't be seen in the daytime, in

a bright light, without the defect being discovered. And if it was once

known, it would be talked about, and I could see that Anne would never

be able to stand the kind of notoriety it would bring her. She was

too terribly sensitive about it.... I was at my wits' end for quite a

while, and then--suddenly--I saw a way out....

"I was determined that her wonderful gifts should not be lost to the

world, and I got Arthur Quinn to come up to Fennimore Park. I made Anne

act for him, after I'd made her up as she ought to look on the stage.

He was crazy--mad about her, and when I saw how he felt, I told him

everything, including my plan--which was that she should be two persons

instead of one.... I even picked out a name for her--Mary, for my own

mother, and Blake, which was part of her mother's name--Blakeslie....

So--as Mary Blake she was to astonish and delight the world; and as

Anne Blake she was to pursue her daily round, without any subterfuge

other than the change of name, to agree with that of her 'sister.'

And, too, I suggested that she play the part, while she was about

it--play Mary with spirit and pride, standing tall and straight, as

she always did when she was taken out of herself--and let Anne be as

she was: plainly dressed, timid, quiet, retiring; stooping a little as

she walked or stood.... To me, it was an added touch to the dramatic

possibilities of the situation, but Anne looked at the whole thing

with distaste and it took some time to persuade her--but, at last, she

yielded.

"I arranged everything for her with Arthur Quinn, contracts and all. We

even managed to have her photographed so that the photographer didn't

suspect. That was rather ticklish business, for the camera sometimes

sees what the eye doesn't. But we took care of the lighting, and the

results were perfectly satisfactory.

"In the meantime, I found the apartment in Waverly Place, and we

furnished it together."

"And had special lighting installed," put in Peter, eagerly.

"Ah, you noticed that, did you, Mr. Clancy?" The old, young eyes

flashed him a quick look. "Yes. You see, she had to make up for 'Mary

Blake' at home, and we were taking no chances with the gas, which was

already there. Anne was staying at my hotel, as my companion, so all

that was easily accomplished.... Then, when she began making money,

we had to get banking accommodations for her. Arthur Quinn managed

that. He took her to the Scoville Bank, where he had an account, and

introduced her."

"Twice?" asked Peter, quickly.

"Yes," replied Mrs. Rutherford, giving him a keen glance. "He waited

for a cloudy day, when there would be artificial light in the bank, and

then he took 'Mary Blake,' and helped her open an account. That was

just in case of emergency. We'd planned that Anne should be the one who

would make deposits, as a general thing, and draw out money."

"So you made the account subject, under all conditions, to the order of

either of the sisters," said Peter, eagerly. "I found that out almost

the first thing; and it did give me a fearful jolt, let me tell you."

He did not think it necessary to explain why, and went on at once--"I

saw the signature card at that time, and there was something about the

appearance of the two names which struck me as being peculiar. Miss

Mary's writing was large and--fluent--sort of--while Miss Anne's was

small, and slanted the wrong way. At the first glance they didn't look

a bit alike, but----Well, I didn't think so much about it at the time,

but later I happened to see a letter written by Anne Curwood to an

old friend of hers named Walter Lord, up in Hobart Falls. I--I made an

opportunity to examine it carefully, and I found that, while it was

signed 'Anne,' the writing was, unmistakably, Mary's.... Then I began

to sit up and take notice....

"Here were twin sisters, who, in childhood--I had seen photographs of

both--looked almost exactly alike--save for one thing.... I learned,

from this Walter Lord, that both children had exceptional dramatic

talent; but also, to my surprise, that Anne was much the cleverer of

the two.... I knew that Rosamond had disappeared when the girls were

about eighteen years old, and had never been heard of since, but that

Anne had gone away, later, with a Mrs. Rutherford. That's how I first

got hold of your name, Mrs. Rutherford."

All were following Peter's recital with breathless interest. Kate

Rutherford nodded at the mention of her name, and Peter continued:

"And, on top of all this, I found that letter to Walter Lord, and

knew--yes, I was absolutely certain, that the two signatures at the

bank had been made by the same hand.... Well, I thought to myself, what

in the world does that mean?

"Then I went carefully over the facts we'd turned up in New York....

Mary Blake was a brilliant, successful actress, but she knew no one,

personally, so far as we could find out, except Mr. Morris and, to

quote the Italian janitor, 'a fine, grand lady' who sometimes came to

the apartment. There was, too, her present manager, Frederick Jones.

But he didn't appear to know her, except professionally.... From

him I found out that she associated with none of the members of the

company--and something else, which came back to me later--the curious

fact that she always rehearsed in costume--with a full make-up.... She

went out only in the daytime when it was absolutely necessary, was

always heavily veiled, and always took a cab....

"But, on the other hand, Anne was well known to the janitor, to various

tradesmen in the neighbourhood, and to the people at the bank. They all

described her to me, and the descriptions were practically identical.

"I remember that no one had ever spoken of the two sisters as if they

had been seen at the same time.... That only one of them, Anne, had

left the least trace when (as we all thought at the time) both of them

disappeared.... That there were many of Mary's clothes left in the

apartment and practically none of Anne's....

"And always, and everywhere, I heard of Anne's fearful handicap.... I

thought of it this way and that.... And there was only one theory that

would exactly fit all the facts. It seemed absurd to me when it first

flashed into my mind--and that was at the time when I realized that

only one person had signed at the bank. You will remember, Mr. Morris,

that I had seen part of a letter to you signed 'Mary', but the writing

was identical with that of Walter Lord's letter from 'Anne'--and then

it came back to me that I had noticed a remarkable similarity in the

two signatures at the bank, and I was sure--sure!"

"It seemed impossible, but I figured it all out that day, on my

way from Hobart Falls to Fennimore Park.... And when I heard Mrs.

Rutherford's voice, downstairs, there at your sister's house, Mr.

Morris, you remember--and realized that it was the same voice that had

called Anne Blake on the morning of our discovery in Waverly Place--and

that the name was the same as that of the lady who had taken Anne

Curwood away from Fennimore Park--well, you can imagine my feelings!"

"And it was only on guess-work, young man, that you made me disclose

a secret I'd kept for years!" said Kate Rutherford, severely. "If I'd

known that----"

"No you wouldn't, Mrs. Rutherford," Peter interposed, eagerly. "You

wouldn't have kept it to yourself. You know you were too much alarmed

by Mr. Morris's appearance to keep the matter secret any longer."

"And, after all, Anne," said Kate Rutherford, holding out her hands

in a gesture almost of supplication, "it was my secret, in a way. At

least I was responsible. It was my fault altogether. You would never

have gone into it at all but for me. I had such a hard time persuading

you----"

"And I never would have been persuaded, Donald," a soft voice

interrupted. "I think I would never have been persuaded but for one

thing, which Mrs. Rutherford never knew." For a moment Mary Blake

looked into the eyes of her lover. Then she went on: "You don't

remember, dear, I know. It was long, long ago, that first time I saw

you----"

"At my sister's house in Gramercy Park," said Donald.

"No, dear. Long before that. You were riding through Hobart Falls with

someone--a lady--on horseback.... You stopped at old Walter Lord's,

you and she, to have him take your pictures.... I remember it well."

Her voice was very quiet, full of restrained emotion. "The sunlight on

the trees, and on your face.... I was there, on the steps, and you saw

me--I saw the quick shiver of disgust when you caught sight of my poor

face. You closed your eyes for a second--and I went quickly away....

You would not remember, but it seared deep into my soul----"

Peter Clancy rose abruptly, and quietly passing over to the window,

stood with his back turned to the room. Doctor Stevens unobtrusively

joined him, and the two men stood looking out with unseeing eyes. Mrs.

Rutherford sat very still. Her great, dark, youthful eyes were full of

tears. The two fine young creatures at the other end of the room were

oblivious of all save each other. Anne Curwood was still speaking:

"Afterward, Donald, when I was employed by your sister, in Fennimore

Park, I saw you often, but I kept out of sight. I watched you, from

behind the curtain at the door, working in your studio there. You were

rapt, absorbed. I had little fear that you would ever think of the

poor girl who came in to do cleaning.... But every line of your face

grew familiar to me in those days; in those brief moments that I could

snatch from my work--I learned to read your face--I knew when your

work was going well, and rejoiced with you--I saw the light in your

eyes--your smile----It was the thought of making something of myself,

of being someone--someone you would not shudder to look at, that

induced me----"

He turned, and caught her in his arms.

"Mary," he whispered upon her lips. "Mary!"

THE END

* * * * *

BOOKS BY LEE THAYER

Q. E. D.

THAT AFFAIR AT "THE CEDARS"

THE MYSTERY OF THE THIRTEENTH FLOOR

THE SINISTER MARK

THE UNLATCHED DOOR

The sinister mark · 第 29 / 29 章